Carmen L. Cicero, From Above, 1961, Ink on bristol board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33742

Christopher Wilmarth, Left, 1968, Wood, plastic and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35131

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07127

Frank Stella, [Untitled], (1966), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34232

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38785

R. B. Kitaj, In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32853

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37997

Conrad Marca-Relli, [Untitled], (c. 1960s), Cut fabric and wax on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36240

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38784

Gordon Matta-Clark, Photo Fry, 1969, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200036

Andy Warhol, Marilyn Diptych, 1962, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03093

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37983

Eva Hesse, No title, 1967, Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38417

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37715

Edward Ruscha, Smash Triptych, 1964, Powdered graphite on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34150

David Park, Group of Figures, 1960, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33191

Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37118

Joe Brainard, [Untitled], 1966, Cut-and-pasted paper, embroidered printed paper, net, glitter, and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33867

Adja Yunkers, Aegean I from Artists and Writers Protest against the War in Vietnam, 1966, published 1967, Lithograph with embossing from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32589

Jim Dine, Helena. Costume design for the play A Midsummer Night's Dream, 1966, Ink, pencil, felt-tip pen, and cut-and-pasted paper on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36769

Agnes Martin, [Untitled], 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34006

Frank Stella, [Untitled], (1963), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33813

Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522

Maryan S. Maryan (Pinchas Burstein), [Untitled], 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37277

Alex Katz, Tulips, 1969, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00002

Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink,  and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523

Gene Vass, [Untitled], 1963, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33040

Liliana Porter, Plate VII from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16498

Agatha Wojciechowsky, [Untitled], 1962, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36763

Willem de Kooning, [Untitled], (1968), Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33276

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07129

Agnes Martin, Mountain, 1960, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36262

Richard Lindner, Checkmate, 1966, Cut-and-pasted papers, watercolor, pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36538

Mary Bauermeister, Needless Needles, (1964), Ink, colored ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35807

William Majors, [Untitled], 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35487

Chryssa, Drawing No. 1 for Analysis of Letter Y, (1965), Graphite, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37091

Mark Rothko, [Untitled], 1969, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37028

Vito Acconci, Throw, 1969, Ink and pastel on painted foamcore with gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38701

Charles Fahlen, [Untitled], (1969), Sprayed synthetic polymer paint and rubber stamp on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38378

William Majors, [Untitled], 1963, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37473

Dennis Oppenheim, Study for TIME POCKET, 1968, Cut-and-pasted topographical map, scale plan, typewritten sheet, transfer type, synthetic polymer paint, crayon, felt-tip pen, and pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37296

Eva Hesse, Advocate of the Personal, 1963, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34942

H. C. Westermann, Object under Pressure, 1960, Douglas fir, metal, and pressure gauge, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270954

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38790

Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759

Frank Stella, [Untitled], (1967–68), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34570

Liliana Porter, Plate X from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16492

Jim Dine, Study for The Car Crash: Car Costume for Girl, 1960, Pencil and red pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34239

Carl Andre, [Untitled], 1960, Typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36548

Roy Lichtenstein, Landscape with Clouds, 1964, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38603

Jasper Johns, Watchman, 1966, Graphite wash, metallic pigment, pencil, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36306

Jim Dine, Costume study for A Midsummer Night's Dream: Moth, 1966, Cut-and-pasted paper, pencil, crayon,ink, and felt-tip pen on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36764

June Leaf, Study for Ballroom with Hobby Horses, 1963, Lithographic crayon and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33566

Marvin Harden, A Fine and Private Place, 1967, Pencil on pink paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36781

Jim Dine, Study for The Car Crash: Man in Woman's Costume and Woman in Man's Costume, 1960, Ballpoint pen, ink, chalk, watercolor, colored pencil, pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34208

Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573

H. C. Westermann, The Sonic Boom, 1963, Wood, plate-glass mirror, bubinga, paint, and ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270967

Edward Ruscha, 1984, 1967, Gunpowder and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34931

Roy Lichtenstein, Brushstrokes, 1966–68, Pencil and tusche pochoir on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37645

Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585

Mark Tobey, Space Wall, 1960, Gouache on board mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35398

Saul Steinberg, Untitled (Rush Hour), c. 1969, Rubber stamps in black ink, and pen and black ink, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220521

Eva Hesse, Repetition Nineteen I, 1967–68, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37063

Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224

Geoffrey Hendricks, Sky, (1966), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35703

Edward Ruscha, Normandie, 1965, Powdered graphite and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34138

Leon Golub, Killed Youth from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32595

Richard Tuttle, Study for First Green Octagon, (1967), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34243

R. B. Kitaj, Hellebore for Georg Trakl from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32843

Jack Roth, Where are they now?, 1962, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36338

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07130

R. B. Kitaj, The Gay Science from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32841

Mark Rothko, [Untitled], 1968, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37042

Ray Johnson, 2nd Marilyn Monroe 1926-1962, 1967, Gouache, crayon, and colored ink on layered board on board with gouache, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35164

William Eggleston, Near Jackson, Mississippi, c. 1970, printed 2002, Dye imbibition print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/188844

José Guerrero, [Untitled], 1960, Brush and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37640

Peter Saul, [Untitled], 1961, Crayon and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34156

Minnie Evans, Green Animal, c. 1963, Colored pencil, crayon, oil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33536

Robert Motherwell, Beside the Sea, 1968, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38408

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38795

Eva Hesse, No title, 1960–61, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37163

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38786

Jasper Johns, Voice, 1969, Graphite wash and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33667

Frank Stella, [Untitled], (1966–67), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33916

Jo Baer, Rook, 1962, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36551

Robert Motherwell, In Beige, with White, 2, 1968, Cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38410

Andy Warhol, Untitled (City Text), (c. 1962), Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33425

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07128

Jim Dine, Titania. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, watercolor, pencil, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36773

Seymour Lipton, [Untitled], 1963, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36566

Jim Dine, Puck. Costume design for the play A Midsummer Night's Dream, 1966, Watercolor, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36675

Frank Stella, [Untitled], (1964), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34218

Frank Stella, [Untitled], 1964, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34098

Frank Stella, [Untitled], 1964, Pencil and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38530

Frank Stella, [Untitled], (1968–69), Pencil on stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33947

John Cage, Music for Carillon, # 4, Page 2, (1961), Ink on transparentized graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33016

Carl Andre, red red, 1967, Typewriting on paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38552

Jack Sonenberg, Literal Dimensions from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint with die-cut and collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32585

Joseph Cornell, Untitled (Home, Poor Heart), c. 1962, Cut-and-pasted printed paper and crayon in wood frame with blue glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37049

Moses Soyer, Studies for Julia Evergood, 1962, Watercolor, ink, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36818

Elaine de Kooning, Bullfight, 1960, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34171

Ann Lowe, Dress designed by Ann Lowe, c. 1960, silk, chiffon, taffeta, net, metal, and elastic; H x W x D (On form): 42 1/2 × 24 × 16 1/2 in. (108 × 61 × 41.9 cm); Waist: 24 in. (61 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742547-0

Andy Warhol, Campbell's Soup Can (Tomato), (c. 1962), Pencil on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33416

Will Insley, Stage Space, Reduce, (1967), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35864

Stephen Greene, Biograph, (1967–68), Pencil, cut-and-pasted paper, gouache, and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33158

Robert Smithson, Mirror with Rock Salt (Salt Mine and Museum Proposal), 1968, Pencil, cut-and-pasted gelatin-silver print, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37629

Liliana Porter, Plate IV from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16495

Jesse Reichek, 12:30, 1961, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37682

Christopher Wilmarth, Reach, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35165

H. C. Westermann, Wet Flower, 1968, Wood, glass, Connecticut fieldstone, linoleum, dried roots, putty, and varnish., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270962

Claes Oldenburg, Empire Sign - With M and I Deleted, 1960, Casein on cut-and-pasted cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37744

Roy Lichtenstein, Study for Modern Painting with Bolt, 1966, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38604

Stephen Antonakos, Neon for 57th Street, 1967, Crayon, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38097

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38014

Alan Shields, [Untitled], 1969, Construction of cut-and-pasted paper, synthetic polymer paint, and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38557

Christopher Wilmarth, Orange Forth, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35159

Jim Dine, Costume study for A Midsummer Night's Dream: Flute, 1966, Cut-and-pasted colored papers, pencil, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36767

Jim Dine, Theseus, Duke of Athens. Costume design for the play A Midsummer Night's Dream, 1966, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36776

Chryssa, Study for The Metternich Paintings, (1969–73), Pencil and synthetic polymer paint on colored paper-surfaced cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37137

H. C. Westermann, The Big Change, 1963, Douglas-fir marine plywood, Masonite, and ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270955

Robert Ryman, Eagle Turquoise 7H#4, 1966, Pencil on coffee filter paper with artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38432

Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38389

Frank Stella, [Untitled], (1966), Pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34007

Jim Dine, Study for The Car Crash: Band Aid, Possible Mask for Girl as a Man, 1960, Cut-and-pasted paper, pencil, ink, colored ink, and Band Aid on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34225

Charles Hinman, Study for Horizontal Movement, (1969–70), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34682

R. B. Kitaj, What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol, 1964, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32847

Shusaku Arakawa, [Untitled], 1965, Pencil, colored pencil, crayon, ballpoint pen, and paint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34158

Frank Stella, BAM, 1965, Crayon and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38434

Donald Judd, [Untitled], 1966, Felt-tip pen on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37059

Edward Ruscha, Wax, 1967, Gunpowder and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34920

Ruth Vollmer, Construction Drawing of Pseudosphere, 1969–70, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34721

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37724

Robert Smithson, Fossil Quarry Mirror (Outdoor and Indoor Proposal), 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37634

Chryssa, Stocks, (1960–62), Synthetic polymer paint, pencil, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37086

Agnes Martin, Wood, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37564

Chryssa, Negative Ampersand, 1967, Graphite, synthetic polymer paint, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37132

Joseph Cornell, Portrait of the Artist's Daughter by Vigée-Lebrun, c. 1960, Cut-and-pasted printed paper in wood frame with glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36553

Jim Dine, The Birth of the Black Rainbow, (1960), Torn and cut-and-pasted cardboard, oil, and pastel on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36568

Gene Vass, [Untitled], 1963, Ink on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33027

Franz Kline, Untitled (Study for Mahoning II), 1960, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34572

Jim Dine, Oberon. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, pencil, and cut-and-pasted metallic paper on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36814

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34614

Robert Smithson, Proposal for a Monument on the Red Sea, 1966, Cut-and-pasted printed paper and pencil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37300

Mel Bochner, Counting (#2) (Rocks), (1969), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33605

Chryssa, Drawing No. 2 for Analysis of Letter Y, 1965, Graphite and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37096

Saul Steinberg, Untitled [Mask], 1961–62, Pastel, with black crayon, over graphite, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220513

Louise Bourgeois, [Untitled], 1965, Gouache on pink card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35089

Jim Dine, Costume study for William Shakespeare's  A Midsummer Night's Dream: Tom Snout, 1966, Cut-and-pasted papers, pencil, ink, felt-tip pen, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36666

Jim Dine, Costume study for A Midsummer Night's Dream: Philostrate, 1966, Cut-and-pasted papers, pencil, watercolor, ink, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36824

Rudolf Baranik, White-Out from Artists and Writers Protest against the War in Vietnam, 1967, Etching from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32581

Andy Warhol, Black Bean, 1968, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07242

Peter Takal, Winter Vine, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36577

Timothy West, [Untitled], (1966), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35117

Liliana Porter, Plate IX from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16500

Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220515

Alexander Calder, [Untitled], 1969, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38394

Christopher Wilmarth, [Untitled], 1968, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35139

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38792

Jim Dine, 3 Rainbows for CORE, 1966, Felt-tip pen, pencil, ink, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36654

Gladys Nilsson, Tooting Boys, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38752

Seymour Lipton, Study for Manuscript, 1960, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37786

Seymour Lipton, Study for Eagle, 1961, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36552

Gladys Nilsson, People Houses, 1967, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33015

R. B. Kitaj, Let Us Call It Arden / And Live In It! from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32844

Saul Steinberg, Villa Maria No. 1, 1969, Pen and black ink, over graphite with erasing, with colored pencil, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220524

Saul Steinberg, Untitled (Equestrian Monument with Speech Balloons), 1961/65, Pen and black ink, over graphite, with black ballpoint pen, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220517

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37974

Walter Tandy Murch, Clock, 1965, Oil, pencil, and crayon on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35593

Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33174

David Weinrib, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32588

Frank Stella, [Untitled], (1966), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33755

James Francis Gill, Laughing Woman and Close-Up, 1964, Crayon on oak tag board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36597

Robert Birmelin, Opening Car Doors, 1962, Ink, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35821

Eugene Berman, The Cat. Costume design for the ballet Le Renard, (1966), Gouache, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35727

Claes Oldenburg, Store Poster, Torn Out Letters, Newspaper. Pie, Cup Cakes and Hot Dog, 1961, Cut-and-pasted paper and printed paper, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35318

Ben Shahn, Au Pêre Tranquille. Set design for the 1927 play "him" by e. e. cummings, 1961, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35141

Claes Oldenburg, Colossal Fag Ends, Installed on Doberman Estate, Westphalia, with Sheep-Fag End Watching, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35360

Marcel Duchamp, L.H.O.O.Q. Shaved, 1965, Playing card with colored ink on printed invitation, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37231

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37717

Edward Ruscha, City, 1968, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34077

R. B. Kitaj, For Fear from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32846

Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37112

George Segal, [Untitled], 1968, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35784

George Sugarman, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32586

Sol LeWitt, Drawing Series III/2314/A & B, 1969, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35151

Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339

Frank Stella, [Untitled], (1967), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33842

Eva Hesse, Repetition Nineteen, First of 3 versions, Summer 1967, Pen and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37065

Willem de Kooning, Woman, 1965, Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38704

Romare Bearden, The Conjur Woman, 1964, Cut-and-pasted printed paper and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36567

William Copley, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32592

Jim Dine, Nick Bottom. Costume design for the play A Midsummer Night's Dream, 1966, Cut-and-pasted printed papers,pencil, felt-tip pen, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36760

David Budd, [Untitled], 1960, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37623

Mark di Suvero, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32594

Jim Dine, Costume study for A Midsummer Night's Dream: Peaseblossom, 1966, Cut-and-pasted papers, pencil, pen and ink, watercolor and felt-tip pen on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36784

Chryssa, Study for The Metternich Paintings, (c. 1969–73), Graphite and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37135

Rawlings, Jersey for the St. Louis Cardinals worn by Curt Flood, 1966, synthetic fiber, rayon thread, felt, and plastic; H x W x D (on form): 33 1/4 × 25 × 12 in. (84.5 × 63.5 × 30.5 cm); H x W (flat): 33 1/2 × 21 in. (85.1 × 53.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398747523-0

Seymour Lipton, Study for Mask, No. II, 1965, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36561

Paul Burlin, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32590

Liliana Porter, Plate VI from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16497

Thomas Chimes, Untitled (Study for The Inner World), 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35464

Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38393

Chryssa, Study for Analysis of Letter Y, 1966–67, Synthetic polymer paint, pencil, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37123

Tommie Smith, Team USA warm-up suit worn by Tommie Smith at 1968 Olympics, 1968, H x W x D (overall): 64 × 20 1/2 × 10 1/2 in. (162.6 × 52.1 × 26.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750181-0

Frank Stella, [Untitled], (1964), Crayon and colored ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34164

Frank Stella, Sharpeville, 1962, Colored pencil, over graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/264785

Lucas Samaras, Large Drawing #5, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38017

Edward Ruscha, Study for "Box Smashed Flat (Vicksburg)", 1960, Graphite on cream tracing paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4869

R. B. Kitaj, Glue-Words from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32854

Robert Smithson, Enantiomorphic Chambers, Drawing Y, 1965, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37525

R. B. Kitaj, The Flood of Laymen from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32850

Frank Stella, [Untitled], (1968–69), Pencil on stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33958

Jim Dine, Dorian Gray as His Dress Gets More Eccentric. Costume design for the unrealized play The Picture of Dorian Gray, 1967, Watercolor, felt-tip pen, colored pencil, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33447

Edward Ruscha, Standard Study # 3, 1963, Tempera and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00050

Mark di Suvero, Study for X-Delta, (1969–70), Pencil, felt-tip pen, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34971

Eva Hesse, No title, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38380

Andy Warhol, Roll of Bills, 1962, Pencil, crayon, and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34818

Dan Flavin, Pink out of a Corner from No. 1 of December 19, 1963, October 14, 1965, Pencil and crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37616

H. C. Westermann, Homage to American Art (Dedicated to Elie Nadelman), 1966, Douglas fir, ash, cast lead, and antique shovel handle, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270961

Chryssa, Study for Analysis of Letter Y, (1965–67), Oil, graphite, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37121

Richard Merkin, The Night the Nut Got Loose, (1965), Gouache and charcoal on paper mounted on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36619

Robert Morris, [Untitled], 1969, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34722

Minnie Evans, [Untitled], c. 1960, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33532

Mary Bauermeister, Perhaps, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35793

Edward Ruscha, Trademark, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36661

Frank Stella, [Untitled], (1968), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34511

Liliana Porter, Plate VIII from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16499

Adja Yunkers, Hour of the Dog, 1961, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33941

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33934

Frank Stella, [Untitled], (1964), Colored ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34180

Frank Stella, [Untitled], (1963), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33788

Walter De Maria, The Three Mountains with the Four Fires Floated on the Blue Sea toward the Green Mountains, 1964, Colored pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37159

Lucas Samaras, Untitled (Floating Woman), 1962, Pastel on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33318

Chryssa, Stocks, 1960, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37078

H. C. Westermann, Control, 1968, Wood, plate glass, tar, chicken feathers, sheet copper, brass, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270963

Chryssa, Stocks, 1962, Synthetic polymer paint and pastel on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37082

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38791

Lee Bontecou, [Untitled], 1967, Pencil and felt-tip pen on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37422

H. C. Westermann, World's Strongest Glue, 1966, Solid cast bronze, brass, and paint, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270968

Dusti Bongé, [Untitled], 1960, Ink and ink stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37618

Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07126

Christopher Wilmarth, Her Sides of Me, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35153

Carol Summers, Kill for Peace from Artists and Writers against the War in Vietnam, 1967, Screenprint with punched holes from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32587

Robert Morris, Litanies (Litany of the Chariot), 1961, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34709

Mississippi Freedom House Co-Op, Male doll with tan clothing, c. 1965, cotton (textile); H x W x D: 16 1/2 x 12 x 2 in. (41.9 x 30.5 x 5.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743854-0

Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005

Frank Stella, [Untitled], (1967–68), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34583

Ad Reinhardt, Untitled from Artists and Writers against the War in Vietnam, 1967, Screenprint with collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32584

David Park, Richard Diebenkorn, 1960, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33207

Lee Krasner, Preparatory drawing for In Memory of My Feelings, 1967, Gouache on two sheets of acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32444

Daniel Lang, Surrey, (1969), Oil wash, graphite, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35522

Tommie Smith, 1968 Olympic warm-up suit pants worn by Tommie Smith, 1968, synthetic fiber, elastic, and metal; H x W x D (on form): 44 1/4 × 20 1/2 × 9 in. (112.4 × 52.1 × 22.9 cm); H x W (flat): 41 1/2 × 19 1/2 in. (105.4 × 49.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750183-0

Claes Oldenburg, Colossal Fag End, Dream State, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33509

Tom Wesselmann, Study for Smoker, 4 (Mouth, 18), 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35527

Gene Vass, [Untitled], 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36849

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37711

Robert Ryman, [Untitled], 1965, Enamel on bristol board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37494

Robert Smithson, [Untitled], (c. 1965–67), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38433

Chuck Close, Study for Self-Portrait, 1968, Gelatin-silver print, ink, pencil, and pressure-sensitive tape on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37904

David Budd, [Untitled], 1960, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37627

Carl Andre, Impulse Driver, 1965, Cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37107

Jim Dine, Costume study for A Midsummer Night's Dream: Hermia, 1966, Cut-and-pasted colored paper, pencil, watercolor, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36819

Eva Hesse, Repetition Nineteen, Second of 3 versions, 1967, Pen and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37071

R. B. Kitaj, Nerves, Massage, Defeat, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32848

R. B. Kitaj, Go and Get Killed Comrade - We Need a Byron in the Movement from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32855

Vija Celmins, Untitled (Moon Surface Luna 9, #1), 1969, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37426

Gladys Nilsson, The Pink Suit, 1965, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37778

John Cage, Music for Carillon, # 4, Page 3, 1961, Ink on transparentized graph paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33028

Chryssa, [Untitled], (c. 1969), Gouache and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37134

Joel Shapiro, Fingerprint Drawing, (1969), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35405

Charles Hinman, Red Figure from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32596

Lee Krasner, [Untitled], 1964, Felt-tip pen, pastel, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33262

Louise Bourgeois, Amoeba, 1963–5, cast 1984, Bronze, Tate, London. https://dartabase.art/cite/tate/T07780

Robert Indiana, The American Hay Company, 1962, Conté crayon frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35281

Frank Stella, [Untitled], (1963), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34148

R. B. Kitaj, The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32842

John McLaughlin, [Untitled], 1962, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35788

Frank Stella, [Untitled], (1963), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33822

Irving Petlin, Skin from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32583

Seymour Lipton, Study for Manuscript, 1960, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37791

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38793

Andy Warhol, Untitled (Beauty Products), 1960, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/T05495

Jim Dine, Structural Designs for Basil's Furniture, set design for The Picture of Dorian Gray, 1967, Oil pastel, felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35170

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38787

Frank Stella, [Untitled], (1964), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34201

Andy Warhol, Birmingham Race Riot, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77809

Eva Hesse, Repetition Nineteen, 1967, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37077

Thomas George, Norway Series, #20, Telemark, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38379

Frank Stella, [Untitled], (1963), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34431

H. C. Westermann, The Night Life, 1963, Plate-glass mirror, fir, Masonite, brass plate, rubber bumpers, and ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270959

Claes Oldenburg, Stripper with Battleship: Preliminary study for "Image of the Buddha Preaching" by Frank O'Hara, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33275

Edward Ruscha, Hollywood Study, 1968, Gouache, cut-and-pasted paper, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36653

Michael Heizer, Field Painting No. 2, 1968, Ballpoint pen, pencil, wash, and cut-and-pasted paper with typewritten text, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36202

Richard Diebenkorn, Seated Woman, (1966), Synthetic polymer paint and charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35624

Leo Manso, Ascent 3, 1962, Cut-and-pasted painted fabric and paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33140

Jim Dine, Costume study for A Midsummer Night's Dream: Egeus, 1966, Cut-and-pasted colored paper, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36780

L. (Alfred Lewin Copley) Alcopley, "Spiritus Ubi Vult Spirat," 24 ("The Wind Bloweth Where it Listeth", 24), 1962, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35389

Robert Smithson, Enantiomorphic Chambers, Drawing Z, 1965, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37532

R. B. Kitaj, Republic of the Southern Cross from the portfolio Mahler Becomes Politics, Beisbol, 1965, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32849

Agatha Wojciechowsky, [Untitled], 1962, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36766

Seymour Lipton, [Untitled], 1961, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36545

Christopher Wilmarth, Even, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35146

Frank Stella, [Untitled], (1964), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34087

Willem de Kooning, [Untitled], 1967, Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33261

Fruit of Islam, Fruit of Islam uniform, c. 1960, polyester with cotton (textile) , patent leather, National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743189-0

Seymour Lipton, Study for Manuscript, 1960, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37790

Carl Andre, now now, 1967, Typewriting and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38553

Sewell Sillman, #3, 1966, Ink on board with incising, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38812

Mel Bochner, Sixteen Isomorphs (Negative), 1967, Gelatin silver prints mounted on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111641

Kay Sage, The Great Impossible, 1961, Watercolor and charcoal on cut-and-pasted paper with glass lenses and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38435

Richard Prince, Untitled ("My brother..."), 1967 and 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34754

Alex Katz, Pansies, 1967, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00001

Jim Dine, Basil Hallward's Costume for the First Scene in Studio. Costume design for The Picture of Dorian Gray, 1967, Cut-and-pasted printed paper, gouache, oil pastel, felt-tip pen, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33465

Liliana Porter, Plate III from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16494

Gladys Nilsson, Hometown Talent Show, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38751

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07123

Frank Stella, [Untitled], (1966), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33969

Jim Dine, Costume study for A Midsummer Night's Dream: Theseus, 1966, Cut-and-pasted colored papers, pen and ink, and pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36658

H. C. Westermann, Eclipse #1, 1963, Pine, plate-glass mirror, paint, brass plate, and rubber bumpers, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270965

Liliana Porter, Plate I from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16490

Colette Bangert, Flatland Fields, 1961, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35911

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38005

Frank Stella, [Untitled], (1968/69), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33851

Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37115

Louise Bourgeois, Avenza, 1968–9, cast 1992, Plaster and latex, Tate, London. https://dartabase.art/cite/tate/T07781

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37993

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37754

Jasper Johns, Numbers, 1966, Graphite wash and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33245

Leon Polk Smith, Torn Drawing, 1961, Gouache on torn and pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35808

Edward Ruscha, Hey with Curled Edge, 1964, Ink and powdered graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36650

Peter Bradley, The Dearest One La Gaza M.F.R, 1967, Ink, wash, torn and cut-and-pasted paper, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36777

Frank Stella, [Untitled], (1966), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33769

Ben Shahn, The Room. Set design for the 1927 play "him" by e. e. cummings, 1961, Gouache, ink, and cut-and-pasted metallic paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35134

Romare Bearden, The Dove, 1964, Cut-and-pasted printed paper, gouache, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36572

Frank Stella, [Untitled], (1965), Felt-tip pen and colored ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38532

Richard Artschwager, Where to Go, 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38102

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38001

Jasper Johns, Jubilee, 1960, Graphite wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33980

Claes Oldenburg, Flag to Fold in the Pocket, 1960, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37746

Tal Streeter, Study for Endless Column, 1968–69, Pencil and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36889

Saul Steinberg, Untitled [Mask], 1961–62, Black and purple crayons, over graphite with erasing, and white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220514

Fritz Glarner, Tondo, c. 1960, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38213

Josef Albers, MM 3, 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33540

Charles Hinman, Artists and Writers Protest against the War in Vietnam, 1966–67, published 1967, Portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching; plus supplemental volume of eighteen letterpress prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32582

Michael Mazur, Her Place #1: Study for Closed Ward #8 and #12, (1962), Charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34093

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38794

Antonio Frasconi, Bertolt Brecht, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34441

Barry Le Va, Strips to Felt Particles, 1967–68, Ink and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34022

Andy Warhol, Self-Portrait, 1967, Synthetic polymer paint and silkscreen on canvas, Tate, London. https://dartabase.art/cite/tate/T01288

R. B. Kitaj, Untitled: cover for "Times Literary Supplement", (1963), Cut and pasted paper, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36789

Saul Steinberg, Untitled (Mask), 1961, Pen and brush and black ink, with black and green crayon, over black pencil, with cut-and-pasted brown and white paper collaged elements, on brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220519

Sam Gilliam, Watercolor, 4, 1969, Watercolor, and aluminum powder on fiberglass paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37186

Lucas Samaras, [Untitled], 1961, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35822

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37986

Mary Bauermeister, We Need More Drawings, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35781

Jasper Johns, Study for Memory Piece (Frank O'Hara), 1961, Pencil and charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38147

Frank Stella, [Untitled], (1967), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33832

Ad Reinhardt, Abstract Painting, c. 1966, Gouache on photographic paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37889

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07125

Jim Dine, Robin Starveling. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36800

Roy Lichtenstein, Baked Potato, 1962, Ink and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36620

Andy Warhol, Electric Chair, 1964, Screenprint and acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07145

Tom Wesselmann, Final study for Little Still Life No. 13, 1963, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37850

Linda Page, Black fur hat with woven trim and bow, 1960s-1970s, fur felt, rayon Petersham ribbon, silk, and adhesive; H x W x D: 5 1/2 × 14 × 13 × 21 in. (14 × 35.6 × 33 × 53.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1743503106385-1743503109015-0

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34599

Saul Steinberg, Untitled (Paris/Sardinia), 1963, Pen and black ink, with colored pencil, crayon, watercolor, graphite and ballpoint pen in red and black, ruled in graphite, on off-white wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220518

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07121

Agnes Martin, Stone, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37559

Alfred Jensen, Hekatompedon Series, Per 7, 1965, Gouache, ink, pencil, and typewriting on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34452

Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33193

Frank Stella, [Untitled], (c. 1967), Pencil and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33860

Frank Stella, [Untitled], (1963), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34136

Jim Dine, Proscenium arch design for the play A Midsummer Nights's Dream, 1966, Felt-tip pen, pencil, and paint sample chart on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36463

Linda Lindeberg, Hanging Man, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38383

Charles Cajori, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32591

Barbara Chase-Riboud, [Untitled], 1966, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36989

Alexander Calder, Slanting Red Nose, 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38388

Bob Thompson, Untitled (After Poussin), 1964, Oil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34708

Seymour Lipton, Study for Eagle, 1961, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36557

Henry Pearson, Sphere, 1964, Felt-tip pen on mulberry papier mâché globe, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32992

Robert Mangold, Perimeter Series, 1969–70, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38272

Edward Ruscha, HONK, 1962, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00184

Barry Le Va, Strips, Sheets, Particles, 1967–68, Ink, gelatin silver print, and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33930

Liliana Porter, Wrinkle, 1968, Portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16491

H. C. Westermann, Rotting Jet Wing, 1966, Pine, plate glass, felt, and copper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270960

Claes Oldenburg, Hamburger, 1962, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36331

Thomas Wilfred, Study for Lumia Suite, Opus #158, 1964, Pencil on blueprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37111

Liliana Porter, Plate II from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16493

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37978

R. B. Kitaj, Americans Abroad; Biggar, Lanarkshire (frontispiece) from the portfolio Mahler Becomes Politics, Beisbol, 1964–67, Cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32840

Claes Oldenburg, Dropped Cup of Coffee: Preliminary study for "Image of the Buddha Preaching" by Frank O'Hara, 1967, Pencil, crayon, and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38754

Frank Stella, [Untitled], (1966), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34247

Robert Overby, Sketchbook, 1969, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38473

Henry Pearson, Sotoba-Komachi, 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37647

R. B. Kitaj, His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol, 1966, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32851

Paul Feeley, [Untitled], (1965), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37454

Paul Waldman, [Untitled], 1965, Graphite on cut-and-pasted ragboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36607

Louise Bourgeois, [Untitled], c. 1965, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35096

Louise Nevelson, Composition from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32597

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07124

Lee Bontecou, [Untitled], 1960, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34224

Frank Stella, [Untitled], (1966), Pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34021

Alfred Jensen, Study, 1960, Cut-and-pasted paper with watercolor, gouache, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33995

Jim Dine, Main Piece of Furniture for Basil's Studio, set design for The Picture of Dorian Gray, 1967, Gouache, oil pastel, felt-tip pen, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35162

H. C. Westermann, Little Egypt, 1969, Douglas fir, pine, oak and bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270956

Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, over graphite, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220516

Baldwin Piano Company, Piano bench owned and used by Thelonious Monk, 1962, wood, metal, foam, vinyl; H x W x D: 19 5/16 × 33 7/16 × 15 9/16 in. (49 × 85 × 39.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752319-0

Liliana Porter, Plate V from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16496

R. B. Kitaj, I’ve Balled Every Waitress in this Club from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32852

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07122

Esteban Vicente, Blue, Red, Black and White, 1961, Cut-and-pasted colored paper, charcoal, and pastel on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35756

Frank Stella, [Untitled], (1966–67), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33903

Jim Dine, Costume study for A Midsummer Night's Dream: Snug, 1966, Cut-and-pasted colored paper, felt-tip pen, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36791

Carl Andre, Crowding, 1965, Cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37810

Paul Georges, Self-Portrait, 1964, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35693

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38008

Ida Griffin, Fluxfest, 1967, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5853

Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759

Richard Artschwager, Table and Two Chairs, 1965, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38105

Allan D'Arcangelo, Dipped from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32593

Richard Lippold, Study for Bicentennial Medallion, 1964, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37970

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38011

Earl Miller, American Flyer, 1965, Torn and cut-and-pasted colored and printed papers, synthetic polymer paint, and tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38083

Tom Wesselmann, Study for Mouth, 8, 1966, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33317

Philip Van Aver, [Untitled], 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36119

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38789

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37989

Hedda Sterne, Mrs. Harold Rosenberg, 1965, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35847

Leo Rabkin, The Red Visit, (1960), Watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36514

Agnes Martin, Red Bird, 1964, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34916

Ronnie Elliott, The Secret Ladder, 1963, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33103

Brice Marden, [Untitled], 1964–65, Charcoal, pencil, and colored pencil over screenprint on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38158

Frank Stella, [Untitled], (1963), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34450

Bruce Nauman, Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33499

Frank Stella, [Untitled], (1968), Pencil and synthetic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34525

Burgoyne Diller, Composition, 1962, Cut-and-pasted colored paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38205

James Lee Byars, Untitled Object, 1962–64, Crayon on Japanese paper, joined and folded, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33502

Mel Bochner, Counting (Rocks), 1969, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33600

Benny Andrews, Cross Bearers, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37413

Dennis Oppenheim, Highway 20, 1969, Chromogenic color prints, silver gelatin prints, electrostatic print, crayon, pressure-sensitive transfer type and typewritten label on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38397

Sol LeWitt, Eakins Stamps, 1967, Postage stamps and ink on paper in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36196

Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777

Saul Steinberg, Untitled (Braque, bric-a-brac...), 1964, Collage of cut-and-pasted papers with pen and black ink, colored pencil, graphite with erasing, and gummed labels, on brown wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220520

R. B. Kitaj, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32845

Frank Stella, [Untitled], (1964), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34075

Hedda Sterne, Harold Rosenberg, 1964–65, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34989

Henry Pearson, 5 5/8" CIRCLE #6, 1961, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35298

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33925

Frank Stella, [Untitled], (1966), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33982

Seymour Lipton, Study for The Empty Room, 1964, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36549

Barbara Chase-Riboud, [Untitled], 1967, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33163

Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38788

Lee Krasner, Unused preparatory drawing for In Memory of My Feelings, 1967, Gouache on acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32445

Frank Stella, [Untitled], (1966), Pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33994

Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37108

Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite, ink, synthetic polymer paint, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37102

Sol LeWitt, Plan for Wall Drawing, 1969, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38382

Richard Hunt, [Untitled], 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33899