Jean Baptiste Huet, Design for Trophy with Gardening Tools, n.d., Red chalk on ivory laid paper, tipped onto tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114925

Mary Cassatt, After the Bath, 1901, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/101646

Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109295

Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028

Jean-François Millet, First Steps, c. 1859–66, black chalk and pastel on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138515

Dong Qichang, Mt. Qingbian, 1617, hanging scroll, ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149791

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614

Henri Matisse, Nude in a Folding Chair, c. 1906, Brush and black wash on ivory laid paper, pieced at top edge, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151435

Edgar Degas, Dancers, c. 1896, pastel with charcoal on tracing paper mounted on paper and backed with gray board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95271

Odilon Redon, Orpheus, c. 1903–10, pastel on brown paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108544

Inagaki Tomoo, Cat Making Up, 1962, Ink and pencil on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84181

Hatsuyama Shigeru, Colts, 1948, Colored pencil and ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84187

Henri Matisse, Madame Matisse with Her Fan, 1906, Pen and black ink over graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150816

Justus van Egmont, The Marriage of Zenobia and Odenatus, n.d., Black chalk with brush and brown wash on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110099

Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364

Georges Braque, Bal (recto); Guitar (verso), 1912, Collage composed of charcoal and cut-and-pasted commercially printed tan wove papers (recto) and charcoal (verso) on white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180666

Georges Seurat, At the Concert Parisien, 1887–88, conté crayon heightened with white chalk on cream handmade modern laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135341

Odilon Redon, Vase of Flowers, 1916, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135469

Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197

Carroll Dunham, Untitled 6/20/89, 1989, Green, yellow, and red wax crayon with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190291

François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008

Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189

Terry Winters, [Untitled], 1990, Charcoal, with stumping and erasing, on off-white wove Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113993

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431

Philip Guston, [Untitled], 1976, Pen and ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73468

Justus van Egmont, Zenobia Surrounded by Mounted Soldiers, n.d., Black chalk with brush and brown wash and touches of graphite, on cream laid paper, pieced together and laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110098

Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916

André Derain, Sailboats at Collioure, 1905, Pen and brush and black ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111812

Edgar Degas, Diego Martelli, 1879, charcoal and white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130528

Edgar Degas, Before the Race, c. 1887–89, pastel with charcoal underdrawing on tracing paper mounted on cardboard, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135262

Kanô Yasunobu, School of, Shôki the Demon Queller, from an album of paintings of Shôki, Edo period (1615–1868), Edo period, 18th century, Album; ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35361

Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420

Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937

Odilon Redon, Violette Heymann, 1910, pastel on gray wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148753

Susan Rothenberg, Untitled (Dancer), 1985, Charcoal on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69024

Nancy Spero, Themis, 1979, Collage composed of cut and pasted papers with brush and black ink, metallic paints, and scraping, over traces of graphite, on off-white wove paper and printing in black ink on white wove paper, laid down on cream laid paper (pieced), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/197554

Berthe Morisot, Mademoiselle Louise Riesener in a Hat, c. 1877–80, pastel on pale blue laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135405

François Boucher, Fountain with Two Tritons Blowing Conch Shells, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130150

Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358

Bada Shanren, Fish and Rocks, mid- to late 1600s, Handscroll; ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130497

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

Adrian Piper, Vanilla Nightmares #2, 1986, Charcoal and red crayon, with erasing, on tan wove paper (newsprint), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/119340

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207

Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766

Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127115

Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464