Christopher Wilmarth, Left, 1968, Wood, plastic and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35131

Richard Long, A Line Made by Walking, 1967, Photograph, gelatin silver print on paper with graphite on board, Tate, London. https://dartabase.art/cite/tate/AR00142

Rasheed Araeen, Chaar Yaar I (four friends), 1968/2014, Wood, house paint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25884

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07127

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686

Ian Gall, Death adder in his pocket, 1968, Pen and brush and ink, blue watercolour wash and crayon on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12921

Fred Williams, Australian landscape III, 1969, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7394

R. B. Kitaj, In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32853

VARIOUS ARTISTS, SMS: A collection of original multiples, 1968, Colour offset prints and mixed media on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14443

Mathias Kauage, (Garden scene), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24262

Diane Arbus, Identical Twins, Roselle, N.J. 1967, 1967, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00506

Gordon Matta-Clark, Photo Fry, 1969, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200036

Robert Adams, [Untitled], 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.6

Ti Parks, Number one, 1969, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/98832

Eva Hesse, No title, 1967, Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38417

Peter Cripps, Room (negative form), 1967, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24331

William Anastasi, Transfer, 1968, Video installation, black-and-white, silent, with monitor and video camera, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/95.98

Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767

Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01172

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737

William Dobell, Colour sketch for portrait of Dr Norman Behan, 1969–70, Wash and gouache on soft buff paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5439

John Brack, Adagio, 1967, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2444

David Hockney, Vase and Flowers, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P13156

Peter Cripps, Above and Below Ground (negative form), 1968, Plaster, brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24333

Max Gimblett, Tree of life, 1968, Pen and ink on American Crescent Bristol paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6578

CHERBOURG ABORIGINAL COMMUNITY Barambah Pottery - Studio, (Jug), c.1967–1970s, Stoneware, wheelthrown with glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20093

Joseph Beuys, XIII INTERNATIONALE KUNST GESPRÄCHE, 1967, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00810

Alice Blanch Chehovski, Self portrait, 1969, Watercolour, pastel and pit on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8573

Harold Altman, Luxembourg III, 1968, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.212

Harold Altman, Park Reader, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.199

Tomio Kinoshita, Face white, 1967, Inkless relief on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1356

Barbara Hanrahan, Mother 1933, 1967, Screenprint and lithograph on white paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5351

George Brecht, Experimental enlargements:  Untitled (oboe), 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4817

Claire Zeisler, Breakwater, 1968, Jute and wool, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/30659

Alex Katz, Tulips, 1969, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00002

Robert Adams, Farm Road and Cottonwood. South of Raymer. 1968., 1968, Gelatin silver print mounted on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.11

Eduardo Paolozzi, Illumination and the eye, 1967, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12937

Liliana Porter, Plate VII from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16498

NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36244

Willem de Kooning, [Untitled], (1968), Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33276

Normana Wight, Untitled with red stripe, 1967, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19060

Peter Powditch, The towel, 1969, Colour lithograph and screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1071

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07129

Margaret Dodd, Morris Minor, 1967, Hand-built white earthenware, underpainted with black glaze stain, glazed with clear frit with a small percentage of cobalt carbonate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4900

Diane Arbus, A Child Crying, N.J. 1967, 1965, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00542

NEWCRAFT PUBLICITY LIMITED, The cave art and the bark paintings of Australia (reproductions), 1967, Folder containing five photo-screenprints on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14529

Mario Merz, Che Fare?, 1968–73, Aluminium, wax and neon lights, Tate, London. https://dartabase.art/cite/tate/AR00598

Mathias Kauage, Untitled (woman with corpse), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21379

Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183

Ben Nicholson, Jug, 1967, Engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12899

Juan Downey, Drawing for With Energy Beyond These Walls, 1969, Pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34928

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748

Mary Macqueen, Running emu, 1967, Colour lithograph on thin brown Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6598

Robyn Mountcastle, Sand mining country I, 1967, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/943

Mark Rothko, [Untitled], 1969, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37028

Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695

Vito Acconci, Throw, 1969, Ink and pastel on painted foamcore with gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38701

Agustín Fernández, [Untitled], 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37871

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687

Charles Fahlen, [Untitled], (1969), Sprayed synthetic polymer paint and rubber stamp on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38378

Vladimir Veličković, [Untitled], 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38817

Joseph Beuys, Joseph Beuys und Henning Christiansen. Eurasienstab, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00717

Dennis Oppenheim, Study for TIME POCKET, 1968, Cut-and-pasted topographical map, scale plan, typewritten sheet, transfer type, synthetic polymer paint, crayon, felt-tip pen, and pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37296

Robert Adams, Colorado, c. 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.27

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709

Horst Antes, Man with a Monster, (c. 1967), Colored ink, ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38095

NEWCRAFT PUBLICITY LIMITED, The decorated shields of north Queensland (reproductions), 1967, Folder containing seven photo-screenprints on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14525

Frank Stella, [Untitled], (1967–68), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34570

Agustín Fernández, [Untitled], 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37866

Liliana Porter, Plate X from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16492

Robyn Mountcastle, Sand mining country III, 1967, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4332

Alfred Pohl, The Forest, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38698

Kenneth Anger, Bobby Beausoleil (from Manson Family) Double Torso with Multiple Arms, 1969, printed 2004, Inkjet print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.11

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670

Joseph Beuys, Beuys & Christiansen. Konzert, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00864

Sam Fullbrook, Slice of melon, 1968, Pencil on brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9512

Marvin Harden, A Fine and Private Place, 1967, Pencil on pink paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36781

Robert Walker, Robert Klippel, Sydney I, 1968, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14796

Joe Jones, Longest pull-toy in the world, 1968, published c.1986, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3911

Erica Mcgilchrist, Photographic machine, 1968, Heat-polymerising acrylic on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/32419

Jannis Kounellis, [Untitled], 1969, Stone, Tate, London. https://dartabase.art/cite/tate/AR01136

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751

Maarten - Photographer, ONO, Yoko - Performer (in the bag), COX, Anthony Brinkgreve, Bag piece (performance work, Knökke, Belgium, 1968), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5808

Edward Ruscha, 1984, 1967, Gunpowder and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34931

Joe Tilson, New York decals 3 and 4, 1967, Screenprint with collage of envelopes and label, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12455

Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585

Vito Acconci, Three Frame Studies, 1969–1970, Super 8mm film, black-and-white and color, silent, 10:58 min., transferred to video, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.152

Donald Friend, The Batik Market, Bali, c.1968, Watercolour, ink and gouache on wove paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8500

Wolf Vostell, Prager brot (Money loaf), 1968, Painted loaf of bread and thermometer in glass-fronted wooden box, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3045

Eva Hesse, Repetition Nineteen I, 1967–68, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37063

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673

Sali Herman, Ravenswood I, 1967, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8334

Diane Arbus, A very young baby, N.Y.C., 1968, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.37

Pierre Alechinsky, Outside James' Showcase, 1968, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32969

Leon Golub, Killed Youth from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32595

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747

Richard Tuttle, Study for First Green Octagon, (1967), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34243

Andy Warhol, Conspiracy Means to Breathe Together, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00323

Diane Arbus, Patriotic Young Man with a Flag, N.Y.C., 1967, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2014.47

Andy Warhol, Marilyn, 1967, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.54

Margaret Worth, [Untitled], 1968, Single pack epoxy on marine plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31534

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07130

Mark Strizic, Charles Blackman, 1968 (from 'Involvement' and 'Portrait' series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14886

Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681

Robert Filliou, Video Models, (1969), a) Crayon, ink stamp, cut-and-pasted printed paper and transfer type on brown paper; b) Crayon, ink stamp, and pencil on brown paper; c) Crayon, ink stamp, cut-and-pasted printed paper on brown paper with cut-out on brown paper; d) Crayon, ink stamp, cut-and-pasted printed paper and pencil on brown paper with cut-out on brown paper; e) Crayon, ink stamp and pencil on brown paper with cut-outs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33179

Mark Rothko, [Untitled], 1968, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37042

Ray Johnson, 2nd Marilyn Monroe 1926-1962, 1967, Gouache, crayon, and colored ink on layered board on board with gouache, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35164

Eric Smith, Jon Molvig, 1969, Screenprint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2191

Pablo Picasso, The Pool, January 30, 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34830

Hugh Sawrey, Running the Tunkenberry Horses, Tilbaroo, c.1969, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/973

Guy Warren, Poseidon 1967, 1967, Synthetic polymer paint on cotton duck and collage (pieces of painted cotton duck glued to canvas), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5608

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746

Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691

Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.4

Robert Motherwell, Beside the Sea, 1968, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38408

Louis Kahan, Monastriaki Square from Pauronon Street, Acropolis in the background, 1968, Watercolour with pen, brush and ink over pencil on wove paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1685

Jasper Johns, Voice, 1969, Graphite wash and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33667

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756

Geoffrey Brown, Eternity, 1968–69, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10797

Robert Motherwell, In Beige, with White, 2, 1968, Cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38410

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07128

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749

Andy Warhol, Green Pea, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.6

James Doolin, Artificial landscape, 1967, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13542

Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690

Claudio Bravo, White Package, 1967, Chalk, conté crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38562

Frank Stella, [Untitled], (1968–69), Pencil on stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33947

John - Artist, OLDFIELD, Alan - Artist, PETTY, Bruce - Artist, SELNITSCH, Alex Howley, Where are all the flowers going? (no. 3 from 'The Broadsheet' series), 1968, Screenprint with typeset text on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7991

Mathias Kauage, Untitled (animals), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21383

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732

Robert Walker, Sir Robert Helpmann as Dr Cappelius in the ballet ‘Coppelia (1969)’, 1969, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36305

Denise Levertov, POEMS, 1967, Letterpress, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.50.17a-aa

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757

Carl Andre, red red, 1967, Typewriting on paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38552

Harold Altman, Market III, 1968, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.213

Ion Bitzan, [Untitled], 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35435

Mathias Kauage, Untitled (dancing woman and bird), 1969, Off-set lithograph, printed in black ink, from one plate impression on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20865

Richard Werner, Requiem for the sixties, 1969, Casein on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6022

Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36173

Andy Warhol, Cream of Mushroom, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.5

Harold Altman, Luxembourg, 1968, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.211

Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2086

George Brecht, Experimental enlargements:  No noise is good noise, 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12344

Robert Smithson, Mirror with Rock Salt (Salt Mine and Museum Proposal), 1968, Pencil, cut-and-pasted gelatin-silver print, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37629

Liliana Porter, Plate IV from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16495

Richard Anuszkiewicz, Orange Delight, 1969, Acrylic on canvas, five parts, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.176a-e

Christopher Wilmarth, Reach, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35165

H. C. Westermann, Wet Flower, 1968, Wood, glass, Connecticut fieldstone, linoleum, dried roots, putty, and varnish., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270962

Robert Adams, Along Interstate 25, Eden, Colorado, 1968, Gelatin silver print mounted on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.10

Lidia Groblicka, For individualists only, 1969, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11023

Mathias Kauage, Untitled (snake with frogs), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21380

Alan Shields, [Untitled], 1969, Construction of cut-and-pasted paper, synthetic polymer paint, and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38557

Christopher Wilmarth, Orange Forth, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35159

Kiyoshi Saito, Temple and persimmon tree, c.1969, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2641

HAPE, Orokolo, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10102

NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36245

Chryssa, Study for The Metternich Paintings, (1969–73), Pencil and synthetic polymer paint on colored paper-surfaced cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37137

Graham Burstow, The subconscious, 1968, printed 1970, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13461

Eric Smith, John Olsen, 1969, Screenprint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6737

LI Zhensheng, Reading of 'A letter to peasants from the Central Committee of the Communist Party', Harbin, 11 October 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14374

Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36185

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.6a-b

Andrew Sibley, Encounter in blue, 1969–70, Gouache on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/855

Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38389

Joseph Beuys, Works from 1947 to 1967 from the Collection 1968 Karl Strohe I, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00747

Axel Amuchastegui, Ocelot head, 1968, Colour lithograph on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/73

Charles Hinman, Study for Horizontal Movement, (1969–70), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34682

Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36179

Andy Warhol, (Portfolio cover), 1968, Screenprint on fabric mounted on cardboard, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.12

Robert Walker, Ian Fairweather (from ‘Beach’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36313

Lilian Pedersen, Embroidered panel:  Aurora, 1969, Rayon applied with an inverted shield shape in dark brown, appliqué embroidered and sequinned in brown, green and gold coloured threads with the figure of a woman stepping into water, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10515

Ruth Vollmer, Construction Drawing of Pseudosphere, 1969–70, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34721

Nevil Matthews, Expanding structure, 1968, Synthetic polymer paint and timber on aluminium on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1671

TIABE, Helicopter, 1968, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10101

Harold Altman, Park with Six Figures, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.201

Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381

Robert Smithson, Fossil Quarry Mirror (Outdoor and Indoor Proposal), 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37634

Joseph Beuys, Experimenta 3. Deutsche Akademie der Darstellenden Künste, Frankfurt, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00910

Dick Watkins, The Mooche, 1968, Synthetic polymer paint (PVA) and oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20693

Marie Taita Aihi, Untitled (two creatures), 1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11960

Harold Altman, L. P. II, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.196

Ian Burn, Systematically altered photograph:  The kitchen (maquette), 1968, Photogravure and photocopy on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2294

Harold Altman, Approaching Figure III, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.180

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34614

Gilbert & George, George the Cunt and Gilbert the Shit, 1969, 2 photographs, colour, on paper on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00170

Mel Bochner, Counting (#2) (Rocks), (1969), Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33605

Marie Taita Aihi, Untitled (two creatures with person on red), 1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1719

Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178

MATHIAS, The angel and the tortoise, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9899

SUKORO, Twin lizards, 1968, Screenprint on off-white wove paper adhered to board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15305

Andy Warhol, Black Bean, 1968, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07242

David Voigt, At sea with me, 1969, Colour etching and aquatint, deep etch, printed relief and intaglio simultaneously on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7110

Mathias Kauage, Untitled (dancing couple), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21382

Richard Artschwager, Locations, 1969, Melamine laminate, glass mirror, acrylic sheet, rubber, and wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/94.52a-f

Liliana Porter, Plate IX from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16500

Alexander Calder, [Untitled], 1969, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38394

Axel Poignant, Dai and his grandson Kaleku Gumine, Central Highlands, New Guinea, 1969, printed 1981, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4411

Peter Powditch, A natural woman II, 1969, Colour lithograph and screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11244

Christopher Wilmarth, [Untitled], 1968, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35139

Diane Arbus, Elderly Couple on a Park Bench, N.Y.C.1969, 1969, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00554

Andy Warhol, Tomato, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.9

David Strachan, Two women in a landscape, 1968, Oil on canvas mounted on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11681

Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174

Trevor Vickers, [Untitled], 1969, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2906

Mervyn Moriarty, Another place, c.1969–70, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7794

Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36311

Saul Steinberg, Villa Maria No. 1, 1969, Pen and black ink, over graphite with erasing, with colored pencil, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220524

Mathias Kauage, (Woman, insect and animal with star shapes), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24258

Carl Andre, 28 Lead Rectangle, 1968, Lead, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2024.61a-bb

Robert Hunter, No. 4 untitled painting, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13512

Richard Anuszkiewicz, Spectral 9, 1969, Screenprint on plastic, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.89a-i

Diane Arbus, Superstar at Home, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00544

MATHIAS, Masks, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21384

Henry Moore, Two reclining figures linear, 1969, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15431

Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.1

Arthur Boyd, Pottery on fire, c.1968–69, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10645

Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.3

Lenton Parr, Rigel, 1968, Painted steel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3759

Edward Ruscha, City, 1968, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34077

George Segal, [Untitled], 1968, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35784

Horst Janssen, Ami-Kiss, 1968, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33227

Franz Erhard Walther, The Body is the Border, 1969–72, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37259

Sam Byrne, Australian explorers - death of Kennedy, c.1969, Oil and enamel on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8876

Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36170

TIABE, Moto bagarap (Motor crash), 1968, Screenprint in two colours on wove paper adhered to board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2403

Sol LeWitt, Drawing Series III/2314/A & B, 1969, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35151

John Neeson, Temple, 1969, Colour etching and aquatint, deep etch, open bite on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/797

NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36242

David Rankin, System and random units, 1969, Synthetic polymer paint on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7384

Richard Larter, [Untitled], 1968, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1979

Tony Mcgillick, Arbitrator, 1968, Synthetic polymer paint on shaped canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14849

Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01162

Pablo Picasso, [Untitled], 1969, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35587

LI Zhensheng, Writers and artists march through Wuchang County in Heilongjiang province, 18 August 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14373

Mathias Kauage, (Woman with fish, cat, insect and lizard), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24257

Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.5

Robert Walker, Ian Fairweather (from 'Hut' series), 1968, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14793

Robert Walker, Ian Fairweather (from ‘Track’ series), 1969, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36183

Chryssa, Study for The Metternich Paintings, (c. 1969–73), Graphite and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37135

Harold Altman, Park with Four Figures, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.200

David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289

Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.6

Mark Strizic, Barry Humphries, 1968 (from 'Portrait' series), 1968, printed 1999, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14889

Liliana Porter, Plate VI from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16497

Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38393

Robert Jacks, Cut paper piece:  45 through to 90 degrees (from 'An unfinished work'), 1969, Cut paper in wood and perspex box on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12313

Diane Arbus, Four People at a Gallery Opening, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00550

Tommie Smith, Team USA warm-up suit worn by Tommie Smith at 1968 Olympics, 1968, H x W x D (overall): 64 × 20 1/2 × 10 1/2 in. (162.6 × 52.1 × 26.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750181-0

Anselm Kiefer, The moral law within us, the starry heavens above us, 1969–2010, Photograph, black and white, on paper with paint, Tate, London. https://dartabase.art/cite/tate/AR01165

Kenneth Anger, Kenneth Anger, Close Up, Straight Theater, San Francisco, 1969, printed 2004, Inkjet print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.10

Eldzier Cortor, Environment No. V, 1969, printed 2000, Color etching, aquatint, and collagraph on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216684

Goobalathaldin Dick Roughsey, Hollow tree burial, Mornington Island, 1969, Oil on masonite panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10380

Reinis Zusters, Figure with temporary structures, c.1969, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3649

Frank Stella, [Untitled], (1968–69), Pencil on stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33958

Leonard French, Preparatory drawing for 'The cannon', 1969, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1060

Mark di Suvero, Study for X-Delta, (1969–70), Pencil, felt-tip pen, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34971

David Aspden, Banner, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8615

David Voigt, Pastoral 4, 1968, Etching, foul biting on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4162

HAPE, Orokolo 2, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/888

Robert Adams, [Untitled], 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.7

Andy Warhol, Black Bean, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.2

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.10a-b

Diane Arbus, Naked Man Being a Woman N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00547

Mario Merz, Lingotto, 1968, Brush-wood, beeswax and steel, Tate, London. https://dartabase.art/cite/tate/AR00608

David Voigt, Bondi Sunday 2, 1969, Etching and deep etch on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1225

Robert Morris, [Untitled], 1969, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34722

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.4a-b

Robert Rooney, Canine capers VII, 1969–79, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/39511

Frank Stella, [Untitled], (1968), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34511

ERTÉ, Number nine, 1968, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8797

Liliana Porter, Plate VIII from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16499

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33934

Anselm Kiefer, The starry heavens above us, and the moral law within, 1969–2010, Photograph, black and white, on paper with paint, Tate, London. https://dartabase.art/cite/tate/AR01164

John Aland, Nude in bed, 1968, Pen, ink and pastel on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/37147

SUKORO, Tamboran lizard (Spirit lizard), 1968, Screenprint on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15304

Yutaka Takanashi, Untitled (Toshi-e), 1969, printed 2010, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207528

H. C. Westermann, Control, 1968, Wood, plate glass, tar, chicken feathers, sheet copper, brass, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270963

Blinky Palermo, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33519

Edward Ruscha, Nine swimming pools and a broken glass, 1968, Book comprising 64 pages with ten four-colour offset lithographs; sewn and glued, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13372

Max Gimblett, [Untitled], 1968, Pen and ink with wash on Fabriano Esportazione paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11481

Werner Knaupp, Volcano, 1968, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38150

NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36241

Robert - Collaborating artist, HOLT, Nancy Smithson, East Coast, West Coast, 1969, Digital Betacam (PAL): 22 minutes, black and white, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14843

Joseph Beuys, Aktionen ws 68/69. Staatliche Hochschule für Bildende Kunste Braunschweig, 1968–9, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00890

George Brecht, Experimental enlargements:  Five places, 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2539

Marie Taita Aihi, Untitled (two creatures, blue background), c.1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/799

Jannis Kounellis, [Untitled], 1969, Burlap and beans, Tate, London. https://dartabase.art/cite/tate/AR00069

Harold Altman, Approaching Figure IV, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.181

Andy Warhol, Beef with Vegetables and Barley, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.1

Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2085

Etel Adnan, Funeral March for the First Cosmonaut, 1968, Accordion book, with pen and ink and watercolor on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2014.231

Sigmar Polke, [Untitled], (1968), Watercolor, acrylic spray, gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36313

Christopher Wilmarth, Her Sides of Me, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35153

Fred Williams, Flinders Island, 1968, Gouache and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35087

Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177

Joseph Beuys, A Party for Animals, 1969, Ink, oil paint and stamp on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00680

Daniel Lang, Surrey, (1969), Oil wash, graphite, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35522

Rafael Hastings, WHO? VII, (1968), Gouache, pencil, and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38696

Tommie Smith, 1968 Olympic warm-up suit pants worn by Tommie Smith, 1968, synthetic fiber, elastic, and metal; H x W x D (on form): 44 1/4 × 20 1/2 × 9 in. (112.4 × 52.1 × 22.9 cm); H x W (flat): 41 1/2 × 19 1/2 in. (105.4 × 49.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750183-0

Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01163

Tom Wesselmann, Study for Smoker, 4 (Mouth, 18), 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35527

Mervyn Moriarty, Painting no. 1, 1968, Crayon and synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1731

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.3a-b

David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288

Chuck Close, Study for Self-Portrait, 1968, Gelatin-silver print, ink, pencil, and pressure-sensitive tape on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37904

Robert Adams, [Untitled], 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.8

Lee Adler, Gears, 1969, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.39

Richard Artschwager, Button, 1969, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2005.81

Peter Cripps, Above and Below Ground (positive form), 1968, Plaster, brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24334

Manuel Espinosa, Untitled, from Rectangular Background (Op. fondo rectangular), 1968, Pen and black ink, over traces of graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230930

Andy Warhol, Onion Made with Beef Stock, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.7

Verlie Just, Pyrites ring, 1968, Sterling silver, hand wrought with iron pyrites crystal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12256

Robert Walker, Ian Fairweather (from ‘Beach’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36317

Manuel Espinosa, Untitled, from Lines (Op. líneas), 1968, Fiber-tipped pens, over graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230931

Richard Hamilton, Fashion-plate, 1969–70, Photo-offset lithograph, collage, screenprint and pochoir, retouched with cosmetics on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14299

Vija Celmins, Untitled (Moon Surface Luna 9, #1), 1969, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37426

John Rigby, Picnic, 1968, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7792

Chryssa, [Untitled], (c. 1969), Gouache and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37134

Joel Shapiro, Fingerprint Drawing, (1969), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35405

Jyoti Bhatt, A tribal youth during Holi Festival, Gujarat, 1968, printed 2012, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/23982

Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36175

Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.2

Andy Warhol, Untitled from Flash - November 22, 1963, 1968, One from an illustrated book with twelve screenprints (including cover), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17243

Yutaka Takanashi, Untitled (Toshi-e), 1968, printed 1971, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207526

Öyvind Fahlström, Notes for "The Little General", 1968, Ink, ballpoint pen, and pencil on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36867

Pat Andrea, Study for Metermaid, 1968, Colored pencil, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35811

Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01173

Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645

Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36182

Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637

Margaret Olley, Kuala Lumpur, 1969, Watercolour and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18449

LI Zhensheng, Execution in the outskirts of Harbin, 5 April 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14371

Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175

Mark Strizic, George Mora, 1968 (from 'Portrait' series), 1968, printed 1999, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14888

Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180

Diane Arbus, Superstar at home, N.Y.C., 1968, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.160

Edward Ruscha, Hollywood Study, 1968, Gouache, cut-and-pasted paper, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36653

Michael Heizer, Field Painting No. 2, 1968, Ballpoint pen, pencil, wash, and cut-and-pasted paper with typewritten text, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36202

Mathias Kauage, (Man with star and animal), c.1969–72, Felt-tip marker on Bainbridge board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24266

Mathias Kauage, (Long-nosed creature), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24264

Joseph Beuys, Fat Corner (Process), 1968, Wood, glass, 2 cardboard boxes and fat, Tate, London. https://dartabase.art/cite/tate/AR00618

Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01171

Ian Burn, Systematically altered photograph:  The kitchen, 1968, Photogravure and photocopy on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12375

Christopher Wilmarth, Even, 1969, Wood, plastic, and graphite on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35146

Diane Arbus, A Family on their Lawn one Sunday in Westchester, N.Y. 1968, 1968, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00513

Mathias Kauage, (Large face like turtle), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24263

Glen Earl Alps, The White Necklace, 1969, Collagraph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.85.14

Diane Arbus, Girl Sitting on Her Bed with Her Shirt Off, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00551

Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176

Roy Lichtenstein, [Untitled], 1969, Screenprint on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9587

Charles Blackman, Girl dressing, 1968, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2738

Shirley Miller, Mysterious garden, 1969, Synthetic polymer paint on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2563

Anselm Kiefer, Heroic Symbols, 1969, Photograph, black and white, on paper, Tate, London. https://dartabase.art/cite/tate/AR01174

TIABE, Accident, 1968, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7706

Harold Allen, Subway Vista (La Salle Street Stop), Chicago, 1969, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2001.194

Aleks Danko, ANXIETY SWITCH, 1969–70, Bronze, velvet, wood, plastic, wool, metal, paper, felt and ink, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13759

Liliana Porter, Plate III from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16494

Jacques Villeglé, 122 rue du temple, 1968, Torn-and-pasted printed paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35414

Georg Baselitz, Dog-Split (Hund-geteilt), 1968, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33735

Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38

Maki Haku, Poem 68-55, Shōwa period, 1968, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5075

Rodolfo Opazo, [Untitled], 1968, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38697

Liliana Porter, Plate I from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16490

MESZAROS, Andor Pinches - Medallist, Medallion:  Christus den voatur vestibus, 1969, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3851

Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36318

Frank Stella, [Untitled], (1968/69), Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33851

Anna Ticho, Jerusalem, 1969, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33714

Louise Bourgeois, Avenza, 1968–9, cast 1992, Plaster and latex, Tate, London. https://dartabase.art/cite/tate/T07781

Michael Johnson, Bologna, 1969, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/39532

Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182

Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177

NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36243

Larry Zox, Rita Barta, 1969, Acrylic, polyurethane, and dry pigment on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.173

David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497

Joe Tilson, A-Z BOX, FRAGMENTS OF ONEIRIC ALPHABET (portfolio), 1969, 26 screenprints, some with collage, some printed on both sides, some on double- sized folded sheets, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10015

Stuart Devlin, Tea and coffee service, 1969–70, Lightly hammered tapering bodies applied with panels of gilt.  Turned rosewood lids, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8611

John Peart, Colour square III, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3180

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.8a-b

Tal Streeter, Study for Endless Column, 1968–69, Pencil and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36889

Diane Arbus, Topless Dancer in her Dressing Room, San Francisco, Cal. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00549

William Allan, Self Improvement, 1969, Acrylic and fabricated chalk on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.4

Graham Burstow, Early morning flight, 1968, printed 1970, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13460

Robert Owen, Kinetic relief no. 12 - no. 1/3, 1969, Eroglass, transparent synthetic polymer resin and aluminium, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10596

TIABE, Moto bagarap (Motor crash), 1968, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9578

Kenneth Anger, Bobby Beausoleil, Multiple Eyes, Kaleidoscope Lens, 1969, printed 2004, Inkjet print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.12

Joshua Smith, Fishermen and bathers, 1969, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10689

Richard Stringer, Brampton Island Airport, 1968, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19688

Dennis Oppenheim, Program 8, 1969–72, Videotape:  28 minutes, black and white, sound and silent, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6377

Sam Gilliam, Watercolor, 4, 1969, Watercolor, and aluminum powder on fiberglass paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37186

Robert Walker, Ian Fairweather (from ‘Beach’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36174

Diane Arbus, Jorge Luis Borges in Central Park, N.Y.C. 1969, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00552

Arnulf Rainer, [Untitled], (1969–74), Oilstick on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35324

Alice Hutchins, Jewelry Fluxkit, c.1969, Metal and paper in perspex box with label, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4280

Koji Kiyomitsu, Kojijo (Mask of aged male), 1968, Wood carved in an old man's face and human hair for beard and hair with details in red, white and black;  silk cord attached, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6778

Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35301

Udo - Artist, COUNIHAN, Noel - Artist, DOUGLAS, Denis - Artist, HULME, Bob - Artist, MOYNIHAN, Daniel - Artist, DICKIE, Peter Sellbach, Up you, Cazaly (no. 4 from 'The Broadsheet' series), 1968, Zinc plate etching with typeset text on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5031

Richard Artschwager, 100 Locations (Blp), 1968, Acrylic on wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2013.145

Andy Warhol, Pepper Pot, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.8

Victor Vasarely, [Untitled], c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3029

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34599

Robert Adams, Motel, Colorado Springs, 1969, printed c. 1970, Gelatin silver print mounted on paperboard, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.12

Peter Clapham, Kinetic perspex construction, 1969–70, Transparent synthetic polymer resin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4442

Robert Owen, Kinetic relief IV - no. 3/3, 1969, Aluminium and eroglass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12440

Zarina, Wall, 1969, Relief collagraph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2011.10

Maki Haku, Poem 69-8, Shōwa period, 1969, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4680

Mathias Kauage, Untitled (dancing women with an animal), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21381

Alexander Calder, Slanting Red Nose, 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38388

Robert Adams, Outdoor Theater, Colorado Springs, Colorado, 1968–1971, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.5

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.9a-b

Richard Stringer, Curtain raiser, Bellevue precinct, Brisbane, 1968, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19689

Mathias Kauage, (Woman with star and animal), c.1969–72, Felt-tip marker on Bainbridge board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24265

Robert Browning, Persian mosaic, 1969, Gouache on grey lined graph paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6585

Harold Altman, Figure and Foliage IX, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.192

Joseph Beuys, Joseph Beuys FOND II, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00748

Robert Mangold, Perimeter Series, 1969–70, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38272

Diane Arbus, Five Children in a Common Room, N.J. 1969, 1969, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00559

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.5a-b

Diane Arbus, A Very Young Baby, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00548

Liliana Porter, Wrinkle, 1968, Portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16491

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.11a-b

Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2084

Liliana Porter, Plate II from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16493

Marie Taita Aihi, Untitled (cat and bird), c.1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5220

Joseph Beuys, Beuys. Objecten, Tekeningen, Schilderijen, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00860

Andy Warhol, Consomme (Beef) Gelatin Added, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.4

LI Zhensheng, Reciting Chairman Mao's instructions, Harbin, Songhua River, 16 July 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14372

Barbara Hepworth, Porthmeor (from ‘Twelve Lithographs suite’), 1969, Colour lithograph, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12956

Robert Overby, Sketchbook, 1969, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38473

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.2a-b

Robert Zakanitch, Towards Humming, 1969, Acrylic on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.138

Norio Azuma, Tranquility, 1968, Screenprint on fabric mounted on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.110

Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35315

Harold Altman, Evening III, 1968, Aquatint and etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.188

Andy Warhol, Chicken Noodle, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.3

Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173

R. B. Kitaj, Kenneth Rexroth (from 'First series:  some poets' suite), 1969, Colour screenprint and photo-screenprint on light-brown patterned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12449

Mathias Kauage, (Woman with chicken), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24259

Carlos Silva, Deyber, 1968, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38166

Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179

H. C. Westermann, Little Egypt, 1969, Douglas fir, pine, oak and bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270956

Diane Arbus, Man at a Parade on Fifth Avenue, N.Y.C. 1969, 1969, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00553

Liliana Porter, Plate V from Wrinkle, 1968, One from a portfolio of ten photogravures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16496

Vito Acconci, Hands Down/Side by Side, 1969, Four gelatin silver prints and chalk mounted on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/92.12a-d

William Dobell, Study in oil for portrait of Dr Norman Behan, c.1969–70, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7859

Robert Hunter, No.1 untitled painting, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18725

Franz Kempf, Beneath the surface, 1969, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11395

George Brecht, Experimental enlargements:  Time-table event, 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9445

Marie Taita Aihi, Untitled (two creatures), 1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11961

Leonard French, Preparatory drawing for 'The cart', 1969, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1061

Victor Vasarely, Tridim, c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1962

Ian Sime, The Pius Pill (no. 5 from 'The Broadsheet' series), 1968, Screenprint with typeset text on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3251

Harold Altman, Reader, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.204

Antonius Höckelman, [Untitled], 1969, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33915

Nigel Lendon, Slab construction 11, 1968, Synthetic polymer paint on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1223

Mathias Kauage, (Face with six appendages), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24261

Mark Strizic, Asher Bilu, 1969 (from 'Portrait' series), 1969, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14885

Peter Cripps, Above and Below Ground (negative form), 1968, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24336

Marie Taita Aihi, Untitled (three figures, black and white), 1969, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6422

Marie Taita Aihi, Untitled (cat and bird), c.1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5423

Helen Ogilvie, Cottage with iron chimney, c.1968, Wood engraving on wove Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11379

Ivon Hitchens, Flowers and three leaves, 1968, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1329

David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296

Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181

Sigmar Polke, Whip, 1968, Ink on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34163

Fred Williams, Burnt hillock, 1969, Gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5437

Lindsay Burrud - Artist of verso, ROUGHSEY, Goobalathaldin Dick Roughsey, recto: Lurugal (The last circumcision ceremony on Mornington Island)
verso: Untitled, 1969, Synthetic polymer paint on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/32012

Frank Stella, [Untitled], (1968), Pencil and synthetic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34525

Mel Bochner, Counting (Rocks), 1969, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33600

Edward Ruscha, Crackers, 1969, Book comprising 120 pages with 115 offset lithographs; sewn and glued, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/376

Dennis Oppenheim, Highway 20, 1969, Chromogenic color prints, silver gelatin prints, electrostatic print, crayon, pressure-sensitive transfer type and typewritten label on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38397

Robert Grieve, [Untitled], 1968, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15419

Helen Ogilvie, Weather-board cottage, c.1968, Wood engraving on wove Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5550

Lance Bressow, Signora Marinetti, 1969, Pencil and charcoal on handmade Fabriano Roma.paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7237

Diane Arbus, A family on their lawn one Sunday in Westchester, N.Y., 1968, c. 1969–71, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/95.3

Joseph Beuys, working title: BEUYS (FLUXUS) & CHRISTIANSEN (FLUXUS), 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00715

Margaret Olley, Jalan Tokong, Malacca, 1969, Watercolour and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18448

Donald Friend, Wiya's garden, Bali, c.1968, Watercolour, ink and gouache on wove paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5279

Ceri Richards, Peu à peu sortant de la brume (Little by little emerging from the fog), 1969, Colour screenprint with embossing on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11307

Gego (Gertrud Goldschmidt), [Untitled], 1968, Pen and black ink on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187298

Enzo Plazzotta, Nadia Nerina - rehearsal II, c.1968, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1672

Fred Williams, Burnt ferns, 1969, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3378

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.7a-b

Harold Altman, Path, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.203

Frank Stella, [Untitled], (1968), Felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33925

Diane Arbus, Woman with a Veil on Fifth Avenue, N.Y.C., 1968, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/97.15

Joseph Beuys, Joseph Beuys. Zeichnungen, kleine Objekte, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00862

Laurence Hope, The lovers, 1969, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14472

Peter Cripps, Above and Below Ground (negative form), 1968, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24335

Andy Warhol, Vegetable Made with Beef Stock, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.10

Joseph Beuys, For FOND II, 1968, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00679

Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.1a-b

Mathias Kauage, (Insects with flower), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24260

Bobby Barrdjaray Nganjmira, Legend of Nimbuwah Rock, 1968, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35272

Sol LeWitt, Plan for Wall Drawing, 1969, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38382