Joseph Beuys, White Turbulence, 1963, 2 boards, zinc and glass, Tate, London. https://dartabase.art/cite/tate/AR00091 Richard Long, A Line Made by Walking, 1967, Photograph, gelatin silver print on paper with graphite on board, Tate, London. https://dartabase.art/cite/tate/AR00142 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686 Eduardo Paolozzi, Tortured Life, 1964, Cut-and-pasted printed paper with cut-and-pasted gelatin silver prints and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33290 Otto Piene, Plate (folio 9) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14782 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767 Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01172 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737 Eduardo Paolozzi, Wittgenstein as Soldier, 1964, Cut-and-pasted gelatin silver prints on transparentized paper over cut-and-pasted printed paper and gelatin silver prints on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38802 David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035 Joseph Beuys, XIII INTERNATIONALE KUNST GESPRÄCHE, 1967, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00810 Joseph Beuys, Girl Pushing Against Elastic Sculpture, 1961, Printed paper and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00113 Joseph Beuys, 24 Stunden, 1965, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR01036 Eduardo Paolozzi, The Offspring of Eos, (c. 1961), Cut-and-pasted printed paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34724 David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353 Joseph Beuys, Sostanza Plastica, 1965, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00667 David Hockney, Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34018 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923 Joseph Beuys, [Untitled], 1965, Paper on paper, Tate, London. https://dartabase.art/cite/tate/AR00669 Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748 Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687 David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029 Joseph Beuys, Joseph Beuys und Henning Christiansen. Eurasienstab, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00717 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709 Horst Antes, Man with a Monster, (c. 1967), Colored ink, ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38095 Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326 Joseph Beuys, Cross, 1961, Collage, oil and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00649 Sigmar Polke, Rice, (1963–64), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36321 Joseph Beuys, [Untitled], 1964, Oil paint, gold paint, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00662 Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261 Alfred Pohl, The Forest, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38698 David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704 David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670 Joseph Beuys, Beuys & Christiansen. Konzert, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00864 Joseph Beuys, [Untitled], 1963, Paper on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00659 Joseph Beuys, Play 17, 1963, Oil paint on typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00115 David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751 Sigmar Polke, "Young Man Come Back Soon!" ("Junge komm bald wieder!"), 1963, Ballpoint pen and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33455 Joseph Beuys, + -, 1962, 2 works on card, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00699 Richard Hamilton, Study for The Solomon R. Guggenheim, 1965, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33192 Joe Tilson, Ziggurat, 1966, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33350 Alexander Gonda, [Untitled], 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33101 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673 Otto Piene, Plate (folio 10) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14783 Joseph Beuys, [Untitled], 1963–4, 4 works on printed paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00660 Sigmar Polke, [Untitled], 1966, Ballpoint pen and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34147 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747 Joseph Beuys, Braunkreuz, 1962, 5 works on paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00652 Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873 Joseph Beuys, For Brown Environment: Giant Vessels, 1964, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00120 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681 Joseph Beuys, Object for MANRESA, 1966, Cardboard and string, Tate, London. https://dartabase.art/cite/tate/AR00673 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746 Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691 Otto Piene, Plate (folio 6) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14779 David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565 Joseph Beuys, Granite in Arid Chalk, 1965, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00123 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749 Joseph Beuys, Whale trap, 1966, Graphite and oil paint on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00672 Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757 David Hockney, Tea Painting in an Illusionistic Style, 1961, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07075 David Hockney, Portrait of Peter, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38597 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723 Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693 Sigmar Polke, Free of Dizziness, (1964), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34135 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36997 Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702 Joseph Beuys, For Brown Environment: Giant Vessels, 1964, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00130 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740 Otto Piene, Plate (folio 7) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14780 Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752 Joseph Beuys, under Tension, 1964, Oil paint, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00664 David Hockney, Study for Dollboy, 1960, Chalk on paper, Tate, London. https://dartabase.art/cite/tate/T11898 David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726 Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669 Gilbert & George, George the Cunt and Gilbert the Shit, 1969, 2 photographs, colour, on paper on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00170 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36995 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768 David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564 Jochen Seidel, Standing Nude, (1961), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33257 Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675 David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031 Otto Piene, Plate (folio 11) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14784 Joseph Beuys, Fluxus-Name List, 1963, Collage, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00658 Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36994 Joseph Beuys, Josef Beuys: Zeichnungen Aquarelle Olbilder Plastische Bilder. Städtisches Museum Haus Koekkoek Kleve, 1961, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00825 Horst Janssen, Girl, 1967, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33209 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36998 Bernhard Heiliger, [Untitled], 1962, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37558 Joseph Beuys, Therapeuticum, 1964, Graphite, oil paint and fat on paper, Tate, London. https://dartabase.art/cite/tate/AR00117 Joseph Beuys, Dwarf (Self-Portrait), 1965, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00122 Horst Janssen, Ami-Kiss, 1968, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33227 Franz Erhard Walther, The Body is the Border, 1969–72, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37259 Joseph Beuys, Felt Action for an Actress, 1965, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00670 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714 David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575 David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074 Joseph Beuys, Natural History, 1964–82, Household paint, shellac and sand on board, Tate, London. https://dartabase.art/cite/tate/AR00666 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Crayon, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33892 David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038 Otto Piene, Plate (folio 12) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14785 Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01162 David Hockney, Cecil Hotel, 1963, Crayon, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36785 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730 Otto Piene, Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14781 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729 Sigmar Polke, [Untitled], (1963), Ballpoint pen, oil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33461 Joseph Beuys, For Siberian Symphony, 1962, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00655 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36999 Horst Antes, Veiled Figure, 1965, Pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38756 David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289 David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563 Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672 Anselm Kiefer, The moral law within us, the starry heavens above us, 1969–2010, Photograph, black and white, on paper with paint, Tate, London. https://dartabase.art/cite/tate/AR01165 David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725 Joseph Beuys, Score, 1967, Oil paint and graphite on cardboard and paper adhered to plywood, Tate, London. https://dartabase.art/cite/tate/AR00678 Joseph Beuys, Tails, 1962, Oil paint, graphite and felt on paper, Tate, London. https://dartabase.art/cite/tate/AR00654 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684 David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379 Joseph Beuys, Score for Siberian Symphony, 1966, Typescript on paper on 2 cardboards, Tate, London. https://dartabase.art/cite/tate/AR00674 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719 David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761 Anselm Kiefer, The starry heavens above us, and the moral law within, 1969–2010, Photograph, black and white, on paper with paint, Tate, London. https://dartabase.art/cite/tate/AR01164 Blinky Palermo, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33519 Joseph Beuys, Trance in the House of the Shaman, 1961, Collage and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00650 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711 Colin Self, Sofa, 1964, Colored pencil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36820 Joseph Beuys, Felt Action, 1963, Oil paint and felt on paper, Tate, London. https://dartabase.art/cite/tate/AR00700 Joseph Beuys, INTELLIGENTIA, 1965, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00668 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734 Werner Knaupp, Volcano, 1968, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38150 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753 Joseph Beuys, Aktionen ws 68/69. Staatliche Hochschule für Bildende Kunste Braunschweig, 1968–9, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00890 David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352 Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668 Sigmar Polke, [Untitled], (1968), Watercolor, acrylic spray, gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36313 Joseph Beuys, Score for MANRESA, 1966, Paper and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00124 Franz Erhard Walther, Assemblies, 1966, 1967, Watercolor, oil, colored pencil, pencil, and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37262 Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177 Joseph Beuys, A Party for Animals, 1969, Ink, oil paint and stamp on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00680 Allen Jones, Study for Bus Series, (1966), Chalk, crayon, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33208 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735 Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01163 David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728 Sigmar Polke, Untitled ("Witz"), 1965, Felt-tip pen and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33861 David Hockney, Ready Cleaners, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34032 David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377 Joseph Beuys, Model for a Felt Environment, 1964, Wood, glass, felt, oil paint and lead, Tate, London. https://dartabase.art/cite/tate/AR00619 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677 Joseph Beuys, Demonstration: Hand, 1961, Collage and oil on paper and cardboard, Tate, London. https://dartabase.art/cite/tate/AR00648 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759 David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043 Peter Brüning, [Untitled], 1966, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37592 Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01173 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706 Joseph Beuys, Schmela, 1966, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00676 David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764 Sigmar Polke, Untitled (Woman with Spray Can), (1963), Ballpoint pen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36315 Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763 Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180 Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689 Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708 Sigmar Polke, [Untitled], c. 1964, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35607 David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315 Sigmar Polke, Untitled (Drawing for "Silberner Ziegelstein"), 1965, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33852 David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566 David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041 Joseph Beuys, Fat Corner (Process), 1968, Wood, glass, 2 cardboard boxes and fat, Tate, London. https://dartabase.art/cite/tate/AR00618 Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01171 Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692 Joseph Beuys, ACTIONS / AGIT POP / DÉ-COLL / AGE / HAPPENINGS / EVENTS / ANTI ART / L’AUTRISME / ART TOTAL / RE, 1964, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00731 Eduardo Paolozzi, Wittgenstein in N.Y., 1964, Cut-and-pasted printed paper and cut-and-pasted gelatin silver prints on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38800 Joseph Beuys, Actress, 1964, Graphite on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00663 Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717 Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01174 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769 Joseph Beuys, Tunnel (Cathode Rays) Felt-Room Action, 1964, Graphite, ink and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00118 David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683 David Hockney, Drawing for Ubu Roi, Cave Scene, 1966, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38299 Joseph Beuys, Damp Value, 1964–74, Graphite on paper, paint on glass and wire, Tate, London. https://dartabase.art/cite/tate/AR00604 Joseph Beuys, Physico-Chem-Zeit-Konstellation 11:00 23:00, 1962, 2 works on card, oil paint and graphite, Tate, London. https://dartabase.art/cite/tate/AR00698 Georg Baselitz, Dog-Split (Hund-geteilt), 1968, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33735 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731 Joseph Beuys, [Untitled], 1965, Graphite and fat on paper, Tate, London. https://dartabase.art/cite/tate/AR00671 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676 David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042 Joseph Beuys, 2 Sheep’s Heads, 1961–75, 2 works on paper, oil paint and fat, Tate, London. https://dartabase.art/cite/tate/AR00647 Joseph Beuys, Motor 4, 1964–80, Mixed media, Tate, London. https://dartabase.art/cite/tate/AR00665 William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750 Joseph Beuys, [Untitled], 1962, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00653 David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039 David Hockney, Patrick Procktor in New York, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38777 Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182 Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694 Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177 David Hockney, The Third Love Painting, 1960, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/T06468 David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765 Sigmar Polke, [Untitled], 1964, Ballpoint pen and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33468 Joseph Beuys, German Students Party, 1967, Ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00677 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766 David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036 David Hockney, Père Ubu: Polish Army, 1966, Crayon, pencil and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38818 David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572 Ben Nicholson, [Untitled], 1962, Pencil and oil paint [?] on paper on painted masonite, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35177 Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866 Joseph Beuys, [Untitled], 1962, Oil, seeds and vegetable matter on vinyl record, Tate, London. https://dartabase.art/cite/tate/AR00656 David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36992 Allen Jones, Studies for Lithographs, (1966), Ballpoint pen, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37964 David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030 Joseph Beuys, [Untitled], 1961, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00651 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745 Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748 Otto Piene, Plate (folio 5) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14777 David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573 David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716 Joseph Beuys, Fat Chair, 1964–85, Wood, glass, metal, fabric, paint, fat and thermometer, Tate, London. https://dartabase.art/cite/tate/AR00088 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697 Otto Piene, Rose or Star (Rose oder Stern), 1964–65, published 1965, Portfolio of eight screenprints on white and colored paper, four pages of poetry, two pages of text, and one title page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14778 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718 Joseph Beuys, Felt Sculptures, 1964, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00661 Georg Baselitz, Big Night Down the Drain, 1963, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35623 Joseph Beuys, Beuys. Objecten, Tekeningen, Schilderijen, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00860 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744 Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671 Colin Self, Woman in a Fur Coat and Tulip, 1964, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38821 Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173 Joseph Beuys, For Brown Environment, 1964, 2 works on paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00119 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701 Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179 Colin Self, Drive, He Said, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34231 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760 Georg Baselitz, P.D. Zeichnung, 1963, Ink and gouache on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37800 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741 Eduardo Paolozzi, He Must, So To Speak, Throw Away The Ladder, 1965, Collage of cut-and-pasted papers, and pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38798 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713 Eduardo Paolozzi, Title Page, 1965, Collage of cut-and-pasted papers, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38803 Antonius Höckelman, [Untitled], 1969, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33915 David Hockney, Czar, 1966, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33360 Ernst Wilhelm Nay, [Untitled], 1961, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38160 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674 Horst Antes, The Painter in America, (1965), Pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38755 David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570 Eduardo Paolozzi, Wittgenstein at the Cinema Admires Betty Hutton, 1965, Collage of cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38799 David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296 David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032 Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181 Joseph Beuys, Runrig, 1962–72, 3 works on paper, oil paint, on board, Tate, London. https://dartabase.art/cite/tate/AR00657 Sigmar Polke, Whip, 1968, Ink on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34163 David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040 Joseph Beuys, the Breathless, 1966, Fat, copper oxide and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00675 Raymond Mason, Studies For Sculpture, 1963, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38782 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743 David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033 Joseph Beuys, Galerie Heiner Friedrich, Munich, c.1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00911 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739 Peter Brüning, [Untitled], 1966, Felt-tip pen, crayon, colored pencil, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37597 Joseph Beuys, working title: BEUYS (FLUXUS) & CHRISTIANSEN (FLUXUS), 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00715 David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685 Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742 Joseph Beuys, For Felt Sculpture, 1964, 4 works on paper, oil paint and fat, on board, Tate, London. https://dartabase.art/cite/tate/AR00116 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712 Joseph Beuys, Joseph Beuys. Zeichnungen, kleine Objekte, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00862 Joseph Beuys, Dynamis 3, Dynamis, 1960, Oil, pencil, and ink on two sheets of paper on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37714 David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044 Joseph Beuys, For FOND II, 1968, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00679 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36996 Joseph Beuys, Houses of the Shaman, 1965, 2 works on paper, oil paint and graphite, Tate, London. https://dartabase.art/cite/tate/AR00121 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738