Anne Wilson, Dispersions (no. 20), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223145 Zanele Muholi, Tumi Nkopane, KwaThema, Johannesburg, 2013, printed 2014, Gelatin silver print, from "Faces & Phases", Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/225002 Lia Cook, Facing Touch, 2011, Cotton and rayon, weaving on digital hand loom, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/234539 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243195 Liz Deschenes, Untitled (H.B.), 2014, Chromogenic prints (2), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230643 Cauleen Smith, Blues Legacies and Black Feminism, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with watercolor and traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238005 Andrew Lord, woman reclining with candlestick by lamplight, 2017, ceramic, steel rod, gold leaf and epoxy, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241810 Anne Wilson, Dispersions (no. 22), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223146 Desmond Lazaro, Blue and Gold, 2014, Gold leaf over gesso on blue fabric, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223332 Cauleen Smith, Starfish, Sea Urchin, and their Kin, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238023 Andrew Lord, acrobat juggling six balls by moonlight, 2017, ceramic, steel rod, and epoxy, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241807 Zanele Muholi, Matseleng Kgoaripe, Vosloorus, Johannesburg, from the series "Faces & Phases", 2011, printed 2014, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224999 Kemang Wa Lehulere, falling event 10, 2015, Brush and pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228513 Cauleen Smith, The World and Africa, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238011 Kemang Wa Lehulere, falling event 1, 2014, Ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228482 Cauleen Smith, Women, Race & Class, from Human_3.0 Reading List, 2015, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238007 Zanele Muholi, Refilwe Mahlaba, Thokoza, Johannesburg, from the series "Faces & Phases", 2010, printed 2014, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/225001 Andrew Lord, acrobat with Ursa Minor by first light of day, 2017, ceramic, steel rod, gold leaf, and epoxy, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241806 Andrew Lord, man standing juggling three balls by first light of day, 2017, ceramic, steel, epoxy, and gold leaf, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241809 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Mestizo Restaurant (Santiago, Chile), Smiljan Radic, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243193 Walead Beshty, Picture Made by My Hand with the Assistance of Light, 2011, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/211704 Cauleen Smith, Dhalgren, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238008 Zanele Muholi, Bakhambile Skhosana, Natalspruit, from the series "Faces & Phases", 2010, printed 2014, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224998 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243192 Cauleen Smith, More Brilliant than the Sun, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches brush and blue ink and opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238014 Cauleen Smith, Black Skin, White Masks, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238015 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243185 Cauleen Smith, The Black Interior, from Human_3.0 Reading List, 2015, Graphite and watercolor, with touches of brush and blue ink and traces of silver ink, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237996 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Capilla del Retiro (Auco, Chile), Undurraga Devés Arquitectos, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243187 Andrew Lord, man standing juggling three balls by candlelight, 2017, ceramic, steel rod, gold leaf, and epoxy, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241805 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243194 Cauleen Smith, The Fire Next Time, from Human_3.0 Reading List, 2015, Graphite and watercolor, with brush and colored inks and traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237999 Zanele Muholi, Nhlanhla Mofokeng, Katlehong, Johannesburg, from the series "Faces & Phases", 2012, printed 2014, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/225000 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243196 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243186 Cauleen Smith, Camera Lucida, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238000 Cauleen Smith, Archaeologies of the Future, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with touches of opaque watercolor and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238028 Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with watercolor and colored crayons on gray wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246570 Anne Wilson, Dispersions (no. 9), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223144 Kemang Wa Lehulere, falling event 9, 2014, Ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228483 Cauleen Smith, Open Veins of Latin America, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238018 Cauleen Smith, The New Jim Crow, from Human_3.0 Reading List, 2015, Graphite and brush and black and colored inks with touches of brush and silver ink on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237997 Cauleen Smith, Harriet Tubman, from Human_3.0 Reading List, 2016, Graphite and and brush and colored inks with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238029 Cauleen Smith, Things Fall Apart, from Human_3.0 Reading List, 2016, Brush and black, blue, and red inks and watercolor and graphite with traces of acrylic paint and glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237995 Cauleen Smith, The Gift, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238019 Cauleen Smith, The Wretched of the Earth, from Human_3.0 Reading List, 2016, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238016 Cauleen Smith, 25 Kites that Fly, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238026 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243189 Cauleen Smith, Simians, Cyborgs, and Women, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238021 Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223 Zanele Muholi, Ayanda Mqakayi, Nyanga East, Cape Town, from the series "Faces & Phases", 2011, printed 2014, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224997 Cauleen Smith, The Autobiography of Malcolm X, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238020 Cauleen Smith, Black Nature, from Human_3.0 Reading List, 2016, Brush and black and colored inks over graphite on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238012 Cauleen Smith, Blacks, from Human_3.0 Reading List, 2015, Graphite, with brush and orange, yellow and silver inks, on wove graph pape, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238001 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243191 Cauleen Smith, African Fractals, from Human_3.0 Reading List, 2015, Graphite and black colored pencil with brush and orange and yellow inks and watercolor and touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238013 Cauleen Smith, Monument Eternal, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238004 Cauleen Smith, Luz en lo Oscuro, from Human_3.0 Reading List, 2015, Brush and black and colored inks with touches of brush and silver ink on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237998 Kemang Wa Lehulere, Spatial poem reply 2, 2015, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228480 Cauleen Smith, Love & Rockets, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238022 James Bassler, A Weaving, 2012, Cotton, linen, silk, wild silk, nettle fiber (ramie), rayon, and wool, plain weave and slit tapestry weave with eccentric wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228240 R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012, Acrylic, silk-screened tempera, gesso on wood, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217365 Kemang Wa Lehulere, grass greener on the other side 4, 2015, Ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228484 Cauleen Smith, Young British & Black, from Human_3.0 Reading List, 2016, Graphite and bush and colored inks and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238017 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243188 Cauleen Smith, The Sons of the Wind, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238010 Cauleen Smith, Yearning, from Human_3.0 Reading List, 2015/16, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238025 Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with colored crayons, watercolor, and pen and red ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246569 Cauleen Smith, Wild Seed, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238003 Cauleen Smith, Gender Trouble, from Human_3.0 Reading List, 2015, Graphite with red watercolor and blue watercolor with glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238002 Cauleen Smith, Twerk, from Human_3.0 Reading List, 2016, Brush and colored inks over graphite on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238009 David Hartt, Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Fundação Iberê Camargo (Porto Alegre, Brazil), Álvaro Siza, 2018, Archival pigment print mounted to Dibond, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/243190 Cauleen Smith, The Black Jacobins, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches of brush and colored inks and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238027 Kemang Wa Lehulere, Spatial poem reply 1, 2015, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228479 Cauleen Smith, Freedom is a Constant Struggle, from Human_3.0 Reading List, 2015, Brush and black and colored inks and graphite with touches of watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238006 Cauleen Smith, Ain't I a Woman, from Human_3.0 Reading List, 2016, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238024