Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044

Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415

Joyce Weinstein, Cityscape, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37849

Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835

Allan McCollum, Collection of Thirty Drawings. (No. 14), (1988/1990), Pencil on board in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36490

Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899

Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325

John Baldessari, [Untitled], (1988), Cut-and-taped printed paper with crayon, and ink and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36229

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37732

Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470

Ronald Bladen, Untitled (Abstract Drawing), 1984, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32970

Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37733

Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482

Robert Motherwell, 18 October 1987 Sketchbook #4, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37656

Richard Prince, [Untitled], 1984 and 1990, Pencil and spray paint on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34782

Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699

Tom Otterness, The European Notebook, 1983, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35244

Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836

Paul McCarthy, Father with Shiny Shoes, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35001

Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328

Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387

Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314

Raymond Pettibon, No Title (I Hope Mother...), 1982, Ink and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33129

Louise Bourgeois, Hold Up, 1989, Suspender sewn on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35025

Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37730

Keith Haring, [Untitled], 1982, Ink on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37162

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37318

Jay Smith, Pink pleated bustier with ruffled hem, 1980s, cotton twill, synthetic crin, plastic, metal, and synthetic felt; Length (bust to hem): 17in (43.2 cm); Width (bust): 32 in. (81.3 cm); Waist: 25 1/2 in. (64.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1747135278264-1747135281222-1

Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38471

Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913

Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126

Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825

Richard Serra, Pittsburgh, (1985), Paintstik on paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33668

Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469

Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146

Raymond Pettibon, No Title (With his unshrinking...), 1987, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35571

Vito Acconci, Instant House #2, Drawing, 1980, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33062

Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613

M. Julian, Black and red leather jacket worn by Kurtis Blow, 1981, leather, synthetic fiber, metal, and elastic; H x W (flat): 26 × 23 in. (66 × 58.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750083-0

Jasper Johns, [Untitled], 1983, Ink on plastic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34557

Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500

Richard Prince, Untitled ("A couple is driving..."), 1987, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34749

George Condo, [Untitled], 1989, Pastel and charcoal on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35614

Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248

Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496

Yvonne Jacquette, Verrazano Composite I, 1980, Crayon and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33660

Raymond Pettibon, No Title (Sweet ether. To...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33796

Robert Motherwell, 18 October 1987 Sketchbook #16, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37667

Richard Prince, Untitled ("My father was never home..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34748

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621

Robert Morris, Proposal for Anchorange Historical and Fine Arts Museum, Anchorage, Alaska, 1983, Brown ink and wash on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34036

Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900

Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564

Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635

Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633

Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768

Carole Seborovski, Layered Rectangles, 1987, Cut-and-pasted paper on paper with charcoal on layered paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35399

Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547

Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305

Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310

Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907

Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281

Jasper Johns, Perilous Night, 1982, Higgins ink on frosted mylar, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90300

Robert Motherwell, 18 October 1987 Sketchbook #22, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37678

Robert Motherwell, 18 October 1987 Sketchbook #13, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37664

Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290

Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35362

Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775

Robert Motherwell, 18 October 1987 Sketchbook #17, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37670

John Baldessari, Buildings=Guns=People:  Desire, Knowledge, and Hope (with Smog).  Study for Mural, Carnegie International, 1985, Cut-and-pasted paper with pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36184

Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166

Roni Horn, Untitled 683, 1986, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37475

H. C. Westermann, Jack of Diamonds, 1981, Galvanized wire lath, galvanized sheet metal, galvanized corner beading, oak, pine, vermillion, and brass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270958

Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248

Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074

John Pearson, Doubts #1: Reassess, 1985, Pastel, conté crayon, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34202

Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648

Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930

Sean Scully, Untitled 11.7.88, 1988, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35699

Michelle Stuart, Islas Encantadas Series: Materia Prima I, 1981, Earth from site (Galapagos Islands), graphite, and gelatin silver print on pieced paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35369

Robert Motherwell, 18 October 1987 Sketchbook #20, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37676

Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753

Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712

Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804

John Baldessari, [Untitled], (1986), Pencil on cut-and-taped graph paper with colored crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36205

Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953

Joel Shapiro, [Untitled], (1981), Charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36660

Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091

Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38730

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37319

Vija Celmins, Alliance, 1983, Aquatint, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01161

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37734

David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535

George Condo, [Untitled], 1985, Charcoal, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35606

William Anastasi, 60 Minutes, 1987, Pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33397

Carroll Dunham, Untitled 6/20/89, 1989, Green, yellow, and red wax crayon with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190291

Alex Katz, Sylvie, 1988, Charcoal and pencil on perforated colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36314

Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125

John Baldessari, [Untitled], 1989, Cut-and-taped colored plastic sheet and cut-and-taped printed paper with crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36244

Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471

Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615

Jackie Ferrara, D71 Wall Corner and Floor, 1983, Pencil, colored pencil, and felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36581

Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093

Jasper Johns, [Untitled], 1986, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36289

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37736

Jim Shaw, Stinking with Sin, (1981), Pencil and airbrush on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33353

Robert Wilson, Design for the play The Golden Windows, (1982), Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34843

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37728

Tom Otterness, The European Notebook, 1984, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35236

Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828

Leon Polk Smith, [Untitled], 1980, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33736

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087

Troy Brauntuch, [Untitled], 1981, White pencil on three sheets of black construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37721

Alex Katz, Design for the dance Water Music, (c. 1980), Felt-tip pen and crayon on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36923

Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970

Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980

Stuart Diamond, Human/Nature, 1988, Charcoal, pastel and metallic powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36116

Joel Shapiro, [Untitled], (1988), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36348

James Rosenquist, Fahrenheit 1982°, 1982, Ink and pencil on synthetic polymer sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36333

Jenny Holzer, LAMENTS: THE NEW DISEASE CAME..., (1988–89), Ink transfer and pencil on transparentized paper in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37309

Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483

Yvonne Jacquette, Diptych: Two Views from the Empire State Building, (1980), Each: Pastel on plastic vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37831

Christopher Wilmarth, [Untitled], 1987, Graphite, graphite wash, gesso and rabbit-skin glue on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35729

Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203

Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660

Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37731

Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345

Richard Prince, Untitled ("I've been married..."), 1986, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34747

Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017

James Rosenquist, Digits from the Wildwood, 1984, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33524

William Tucker, Study for Sculpture, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35720

John Baldessari, [Untitled], 1985, Crayon on printed paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36198

Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975

Robert Motherwell, 18 October 1987 Sketchbook #7, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37660

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090

Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018

Edward Ruscha, Hollywood is a Verb, 1983, Dry pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34112

Mike Kelley, Monkey Island: Travelogue, 1982–83, Felt-tip pen on nine pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34990

Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743

Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626

Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991

Alan Saret, Jack Common Spring Entering, 1983, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36652

James Rosenquist, Hand Towel, 1984, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35361

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299

Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608

Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824

Pat Steir, [Untitled], (1985), Graphite, powdered graphite, charcoal, gesso, pencil, and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37050

Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330

Frederick Jones, Red straw hat with heart shaped brim, 1980s-1990s, straw, synthetic petersham ribbon, and adhesive; H x W x D x C: 6 × 16 1/2 × 15 × 22 in. (15.2 × 41.9 × 38.1 × 55.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1754382679069-1754382682074-0

Michael Graves, Set design for the ballet Fire, 1982, Colored pencil and pencil on colored transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34495

Ellsworth Kelly, Tulip, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33675

Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829

Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255

Louise Nevelson, Unbound plate from Nevelson's World, 1983, Screenprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18247

Robert Motherwell, 18 October 1987 Sketchbook #25, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37679

Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468

Alan Saret, Mild Thunder Entering, 1983, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36655

David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828

Robert Rauschenberg, Rush 16 (Cloister), 1980, Transfer drawing, cut-and-pasted printed paper and cut-pasted fabric on painted wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35814

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638

Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979

Roni Horn, AS IV, 1987, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33198

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092

Allen Ruppersberg, Drawn from Life, 1981, Pencil and paint on board on velvet in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37487

Bruce Nauman, Face Mask, 1981, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35171

Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35368

Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005

Susan Rothenberg, [Untitled], 1984, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33530

Susan Rothenberg, Untitled (Dancer), 1985, Charcoal on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69024

Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837

Mel Bochner, Via Vanvitelli, 1987, Charcoal on four sheets of colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37303

Brice Marden, St. Barts 10, 1989–91, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35286

Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181

Robert Morris, Untitled from the Firestorm series, 1982, Charcoal, ink, graphite, and airbrushed pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36279

Richard Diebenkorn, Untitled (Ocean Park), 1986, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36263

Robert Morris, Blind Time III, 1985, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36976

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon and pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37317

Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468

Paul McCarthy, Father Operation with Dog, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35000

Jake Berthot, For Adorno #5, (1989), Ink on torn paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35581

Jim Dine, Cold Key West Winter, Summer 1983, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37729

Jake Berthot, For Adorno #4, (1989), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35580

Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264

Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320

Susan Rothenberg, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34806

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37735

Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626

Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422

Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823

Raymond Pettibon, No Title (Learning to talk...), 1989, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33804

Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831

Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38469

Vija Celmins, Drypoint - Ocean Surface, 1983, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00467

Robert Motherwell, The Red and Black #51, 1987, Torn-and-pasted printed paper and handwritten music on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37697

Raymond Pettibon, No Title (Dumped in Arizona...), 1984, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35558

Robert Motherwell, 18 October 1987 Sketchbook #18, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37673

Tom Levine, Opus 67 No. 1, 1987, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35267

Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37315

Robert Gober, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34687

Martin Puryear, [Untitled], 1989, Pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37214

Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089

Martin Puryear, Malediction, 1989, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37207

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635

David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807

Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827

Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833

Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750

Richard Serra, Egypt, (1989), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35380

Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826

Vija Celmins, Constellation - Uccello, 1983, Aquatint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00606

Jim Dine, Cold Key West Winter, 1981, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37726

Kikuo Saito, [Untitled], 1980, Handmade paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37092

John Baldessari, [Untitled], (1989), Crayon on cut-and-taped printed paper on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36237

Jasper Johns, Spring, 1986, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35552

James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264

Bruce Nauman, Model for Animal Pyramid II, 1989, Cut-and-taped gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34726

Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304

Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426

Elizabeth Murray, Popeye, 1982, Pastel and charcoal on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36630

Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832

Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332

Win Knowlton, Plowman, 1984, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33619

Alan Cote, Bright Light, 1980, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36899

John Baldessari, [Untitled], (1986), Crayon and pressure-sensitive stickers on synthetic polymer sheet overlay on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36222

Christopher Wool, [Untitled], 1989, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36509

James Rosenquist, Drawing of Leakey, Ride for Dr. Leakey, 1985, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37021

H. C. Westermann, Death Ship, Out of San Pedro, Adrift, 1980, Ebony, brass, copper, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270951

Paul McCarthy, Blessing, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34999

Louise Bourgeois, [Untitled], 1989, Ink, charcoal, and crayon on burned paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35104

Richard Prince, Untitled ("I wasn't invited here..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34751

Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273

Raymond Pettibon, No Title (With all the...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33799

Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630

Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204

Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38729

Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432

Christopher Wool, [Untitled], 1986, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35386

Claes Oldenburg, Characters and Props from "Il Corso del Coltello" Along the Canale do San Marco, Coltello Ship in "Background - Version II", 1986, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37885

Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616

Richard Prince, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34769

Goldenvoice, Flier for The Beastie Boys with Fishbone at the Hollywood Palladium, February 7, 1987, ink on paper (fiber product); H x W: 8 3/8 × 10 13/16 in. (21.2 × 27.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752626-0