Christopher Wilmarth, Left, 1968, Wood, plastic and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35131 Richard Long, A Line Made by Walking, 1967, Photograph, gelatin silver print on paper with graphite on board, Tate, London. https://dartabase.art/cite/tate/AR00142 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07127 Frank Stella, [Untitled], (1966), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34232 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38785 R. B. Kitaj, In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32853 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37997 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38784 Eduardo Paolozzi, Tortured Life, 1964, Cut-and-pasted printed paper with cut-and-pasted gelatin silver prints and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33290 Gordon Matta-Clark, Photo Fry, 1969, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200036 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37983 Eva Hesse, No title, 1967, Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38417 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37715 Edward Ruscha, Smash Triptych, 1964, Powdered graphite on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34150 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767 Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37118 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737 Eduardo Paolozzi, Wittgenstein as Soldier, 1964, Cut-and-pasted gelatin silver prints on transparentized paper over cut-and-pasted printed paper and gelatin silver prints on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38802 Joe Brainard, [Untitled], 1966, Cut-and-pasted paper, embroidered printed paper, net, glitter, and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33867 Adja Yunkers, Aegean I from Artists and Writers Protest against the War in Vietnam, 1966, published 1967, Lithograph with embossing from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32589 Jim Dine, Helena. Costume design for the play A Midsummer Night's Dream, 1966, Ink, pencil, felt-tip pen, and cut-and-pasted paper on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36769 Frank Stella, [Untitled], (1963), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33813 Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522 Alex Katz, Tulips, 1969, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00002 Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink, and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523 David Hockney, Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34018 Liliana Porter, Plate VII from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16498 Willem de Kooning, [Untitled], (1968), Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33276 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07129 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923 Richard Lindner, Checkmate, 1966, Cut-and-pasted papers, watercolor, pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36538 Mary Bauermeister, Needless Needles, (1964), Ink, colored ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35807 Chryssa, Drawing No. 1 for Analysis of Letter Y, (1965), Graphite, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37091 Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748 Mark Rothko, [Untitled], 1969, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37028 Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695 Vito Acconci, Throw, 1969, Ink and pastel on painted foamcore with gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38701 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687 Charles Fahlen, [Untitled], (1969), Sprayed synthetic polymer paint and rubber stamp on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38378 Dennis Oppenheim, Study for TIME POCKET, 1968, Cut-and-pasted topographical map, scale plan, typewritten sheet, transfer type, synthetic polymer paint, crayon, felt-tip pen, and pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37296 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709 Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38790 Frank Stella, [Untitled], (1967–68), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34570 Liliana Porter, Plate X from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16492 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704 Roy Lichtenstein, Landscape with Clouds, 1964, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38603 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670 Jasper Johns, Watchman, 1966, Graphite wash, metallic pigment, pencil, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36306 Jim Dine, Costume study for A Midsummer Night's Dream: Moth, 1966, Cut-and-pasted paper, pencil, crayon,ink, and felt-tip pen on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36764 Marvin Harden, A Fine and Private Place, 1967, Pencil on pink paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36781 David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751 Edward Ruscha, 1984, 1967, Gunpowder and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34931 Roy Lichtenstein, Brushstrokes, 1966–68, Pencil and tusche pochoir on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37645 Richard Hamilton, Study for The Solomon R. Guggenheim, 1965, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33192 Joe Tilson, Ziggurat, 1966, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33350 Saul Steinberg, Untitled (Rush Hour), c. 1969, Rubber stamps in black ink, and pen and black ink, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220521 Eva Hesse, Repetition Nineteen I, 1967–68, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37063 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673 Geoffrey Hendricks, Sky, (1966), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35703 Edward Ruscha, Normandie, 1965, Powdered graphite and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34138 Leon Golub, Killed Youth from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32595 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747 Richard Tuttle, Study for First Green Octagon, (1967), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34243 R. B. Kitaj, Hellebore for Georg Trakl from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32843 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07130 R. B. Kitaj, The Gay Science from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32841 Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681 Mark Rothko, [Untitled], 1968, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37042 Ray Johnson, 2nd Marilyn Monroe 1926-1962, 1967, Gouache, crayon, and colored ink on layered board on board with gouache, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35164 William Eggleston, Near Jackson, Mississippi, c. 1970, printed 2002, Dye imbibition print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/188844 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746 Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691 Robert Motherwell, Beside the Sea, 1968, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38408 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38795 David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38786 Jasper Johns, Voice, 1969, Graphite wash and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33667 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756 Frank Stella, [Untitled], (1966–67), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33916 Robert Motherwell, In Beige, with White, 2, 1968, Cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38410 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07128 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749 Jim Dine, Titania. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, watercolor, pencil, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36773 Jim Dine, Puck. Costume design for the play A Midsummer Night's Dream, 1966, Watercolor, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36675 Frank Stella, [Untitled], (1964), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34218 Frank Stella, [Untitled], 1964, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34098 Frank Stella, [Untitled], 1964, Pencil and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38530 Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690 Frank Stella, [Untitled], (1968–69), Pencil on stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33947 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757 Carl Andre, red red, 1967, Typewriting on paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38552 Jack Sonenberg, Literal Dimensions from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint with die-cut and collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32585 David Hockney, Portrait of Peter, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38597 Will Insley, Stage Space, Reduce, (1967), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35864 Stephen Greene, Biograph, (1967–68), Pencil, cut-and-pasted paper, gouache, and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33158 Robert Smithson, Mirror with Rock Salt (Salt Mine and Museum Proposal), 1968, Pencil, cut-and-pasted gelatin-silver print, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37629 Liliana Porter, Plate IV from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16495 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723 Christopher Wilmarth, Reach, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35165 H. C. Westermann, Wet Flower, 1968, Wood, glass, Connecticut fieldstone, linoleum, dried roots, putty, and varnish., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270962 Roy Lichtenstein, Study for Modern Painting with Bolt, 1966, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38604 Stephen Antonakos, Neon for 57th Street, 1967, Crayon, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38097 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38014 Alan Shields, [Untitled], 1969, Construction of cut-and-pasted paper, synthetic polymer paint, and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38557 Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162 Christopher Wilmarth, Orange Forth, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35159 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693 Jim Dine, Costume study for A Midsummer Night's Dream: Flute, 1966, Cut-and-pasted colored papers, pencil, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36767 Jim Dine, Theseus, Duke of Athens. Costume design for the play A Midsummer Night's Dream, 1966, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36776 Chryssa, Study for The Metternich Paintings, (1969–73), Pencil and synthetic polymer paint on colored paper-surfaced cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37137 Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702 Robert Ryman, Eagle Turquoise 7H#4, 1966, Pencil on coffee filter paper with artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38432 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38389 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740 Frank Stella, [Untitled], (1966), Pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34007 Charles Hinman, Study for Horizontal Movement, (1969–70), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34682 R. B. Kitaj, What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol, 1964, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32847 Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161 Shusaku Arakawa, [Untitled], 1965, Pencil, colored pencil, crayon, ballpoint pen, and paint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34158 Frank Stella, BAM, 1965, Crayon and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38434 Donald Judd, [Untitled], 1966, Felt-tip pen on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37059 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752 Edward Ruscha, Wax, 1967, Gunpowder and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34920 Ruth Vollmer, Construction Drawing of Pseudosphere, 1969–70, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34721 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37724 Robert Smithson, Fossil Quarry Mirror (Outdoor and Indoor Proposal), 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37634 David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568 Agnes Martin, Wood, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37564 Chryssa, Negative Ampersand, 1967, Graphite, synthetic polymer paint, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37132 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726 Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669 Jim Dine, Oberon. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, pencil, and cut-and-pasted metallic paper on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36814 Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34614 Robert Smithson, Proposal for a Monument on the Red Sea, 1966, Cut-and-pasted printed paper and pencil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37300 Gilbert & George, George the Cunt and Gilbert the Shit, 1969, 2 photographs, colour, on paper on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00170 Mel Bochner, Counting (#2) (Rocks), (1969), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33605 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768 Chryssa, Drawing No. 2 for Analysis of Letter Y, 1965, Graphite and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37096 David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564 Louise Bourgeois, [Untitled], 1965, Gouache on pink card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35089 Jim Dine, Costume study for William Shakespeare's A Midsummer Night's Dream: Tom Snout, 1966, Cut-and-pasted papers, pencil, ink, felt-tip pen, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36666 Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178 Jim Dine, Costume study for A Midsummer Night's Dream: Philostrate, 1966, Cut-and-pasted papers, pencil, watercolor, ink, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36824 Rudolf Baranik, White-Out from Artists and Writers Protest against the War in Vietnam, 1967, Etching from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32581 Andy Warhol, Black Bean, 1968, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07242 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675 Timothy West, [Untitled], (1966), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35117 Liliana Porter, Plate IX from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16500 Alexander Calder, [Untitled], 1969, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38394 Christopher Wilmarth, [Untitled], 1968, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35139 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38792 Jim Dine, 3 Rainbows for CORE, 1966, Felt-tip pen, pencil, ink, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36654 Gladys Nilsson, Tooting Boys, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38752 Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174 Gladys Nilsson, People Houses, 1967, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33015 R. B. Kitaj, Let Us Call It Arden / And Live In It! from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32844 Saul Steinberg, Villa Maria No. 1, 1969, Pen and black ink, over graphite with erasing, with colored pencil, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220524 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37974 Walter Tandy Murch, Clock, 1965, Oil, pencil, and crayon on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35593 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33174 David Weinrib, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32588 Frank Stella, [Untitled], (1966), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33755 James Francis Gill, Laughing Woman and Close-Up, 1964, Crayon on oak tag board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36597 Eugene Berman, The Cat. Costume design for the ballet Le Renard, (1966), Gouache, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35727 Claes Oldenburg, Colossal Fag Ends, Installed on Doberman Estate, Westphalia, with Sheep-Fag End Watching, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35360 Marcel Duchamp, L.H.O.O.Q. Shaved, 1965, Playing card with colored ink on printed invitation, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37231 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37717 Edward Ruscha, City, 1968, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34077 R. B. Kitaj, For Fear from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32846 Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37112 George Segal, [Untitled], 1968, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35784 George Sugarman, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32586 Sol LeWitt, Drawing Series III/2314/A & B, 1969, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35151 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714 David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575 David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074 Frank Stella, [Untitled], (1967), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33842 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Crayon, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33892 Eva Hesse, Repetition Nineteen, First of 3 versions, Summer 1967, Pen and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37065 Willem de Kooning, Woman, 1965, Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38704 Romare Bearden, The Conjur Woman, 1964, Cut-and-pasted printed paper and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36567 William Copley, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32592 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730 Jim Dine, Nick Bottom. Costume design for the play A Midsummer Night's Dream, 1966, Cut-and-pasted printed papers,pencil, felt-tip pen, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36760 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729 Mark di Suvero, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32594 Jim Dine, Costume study for A Midsummer Night's Dream: Peaseblossom, 1966, Cut-and-pasted papers, pencil, pen and ink, watercolor and felt-tip pen on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36784 Chryssa, Study for The Metternich Paintings, (c. 1969–73), Graphite and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37135 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699 Rawlings, Jersey for the St. Louis Cardinals worn by Curt Flood, 1966, synthetic fiber, rayon thread, felt, and plastic; H x W x D (on form): 33 1/4 × 25 × 12 in. (84.5 × 63.5 × 30.5 cm); H x W (flat): 33 1/2 × 21 in. (85.1 × 53.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398747523-0 David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289 Seymour Lipton, Study for Mask, No. II, 1965, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36561 Paul Burlin, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32590 David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563 Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672 Liliana Porter, Plate VI from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16497 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38393 Chryssa, Study for Analysis of Letter Y, 1966–67, Synthetic polymer paint, pencil, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37123 Tommie Smith, Team USA warm-up suit worn by Tommie Smith at 1968 Olympics, 1968, H x W x D (overall): 64 × 20 1/2 × 10 1/2 in. (162.6 × 52.1 × 26.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750181-0 Frank Stella, [Untitled], (1964), Crayon and colored ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34164 David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254 Lucas Samaras, Large Drawing #5, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38017 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725 R. B. Kitaj, Glue-Words from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32854 Robert Smithson, Enantiomorphic Chambers, Drawing Y, 1965, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37525 R. B. Kitaj, The Flood of Laymen from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32850 Frank Stella, [Untitled], (1968–69), Pencil on stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33958 Jim Dine, Dorian Gray as His Dress Gets More Eccentric. Costume design for the unrealized play The Picture of Dorian Gray, 1967, Watercolor, felt-tip pen, colored pencil, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33447 Mark di Suvero, Study for X-Delta, (1969–70), Pencil, felt-tip pen, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34971 Eva Hesse, No title, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38380 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684 Dan Flavin, Pink out of a Corner from No. 1 of December 19, 1963, October 14, 1965, Pencil and crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37616 David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379 H. C. Westermann, Homage to American Art (Dedicated to Elie Nadelman), 1966, Douglas fir, ash, cast lead, and antique shovel handle, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270961 Chryssa, Study for Analysis of Letter Y, (1965–67), Oil, graphite, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37121 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719 Richard Merkin, The Night the Nut Got Loose, (1965), Gouache and charcoal on paper mounted on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36619 Robert Morris, [Untitled], 1969, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34722 David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295 Mary Bauermeister, Perhaps, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35793 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901 Frank Stella, [Untitled], (1968), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34511 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754 Liliana Porter, Plate VIII from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16499 Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33934 Frank Stella, [Untitled], (1964), Colored ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34180 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761 Walter De Maria, The Three Mountains with the Four Fires Floated on the Blue Sea toward the Green Mountains, 1964, Colored pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37159 H. C. Westermann, Control, 1968, Wood, plate glass, tar, chicken feathers, sheet copper, brass, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270963 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711 Colin Self, Sofa, 1964, Colored pencil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36820 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38791 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734 Lee Bontecou, [Untitled], 1967, Pencil and felt-tip pen on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37422 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753 H. C. Westermann, World's Strongest Glue, 1966, Solid cast bronze, brass, and paint, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270968 Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07126 Christopher Wilmarth, Her Sides of Me, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35153 Carol Summers, Kill for Peace from Artists and Writers against the War in Vietnam, 1967, Screenprint with punched holes from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32587 Mississippi Freedom House Co-Op, Male doll with tan clothing, c. 1965, cotton (textile); H x W x D: 16 1/2 x 12 x 2 in. (41.9 x 30.5 x 5.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743854-0 Frank Stella, [Untitled], (1967–68), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34583 Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177 Ad Reinhardt, Untitled from Artists and Writers against the War in Vietnam, 1967, Screenprint with collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32584 Allen Jones, Study for Bus Series, (1966), Chalk, crayon, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33208 Lee Krasner, Preparatory drawing for In Memory of My Feelings, 1967, Gouache on two sheets of acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32444 Daniel Lang, Surrey, (1969), Oil wash, graphite, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35522 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735 Tommie Smith, 1968 Olympic warm-up suit pants worn by Tommie Smith, 1968, synthetic fiber, elastic, and metal; H x W x D (on form): 44 1/4 × 20 1/2 × 9 in. (112.4 × 52.1 × 22.9 cm); H x W (flat): 41 1/2 × 19 1/2 in. (105.4 × 49.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750183-0 Claes Oldenburg, Colossal Fag End, Dream State, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33509 Tom Wesselmann, Study for Smoker, 4 (Mouth, 18), 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35527 David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728 Gene Vass, [Untitled], 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36849 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37711 Robert Ryman, [Untitled], 1965, Enamel on bristol board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37494 Robert Smithson, [Untitled], (c. 1965–67), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38433 Chuck Close, Study for Self-Portrait, 1968, Gelatin-silver print, ink, pencil, and pressure-sensitive tape on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37904 David Hockney, Ready Cleaners, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34032 Carl Andre, Impulse Driver, 1965, Cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37107 Jim Dine, Costume study for A Midsummer Night's Dream: Hermia, 1966, Cut-and-pasted colored paper, pencil, watercolor, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36819 Eva Hesse, Repetition Nineteen, Second of 3 versions, 1967, Pen and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37071 R. B. Kitaj, Nerves, Massage, Defeat, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32848 R. B. Kitaj, Go and Get Killed Comrade - We Need a Byron in the Movement from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32855 Vija Celmins, Untitled (Moon Surface Luna 9, #1), 1969, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37426 Gladys Nilsson, The Pink Suit, 1965, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37778 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677 Chryssa, [Untitled], (c. 1969), Gouache and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37134 Joel Shapiro, Fingerprint Drawing, (1969), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35405 Charles Hinman, Red Figure from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32596 Lee Krasner, [Untitled], 1964, Felt-tip pen, pastel, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33262 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759 R. B. Kitaj, The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32842 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706 Irving Petlin, Skin from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32583 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38793 Jim Dine, Structural Designs for Basil's Furniture, set design for The Picture of Dorian Gray, 1967, Oil pastel, felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35170 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38787 Frank Stella, [Untitled], (1964), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34201 Andy Warhol, Birmingham Race Riot, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77809 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764 Eva Hesse, Repetition Nineteen, 1967, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37077 Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727 Thomas George, Norway Series, #20, Telemark, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38379 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763 Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180 Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689 Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801 Claes Oldenburg, Stripper with Battleship: Preliminary study for "Image of the Buddha Preaching" by Frank O'Hara, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33275 Edward Ruscha, Hollywood Study, 1968, Gouache, cut-and-pasted paper, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36653 Michael Heizer, Field Painting No. 2, 1968, Ballpoint pen, pencil, wash, and cut-and-pasted paper with typewritten text, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36202 Richard Diebenkorn, Seated Woman, (1966), Synthetic polymer paint and charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35624 Jim Dine, Costume study for A Midsummer Night's Dream: Egeus, 1966, Cut-and-pasted colored paper, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36780 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708 David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315 David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566 Robert Smithson, Enantiomorphic Chambers, Drawing Z, 1965, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37532 R. B. Kitaj, Republic of the Southern Cross from the portfolio Mahler Becomes Politics, Beisbol, 1965, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32849 Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692 Eduardo Paolozzi, Wittgenstein in N.Y., 1964, Cut-and-pasted printed paper and cut-and-pasted gelatin silver prints on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38800 Christopher Wilmarth, Even, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35146 Frank Stella, [Untitled], (1964), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34087 Willem de Kooning, [Untitled], 1967, Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33261 Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176 Carl Andre, now now, 1967, Typewriting and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38553 Sewell Sillman, #3, 1966, Ink on board with incising, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38812 Mel Bochner, Sixteen Isomorphs (Negative), 1967, Gelatin silver prints mounted on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111641 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717 Richard Prince, Untitled ("My brother..."), 1967 and 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34754 Alex Katz, Pansies, 1967, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00001 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769 Jim Dine, Basil Hallward's Costume for the First Scene in Studio. Costume design for The Picture of Dorian Gray, 1967, Cut-and-pasted printed paper, gouache, oil pastel, felt-tip pen, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33465 David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683 David Hockney, Drawing for Ubu Roi, Cave Scene, 1966, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38299 Liliana Porter, Plate III from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16494 Gladys Nilsson, Hometown Talent Show, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38751 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07123 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676 Frank Stella, [Untitled], (1966), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33969 Jim Dine, Costume study for A Midsummer Night's Dream: Theseus, 1966, Cut-and-pasted colored papers, pen and ink, and pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36658 Liliana Porter, Plate I from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16490 William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38005 Frank Stella, [Untitled], (1968/69), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33851 Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37115 Louise Bourgeois, Avenza, 1968–9, cast 1992, Plaster and latex, Tate, London. https://dartabase.art/cite/tate/T07781 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37993 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37754 Jasper Johns, Numbers, 1966, Graphite wash and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33245 David Hockney, Patrick Procktor in New York, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38777 Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182 Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694 Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177 Edward Ruscha, Hey with Curled Edge, 1964, Ink and powdered graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36650 David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497 Peter Bradley, The Dearest One La Gaza M.F.R, 1967, Ink, wash, torn and cut-and-pasted paper, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36777 Frank Stella, [Untitled], (1966), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33769 Romare Bearden, The Dove, 1964, Cut-and-pasted printed paper, gouache, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36572 Frank Stella, [Untitled], (1965), Felt-tip pen and colored ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38532 Richard Artschwager, Where to Go, 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38102 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38001 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765 Tal Streeter, Study for Endless Column, 1968–69, Pencil and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36889 Charles Hinman, Artists and Writers Protest against the War in Vietnam, 1966–67, published 1967, Portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching; plus supplemental volume of eighteen letterpress prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32582 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38794 Barry Le Va, Strips to Felt Particles, 1967–68, Ink and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34022 Andy Warhol, Self-Portrait, 1967, Synthetic polymer paint and silkscreen on canvas, Tate, London. https://dartabase.art/cite/tate/T01288 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766 David Hockney, Père Ubu: Polish Army, 1966, Crayon, pencil and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38818 Sam Gilliam, Watercolor, 4, 1969, Watercolor, and aluminum powder on fiberglass paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37186 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37986 David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572 Mary Bauermeister, We Need More Drawings, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35781 Frank Stella, [Untitled], (1967), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33832 Ad Reinhardt, Abstract Painting, c. 1966, Gouache on photographic paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37889 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07125 Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866 Jim Dine, Robin Starveling. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36800 Andy Warhol, Electric Chair, 1964, Screenprint and acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07145 Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34599 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07121 Agnes Martin, Stone, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37559 Alfred Jensen, Hekatompedon Series, Per 7, 1965, Gouache, ink, pencil, and typewriting on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34452 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33193 Frank Stella, [Untitled], (c. 1967), Pencil and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33860 Allen Jones, Studies for Lithographs, (1966), Ballpoint pen, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37964 Jim Dine, Proscenium arch design for the play A Midsummer Nights's Dream, 1966, Felt-tip pen, pencil, and paint sample chart on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36463 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745 Charles Cajori, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32591 Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748 Barbara Chase-Riboud, [Untitled], 1966, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36989 David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573 David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569 Alexander Calder, Slanting Red Nose, 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38388 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716 Bob Thompson, Untitled (After Poussin), 1964, Oil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34708 Henry Pearson, Sphere, 1964, Felt-tip pen on mulberry papier mâché globe, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32992 Robert Mangold, Perimeter Series, 1969–70, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38272 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697 Barry Le Va, Strips, Sheets, Particles, 1967–68, Ink, gelatin silver print, and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33930 Liliana Porter, Wrinkle, 1968, Portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16491 H. C. Westermann, Rotting Jet Wing, 1966, Pine, plate glass, felt, and copper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270960 Thomas Wilfred, Study for Lumia Suite, Opus #158, 1964, Pencil on blueprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37111 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718 Liliana Porter, Plate II from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16493 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37978 R. B. Kitaj, Americans Abroad; Biggar, Lanarkshire (frontispiece) from the portfolio Mahler Becomes Politics, Beisbol, 1964–67, Cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32840 Claes Oldenburg, Dropped Cup of Coffee: Preliminary study for "Image of the Buddha Preaching" by Frank O'Hara, 1967, Pencil, crayon, and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38754 Frank Stella, [Untitled], (1966), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34247 Robert Overby, Sketchbook, 1969, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38473 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744 R. B. Kitaj, His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol, 1966, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32851 Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671 Paul Feeley, [Untitled], (1965), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37454 Paul Waldman, [Untitled], 1965, Graphite on cut-and-pasted ragboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36607 Louise Bourgeois, [Untitled], c. 1965, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35096 Louise Nevelson, Composition from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32597 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07124 Frank Stella, [Untitled], (1966), Pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34021 Colin Self, Woman in a Fur Coat and Tulip, 1964, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38821 Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173 Jim Dine, Main Piece of Furniture for Basil's Studio, set design for The Picture of Dorian Gray, 1967, Gouache, oil pastel, felt-tip pen, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35162 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701 Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179 H. C. Westermann, Little Egypt, 1969, Douglas fir, pine, oak and bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270956 Liliana Porter, Plate V from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16496 R. B. Kitaj, I’ve Balled Every Waitress in this Club from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32852 Colin Self, Drive, He Said, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34231 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07122 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760 Frank Stella, [Untitled], (1966–67), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33903 Jim Dine, Costume study for A Midsummer Night's Dream: Snug, 1966, Cut-and-pasted colored paper, felt-tip pen, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36791 Carl Andre, Crowding, 1965, Cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37810 Paul Georges, Self-Portrait, 1964, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35693 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38008 Ida Griffin, Fluxfest, 1967, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5853 Richard Artschwager, Table and Two Chairs, 1965, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38105 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741 Eduardo Paolozzi, He Must, So To Speak, Throw Away The Ladder, 1965, Collage of cut-and-pasted papers, and pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38798 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713 Allan D'Arcangelo, Dipped from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32593 Richard Lippold, Study for Bicentennial Medallion, 1964, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37970 Eduardo Paolozzi, Title Page, 1965, Collage of cut-and-pasted papers, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38803 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38011 Earl Miller, American Flyer, 1965, Torn and cut-and-pasted colored and printed papers, synthetic polymer paint, and tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38083 Tom Wesselmann, Study for Mouth, 8, 1966, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33317 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38789 David Hockney, Czar, 1966, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33360 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37989 Hedda Sterne, Mrs. Harold Rosenberg, 1965, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35847 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674 David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570 Agnes Martin, Red Bird, 1964, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34916 Eduardo Paolozzi, Wittgenstein at the Cinema Admires Betty Hutton, 1965, Collage of cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38799 David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296 Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181 Brice Marden, [Untitled], 1964–65, Charcoal, pencil, and colored pencil over screenprint on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38158 Bruce Nauman, Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33499 Frank Stella, [Untitled], (1968), Pencil and synthetic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34525 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698 Mel Bochner, Counting (Rocks), 1969, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33600 Benny Andrews, Cross Bearers, 1964, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37413 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743 Dennis Oppenheim, Highway 20, 1969, Chromogenic color prints, silver gelatin prints, electrostatic print, crayon, pressure-sensitive transfer type and typewritten label on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38397 Sol LeWitt, Eakins Stamps, 1967, Postage stamps and ink on paper in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36196 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739 Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777 Saul Steinberg, Untitled (Braque, bric-a-brac...), 1964, Collage of cut-and-pasted papers with pen and black ink, colored pencil, graphite with erasing, and gummed labels, on brown wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220520 R. B. Kitaj, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32845 David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685 Frank Stella, [Untitled], (1964), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34075 Hedda Sterne, Harold Rosenberg, 1964–65, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34989 Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742 Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33925 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712 Frank Stella, [Untitled], (1966), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33982 Seymour Lipton, Study for The Empty Room, 1964, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36549 Barbara Chase-Riboud, [Untitled], 1967, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33163 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38788 Lee Krasner, Unused preparatory drawing for In Memory of My Feelings, 1967, Gouache on acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32445 Frank Stella, [Untitled], (1966), Pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33994 Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37108 Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite, ink, synthetic polymer paint, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37102 Sol LeWitt, Plan for Wall Drawing, 1969, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38382 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738 Richard Hunt, [Untitled], 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33899