Master of the Fröndenberg Altarpiece, Coronation of the Virgin, c. 1410, tempera and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111435

Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663

Fra Angelico, Coronation of the Virgin, 1420s, tempera and gold on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124076

Giovanni Francesco Toscani, Panel from a Cassone: The Race of the Palio in the Streets of Florence, 1418, tempera and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/97165

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614

Filippino Lippi, The Holy Family with Saint John the Baptist and Saint Margaret, c. 1488–93, tempera and oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/113202

Albrecht Altdorfer, Salome with the Head of St. John the Baptist, c. 1517, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/126219

Domenico Campagnola, Saint Jerome in a Landscape, c. 1530, pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111066

Albrecht Dürer, Melencolia I, 1514, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108501

Andrea del Sarto, The Sacrifice of Isaac, c. 1527, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117032

Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189

Alessandro Magnasco, Interior of a Synagogue, c. 1725–35, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111691

Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767

Tilman Riemenschneider, Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495, alabaster, traces of polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125103

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

Jacopo Bassano, Lazarus and the Rich Man, c. 1550, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118679

Konrad Laib, Adoration of the Magi, early 1440s, oil on panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/115394

Jacopo del Sellaio, Tarquinius Priscus Entering Rome, c. 1470, tempera on wood, mounted on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122350

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766