Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044 Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415 Joyce Weinstein, Cityscape, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37849 Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835 Allan McCollum, Collection of Thirty Drawings. (No. 14), (1988/1990), Pencil on board in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36490 Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297 Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899 Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325 John Baldessari, [Untitled], (1988), Cut-and-taped printed paper with crayon, and ink and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36229 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37732 Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470 Ronald Bladen, Untitled (Abstract Drawing), 1984, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32970 Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37733 Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482 Robert Motherwell, 18 October 1987 Sketchbook #4, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37656 Richard Prince, [Untitled], 1984 and 1990, Pencil and spray paint on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34782 Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699 Tom Otterness, The European Notebook, 1983, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35244 Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836 Paul McCarthy, Father with Shiny Shoes, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35001 Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328 Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387 Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314 Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881 Raymond Pettibon, No Title (I Hope Mother...), 1982, Ink and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33129 Louise Bourgeois, Hold Up, 1989, Suspender sewn on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35025 Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37730 Keith Haring, [Untitled], 1982, Ink on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37162 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37318 Jay Smith, Pink pleated bustier with ruffled hem, 1980s, cotton twill, synthetic crin, plastic, metal, and synthetic felt; Length (bust to hem): 17in (43.2 cm); Width (bust): 32 in. (81.3 cm); Waist: 25 1/2 in. (64.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1747135278264-1747135281222-1 Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38471 Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913 Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126 Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825 Richard Serra, Pittsburgh, (1985), Paintstik on paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33668 Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469 Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146 Raymond Pettibon, No Title (With his unshrinking...), 1987, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35571 Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318 Vito Acconci, Instant House #2, Drawing, 1980, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33062 Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613 M. Julian, Black and red leather jacket worn by Kurtis Blow, 1981, leather, synthetic fiber, metal, and elastic; H x W (flat): 26 × 23 in. (66 × 58.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750083-0 Jasper Johns, [Untitled], 1983, Ink on plastic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34557 Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500 Richard Prince, Untitled ("A couple is driving..."), 1987, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34749 George Condo, [Untitled], 1989, Pastel and charcoal on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35614 Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248 Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496 Yvonne Jacquette, Verrazano Composite I, 1980, Crayon and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33660 Raymond Pettibon, No Title (Sweet ether. To...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33796 Robert Motherwell, 18 October 1987 Sketchbook #16, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37667 Richard Prince, Untitled ("My father was never home..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34748 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621 Robert Morris, Proposal for Anchorange Historical and Fine Arts Museum, Anchorage, Alaska, 1983, Brown ink and wash on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34036 Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900 Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564 Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635 Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633 Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768 Carole Seborovski, Layered Rectangles, 1987, Cut-and-pasted paper on paper with charcoal on layered paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35399 Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547 Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305 Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310 Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907 Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281 Jasper Johns, Perilous Night, 1982, Higgins ink on frosted mylar, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90300 Robert Motherwell, 18 October 1987 Sketchbook #22, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37678 Robert Motherwell, 18 October 1987 Sketchbook #13, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37664 Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290 Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35362 Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775 Robert Motherwell, 18 October 1987 Sketchbook #17, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37670 John Baldessari, Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog). Study for Mural, Carnegie International, 1985, Cut-and-pasted paper with pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36184 Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166 Roni Horn, Untitled 683, 1986, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37475 H. C. Westermann, Jack of Diamonds, 1981, Galvanized wire lath, galvanized sheet metal, galvanized corner beading, oak, pine, vermillion, and brass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270958 Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248 Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074 John Pearson, Doubts #1: Reassess, 1985, Pastel, conté crayon, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34202 Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648 Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930 Sean Scully, Untitled 11.7.88, 1988, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35699 Michelle Stuart, Islas Encantadas Series: Materia Prima I, 1981, Earth from site (Galapagos Islands), graphite, and gelatin silver print on pieced paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35369 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Robert Motherwell, 18 October 1987 Sketchbook #20, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37676 Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753 Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324 Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712 Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804 John Baldessari, [Untitled], (1986), Pencil on cut-and-taped graph paper with colored crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36205 Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953 Joel Shapiro, [Untitled], (1981), Charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36660 Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091 Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38730 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37319 Vija Celmins, Alliance, 1983, Aquatint, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01161 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37734 David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535 George Condo, [Untitled], 1985, Charcoal, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35606 William Anastasi, 60 Minutes, 1987, Pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33397 Carroll Dunham, Untitled 6/20/89, 1989, Green, yellow, and red wax crayon with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190291 Alex Katz, Sylvie, 1988, Charcoal and pencil on perforated colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36314 Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125 John Baldessari, [Untitled], 1989, Cut-and-taped colored plastic sheet and cut-and-taped printed paper with crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36244 Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471 Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615 Jackie Ferrara, D71 Wall Corner and Floor, 1983, Pencil, colored pencil, and felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36581 Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093 Jasper Johns, [Untitled], 1986, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36289 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37736 Jim Shaw, Stinking with Sin, (1981), Pencil and airbrush on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33353 Robert Wilson, Design for the play The Golden Windows, (1982), Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34843 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37728 Tom Otterness, The European Notebook, 1984, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35236 Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828 Leon Polk Smith, [Untitled], 1980, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33736 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087 Troy Brauntuch, [Untitled], 1981, White pencil on three sheets of black construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37721 Alex Katz, Design for the dance Water Music, (c. 1980), Felt-tip pen and crayon on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36923 Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970 Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980 Stuart Diamond, Human/Nature, 1988, Charcoal, pastel and metallic powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36116 Joel Shapiro, [Untitled], (1988), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36348 James Rosenquist, Fahrenheit 1982°, 1982, Ink and pencil on synthetic polymer sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36333 Jenny Holzer, LAMENTS: THE NEW DISEASE CAME..., (1988–89), Ink transfer and pencil on transparentized paper in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37309 Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483 Yvonne Jacquette, Diptych: Two Views from the Empire State Building, (1980), Each: Pastel on plastic vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37831 Christopher Wilmarth, [Untitled], 1987, Graphite, graphite wash, gesso and rabbit-skin glue on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35729 Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203 Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660 Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37731 Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345 Richard Prince, Untitled ("I've been married..."), 1986, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34747 Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017 James Rosenquist, Digits from the Wildwood, 1984, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33524 William Tucker, Study for Sculpture, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35720 John Baldessari, [Untitled], 1985, Crayon on printed paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36198 Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312 Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975 Robert Motherwell, 18 October 1987 Sketchbook #7, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37660 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090 Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018 Edward Ruscha, Hollywood is a Verb, 1983, Dry pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34112 Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220 Mike Kelley, Monkey Island: Travelogue, 1982–83, Felt-tip pen on nine pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34990 Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743 Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626 Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991 Alan Saret, Jack Common Spring Entering, 1983, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36652 James Rosenquist, Hand Towel, 1984, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35361 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299 Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608 Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824 Pat Steir, [Untitled], (1985), Graphite, powdered graphite, charcoal, gesso, pencil, and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37050 Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893 Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330 Frederick Jones, Red straw hat with heart shaped brim, 1980s-1990s, straw, synthetic petersham ribbon, and adhesive; H x W x D x C: 6 × 16 1/2 × 15 × 22 in. (15.2 × 41.9 × 38.1 × 55.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1754382679069-1754382682074-0 Michael Graves, Set design for the ballet Fire, 1982, Colored pencil and pencil on colored transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34495 Ellsworth Kelly, Tulip, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33675 Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829 Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255 Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271 Louise Nevelson, Unbound plate from Nevelson's World, 1983, Screenprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18247 Robert Motherwell, 18 October 1987 Sketchbook #25, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37679 Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468 Alan Saret, Mild Thunder Entering, 1983, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36655 Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828 Robert Rauschenberg, Rush 16 (Cloister), 1980, Transfer drawing, cut-and-pasted printed paper and cut-pasted fabric on painted wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35814 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638 Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979 Roni Horn, AS IV, 1987, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33198 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092 Allen Ruppersberg, Drawn from Life, 1981, Pencil and paint on board on velvet in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37487 Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304 Bruce Nauman, Face Mask, 1981, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35171 Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35368 Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005 Susan Rothenberg, [Untitled], 1984, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33530 Susan Rothenberg, Untitled (Dancer), 1985, Charcoal on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69024 Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837 Mel Bochner, Via Vanvitelli, 1987, Charcoal on four sheets of colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37303 Brice Marden, St. Barts 10, 1989–91, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35286 Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181 Robert Morris, Untitled from the Firestorm series, 1982, Charcoal, ink, graphite, and airbrushed pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36279 Richard Diebenkorn, Untitled (Ocean Park), 1986, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36263 Robert Morris, Blind Time III, 1985, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36976 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon and pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37317 Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468 Paul McCarthy, Father Operation with Dog, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35000 Jake Berthot, For Adorno #5, (1989), Ink on torn paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35581 Jim Dine, Cold Key West Winter, Summer 1983, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37729 Jake Berthot, For Adorno #4, (1989), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35580 Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264 Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320 Susan Rothenberg, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34806 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37735 Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985 Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626 Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422 Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823 Raymond Pettibon, No Title (Learning to talk...), 1989, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33804 Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831 Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38469 Vija Celmins, Drypoint - Ocean Surface, 1983, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00467 Robert Motherwell, The Red and Black #51, 1987, Torn-and-pasted printed paper and handwritten music on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37697 Raymond Pettibon, No Title (Dumped in Arizona...), 1984, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35558 Robert Motherwell, 18 October 1987 Sketchbook #18, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37673 Tom Levine, Opus 67 No. 1, 1987, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35267 Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37315 Robert Gober, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34687 Martin Puryear, [Untitled], 1989, Pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37214 Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089 Martin Puryear, Malediction, 1989, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37207 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635 David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807 Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827 Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833 Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750 Richard Serra, Egypt, (1989), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35380 Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826 Vija Celmins, Constellation - Uccello, 1983, Aquatint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00606 Jim Dine, Cold Key West Winter, 1981, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37726 Kikuo Saito, [Untitled], 1980, Handmade paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37092 John Baldessari, [Untitled], (1989), Crayon on cut-and-taped printed paper on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36237 Jasper Johns, Spring, 1986, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35552 James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264 Bruce Nauman, Model for Animal Pyramid II, 1989, Cut-and-taped gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34726 Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304 Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426 Elizabeth Murray, Popeye, 1982, Pastel and charcoal on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36630 Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832 Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332 Win Knowlton, Plowman, 1984, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33619 Alan Cote, Bright Light, 1980, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36899 John Baldessari, [Untitled], (1986), Crayon and pressure-sensitive stickers on synthetic polymer sheet overlay on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36222 Christopher Wool, [Untitled], 1989, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36509 James Rosenquist, Drawing of Leakey, Ride for Dr. Leakey, 1985, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37021 H. C. Westermann, Death Ship, Out of San Pedro, Adrift, 1980, Ebony, brass, copper, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270951 Paul McCarthy, Blessing, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34999 Louise Bourgeois, [Untitled], 1989, Ink, charcoal, and crayon on burned paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35104 Richard Prince, Untitled ("I wasn't invited here..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34751 Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273 Raymond Pettibon, No Title (With all the...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33799 Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630 Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204 Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38729 Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432 Christopher Wool, [Untitled], 1986, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35386 Claes Oldenburg, Characters and Props from "Il Corso del Coltello" Along the Canale do San Marco, Coltello Ship in "Background - Version II", 1986, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37885 Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616 Richard Prince, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34769 Goldenvoice, Flier for The Beastie Boys with Fishbone at the Hollywood Palladium, February 7, 1987, ink on paper (fiber product); H x W: 8 3/8 × 10 13/16 in. (21.2 × 27.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752626-0