Richard Stringer, Before the service station, Charters Towers, 1966, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19694 William Bustard, Cartoon sketch of Saint George for memorial window, Holy Trinity Church, Wooloongabba, c.1966, Watercolour over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/716 Rasheed Araeen, Chaar Yaar I (four friends), 1968/2014, Wood, house paint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25884 Robert Walker, Ian Fairweather (from 'Shop' series), 1966, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14792 Ian Gall, Death adder in his pocket, 1968, Pen and brush and ink, blue watercolour wash and crayon on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12921 Fred Williams, Australian landscape III, 1969, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7394 Diane Arbus, A Young Brooklyn Family going for a Sunday Outing, N.Y.C. 1966, 1966, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00512 VARIOUS ARTISTS, SMS: A collection of original multiples, 1968, Colour offset prints and mixed media on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14443 Mathias Kauage, (Garden scene), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24262 Diane Arbus, Identical Twins, Roselle, N.J. 1967, 1967, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00506 Milton Moon, Fairweather pot, 1966, Stoneware, thrown flaring cylindrical shape with calligraphic brush decoration over brushed ash glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6491 Robert Adams, [Untitled], 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.6 Ti Parks, Number one, 1969, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/98832 Peter Cripps, Room (negative form), 1967, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24331 William Anastasi, Transfer, 1968, Video installation, black-and-white, silent, with monitor and video camera, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/95.98 Alice Hutchins, [Untitled], 1966–89, Treated reproduction, with lettraset on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2004 Barnabas Gadjak Nawirridj, Ceremonial dance in a sacred cave, c.1966, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35270 Margaret Olley, Law Courts, Brisbane, 1966, Ink and watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33172 William Dobell, Colour sketch for portrait of Dr Norman Behan, 1969–70, Wash and gouache on soft buff paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5439 Richard Larter, Time purpose and formalism no. 4, 'The battle for the Pagodas', 1966, Enamel on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10245 Robert Walker, Ian Fairweather (from ‘Track’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36312 John Brack, Adagio, 1967, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2444 David Hockney, Vase and Flowers, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P13156 Peter Cripps, Above and Below Ground (negative form), 1968, Plaster, brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24333 Max Gimblett, Tree of life, 1968, Pen and ink on American Crescent Bristol paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6578 CHERBOURG ABORIGINAL COMMUNITY Barambah Pottery - Studio, (Jug), c.1967–1970s, Stoneware, wheelthrown with glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20093 Alice Blanch Chehovski, Self portrait, 1969, Watercolour, pastel and pit on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8573 Harold Altman, Luxembourg III, 1968, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.212 Harold Altman, Park Reader, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.199 Tomio Kinoshita, Face white, 1967, Inkless relief on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1356 Barbara Hanrahan, Mother 1933, 1967, Screenprint and lithograph on white paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5351 George Brecht, Experimental enlargements: Untitled (oboe), 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4817 Robert Adams, Farm Road and Cottonwood. South of Raymer. 1968., 1968, Gelatin silver print mounted on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.11 Eduardo Paolozzi, Illumination and the eye, 1967, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12937 NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36244 Normana Wight, Untitled with red stripe, 1967, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19060 Peter Powditch, The towel, 1969, Colour lithograph and screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1071 Margaret Dodd, Morris Minor, 1967, Hand-built white earthenware, underpainted with black glaze stain, glazed with clear frit with a small percentage of cobalt carbonate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4900 Diane Arbus, A Child Crying, N.J. 1967, 1965, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00542 NEWCRAFT PUBLICITY LIMITED, The cave art and the bark paintings of Australia (reproductions), 1967, Folder containing five photo-screenprints on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14529 Mathias Kauage, Untitled (woman with corpse), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21379 Ben Nicholson, Jug, 1967, Engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12899 Fred Williams, Picnic at Yellingbo, 1966, Etching, engraving and drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2683 Mary Macqueen, Running emu, 1967, Colour lithograph on thin brown Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6598 Robyn Mountcastle, Sand mining country I, 1967, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/943 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36184 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36315 Robert Walker, Ian Fairweather (from 'Hut' series), 1966, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14795 Robert Adams, Colorado, c. 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.27 NEWCRAFT PUBLICITY LIMITED, The decorated shields of north Queensland (reproductions), 1967, Folder containing seven photo-screenprints on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14525 Edward Ruscha, Every building on the Sunset Strip, 1966, Book comprising offset lithographs, glued and accordion-folded with 27 pleats, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11491 Robyn Mountcastle, Sand mining country III, 1967, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4332 Kenneth Anger, Bobby Beausoleil (from Manson Family) Double Torso with Multiple Arms, 1969, printed 2004, Inkjet print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.11 Josef Albers, Variant VIII, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.8 Sam Fullbrook, Slice of melon, 1968, Pencil on brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9512 Robert Walker, Robert Klippel, Sydney I, 1968, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14796 Josef Albers, Variant III, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.3 Joe Jones, Longest pull-toy in the world, 1968, published c.1986, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3911 Erica Mcgilchrist, Photographic machine, 1968, Heat-polymerising acrylic on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/32419 Josef Albers, White Line Square I, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.1 Maarten - Photographer, ONO, Yoko - Performer (in the bag), COX, Anthony Brinkgreve, Bag piece (performance work, Knökke, Belgium, 1968), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5808 Joe Tilson, New York decals 3 and 4, 1967, Screenprint with collage of envelopes and label, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12455 Vito Acconci, Three Frame Studies, 1969–1970, Super 8mm film, black-and-white and color, silent, 10:58 min., transferred to video, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.152 Donald Friend, The Batik Market, Bali, c.1968, Watercolour, ink and gouache on wove paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8500 Wolf Vostell, Prager brot (Money loaf), 1968, Painted loaf of bread and thermometer in glass-fronted wooden box, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3045 Emmett Williams, A marching song in the shape of 10 "Dixie" cups, 1966, published 1989, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3836 Sali Herman, Ravenswood I, 1967, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8334 Diane Arbus, A very young baby, N.Y.C., 1968, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.37 Jim Dine, Tool box V, 1966, Photo-lithograph with collage (lithograph on cream wove paper) on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9873 Andy Warhol, Conspiracy Means to Breathe Together, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00323 Diane Arbus, Patriotic Young Man with a Flag, N.Y.C., 1967, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2014.47 Andy Warhol, Marilyn, 1967, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.54 Margaret Worth, [Untitled], 1968, Single pack epoxy on marine plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31534 Mark Strizic, Charles Blackman, 1968 (from 'Involvement' and 'Portrait' series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14886 LI Zhensheng, Top party denunciation Harbin, 29 August 1966 (from 'Red-colour news soldier' portfolio), 1966, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14369 Eric Smith, Jon Molvig, 1969, Screenprint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2191 Hugh Sawrey, Running the Tunkenberry Horses, Tilbaroo, c.1969, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/973 Guy Warren, Poseidon 1967, 1967, Synthetic polymer paint on cotton duck and collage (pieces of painted cotton duck glued to canvas), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5608 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36186 Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.4 Josef Albers, Variant VII, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.7 Josef Albers, White Line Square VIII, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.8 Louis Kahan, Monastriaki Square from Pauronon Street, Acropolis in the background, 1968, Watercolour with pen, brush and ink over pencil on wove paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1685 Geoffrey Brown, Eternity, 1968–69, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10797 Andy Warhol, Green Pea, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.6 James Doolin, Artificial landscape, 1967, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13542 John - Artist, OLDFIELD, Alan - Artist, PETTY, Bruce - Artist, SELNITSCH, Alex Howley, Where are all the flowers going? (no. 3 from 'The Broadsheet' series), 1968, Screenprint with typeset text on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7991 Mathias Kauage, Untitled (animals), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21383 Robert Walker, Sir Robert Helpmann as Dr Cappelius in the ballet ‘Coppelia (1969)’, 1969, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36305 R. B. Kitaj, His every poor, defeated, loser's, hopeless move, loser, buried (Ed Dorn) (from 'Mahler becomes politics, Beisbol' suite), 1966, Colour screenprint, photo-screenprint and collage on brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12447 Denise Levertov, POEMS, 1967, Letterpress, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.50.17a-aa Harold Altman, Market III, 1968, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.213 Andy Warhol, Chelsea Girls, 1967, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00325 Josef Albers, Variant I, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.1 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36187 Mathias Kauage, Untitled (dancing woman and bird), 1969, Off-set lithograph, printed in black ink, from one plate impression on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20865 Richard Werner, Requiem for the sixties, 1969, Casein on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6022 Wolfgang Sievers, Gears for mining industry, Vickers Ruwolt, Burnley, Melbourne, 1967, printed 1994, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2201 Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36173 Andy Warhol, Cream of Mushroom, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.5 Harold Altman, Luxembourg, 1968, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.211 Col Jordan, Paradox 12, c.1966, Synthetic polymer paint on cotton canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11340 Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2086 George Brecht, Experimental enlargements: No noise is good noise, 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12344 Andy Warhol, Andy Warhol’s ‘The Chelsea Girls’, 1966, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/AR00328 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36180 Richard Anuszkiewicz, Orange Delight, 1969, Acrylic on canvas, five parts, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.176a-e Madonna Staunton, August, 1966, Oil and synthetic polymer paint on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/39651 Robert Adams, Along Interstate 25, Eden, Colorado, 1968, Gelatin silver print mounted on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.10 Lidia Groblicka, For individualists only, 1969, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11023 Mathias Kauage, Untitled (snake with frogs), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21380 Richard Stringer, Church at Gatton, 1967, printed 2013, Colour digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19691 Kiyoshi Saito, Temple and persimmon tree, c.1969, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2641 Peter Cripps, Room (positive form), 1967, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24332 HAPE, Orokolo, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10102 NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36245 LI Zhensheng, 'Militia Women', Heilongjiang Song and Dance Company, Harbin, 25 April 1966 (from 'Red-colour news soldier' portfolio), 1966, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14368 Graham Burstow, The subconscious, 1968, printed 1970, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13461 Eric Smith, John Olsen, 1969, Screenprint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6737 LI Zhensheng, Reading of 'A letter to peasants from the Central Committee of the Communist Party', Harbin, 11 October 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14374 Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36185 Fred Williams, Young girl, number 1, 1966, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2208 Oliffe Richmond, Standing group, 1966, Lithograph on handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12944 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.6a-b Andrew Sibley, Encounter in blue, 1969–70, Gouache on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/855 Oliffe Richmond, Marathon, 1966, Lithograph on handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12943 Diane Arbus, Masked Man at a Ball, N.Y.C. 1967, 1967, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00543 Joseph Beuys, Works from 1947 to 1967 from the Collection 1968 Karl Strohe I, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00747 Axel Amuchastegui, Ocelot head, 1968, Colour lithograph on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/73 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36179 Sam Fullbrook, Mt Cooroy with Bunya Pines, 1966–67, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6916 Louis James, Waiting in the sun, 1966, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7754 Andy Warhol, (Portfolio cover), 1968, Screenprint on fabric mounted on cardboard, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.12 Robert Walker, Ian Fairweather (from ‘Beach’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36313 Lilian Pedersen, Embroidered panel: Aurora, 1969, Rayon applied with an inverted shield shape in dark brown, appliqué embroidered and sequinned in brown, green and gold coloured threads with the figure of a woman stepping into water, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10515 Pro Hart, Men in landscape, 1966, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5882 Nevil Matthews, Expanding structure, 1968, Synthetic polymer paint and timber on aluminium on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1671 Josef Albers, Homage to the Square VI, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.6 TIABE, Helicopter, 1968, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10101 Harold Altman, Park with Six Figures, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.201 Joseph Beuys, Experimenta 3. Deutsche Akademie der Darstellenden Künste, Frankfurt, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00910 John Rigby, Aboriginal girls, 1966, Oil on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2134 Dick Watkins, The Mooche, 1968, Synthetic polymer paint (PVA) and oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20693 Marie Taita Aihi, Untitled (two creatures), 1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11960 Harold Altman, L. P. II, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.196 Ian Burn, Systematically altered photograph: The kitchen (maquette), 1968, Photogravure and photocopy on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2294 Harold Altman, Approaching Figure III, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.180 CORNEILLE, [Untitled], 1967, Colour lithograph on cream wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6057 John Peart, Shoot point, 1967, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21241 Marie Taita Aihi, Untitled (two creatures with person on red), 1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1719 Stanislaus Rapotec, Experience in Seville Cathedral, 1966, Synthetic polymer paint on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10855 Andy Warhol, Steve Paul’s THE SCENE Poster, 1966, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/AR00324 Judy Cassab, Portrait of Robert Morley, 1967, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3494 Josef Albers, White Line Square VI, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.6 CHERBOURG ABORIGINAL COMMUNITY Barambah Pottery - Studio, (Jug), c.1967–1970s, Stoneware, wheelthrown with glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20092 MATHIAS, The angel and the tortoise, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9899 SUKORO, Twin lizards, 1968, Screenprint on off-white wove paper adhered to board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15305 Normana Wight, Untitled - yellow violet, 1967, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19069 Raymonde Godin, Vagues, 1967, Colour drypoint, blind embossing, printed intaglio and relief simultaneously on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7668 David Voigt, At sea with me, 1969, Colour etching and aquatint, deep etch, printed relief and intaglio simultaneously on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7110 Mathias Kauage, Untitled (dancing couple), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21382 Richard Artschwager, Locations, 1969, Melamine laminate, glass mirror, acrylic sheet, rubber, and wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/94.52a-f Axel Poignant, Dai and his grandson Kaleku Gumine, Central Highlands, New Guinea, 1969, printed 1981, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4411 Peter Powditch, A natural woman II, 1969, Colour lithograph and screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11244 Diane Arbus, Elderly Couple on a Park Bench, N.Y.C.1969, 1969, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00554 Brian Hatch, Winter landscape, 1967, Oil and collage on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4042 Andy Warhol, Lincoln Center Ticket, 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/AR00414 Andy Warhol, Tomato, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.9 Benny Andrews, New York Café, 1967, LIthograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2004.703 David Strachan, Two women in a landscape, 1968, Oil on canvas mounted on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11681 Mary Norrie, Red square, 1967, Synthetic polymer paint on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/931 Trevor Vickers, [Untitled], 1969, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2906 Mervyn Moriarty, Another place, c.1969–70, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7794 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36311 Udo - Artist, COUNIHAN, Noel - Artist, KOSSATZ, Les - Artist, GRIEVE, Robert - Artist, MOYNIHAN, Daniel - Artist, JONES-ROBERTS, Gareth Sellbach, Napalm Sunday (no. 1 from 'The Broadsheet' series), 1967, Zinc plate etching with typeset text on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1666 LEE Ufan, Push up, 1967, Pencil on Japanese washi paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/969 Andy Warhol, Man Ray, 1967, Lithograph on canvas textured paper, Tate, London. https://dartabase.art/cite/tate/AR00415 Josef Albers, White Line Square IV, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.4 Oliffe Richmond, Four figures, 1966, Lithograph on dark yellow laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12945 Mathias Kauage, (Woman, insect and animal with star shapes), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24258 Carl Andre, 28 Lead Rectangle, 1968, Lead, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2024.61a-bb Olive Ashworth, Textile length: Heron Island, 1966, Commercially printed cotton cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1017 Man Ray, [Untitled], 1966, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6885 Normana Wight, [Untitled], 1967, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19071 Robert Hunter, No. 4 untitled painting, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13512 CHERBOURG ABORIGINAL COMMUNITY Barambah Pottery - Studio, (Plate), c.1967–1970s, Stoneware, wheelthrown with glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20091 Richard Anuszkiewicz, Spectral 9, 1969, Screenprint on plastic, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.89a-i Diane Arbus, Superstar at Home, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00544 MATHIAS, Masks, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21384 Harold Altman, Rejoice, 1966, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.205 Leonard Brown, The bird has flown, 1966, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24244 Henry Moore, Two reclining figures linear, 1969, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15431 Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.1 Arthur Boyd, Pottery on fire, c.1968–69, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10645 Josef Albers, White Line Square II, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.2 William Bustard, Sketch of Saint George for memorial window, Holy Trinity Church, Woolloongabba, 1966, Watercolour, pen and ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2135 Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.3 Lenton Parr, Rigel, 1968, Painted steel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3759 Peter Powditch, Sunny days - Bondi women, 1967, Synthetic polymer paint on paper on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6884 Alun Leach-Jones, Merlin's diary, c.1967, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2234 John Vickery, (Untitled), 1967, Synthetic polymer paint on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/113653 Sam Byrne, Australian explorers - death of Kennedy, c.1969, Oil and enamel on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8876 Josef Albers, Variant X, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.10 Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36170 TIABE, Moto bagarap (Motor crash), 1968, Screenprint in two colours on wove paper adhered to board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2403 Robert Rooney, Kind-hearted kitchen-garden I, 1967, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8648 Edward Bawden, Smithfield Market (from 'Six London markets' series), 1967, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12950 John Neeson, Temple, 1969, Colour etching and aquatint, deep etch, open bite on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/797 Robyn Mountcastle, Sand mining country II, 1967, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8928 Robert Walker, Ian Fairweather (from 'Track' series), 1966, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14791 NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36242 Ian Burn, Grey constant, 1966, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15763 Bobby Barrdjaray Nganjmira, Mimih hunting goanna and fish, c.1966, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35276 David Rankin, System and random units, 1969, Synthetic polymer paint on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7384 Fred Williams, Max Miller (from 'Music hall' series), 1966, Etching, engraving, aquatint, drypoint on pale grey laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3366 Richard Larter, [Untitled], 1968, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1979 Tony Mcgillick, Arbitrator, 1968, Synthetic polymer paint on shaped canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14849 Dick Watkins, Falaise #2, 1966, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19537 Normana Wight, Untitled - purple curve, 1967, Screenprint on Kent cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19063 LI Zhensheng, Writers and artists march through Wuchang County in Heilongjiang province, 18 August 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14373 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36178 Mathias Kauage, (Woman with fish, cat, insect and lizard), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24257 Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.5 Diane Arbus, Woman In Her Negligee, N.Y.C., 1966, printed 1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.225 Robert Walker, Ian Fairweather (from 'Hut' series), 1968, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14793 Robert Walker, Ian Fairweather (from ‘Track’ series), 1969, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36183 Harold Altman, Park with Four Figures, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.200 Sidney Nolan, Mrs Fraser, 1966, Water-based fabric dye on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14654 Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.6 Mark Strizic, Barry Humphries, 1968 (from 'Portrait' series), 1968, printed 1999, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14889 TAY KOK WEE, The gate, 1966, Colour etching, open bite, soft-ground etching, deep etch, printed relief and intaglio simultaneously on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/792 Robert Jacks, Cut paper piece: 45 through to 90 degrees (from 'An unfinished work'), 1969, Cut paper in wood and perspex box on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12313 Spider Namirrki Nabunu, Male and female Namarnday, spirits of the Stone Country, c.1966, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35269 Diane Arbus, Four People at a Gallery Opening, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00550 Ti Parks, Shallow slanting cuboids, 1967, Synthetic polymer paint on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1772 Kenneth Anger, Kenneth Anger, Close Up, Straight Theater, San Francisco, 1969, printed 2004, Inkjet print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.10 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36308 Goobalathaldin Dick Roughsey, Hollow tree burial, Mornington Island, 1969, Oil on masonite panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10380 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36309 Mark Strizic, John Perceval in his studio - 3, 1967 (from 'Portrait' series), 1967, printed 1994, Colour photograph on Agfa paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7500 Reinis Zusters, Figure with temporary structures, c.1969, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3649 William Anthony, TAKKA TAKKA, 1966, Opaque watercolor and casein on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.57 Josef Albers, Homage to the Square V, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.5 David Moore, President Johnson and Prime Minister Holt at Canberra Airport, 1966, printed 1988, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5983 Richard Artschwager, Construction with Indentation, 1966, Melamine laminate on plywood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/72.32 Robert Heinecken, Untitled (no. 8 from 'Are you rea' series), 1967, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8657 Normana Wight, Untitled - blue to orange, 1967, Screenprint on Kent cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19068 Leonard French, Preparatory drawing for 'The cannon', 1969, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1060 David Aspden, Banner, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8615 David Voigt, Pastoral 4, 1968, Etching, foul biting on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4162 HAPE, Orokolo 2, 1968, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/888 Robert Adams, [Untitled], 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.7 Andy Warhol, Black Bean, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.2 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.10a-b Diane Arbus, Naked Man Being a Woman N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00547 Josef Albers, Variant II, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.2 David Voigt, Bondi Sunday 2, 1969, Etching and deep etch on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1225 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.4a-b Robert Rooney, Canine capers VII, 1969–79, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/39511 Josef Albers, Homage to the Square III, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.3 ERTÉ, Number nine, 1968, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8797 John Brack, The sun lamps, 1966, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6631 Josef Albers, Variant IV, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.4 John Aland, Nude in bed, 1968, Pen, ink and pastel on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/37147 Jasper Johns, Summer Critic from the special edition boxed set To and From Rrose Sélavy, 1966, published 1968, Screenprint on colored acetate set into embossed and die-cut paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17206 SUKORO, Tamboran lizard (Spirit lizard), 1968, Screenprint on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15304 Mickey Bungkuni, Wandjina/Kaiara figure with fish, c.1966–71, Wandjina/Kaiara figure with fish BUNGKUNI, Mickey c.1966-71 1966 1971 on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38358 Gareth Sansom, One of us must know, 1966, Enamel and collage on unprimed composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8644 Edward Ruscha, Nine swimming pools and a broken glass, 1968, Book comprising 64 pages with ten four-colour offset lithographs; sewn and glued, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13372 Noel Counihan, Image of violence, 1967, Charcoal and red conte on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4152 Robert Walker, Ian Fairweather (from ‘Beach’ series), 1967, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36316 Max Gimblett, [Untitled], 1968, Pen and ink with wash on Fabriano Esportazione paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11481 Guy Stuart, Corrugations, 1967, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17704 Roberto Estopinán, Prisoner, 1967, Colored ink and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33104 NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36241 Richard Stringer, Gravel deliveries, South Brisbane, 1967, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19690 Robert - Collaborating artist, HOLT, Nancy Smithson, East Coast, West Coast, 1969, Digital Betacam (PAL): 22 minutes, black and white, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14843 Josef Albers, White Line Square VII, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.7 George Brecht, Experimental enlargements: Five places, 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2539 Marie Taita Aihi, Untitled (two creatures, blue background), c.1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/799 Harold Altman, Approaching Figure IV, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.181 Andy Warhol, Beef with Vegetables and Barley, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.1 Henry Salkauskas, Three sisters, 1967, Synthetic polymer paint, gouache and pencil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5634 Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2085 Robert Walker, Ian Fairweather (from ‘Shop’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36319 Etel Adnan, Funeral March for the First Cosmonaut, 1968, Accordion book, with pen and ink and watercolor on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2014.231 Josef Albers, White Line Square V, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.5 Jon Molvig, Aeroplane, 1966, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/176 Diane Arbus, A Young Man in Curlers at Home on West 20th Street, N.Y.C. 1966, 1966, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00509 Diane Arbus, Woman in a Rose Hat, N.Y.C. 1966, 1966, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00539 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36177 Mervyn Moriarty, Painting no. 1, 1968, Crayon and synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1731 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.3a-b Weaver Hawkins, Japonica, 1967, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/576 Robert Adams, [Untitled], 1968–1972, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.8 Richard Stringer, Placing a sail unit, Sydney Opera House, 1967, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19693 Lee Adler, Gears, 1969, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.39 Richard Artschwager, Button, 1969, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2005.81 Peter Cripps, Above and Below Ground (positive form), 1968, Plaster, brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24334 Andy Warhol, Onion Made with Beef Stock, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.7 Verlie Just, Pyrites ring, 1968, Sterling silver, hand wrought with iron pyrites crystal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12256 Stuart Brisley, Chair construction, 1967, Wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10508 Robert Walker, Ian Fairweather (from ‘Beach’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36317 Milton Moon, Casserole, c.1967, Stoneware, brown bodied clay thrown spherical form with iron calligraphic brush decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2314 Richard Hamilton, Fashion-plate, 1969–70, Photo-offset lithograph, collage, screenprint and pochoir, retouched with cosmetics on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14299 John Rigby, Picnic, 1968, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7792 Luis Alberto Wells, Model for detail of CEILING OF LIVING ROOM IN ROMERO BREST HOUSE, 1966, Oil on paper over cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33057 Josef Albers, Homage to the Square VII, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.7 Oliffe Richmond, Pilot, 1966, Lithograph on handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12939 Jyoti Bhatt, A tribal youth during Holi Festival, Gujarat, 1968, printed 2012, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/23982 Robert Walker, Ian Fairweather (from ‘Track’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36175 Larry Zox, (Untitled), 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.252.2 Andy Warhol, Untitled from Flash - November 22, 1963, 1968, One from an illustrated book with twelve screenprints (including cover), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17243 Lisette Kohlhagen, Camels, Pergamum, Turkey, 1966, Linocut on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11386 Brett Whiteley, Calcutta, 1966, Oil, collage, photographs, glass, gesso, pencil, cloth and plaster on board with detachable sculpture, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13324 Diane Arbus, Two Ladies at the Automat, N.Y.C., 1966, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2014.48 RILEY, Mervyn Barambah Pottery - Studio, (Vase), c.1967–1970s, Stoneware, wheelthrown with glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20090 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36182 Margaret Olley, Kuala Lumpur, 1969, Watercolour and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18449 Alice Hutchins, [Untitled], 1966–89, Treated reproduction, with lettraset on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2930 James Gleeson, Herakles I, 1967, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/120 LI Zhensheng, Execution in the outskirts of Harbin, 5 April 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14371 Vivienne Binns, Orange flam, 1967, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13429 Mark Strizic, George Mora, 1968 (from 'Portrait' series), 1968, printed 1999, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14888 Josef Albers, Variant VI, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.6 CORNEILLE, L'heure Martinale, 1967, Colour lithograph on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/675 Josef Albers, Homage to the Square VIII, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.8 Diane Arbus, Superstar at home, N.Y.C., 1968, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.160 George Baldessin, Personage with striped dress IV, 1967, Etching, aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3791 Mathias Kauage, (Man with star and animal), c.1969–72, Felt-tip marker on Bainbridge board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24266 Robert Walker, Ian Fairweather (from ‘Track’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36172 Mathias Kauage, (Long-nosed creature), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24264 Yayoi Kusama, Narcissus garden, 1966/2002, Stainless steel balls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9002 Ian Burn, Systematically altered photograph: The kitchen, 1968, Photogravure and photocopy on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12375 Diane Arbus, A Family on their Lawn one Sunday in Westchester, N.Y. 1968, 1968, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00513 Mathias Kauage, (Large face like turtle), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24263 Glen Earl Alps, The White Necklace, 1969, Collagraph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.85.14 Diane Arbus, Girl Sitting on Her Bed with Her Shirt Off, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00551 Louis James, High Noon 2, 1967, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7633 Roy Lichtenstein, [Untitled], 1969, Screenprint on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9587 Charles Blackman, Girl dressing, 1968, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2738 David Strachan, Still life flowers and oranges, 1967, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15901 Shirley Miller, Mysterious garden, 1969, Synthetic polymer paint on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2563 Josef Albers, White Line Square III, 1966, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.14.3 TIABE, Accident, 1968, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7706 Andy Warhol, Holly Solomon, 1966, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/94.123 Harold Allen, Subway Vista (La Salle Street Stop), Chicago, 1969, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2001.194 NAJOMBOLMI (Charlie Barramundi Naiyombolmi), Spiny ant-eater spirits of Balawurru, 1966, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35262 Aleks Danko, ANXIETY SWITCH, 1969–70, Bronze, velvet, wood, plastic, wool, metal, paper, felt and ink, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13759 MATHSSON, Bruno Firma Karl Mathsson - Manufacturer, Chair: Eva, 1967, Steam formed birch wood with hemp canvas webbing, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4884 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36176 Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38 Josef Albers, Homage to the Square: "Wait", 1967, Oil on composition board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2007.81 Maki Haku, Poem 68-55, Shōwa period, 1968, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5075 David Hockney, According to Prescriptions of Ancient Magicians, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77567 MESZAROS, Andor Pinches - Medallist, Medallion: Christus den voatur vestibus, 1969, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3851 Joe Tilson, Ziggurat 5, 1966, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12452 Robert Walker, Ian Fairweather (from ‘Hut’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36318 Michael Johnson, Bologna, 1969, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/39532 Josef Albers, Homage to the Square II, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.2 Peter Blake, Babe rainbow, 1967, Colour screenprint and photo-screenprint on tin with gloss varnish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12947 NI-VANUATU PEOPLE, Tamat (fern figure), c.1968–83, Carved tree fern (Cyathea lunulata), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36243 Larry Zox, Rita Barta, 1969, Acrylic, polyurethane, and dry pigment on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.173 Joe Tilson, A-Z BOX, FRAGMENTS OF ONEIRIC ALPHABET (portfolio), 1969, 26 screenprints, some with collage, some printed on both sides, some on double- sized folded sheets, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10015 Diane Arbus, Patriotic young man with a flag, N.Y.C., 1967, printed 1985, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1258 Diane Arbus, Young Man on a Sofa, N.Y.C., 1966, printed c. 1966–1967, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.3 R. B. Kitaj, The defects of its qualities, 1967–68, Colour screenprint, photo-screenprint and collage on thick smooth paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12448 Sigmund Abeles, Vietnam Series: Helicopters, 1967, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.58 Stuart Devlin, Tea and coffee service, 1969–70, Lightly hammered tapering bodies applied with panels of gilt. Turned rosewood lids, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8611 Robert Walker, Ian Fairweather (from 'Hut' series), 1966, printed 2006, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14794 John Peart, Colour square III, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3180 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.8a-b Hermann Hohaus, Catherine, 1967, Bronze, single cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10465 Oliffe Richmond, Discus, 1966, Lithograph on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12940 Diane Arbus, Topless Dancer in her Dressing Room, San Francisco, Cal. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00549 Ian Burn, No object implies the existence of any other, 1967, Glass mirror with adhesive lettering, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4013 Oliffe Richmond, Dance, 1966, Lithograph on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12941 William Allan, Self Improvement, 1969, Acrylic and fabricated chalk on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.4 Graham Burstow, Early morning flight, 1968, printed 1970, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13460 Robert Owen, Kinetic relief no. 12 - no. 1/3, 1969, Eroglass, transparent synthetic polymer resin and aluminium, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10596 Malick Sidibé, Soirée mariage Drissa Balo (Drissa Balo wedding party), 1967, printed 2013, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19761 TIABE, Moto bagarap (Motor crash), 1968, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9578 Kenneth Anger, Bobby Beausoleil, Multiple Eyes, Kaleidoscope Lens, 1969, printed 2004, Inkjet print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.12 Joshua Smith, Fishermen and bathers, 1969, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10689 Richard Stringer, Brampton Island Airport, 1968, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19688 Dennis Oppenheim, Program 8, 1969–72, Videotape: 28 minutes, black and white, sound and silent, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6377 Robert Walker, Ian Fairweather (from ‘Beach’ series), 1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36174 William Rose, [Untitled], 1966, Pen and coloured inks on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13257 Bobby Barrdjaray Nganjmira, Snakes and mimih spirit, c.1966, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35271 Diane Arbus, Jorge Luis Borges in Central Park, N.Y.C. 1969, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00552 Josef Albers, Variant IX, 1966, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/67.64.9 Willard Maas, Andy Warhol's Silver Flotations (from 'Visions of Warhol' anthology 1963-90), 1966, Digital Betacam: 4 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13427 Russell Drysdale, The stockman, 1967, Brush and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10106 Roberto Estopinán, [Untitled], 1967, Transfer and ink on pink paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33123 Alice Hutchins, Jewelry Fluxkit, c.1969, Metal and paper in perspex box with label, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4280 Koji Kiyomitsu, Kojijo (Mask of aged male), 1968, Wood carved in an old man's face and human hair for beard and hair with details in red, white and black; silk cord attached, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6778 Udo - Artist, COUNIHAN, Noel - Artist, DOUGLAS, Denis - Artist, HULME, Bob - Artist, MOYNIHAN, Daniel - Artist, DICKIE, Peter Sellbach, Up you, Cazaly (no. 4 from 'The Broadsheet' series), 1968, Zinc plate etching with typeset text on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5031 Richard Artschwager, 100 Locations (Blp), 1968, Acrylic on wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2013.145 Andy Warhol, Pepper Pot, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.8 Victor Vasarely, [Untitled], c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3029 Carl Andre, Letter to Doug Lawder, 1967, Fiber-tipped pen on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/78.42 Michael Smither, The colander, 1967, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10678 Robert Adams, Motel, Colorado Springs, 1969, printed c. 1970, Gelatin silver print mounted on paperboard, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.12 Bruce Nauman, Art make-up, 1967–68, Betacam SP PAL: 4:3, 40 minutes, colour, mono, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14298 Josef Albers, Homage to the Square XI, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.11 Peter Clapham, Kinetic perspex construction, 1969–70, Transparent synthetic polymer resin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4442 LI Zhensheng, Self-portrait, Harbin, Heilongjiang province, 17 July 1967 (from 'Red-colour news soldier' portfolio), 1967, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14370 Margaret Olley, South Brisbane, 1966, Ink and watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17263 Robert Owen, Kinetic relief IV - no. 3/3, 1969, Aluminium and eroglass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12440 Zarina, Wall, 1969, Relief collagraph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2011.10 Maki Haku, Poem 69-8, Shōwa period, 1969, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4680 Mathias Kauage, Untitled (dancing women with an animal), 1969, Texta on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21381 Robert Adams, Outdoor Theater, Colorado Springs, Colorado, 1968–1971, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2011.5 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.9a-b Elwyn Lynn, Black seal, 1966, Oil, woven fabric, paper and synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12148 Richard Stringer, Curtain raiser, Bellevue precinct, Brisbane, 1968, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19689 Mathias Kauage, (Woman with star and animal), c.1969–72, Felt-tip marker on Bainbridge board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24265 Robert Browning, Persian mosaic, 1969, Gouache on grey lined graph paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6585 Harold Altman, Figure and Foliage IX, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.192 Joseph Beuys, Joseph Beuys FOND II, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00748 Diane Arbus, Five Children in a Common Room, N.J. 1969, 1969, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00559 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.5a-b Diane Arbus, A Very Young Baby, N.Y.C. 1968, 1968, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00548 David Moore, European migrants arriving in Sydney, 1966, printed 1988, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10074 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.11a-b Nasreen Mohamedi, [Untitled], c.1968, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2084 Alice Hutchins, [Untitled], 1966–89, Treated reproduction, with lettraset on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5710 Marie Taita Aihi, Untitled (cat and bird), c.1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5220 Diane Arbus, Boy with a Straw Hat Waiting to March in Pro-War Parade, N.Y.C. 1967, 1967, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00507 Andy Warhol, Consomme (Beef) Gelatin Added, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.4 LI Zhensheng, Reciting Chairman Mao's instructions, Harbin, Songhua River, 16 July 1968 (from 'Red-colour news soldier' portfolio), 1968, printed 2008, Digital print on Hahnemühle Digital Fine Art 100% cotton rag acid-free paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14372 Barbara Hepworth, Porthmeor (from ‘Twelve Lithographs suite’), 1969, Colour lithograph, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12956 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.2a-b Normana Wight, Untitled - purple to yellow diagonal, 1967, Screenprint on Kent cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19061 Robert Zakanitch, Towards Humming, 1969, Acrylic on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.138 Diane Arbus, Patriotic Young Man with a Flag, N.Y.C. 1967, 1967, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00541 Robert Walker, Ian Fairweather (from ‘Track’ series), 1966, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36307 Norio Azuma, Tranquility, 1968, Screenprint on fabric mounted on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.110 Harold Altman, Evening III, 1968, Aquatint and etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.188 Josef Albers, Homage to the Square IX, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.9 Andy Warhol, Chicken Noodle, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.3 Sidney Nolan, Central Australia, c.1967, Mixed media on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2425 R. B. Kitaj, Kenneth Rexroth (from 'First series: some poets' suite), 1969, Colour screenprint and photo-screenprint on light-brown patterned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12449 Mathias Kauage, (Woman with chicken), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24259 Diane Arbus, Man at a Parade on Fifth Avenue, N.Y.C. 1969, 1969, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00553 Harold Hughan, Platter, 1967, Stoneware, wheelthrown with wax resist trailing and crawled Shino type glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2867 Hiroyuki Tajima, Miscellany A, 1967, Colour collage relief print on thick Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11202 Vito Acconci, Hands Down/Side by Side, 1969, Four gelatin silver prints and chalk mounted on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/92.12a-d William Dobell, Study in oil for portrait of Dr Norman Behan, c.1969–70, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7859 Robert Hunter, No.1 untitled painting, 1968, Synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18725 Josef Albers, Homage to the Square I, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.1 Franz Kempf, Beneath the surface, 1969, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11395 George Brecht, Experimental enlargements: Time-table event, 1969, published 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9445 Josef Albers, Homage to the Square IV, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.4 Marie Taita Aihi, Untitled (two creatures), 1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11961 Max Gimblett, S.P. [Self portrait], 1967, Drypoint on Japanese handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6579 Leonard French, Preparatory drawing for 'The cart', 1969, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1061 Victor Vasarely, Tridim, c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1962 Ian Sime, The Pius Pill (no. 5 from 'The Broadsheet' series), 1968, Screenprint with typeset text on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3251 Josef Albers, Stele and Lawn, 1967, Oil on composition board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.178 Harold Altman, Reader, 1968, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.204 Nigel Lendon, Slab construction 11, 1968, Synthetic polymer paint on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1223 Mathias Kauage, (Face with six appendages), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24261 Mark Strizic, Asher Bilu, 1969 (from 'Portrait' series), 1969, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14885 Peter Cripps, Above and Below Ground (negative form), 1968, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24336 Marie Taita Aihi, Untitled (three figures, black and white), 1969, Screenprint in one colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6422 Marie Taita Aihi, Untitled (cat and bird), c.1969, Screenprint in two colours on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5423 Helen Ogilvie, Cottage with iron chimney, c.1968, Wood engraving on wove Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11379 Ivon Hitchens, Flowers and three leaves, 1968, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1329 Fred Williams, Burnt hillock, 1969, Gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5437 Lindsay Burrud - Artist of verso, ROUGHSEY, Goobalathaldin Dick Roughsey, recto: Lurugal (The last circumcision ceremony on Mornington Island) verso: Untitled, 1969, Synthetic polymer paint on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/32012 Edward Ruscha, Crackers, 1969, Book comprising 120 pages with 115 offset lithographs; sewn and glued, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/376 Dora Toovey, Sir Raphael Cilento, c.1967, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6848 Robert Grieve, [Untitled], 1968, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15419 Helen Ogilvie, Weather-board cottage, c.1968, Wood engraving on wove Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5550 Jud Yalkut, Destruct Film, 1967, 16mm film installation, color, silent, 3:10 min. looped, transferred to video, two-carousels with one-hunderd and sixty-two 35mm black-and-white and color slides, two motorized beam-splitter mirrors, and loose film prints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2002.92 Lance Bressow, Signora Marinetti, 1969, Pencil and charcoal on handmade Fabriano Roma.paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7237 Diane Arbus, A family on their lawn one Sunday in Westchester, N.Y., 1968, c. 1969–71, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/95.3 Margaret Olley, Jalan Tokong, Malacca, 1969, Watercolour and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18448 Donald Friend, Wiya's garden, Bali, c.1968, Watercolour, ink and gouache on wove paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5279 Ceri Richards, Peu à peu sortant de la brume (Little by little emerging from the fog), 1969, Colour screenprint with embossing on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11307 Enzo Plazzotta, Nadia Nerina - rehearsal II, c.1968, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1672 Fred Williams, Burnt ferns, 1969, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3378 Josef Albers, Homage to the Square XII, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.12 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.7a-b Richard Avedon, John Lennon, 1967, Offset lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2000.88 Harold Altman, Path, 1968, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.203 Diane Arbus, Woman with a Veil on Fifth Avenue, N.Y.C., 1968, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/97.15 Laurence Hope, The lovers, 1969, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14472 Peter Cripps, Above and Below Ground (negative form), 1968, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24335 Andy Warhol, Vegetable Made with Beef Stock, 1968, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.13.10 Andy Warhol, Andy Warhol Paul Morrissey and Viva!, c.1967, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00327 Richard Stringer, Treasury Building, Brisbane, 1967, printed 2013, Black-and-white digital print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19692 Normana Wight, Untitled - violet yellow, 1967, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19070 Carl Mcconnell, Cup, 1967, Earthenware clay from Pinjarra Pottery fired to stoneware temperatures (vitri fired). Blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7542 Andy Warhol, (Untitled), 1968, Screenprints, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/70.11.1a-b Mathias Kauage, (Insects with flower), c.1969–72, Felt-tip marker on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24260 Bobby Barrdjaray Nganjmira, Legend of Nimbuwah Rock, 1968, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35272 Dale Hickey, [Untitled], 1967, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1238 Josef Albers, Homage to the Square X, 1967, Screenprint on board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.1.10