Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663

Caravaggio, The Crucifixion of Saint Andrew, 1606–7, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148758

Giovanni Francesco Toscani, Panel from a Cassone: The Race of the Palio in the Streets of Florence, 1418, tempera and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/97165

Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028

Parri Spinelli, Navicella (recto), c. 1410s, pen and brown ink (iron gall), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136899

Marco d'Oggiono, Portrait of a Youth as Saint Sebastian, late 1480s, oil on wood, transferred to pressed wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153406

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614

Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394

Domenico Campagnola, Saint Jerome in a Landscape, c. 1530, pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111066

Paolo Veronese, Portrait of Agostino Barbarigo, after c. 1571, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109507

Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136390

Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189

Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247

Fra Bartolommeo, Farmhouse on the Slope of a Hill, c. 1508, pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134951

Alessandro Algardi, Portrait of Pope Innocent X Pamphili, designed 1647–48; cast 1650–1700, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134949

Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156

Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583

Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937

Pietro Perugino, Saint Sebastian, c. 1493, metalpoint, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135407

Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169

Master of the First Prayerbook of Maximillian, Hours of Queen Isabella the Catholic, Queen of Spain, c. 1500, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138885

Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767

Raphael, Studies of a Seated Female, Child's Head, and Three Studies of a Baby, c. 1507–8, metalpoint, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149377

Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517

Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766