Alison Rossiter, Tura, Excellent 212, White Charcoal R, Expiration ca. 1980's, Processed in 2007, 2007, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/201235

Horst Ademeit, 4317, January 9, 2001, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216876

Alison Rossiter, Tura, Excellent 212, White Charcoal R, Expiration ca. 1980's, Processed in 2007, 2007, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/201234

Michael Olszewski, The Clearing, 2008, Silk and paper, crochet and crochet variations; appliquéd with silk, plain weaves, some printed, dyed, hole-punched, and discharge dyed and appliquéd with silk, ribbon; embroidered with silk; metal wire wrapped with silk; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217519

Horst Ademeit, 4385, March 18, 2001, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216877

León Ferrari, The Despair of the Outcasts in Hell (La desesperación de los réprobos en el infierno), 2005, Pen and black ink on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230229

Michael Olszewski, Fields, 2004, Two panels: linen, cotton, silk, nylon, polyester, leaf fiber (probably abaca), wool, ramie, synthetic foam, and paper; crochet variations, running stitches and knotting; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217520

Barbara Palzewicz, "Dorothy's Quilt", 2000/01, Appliquéd and embroidered quilt; dyed and printed cotton and polyester plain weave fabrics; cotton embroidery threads; printed, embroidered and edged cotton handkerchiefs, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158445

Horst Ademeit, 4313, December 5, 2000, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216875

León Ferrari, Beginning and End of Ecology (Principio y fin de la ecologia), 2006, Pen and black ink on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230230

Christopher Williams, One of 406 Ceiling Panels (23 3/4 x 23 3/4 inches each). Covered on the back with striped paper (green and white). Each Stripe is 8.7 cm. From “Frost and Defrost: A Work In Situ By Daniel Buren.” Otis Art Institute Gallery, 2401 Wilshire Boulevard, Los Angeles, California. January 28 - March 4, 1979, Hal Glicksman, Gallery Director; Christopher D'Arcangelo, Assistant to Daniel Buren, Photography by the Douglas M. Parker Studio, Los Angeles, California, May 4, 2006, 2006, Chromogenic print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217727

Alison Rossiter, Kodak, Medalist F3, Expires December 1971, Processed in 2008 and Kodak, Medalist G2, Expires March 1971, Processed in 2008, 2008, Gelatin silver photogram (diptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/201218

Alison Rossiter, Tura, Excellent 212, White Charcoal R, Expiration ca. 1980's, Processed in 2007, 2007, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/201236

Horst Ademeit, 4371, March 4, 2001, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216878

Rahul Jain, Panel (Hanging), 2007, Silk, satin weave with two-color supplementary pile warps forming cut velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/195731