Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623

Mario Merz, Che Fare?, 1968–73, Aluminium, wax and neon lights, Tate, London. https://dartabase.art/cite/tate/AR00598

Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759

Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573

Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585

Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224

Lucio Fontana, Concetto Spaziale (Teatrino), plate 4, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18821

Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18819

Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18820

Gianfranco Baruchello, Assez Donc! (Enough!), 1963, Synthetic polymer paint, white-out, pencil, charcoal, pastel, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37496

Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339

Arnaldo Pomodoro, Study, 1960, Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33223

Mario Merz, Lingotto, 1968, Brush-wood, beeswax and steel, Tate, London. https://dartabase.art/cite/tate/AR00608

Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564

Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005

Giacomo Porzano, The Riot, 1961, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34042

Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319

Cesare Peverelli, The Room, 1962, Tempera and pencil on textured paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34577

Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759

Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593

Lucio Fontana, Concetto Spaziale (Teatrino), plate 1, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18817