Franz Hitzler, [Untitled], 1987, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33454

Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044

Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415

Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297

Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325

José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634

Gego (Gertrud Goldschmidt), Drawing Without Paper 85.22 (Dibujo sin papel 85.22), 1985, Aluminum, steel wire, screws, wooden pins, iron rods, and coiled springs, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224867

Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699

Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722

Franz Hitzler, [Untitled], 1987, Gouache, ink, and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33479

Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328

Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387

Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314

Joseph Beuys, Coyote I, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00695

Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713

Gerhard Richter, G.A.2 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33515

Rosemarie Trockel, [Untitled], 1983, Watercolor and synthetic polymer paint on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35437

Gerhard Richter, 24.6.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35689

Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913

Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126

José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601

Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146

Gerhard Richter, G.A.4 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33517

Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613

Joseph Beuys, Fight, 1980, Collage, oil and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00688

Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500

Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248

Gerhard Richter, [Untitled], 1985, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00346

Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496

Arch Connelly, Chip, 1982, Acrylic, faux pearls, costume jewelry on papier-mâché, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233491

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621

Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34088

Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564

Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635

Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633

Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768

Wolfgang Laib, [Untitled], 1983, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36068

Sigmar Polke, [Untitled], 1983, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35327

Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547

Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305

Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310

Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907

Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281

Rosemarie Trockel, [Untitled], 1983, Oil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35421

Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290

Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775

Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761

Anselm Kiefer, Birth of Painting (Nascita della Pittura), (1981), Synthetic polymer paint and oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36182

Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166

Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248

Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074

Martin Kippenberger, Untitled (Self-Portrait), 1988, Watercolor, gouache, pastel, blue and black ballpoint pens, and silver paint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158898

Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648

Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930

A.R. Penck (Ralf Winkler), [Untitled], c. 1980–81, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35366

Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618

Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753

Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324

Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712

Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804

Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953

Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091

Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712

Gerhard Richter, 2.3.86, 1986, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33661

David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535

Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125

Gerhard Richter, G.A.5 (17.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33518

Bryde Glynn, Glimpses of Ireland, 1984, Appliquéd, pieced and embroidered quilt; dyed plain and twill weave fabrics of wool, silk, cotton, linen, polyester, rayon, nylon and acrylic in single and multi-fiber blends; cotton and polyester embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180161

Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615

Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093

Markus Lüpertz, [Untitled], 1980, Charcoal, gouache, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35763

Sigmar Polke, o.T. COLOR TEST, BLUE (o.T. FARBPROBE, BLAU), 1984, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33178

Ana Mendieta, Untitled (Amategram), 1981–82, Acrylic paint on amate (Mexican bark paper), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111850

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087

Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970

Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980

Anselm Kiefer, Urd Werdande Skuld (The Norns), 1983, Oil paint, shellac, emulsion and fibre on canvas, Tate, London. https://dartabase.art/cite/tate/AR00036

Franz Hitzler, [Untitled], 1987, Gouache, watercolor, pencil, oilstick, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33488

Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711

Franz Hitzler, [Untitled], 1987, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33467

Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203

Anselm Kiefer, Auszug aus Aegypten (Departure from Egypt), 1984, Synthetic polymer paint, charcoal, and string on cut-and-pasted gelatin silver on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34137

Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660

Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634

Rosemarie Trockel, [Untitled], 1983, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35431

Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34111

Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090

Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018

Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157

Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743

Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626

Joseph Beuys, Coyote II, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00694

Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299

Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297

Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608

Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893

Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330

Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255

Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271

Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468

David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638

José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616

Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092

Gerhard Richter, 11.4.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35677

Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005

John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453

Georg Baselitz, Where is the Yellow Milkjug, Mrs Bird?, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00032

Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34233

Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181

Gerhard Richter, 7.4.89, 1989, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35374

Gerhard Richter, 22.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36334

Gerhard Richter, G.A.3 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33516

Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710

Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264

Thomas Schütte, Sieben Felder (Seven Fields), 1989, .a and .e) Watercolor, felt-tip pen, gouache and pencil on paper; .b and .c) Watercolor, felt-tip pen and gouache on paper; .d and .f) Watercolor and ink on paper; .g) Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37335

Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320

Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626

Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422

Sigmar Polke, [Untitled], 1983, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36633

Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298

Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504

Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906

Gerhard Richter, G.A.1 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33513

Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089

Anselm Kiefer, Palette, 1981, Oil paint, shellac, emulsion, paper and nails on canvas, Tate, London. https://dartabase.art/cite/tate/AR00613

Rosemarie Trockel, [Untitled], 1983, Watercolor on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35413

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635

David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807

Gerhard Richter, 28.2.88, 1988, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35509

Gerhard Richter, 23.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36341

Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750

Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35425

James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264

Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304

Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426

Georg Baselitz, Folkdance Melancholia, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00031

Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332

Francis Bacon, Second Version of Triptych 1944, 1988, Oil paint and acrylic paint on 3 canvases, Tate, London. https://dartabase.art/cite/tate/T05858

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34099

Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273

Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719

Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630

Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204

Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432

Franz Hitzler, [Untitled], 1987, Crayon, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33460

Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616