Nancy Graves, Untitled Notebook, 1970, Felt-tip pen, ballpoint pen, ink, pencil, watercolor and typewritten pages in spiral ring notebook with additional loose sheets, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36873

Sylvia Plimack Mangold, Study for Two Exact Rules on a Diminishing Floor Plane, 1976, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38302

Alan Cote, [Untitled], (1978), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36062

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38511

Paul Thek, Untitled (Exploding Bowl of Cherries), 1974–75, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37255

Jörg Immendorff, TABLES FOR CAFÉ DEUTSCHLAND (TISCHE FÜR CAFÉ DEUTSCHLAND), 1978, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33946

Per Kirkeby, [Untitled], 1977, Watercolor on tissue paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33747

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38522

Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38519

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38521

Ted Stamm, [Untitled], 1974, Synthetic polymer paint, torn shopping bag, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36664

James Wyeth, Andy Warhol, (1976), Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33341

Pat Andrea, Study for Laboratory, 1971, Pencil, colored pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35825

Bill Beckley, Hot and Cold Faucets with Drain, 1975, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37710

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38493

Gerhard Richter, Brigid Polk (305), 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00344

Francis Bacon, Triptych - August 1972, 1972, Oil paint on 3 canvases, Tate, London. https://dartabase.art/cite/tate/T03073

Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36895

Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36902

Jim Amaral, [Untitled], 1971, Pencil, watercolor, and gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35797

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38479

Peter Caldwell Millett, Poncho Drawing, (1977), Torn and pasted paper, wool yarn, watercolor, ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36043

Bob Duran, Untitled (No. 206), 1977, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35865

Nancy Graves, Arctic Ocean Floor, Barometric Curves, 1972, Ink, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33955

Vija Celmins, Untitled (Ocean), 1970, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37431

David Ligare, SDX #31, (1973), Pencil, synthetic polymer paint, and aluminum powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36060

Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38517

Robert Motherwell, Medusa #4, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37691

Sylvia Plimack Mangold, Study for Floor with Horizontal Mirror, 1973, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38554

Robert Motherwell, Medusa #6, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37693

William T. Wiley, Thank-You Palette for New York, (1978), Watercolor, pencil, and colored chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38069

Jannis Kounellis, [Untitled], 1977, Synthetic polymer paint, tallow, and adhesive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36938

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38480

Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38510

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38483

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38488

William Allan, Rainbow Trout Head - Hauser Lake Montana, (1972), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33716

Edward Ruscha, DIRTY BABY, 1977, Graphite and acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00058

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38477

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38520

Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38524

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38514

Robert Ryman, Untitled, Bruxelles, 1974, Polymer paint on vinyl mounted on composite board, Tate, London. https://dartabase.art/cite/tate/AR00343

Joseph Beuys, Night in the Rafters, 1974, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00126

Jene Highstein, [Untitled], 1979, Oilstick and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33652

Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890

Jörg Immendorff, Café Deutschland, (1978), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33933

Susan Rothenberg, Untitled Drawing, No. 41, 1977, Synthetic polymer paint, gouache, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35044

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955

Dennis Evans, Composition for 100 Discrete Rain Events, 1976, Ink, gouache, and thumbprint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35884

Bill Jensen, Drawing for Crown of Thorns, 1975–76, Egg tempera, gouache, pastel, charcoal, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36605

John Chamberlain, Untitled (MAAB #315), 1971, Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36925

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38476

Dorothea Rockburne, [Untitled], (1972), Oil stain on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37847

Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555

Robert Overby, Sketchbook, 1974, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38533

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38481

Robert Overby, Sketchbook, 1970, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38475

Juan Downey, A Clean New Race, 1970, Colored pencil, pencil, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37439

Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263

Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073

Robert Overby, Untitled (14 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38518

Susan Rothenberg, Untitled Drawing, No. 44, 1977, Acrylic, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36479

Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38503

Philip Pearlstein, Two Models, 1975, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34910

Georg Baselitz, Eagle, 1977, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33754

Philip Guston, Untitled (Rome), 1971, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35508

Robert Motherwell, Drunk with Turpentine #70, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37652

David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35894

Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975

Öyvind Fahlström, Notes 4 (C. I. A. Brand Bananas), 1970, Synthetic polymer paint and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36861

Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38523

Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38504

Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38500

Robert Overby, Untitled (7 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38495

Sonia Gechtoff, Violet Window, 1976, Pencil and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33210

Robert Overby, Untitled (18 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38501

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38513

Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38525

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38496

Robert Overby, Sketchbook, 1972, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38508

John Chamberlain, Untitled (MAAB #81), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36920

David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255

Robert Overby, Sketchbook, 1973, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38531

Vija Celmins, Untitled (Desert-Galaxy), 1974, Graphite on acrylic ground on paper, Tate, London. https://dartabase.art/cite/tate/AR00162

Malcolm Bailey, [Untitled], (1970), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37418

Linda Chapman, Waiting for Delacroix, (1977), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35895

Markus Lüpertz, Atelier, c. 1973–74, Tempera and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33981

Paul Thek, Red Turtle, (c. 1974), Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33248

Joseph Beuys, [Untitled], 1974, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00684

Francis Bacon, Three Figures and Portrait, 1975, Oil paint and pastel on canvas, Tate, London. https://dartabase.art/cite/tate/T02112

Charles Addams, "And Although the Dark Mysteries...", (1974), Gouache, ink, typewriting, and pasted paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38448

Andy Warhol, Brooke Hayward, 1973, Acrylic paint and silkscreen on 4 canvases, Tate, London. https://dartabase.art/cite/tate/T12600

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921

Sidney Tillim, The Song, 1970, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38628

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38489

Gerhard Richter, Gilbert, George (381-1, 381-2), 1975, Oil paint on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00345

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38515

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38512

Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772

Robert Motherwell, Collage with Ultramarine Blue, 1972, Oil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37798

Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292

Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38502

Claire Zeisler, Untitled Leather Construction, 1974–1975, Cut leather (suede), cotton, glazed ceramic, glass, coins, foil-wrapped stones, mother-of-pearl button, and clear plastic shells; appliquéd, pieced and over sewn with cotton needle lace; straight, button hole, stem and roman stitches; some printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229420

Sonia Gechtoff, Sea Window, II, 1979, Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38281

Robert Motherwell, Study for Shem the Penman #1, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37698

Jake Berthot, [Untitled], 1973, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36898

Robert Motherwell, Drunk with Turpentine #8, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37648

David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35883

Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35961

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917

David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269

Chryssa, Study for The Gates to Times Square, 1970, Gouache and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37140

Richard Diebenkorn, Untitled (Ocean Park), 1977, Synthetic polymer paint, gouache, watercolor, cut-and-pasted paper, and pencil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36562

Chryssa, [Untitled], 1970, Synthetic polymer paint, graphite, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37139

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38478

Raúl Martínez, La Juventuo et Ala, 1978, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34020

Robert Motherwell, Study for Shem the Penman #4, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37702

Moshe Kupferman, [Untitled], 1976, Synthetic polymer paint and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36704

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38506

Öyvind Fahlström, Plan for World Trade Monopoly, 1970, Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36864

Tom Wesselmann, Study for Still Life, 61, 1975, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35093

Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35960

Robert Motherwell, Drunk with Turpentine #41, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37651

Joseph Beuys, Call, 1978–83, Oil paint and ink on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00686

Richard Francisco, Zebra, 1973, Cut-and-pasted tracing papers, balsa wood, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33913

Robert Motherwell, Medusa #7, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37695

Joseph Beuys, Pyramidal image, 1979, 2 works on printed paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00687

José Luis Cuevas, A Certificate of Authenticity, 1973, Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33106

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910

Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851

Patti Smith, Self Portrait, 1971, Pencil, ballpoint pen, colored pencil, charcoal and gouache with black and white instant print on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38111

Robert Ryman, Surface Veil 18 1/2" × 15", 1970, Oil on fiberglass with waxed paper frame and masking tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34219

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717

Edward Kienholz, For A Mans Certina, 1974, Metallic paint and watercolor on paper with zinc frame under glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36611

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949

Christo, Wrapped Floor and Closed Windows (Project for Haus Lange Museum, Krefeld), 1971, Pencil and oil with fabric stapled to board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38192

Alex Katz, West Window, 1979, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00003

Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38485

Dan Christensen, Untitled (No. 003-78), 1978, Acrylic on handmade gray-green paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37820

Nancy Spero, Codex Artaud XXIII, 1972, Cut-and-pasted paper, printed text, gouache, metallic paint, ink, stamped ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35544

Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38509

Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38482

Georg Baselitz, [Untitled], 1976, Watercolor, ink, and gouache on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36532

Jannis Kounellis, [Untitled], 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00497

Robert Overby, Untitled (24 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38484

Ted Stamm, [Untitled], 1975, Cut-and-pasted board, charcoal, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36668

Ted Stamm, [Untitled], 1975, Torn-and-pasted paper, charcoal, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36673

Blinky Palermo, [Untitled], 1976, Oil on notebook paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36492

Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738

Robert Motherwell, Study for Shem the Penman #3, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37700

Robert Overby, Sketchbook, 1971, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38491

Robert Motherwell, Spanish Wall #1, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37705

Mell Daniel, Tree Forms, 1970, Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33880

Chung, Sang-Hwa, Untitled 72–12–A, 1972, Acrylic on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/234004

Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38499

Blinky Palermo, [Untitled], 1971, Crayon on sandpaper with gouache on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37748

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696

Antonio Segui, Portrait, 1970, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35967

William Copley, Study for Thimble, 1971, Synthetic polymer paint and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34230

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38497

Robert Morris, Footprints from Traveling. Limit of Reach, 1976, Powdered graphite and plate oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37258

Robert Motherwell, Spanish Wall #2, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37708

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896

Cy Twombly, Souvenir de L’Ile des Saintes, 1979, 8 works on paper, watercolour and gouache, Tate, London. https://dartabase.art/cite/tate/AR00181

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38528

John Chamberlain, Untitled (MAAB #225), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36932

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38505

Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836

Joseph Beuys, The Woman with the Dog, 1975, Graphite, oil paint and metal on paper and card, Tate, London. https://dartabase.art/cite/tate/AR00127

William T. Wiley, Peacock Gap, 1970, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36648

Robert Motherwell, Medusa #3, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37688

William T. Wiley, Victory Guardians, 1973, Watercolor, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35968

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38487

Willem de Kooning, [Untitled], 1976, Oil on newspaper on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38092

Nancy Spero, Notes in Time, 1979, Cut-and-pasted painted paper, gouache, and pencil on joined sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37539

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942

Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38498

Robert Motherwell, Study for Shem the Penman #10, 1972, Charcoal and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37749

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38486

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38529

Barbara Horosko, Patch, 1977, Synthetic polymer paint, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35991

Eugene Berman, Pulcinella: costume design for Pulcinella, 1972, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35739

Sonia Delaunay, Color Rhythm No. 1921-1973, 1973, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38198

H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33462

Harvey Quaytman, Coup d'eclat, 1974, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38317

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38494

Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38516

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38492

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38527

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38526