Roy Lichtenstein, Study for Bull VI, 1973, Cut-and-pasted printed and painted paper, ink, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35750

Roy Lichtenstein, Study for Bull II, 1973, Cut-and-pasted printed and painted paper, ink, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35708

Josef Albers, Portfolio 2, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12210

Nancy Graves, Untitled Notebook, 1970, Felt-tip pen, ballpoint pen, ink, pencil, watercolor and typewritten pages in spiral ring notebook with additional loose sheets, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36873

Sylvia Plimack Mangold, Study for Two Exact Rules on a Diminishing Floor Plane, 1976, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38302

Josef Albers, Portfolio 2, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12203

Josef Albers, Portfolio 2, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12208

Robert Motherwell, The Widow, 1976, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37737

Alan Cote, [Untitled], (1978), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36062

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38511

Mel Bochner, "8" Branch from Counting Alternative Series (The Wittgenstein Illustrations), (1971), Felt-tip pen, colored pencil, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37474

Paul Thek, Untitled (Exploding Bowl of Cherries), 1974–75, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37255

Vito Acconci, Corrections, 1972, Cut-and-pasted gelatin silver prints and crayon on black paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33704

Joseph Piccillo, Study (Untitled), 1977, Carbon pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37958

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9395

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38522

Robert Smithson, Spiraling Jetty, (c. 1970), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38537

Robert Smithson, Spiral Jetty in Red Salt Water, (c. 1970), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38536

Robert Smithson, Untitled (Three Spiral Jetty Drawings), (c. 1970), Pencil on three sheets of graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38539

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38519

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38521

Ted Stamm, [Untitled], 1974, Synthetic polymer paint, torn shopping bag, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36664

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77077

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9384

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07726

James Wyeth, Andy Warhol, (1976), Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33341

Josef Albers, Portfolio 1, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12158

Mel Bochner, Mental Exercise: Estimating a Centered Vertical, 1972, Pencil, colored pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37445

Robert Morris, Blind Time XIII, 1973, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36080

Josef Albers, Portfolio 1, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12155

Communist Cadre, Flyer advertising demonstration in support of liberating Southern Africa, March 1976, ink on paper; H x W (Sheet): 11 × 8 1/2 in. (27.9 × 21.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750576-1

Bill Beckley, Hot and Cold Faucets with Drain, 1975, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37710

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07727

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9380

John Cage, Untitled (letter/drawing), 1975, Typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37757

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9376

Josef Albers, Portfolio 1, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12138

Josef Albers, Portfolio 2, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12207

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9370

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38493

Guild Guitar Company, Guild Thunderbass amplifier, before 1978, plastic , metal , wood , cloth , plant fiber; H x W x D: 12 x 21 1/2 x 12 1/4 in. (30.5 x 54.6 x 31.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746536-0

Bruce Nauman, Untitled (Study for Perfect Door, Perfect Odor, Perfect Rodo), 1973, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38098

Ted Stamm, [Untitled], 1979, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36677

Mel Bochner, 5 + 5, 1976, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38406

Josef Albers, Portfolio 1, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12156

Leon Polk Smith, [Untitled], 1979, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33746

Chryssa, [Untitled], 1973, Pencil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37142

Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36895

Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36902

Jim Amaral, [Untitled], 1971, Pencil, watercolor, and gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35797

Edda Renouf, Structure Change IV, 1973, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38320

Josef Albers, Portfolio 1, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12135

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9391

Brice Marden, Annunciation Study I, 1978, Pencil and beeswax on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38276

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38479

Fred Sandback, Study for a Sculpture, 1971, Pencil and white ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36121

Peter Caldwell Millett, Poncho Drawing, (1977), Torn and pasted paper, wool yarn, watercolor, ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36043

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07732

Bob Duran, Untitled (No. 206), 1977, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35865

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34874

Nancy Graves, Arctic Ocean Floor, Barometric Curves, 1972, Ink, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33955

Melvin Edwards, Chains and Things, 1970, Metallic and pigmented spray paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36663

Vija Celmins, Untitled (Ocean), 1970, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37431

Yvonne Jacquette, Industrial Area, Queens, (1976), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38291

Josef Albers, Portfolio 1, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12152

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77076

David Ligare, SDX #31, (1973), Pencil, synthetic polymer paint, and aluminum powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36060

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07733

Mel Bochner, Mental Exercise: Estimating a Corner to Corner Diagonal, 1972, Pencil, colored pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37460

Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38517

Robert Motherwell, Medusa #4, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37691

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07734

Sylvia Plimack Mangold, Study for Floor with Horizontal Mirror, 1973, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38554

Robert Motherwell, Medusa #6, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37693

William T. Wiley, Thank-You Palette for New York, (1978), Watercolor, pencil, and colored chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38069

Robert Morris, Section of an Enclosure, 1971, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36076

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07725

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38480

Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38510

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38483

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38488

Alfred Leslie, Constance Leslie, 1976, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35007

Joel Shapiro, [Untitled], (1979), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38347

James Rosati, Construction, 1976, Cut-and-pasted ragboard on masonite and grayboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36072

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9373

Mel Bochner, Continuous/Discontinuous Re-Placements, 1972, Felt-tip pen and pencil on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36274

Richard Serra, Heir, 1973, Paintstik and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34214

Josef Albers, Portfolio 2, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12211

Edward Ruscha, Thick Blocks of Musical Fudge, 1976, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36656

Edda Renouf, Points VI (A-Outward), 1973, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34161

William Allan, Rainbow Trout Head - Hauser Lake Montana, (1972), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33716

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07728

Edward Ruscha, DIRTY BABY, 1977, Graphite and acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00058

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38477

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38520

Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38524

Brice Marden, [Untitled], 1970–72, Pencil and beeswax on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35277

Lloyd Goldsmith, View in Brooklyn, 1975, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37136

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38514

Pat Steir, Black and White Series of Four, (1975), Pencil, crayon, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37187

Patti Smith, Portrait of Robert Mapplethorpe for Robert Miller, (1978), Pencil and colored pencil on illustration board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38116

Robert Ryman, Untitled, Bruxelles, 1974, Polymer paint on vinyl mounted on composite board, Tate, London. https://dartabase.art/cite/tate/AR00343

Edward Ruscha, Miracle #64, 1975, Zinc oxide and pastel on paper, Tate, London. https://dartabase.art/cite/tate/AR00052

Jim Dine, Self-Portrait in a Flat Cap (Winter), first state, 1974, Etching in black on ivory handmade paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48324

Sol LeWitt, Vertical and Horizontal Lines, 1970, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35137

Jene Highstein, [Untitled], 1979, Oilstick and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33652

Lucio Pozzi, 8 May 1973, 1973, Charcoal, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37148

Will Insley, Mountain Isometric, 1972, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38230

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77073

Josef Albers, Portfolio 1, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12154

Susan Rothenberg, Untitled Drawing, No. 41, 1977, Synthetic polymer paint, gouache, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35044

William T. Wiley, Self-Portrait in New York, 1976, Crayon, charcoal, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38071

Dorothea Rockburne, Drawing Which Makes Itself: Neighbourhood, 1973, Transparentized paper, pencil, colored pencil, and felt-tip pen on wall, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36066

Joshua Neustein, Untitled from the Carbon Series, c. 1970s, Incised carbon paper over paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36638

Dennis Evans, Composition for 100 Discrete Rain Events, 1976, Ink, gouache, and thumbprint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35884

Josef Albers, Portfolio 2, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12199

Bill Jensen, Drawing for Crown of Thorns, 1975–76, Egg tempera, gouache, pastel, charcoal, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36605

John Chamberlain, Untitled (MAAB #315), 1971, Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36925

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38476

Dorothea Rockburne, [Untitled], (1972), Oil stain on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37847

Robert Overby, Sketchbook, 1974, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38533

Robin Winters, Metropolitan Acquaintances, (1974), Pencil on tea-stained papers, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34432

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9385

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38481

Robert Overby, Sketchbook, 1970, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38475

Minnie Evans, [Untitled], c. 1973, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33543

Mel Bochner, Mental Exercise: Estimating a Circle, 1972, Pencil, colored pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37453

Joshua Neustein, Erased Connection, (1974), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33428

Donald Judd, [Untitled], 1971, Felt-tip pen on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37612

Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073

Robert Overby, Untitled (14 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38518

Susan Rothenberg, Untitled Drawing, No. 44, 1977, Acrylic, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36479

Josef Albers, Portfolio 2, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12195

Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38503

Philip Pearlstein, Two Models, 1975, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34910

Philip Guston, Untitled (Rome), 1971, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35508

Barry Le Va, Accumulated Vision (Separates): Length Ration (In Perspective) #III, 1975, Ink and colored pencil on gray paper overlaid with vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33494

Bernard Joubert, [Untitled], 1973, Chalk and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36030

Josef Albers, Portfolio 1, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12157

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77082

Edward Ruscha, DANCE?, 1973, Coffee, egg white, mustard and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00046

Robert Motherwell, Drunk with Turpentine #70, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37652

Robert Smithson, Spirals, 1970, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38538

John Freeman, Untitled: From Muskhogee System. (Westinghouse), 1970, Colored and black felt-tip pen on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34961

David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35894

Vija Celmins, Untitled Portfolio: Galaxy, 1975, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00605

John Freeman, Untitled: From Chickasaw Series. (Grimes Manufacturing), (1970), Colored felt-tip pen on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34947

Josef Albers, Portfolio 1, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12145

Frederick Wardy, New York, No. 49, (1974), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35086

Roy Lichtenstein, Study for Bull III, 1973, Cut-and-pasted printed and painted paper, ink, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35719

Josef Albers, Portfolio 1, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12167

Angelo Ippolito, An American Collage, 1976, Cut-and-pasted photo-reproductions and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37227

Alan Saret, [Untitled], 1970, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34197

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77075

John Freeman, Untitled: From Chickasaw Series. (Grimes Manufacturing), (1970), Colored and black felt-tip pen on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34938

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9398

Roy Lichtenstein, Study for Bull IV, 1973, Cut-and-pasted printed and painted paper, ink, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35728

Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38523

Robert Rauschenberg, Traces Suspectes en Surface, 1972–78, published 1978, Illustrated book with twenty-six lithographs (including four colophon pages), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10721

Josef Albers, Portfolio 2, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12209

Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38504

Gene Davis, [Untitled], 1971, Colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37604

Kirsten Hawthorne, Found Masks 1975–1978, 1975–78, published 1978, Portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9371

Alice Aycock, Study for Project Entitled "Studies for a Town", 1977, Pencil and spray fixative on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37872

Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38500

Edda Renouf, Near Sounds -- Percussion Drawing 10, 1977, Pastel on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35023

Mel Bochner, 3 Ideas and 7 Procedures (Theory of Arithmetic), Sheet #1. Proposal for MoMA Exhibition, 1971, Felt-tip pen and masking tape on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37060

Roy Lichtenstein, Study for Artist's Studio, "The Dance", 1974, Pencil, colored pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35688

Robert Overby, Untitled (7 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38495

Sonia Gechtoff, Violet Window, 1976, Pencil and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33210

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9383

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07731

H. C. Westermann, Dovetailed House, 1979, Pine, enamel, plate glass, linoleum, and cast lead, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270964

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9386

Donald Judd, [Untitled], 1971, Felt-tip pen on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37608

Richard Artschwager, Umble #2, 1970, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34889

Robert Overby, Untitled (18 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38501

Josef Albers, Portfolio 1, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12160

Sol LeWitt, Rip Drawing, 1973, Torn paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36227

Edward Ruscha, Blood Strip, 1973, Gunpowder and blood on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34064

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38513

Robert Wilson, Drawing (Part of a suite of 4) for The Bed Levitation Scene for Einstein on the Beach, 1976, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37280

Al Held, Study for South Mall Mural, (1970), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37824

Josef Albers, Portfolio 2, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12221

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38525

Josef Albers, Portfolio 1, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12140

Josef Albers, Portfolio 2, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12191

Barbara Chase-Riboud, [Untitled], 1971, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35956

Josef Albers, Portfolio 2, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12220

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38496

Robert Overby, Sketchbook, 1972, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38508

Emily Fuller, July #10, 1977, Paint powder on cut and sewn paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37913

University Christian Foundation of N.Y.U., Flyer advertising film viewings for Katatura and Namibia- A Trust Betrayed, 1976, ink on paper; H x W (Sheet): 11 × 8 1/2 in. (27.9 × 21.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750564-0

Josef Albers, Portfolio 1, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12164

John Chamberlain, Untitled (MAAB #81), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36920

Howardena Pindell, Untitled #7, 1973, Ink on punched-and-pasted paper, talcum powder, and thread on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34133

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34882

Robert Overby, Sketchbook, 1973, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38531

Gene Davis, [Untitled], 1971, Colored pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35873

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77074

Vija Celmins, Untitled (Desert-Galaxy), 1974, Graphite on acrylic ground on paper, Tate, London. https://dartabase.art/cite/tate/AR00162

Josef Albers, Portfolio 1, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12149

Robert Barry, [Untitled], (1975), Prestype and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36892

Malcolm Bailey, [Untitled], (1970), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37418

Linda Chapman, Waiting for Delacroix, (1977), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35895

Josef Albers, Portfolio 2, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12192

Josef Albers, Portfolio 2, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12206

Paul Thek, Red Turtle, (c. 1974), Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33248

Josef Albers, Portfolio 2, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12194

Bruce Nauman, La Brea/Art Tips/Rat Spit/Tar Pits, 1972, Neon lights and glass, Tate, London. https://dartabase.art/cite/tate/AR00607

Norman Lundin, Blackboard and Light Switch, (1978), Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36031

Sol LeWitt, All Two Part Combinations of Arcs from Four Corners and Four Sides, Straight, Not-Straight and Broken Lines, April 5, 1975, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38094

Charles Addams, "And Although the Dark Mysteries...", (1974), Gouache, ink, typewriting, and pasted paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38448

Andy Warhol, Brooke Hayward, 1973, Acrylic paint and silkscreen on 4 canvases, Tate, London. https://dartabase.art/cite/tate/T12600

Josef Albers, Portfolio 1, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12136

Josef Albers, Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12218

Sidney Tillim, The Song, 1970, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38628

Josef Albers, Portfolio 2, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12215

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38489

Mel Bochner, Triangle and Square: Points, 1974, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38182

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38515

Roy Lichtenstein, Study for Bull I, 1973, Cut-and-pasted printed and painted paper, ink, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35698

Dan Flavin, [Untitled], 1973, Crayon and ink on graph paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36609

Delta Air Lines, Delta "In-Flight Service Coordinator" pin worn by Eugene Harmond, 1973–2001, paint on brass (alloy); H x W x D: 3/8 × 2 5/16 × 3/16 in. (1 × 5.8 × 0.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1675503007378-1675503022286-0

Josef Albers, Portfolio 2, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12219

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38512

Robert Motherwell, Collage with Ultramarine Blue, 1972, Oil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37798

Sam Gilliam, [Untitled], 1971, Dye stain on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37566

Jasper Johns, Savarin, 1977, Ink on plastic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33957

Josef Albers, Portfolio 2, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12205

Jim Dine, Untitled (C Clamp) from Untitled Tool Series, 1973, Graphite, charcoal, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37126

Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38502

Patti Smith, Portrait of Rimbaud, 1973, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38114

Robert Mangold, Circle Drawing #7, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37940

Harry Bouras, Pertaining to Type B, 1970, Stamped ink, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36847

Roy Lichtenstein, Study for Bull V, 1973, Cut-and-pasted printed and painted paper, ink, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35740

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07730

Marcia Hafif, Hand Drawing, 1977, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36617

Philip Guston, [Untitled], 1976, Pen and ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73468

Jean Dubuffet, Costume for Cuckoo Bazaar, (1972), Ink on cut-and-pasted papers on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37561

Edward Ruscha, HOLLYWOOD TANTRUM, 1979, Pastel on paper, Tate, London. https://dartabase.art/cite/tate/AR00059

Sonia Gechtoff, Sea Window, II, 1979, Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38281

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77079

Robert Motherwell, Study for Shem the Penman #1, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37698

Frederick Wardy, New York, No. 9, (1973), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35080

Chryssa, [Untitled], 1973, Pencil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37145

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9388

Robert Mangold, Circle Drawing #2, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37935

Jake Berthot, [Untitled], 1973, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36898

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9372

Patricia Johanson, Gila Monster - Shadow House - Translation of Pattern to Hypothetical Facade, 1978, Ink, charcoal, and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38295

Robert Motherwell, Drunk with Turpentine #8, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37648

Edward Ruscha, I PLEAD INSANITY BECAUSE I’M JUST CRAZY ABOUT THAT LITTLE GIRL, 1976, Pastel on paper, Tate, London. https://dartabase.art/cite/tate/AR00053

David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35883

Jim Dine, Untitled (Brace and Bit) from Untitled Tool Series, 1973, Graphite, charcoal, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37129

Edward Ruscha, A Little of This, A Little of That, 1975, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34126

Agnes Denes, Systems of Logic/Logic of Systems, 1976, Ink and metallic ink on synthetic polymer sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33959

Melvin Edwards, B Wire, 1970, Metallic spray paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36667

Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35961

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9375

Edward Ruscha, ARTISTS WHO MAKE “PIECES”, 1976, Pastel on paper, Tate, London. https://dartabase.art/cite/tate/AR00057

Catherine Murphy, Winter in the Country, (1979), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37740

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9379

United States Army, US Army subdued star insignia worn by General Colin L. Powell, 1979–1993, metal; H x W x D: 1 × 1 × 9/16 in. (2.5 × 2.5 × 1.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1699001299733-1699001313280-0

Sol LeWitt, Geometric Figures within Geometric Figures, 1979, Cut-and-pasted gelatin silver prints and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37079

R. B. Kitaj, The Sneeze, 1975, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36695

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9399

Chryssa, Study for The Gates to Times Square, 1970, Gouache and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37140

Richard Hunt, [Untitled], 1979, Copper resist on circuit board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38243

Richard Diebenkorn, Untitled (Ocean Park), 1977, Synthetic polymer paint, gouache, watercolor, cut-and-pasted paper, and pencil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36562

Chryssa, [Untitled], 1970, Synthetic polymer paint, graphite, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37139

Josef Albers, Portfolio 1, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12148

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38478

Lisa Hyatt, [Untitled], 1979, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38289

Josef Albers, Portfolio 1, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12137

Robert Mangold, Circle Drawing #6, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37939

Joseph Piccillo, Fade Out-D, 1972, Carbon pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35937

Robert Motherwell, Study for Shem the Penman #4, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37702

Jonathan Borofsky, Double Self-Portrait with Moving Hands at 2,626,636, (1979–80), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35095

Sol LeWitt, Layout of Arcs and Lines, 1978, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35205

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9396

Mel Bochner, Triangular and Square (Second Diagonal), 1974, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36103

Jim Dine, Second Baby Drawing, 1976, Charcoal, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33160

Alex Katz, Ada, 1973, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36209

Richard Lippold, Study for Dew Pendant, 1972, Ink, gold ink on cloth, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35874

Edda Renouf, Marks II, 1973, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34145

Jack Beal, Still Life, (1975), Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34198

Bruce Nauman, LAAIR, 1970, Offset print, booklet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/226719

Josef Albers, Portfolio 2, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12212

Will Insley, Stage Space, Isometric, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38231

Josef Albers, Portfolio 2, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12202

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38506

H. C. Westermann, Untitled (Second Peanut), 1973, Eastern pine, walnut, and rubber bumpers, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270969

Tom Wesselmann, Study for Still Life, 61, 1975, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35093

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77080

Robert Arneson, Study for Head Bath, 1977, Conté crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33599

Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35960

Robert Mangold, Circle Drawing #5, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37938

National Baseball Hall of Fame and Museum, Postcard of Judy Johnson Baseball Hall of Fame plaque, 1975, ink on paper; H x W: 5 7/16 x 3 7/16 in. (13.8 x 8.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746277-0

Robert Smithson, Crossection of Spiraling Jetty, (c. 1970), Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38535

Gordon Matta-Clark, Untitled (Cut Drawing), (1976–77), Pencil on layers of cut paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34688

Robert Motherwell, Drunk with Turpentine #41, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37651

Josef Albers, Portfolio 2, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12196

Roy Lichtenstein, Study for Cosmology, 1978, Crayon, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36234

Jim Dine, Untitled (Dry Wall Hammer) from Untitled Tool Series, 1973, Graphite, charcoal, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37128

Josef Albers, Portfolio 2, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12193

Richard Francisco, Zebra, 1973, Cut-and-pasted tracing papers, balsa wood, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33913

Robert Motherwell, Medusa #7, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37695

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9378

Josef Albers, Portfolio 2, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12223

Robert Mangold, Circle Drawing #3, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37936

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34858

Lee Bontecou, [Untitled], 1970, Colored pencil on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35761

Joshua Neustein, Square Erased and Replaced, (1974), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33422

Josef Albers, Portfolio 1, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12141

Patti Smith, Self Portrait, 1971, Pencil, ballpoint pen, colored pencil, charcoal and gouache with black and white instant print on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38111

Robert Ryman, Surface Veil 18 1/2" × 15", 1970, Oil on fiberglass with waxed paper frame and masking tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34219

Arman, Black Toothbrushes, 1972, Charcoal and spray paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34552

Josef Albers, Portfolio 1, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12147

Bernard Joubert, [Untitled], 1973, Chalk and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36023

Josef Albers, Portfolio 2, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12198

Josef Albers, Portfolio 1, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12159

Josef Albers, Portfolio 2, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12197

Edward Kienholz, For A Mans Certina, 1974, Metallic paint and watercolor on paper with zinc frame under glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36611

Chryssa, Study for The Metternich Paintings, 1973, Pencil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37138

Christo, Wrapped Floor and Closed Windows (Project for Haus Lange Museum, Krefeld), 1971, Pencil and oil with fabric stapled to board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38192

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9374

Edda Renouf, Here III - Five Incised Lines, 1974, Pastel on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36922

Alex Katz, West Window, 1979, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00003

Josef Albers, Portfolio 2, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12217

Barry Le Va, Study for Equal Wall Base Divisions Crossed, 1973, Ink, and colored pencil on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33497

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38485

Dan Christensen, Untitled (No. 003-78), 1978, Acrylic on handmade gray-green paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37820

Nancy Spero, Codex Artaud XXIII, 1972, Cut-and-pasted paper, printed text, gouache, metallic paint, ink, stamped ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35544

Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38509

Andy Warhol, Untitled (Skull), 1976, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33436

Robert Mangold, Circle Drawing #8, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37941

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38482

Jonathan Borofsky, Untitled at 2,470,364, 1977–78, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37716

Committee to Free the SASO 9, Letter of invitation from the Committee to Free the SASO 9, June 4, 1976, ink on paper; H x W: 11 × 8 1/2 in. (27.9 × 21.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750524-0

Patricia Johanson, Leaf Fountain / 3/8 Phyllotaxy, 1974, Ink, charcoal, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37916

Chryssa, [Untitled], (c. 1970–73), Pencil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37155

Robert Mangold, Circle Drawing #1, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37933

Nancy Spero, Themis, 1979, Collage composed of cut and pasted papers with brush and black ink, metallic paints, and scraping, over traces of graphite, on off-white wove paper and printing in black ink on white wove paper, laid down on cream laid paper (pieced), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/197554

Robert Overby, Untitled (24 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38484

Fred Sandback, Project for Cologne, 1976, Pencil and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37011

Ted Stamm, [Untitled], 1975, Cut-and-pasted board, charcoal, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36668

Ted Stamm, [Untitled], 1975, Torn-and-pasted paper, charcoal, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36673

Edda Renouf, Structure Change III, 1973, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38323

Edward Ruscha, PRETTY EYES, ELECTRIC BILLS, 1976, Pastel and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00054

Jim Dine, Third Baby Drawing, 1976, Charcoal, pastel, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37161

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9393

Josef Albers, Portfolio 1, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12146

Edward Ruscha, Ding, 1971, Gunpowder and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34089

Josef Albers, Portfolio 1, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12153

Arman, Technical Lace, 1972, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34567

Robert Wilson, Drawing (Part of a suite of four) for The Bed Levitation Scene for Einstein on the Beach, 1976, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37281

Robert Motherwell, Study for Shem the Penman #3, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37700

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9381

Myron Stout, [Untitled], (1977–79), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37103

Josef Albers, Portfolio 2, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12204

Leon Polk Smith, [Untitled], 1979, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33723

Josef Albers, Portfolio 1, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12165

Raymond Saunders, Light Up, 1970, Crayon, pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33978

Jackie Ferrara, Drawing for A200 AJUT, 1979, Felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38541

Robert Overby, Sketchbook, 1971, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38491

Josef Albers, Portfolio 1, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12161

Jim Dine, Untitled (Oil Can) from Untitled Tool Series, 1973, Graphite, charcoal, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37131

Mel Bochner, Mental Exercise: Estimating the Center, 1972, Pencil, colored pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37467

Larry Gray, March 29, 1977, 1977, Dry pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35938

Robert Motherwell, Spanish Wall #1, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37705

Josef Albers, Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12166

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9387

Josef Albers, Portfolio 2, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12213

Mell Daniel, Tree Forms, 1970, Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33880

Romare Bearden, Music on the Gallery, 1975, Monotype with pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32968

William Copley, Story, 1972, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34244

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36502

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36503

Alice Aycock, Study for Project Entitled "The City of the Walls: A Narrow City: A Thin City", 1978, Pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37880

Alex Katz, Boy with a Hat, 1974, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33228

Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38499

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77081

Josef Albers, Portfolio 1, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12139

Sam Szafran, [Untitled], 1971, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34229

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34867

Peter Bardazzi, [Untitled], 1971, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35256

Emilio Cruz, Traffic Jam, 1970, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36659

Harry Bouras, Chart 7B, 1970, Stamped colored ink,colored felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36843

William Copley, Study for Thimble, 1971, Synthetic polymer paint and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34230

Sol LeWitt, Three Part Drawing Using Two Colors in Each Part, 1970, Ink and colored ink on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35144

Mel Bochner, The Laurentian Library, 1972, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33848

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9392

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07729

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38497

Robert Morris, Footprints from Traveling. Limit of Reach, 1976, Powdered graphite and plate oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37258

Alex Katz, Ada in Polo Coat, (1975–76), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36005

Josef Albers, Portfolio 1, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12142

Edward Ruscha, ARTISTS WHO DO BOOKS, 1976, Pastel on paper, Tate, London. https://dartabase.art/cite/tate/AR00056

Robert Motherwell, Spanish Wall #2, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37708

Benny Andrews, Come out Fighting, 1970, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37410

Roger C. Ferri, Nude in the Garden, (1977), Colored pencil on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37910

Chuck Close, Robert, 1977, Ink, colored ink, felt-tip pen, and pencil on gelatin silver print with pressure-sensitive tape on foamcore, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33685

Patti Smith, Written Portrait (Stoned Head), 1978, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38119

Cy Twombly, Souvenir de L’Ile des Saintes, 1979, 8 works on paper, watercolour and gouache, Tate, London. https://dartabase.art/cite/tate/AR00181

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38528

Josef Albers, Portfolio 2, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12201

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77078

Edward Ruscha, SMELLS LIKE BACK OF OLD HOT RADIO, 1976, Pastel on paper, Tate, London. https://dartabase.art/cite/tate/AR00055

John Chamberlain, Untitled (MAAB #225), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36932

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38505

Sol LeWitt, Yellow Grid, Red Circles, Blue Arcs from Four Corners, Black Arcs from Four Sides, 1972, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38264

Joe Brainard, Portrait of David Hockney, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37151

Edward Ruscha, Find Contact Lens at Bottom of Swimming Pool, 1976, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36646

Josef Albers, Portfolio 2, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12216

Agnes Denes, Isometric Systems in Isotropic Space. Map Projection: Snail, 1974, Printed plastic sheet overlaid on graph paper with charcoal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36481

Gordon Matta-Clark, Untitled (Energytree), 1972–73, Crayon, felt-tip pen, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34676

William T. Wiley, Peacock Gap, 1970, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36648

Robert Motherwell, Medusa #3, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37688

Mel Bochner, Study for Double Pentagon, 1975, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38403

Edda Renouf, Percussion Drawing 14, 1976, Pastel on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35029

Josef Albers, Portfolio 2, Folder 10 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12200

William T. Wiley, Victory Guardians, 1973, Watercolor, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35968

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38487

Willem de Kooning, [Untitled], 1976, Oil on newspaper on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38092

Nancy Spero, Notes in Time, 1979, Cut-and-pasted painted paper, gouache, and pencil on joined sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37539

Chuck Close, Robert (maquette), 1973, Gelatin silver prints with pressure-sensitive tape, airbrush, pen, ink, pencil and colored ballpoint pen on foamcore, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33677

Jim Dine, Untitled (Pliers) from Untitled Tool Series, 1973, Graphite, charcoal, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37127

Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38498

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9390

Josef Albers, Portfolio 2, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12222

H. C. Westermann, Hutch the One Armed Astro-Turf Man With a Defense, 1976, AstroTurf, pine, aspen, ash, chestnut, and saplings, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270957

Jim Dine, Untitled (Hoof Nipper) from Untitled Tool Series, 1973, Graphite, charcoal, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37130

Robert Motherwell, Study for Shem the Penman #10, 1972, Charcoal and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37749

Josef Albers, Portfolio 2, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12214

Edward Ruscha, MAD SCIENTIST, 1975, Pastel and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00051

Josef Albers, Portfolio 1, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12150

Elena Borstein, Kritinia II, (1978), Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37893

Josef Albers, Portfolio 1, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12143

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9397

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38486

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9377

Josef Albers, Portfolio 1, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12163

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38529

Barbara Horosko, Patch, 1977, Synthetic polymer paint, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35991

Eugene Berman, Pulcinella: costume design for Pulcinella, 1972, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35739

Dorothea Rockburne, Drawing Which Makes Itself: FPI 16, 1973, Folded paper and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36105

Alan Saret, [Untitled], 1970, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34177

Josef Albers, Portfolio 1, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12151

Vito Acconci, Notes on Movement II (Body as Place), March 1972, Felt-tip pen and cut-and-pasted gelatin silver prints on two pieces of graph paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38591

Sonia Delaunay, Color Rhythm No. 1921-1973, 1973, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38198

Fred Sandback, Project for Cologne, 1976, Pencil and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37003

Michael D. Dailey, Landscape Drawing, No. 1, 1977, Graphite and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35813

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9382

Patricia Johanson, Gila Monster - Shadow House - Plan, 1978, Ink, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38293

Gwendolyn Knight Lawrence, Figure Study No. 3, 1975, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36012

Bruce Nauman, Untitled (Drawing for Enforced Perspective), 1975, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00578

Fred Sandback, Project for Cologne, 1976, Pencil and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37007

Robert Wilson, Drawing (Part of a suite of 4) for The Bed Levitation Scene for Einstein on the Beach, 1976, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37283

Robert Mangold, Circle Drawing #4, 1973, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37937

Howardena Pindell, Untitled #4, 1973, Ink on punched-and-pasted paper on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36100

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9394

Edda Renouf, Structure Change II, 1973, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38322

Dorothea Rockburne, Drawing Which Makes Itself: FPI 18, 1973, Folded paper and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36112

H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33462

Mel Bochner, 3 Ideas and 7 Procedures (Theory of Arithmetic), Sheet #2. Proposal for MoMA Exhibition, 1971, Felt-tip pen, pencil, and masking tape on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35863

Bruce Nauman, Enforced Perspective: Allegory and Symbolism, 1975, Steel, Tate, London. https://dartabase.art/cite/tate/AR00180

Harvey Quaytman, Coup d'eclat, 1974, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38317

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36504

Alice Aycock, Study (Incomplete Plan) for Project Entitled "The City of the Walls", 1978, Pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37876

Kirsten Hawthorne, Untitled from Found Masks 1975–1978, 1975–78, published 1978, One from a portfolio of 29 photocopies, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9389

Alex Katz, John Ashbery, 1976, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37919

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38494

Emilio Sanchez, A Little Pink Shop (Una Tiendecita Rosada), 1973, Crayon, and pencil on illustration board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36936

Ilya Bolotowsky, Blue and Black Vertical, 1971, Felt-tip pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35473

Robert Smithson, Sketch for Quarry Project: Texas Overflow, 1970, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34849

United States Army, US Army star insignia pin worn by General Colin L. Powell, 1979–1993, metal; H x W x D: 1 × 1 × 9/16 in. (2.5 × 2.5 × 1.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1699001299733-1699001313270-0

Robert Wilson, Drawing (Part of a suite of 4) The Bed Levitation Scene for Einstein on the Beach, 1976, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37278

Josef Albers, Portfolio 1, Folder 28 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12162

Robert Wilson, Large Drawing for Spaceship Scene. Design for the opera Einstein on the Beach, 1976, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36201

Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38516

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38492

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38527

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38526