Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Joseph Beuys, Probe in the bloodstream of the oak, 1958, Envelope, tempera, graphite and pin on paper, Tate, London. https://dartabase.art/cite/tate/AR00634 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Joseph Beuys, [Untitled], 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame, Tate, London. https://dartabase.art/cite/tate/AR00646 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Joseph Beuys, Battery, 1959, Graphite on board on oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00110 Joseph Beuys, Bathroom of Circe, 1954–8, Watercolour and gold paint on paper and board, Tate, London. https://dartabase.art/cite/tate/AR00636 Joseph Beuys, Woman with falling stone, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00645 Joseph Beuys, Two Red Fish, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00633 Joseph Beuys, [Untitled], 1955, Leaf and lime on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00696 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Joseph Beuys, Geysir, 1953, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00631 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Joseph Beuys, [Untitled], 1957, Stone dust and clay on paper, Tate, London. https://dartabase.art/cite/tate/AR00638 Max Beckmann, Hinter der Bühne (Backstage), 1950, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4128 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Joseph Beuys, Girl in Conversation with a Seal (Mädchen mit Seehund im Gespräch), 1955, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36257 Joseph Beuys, Hearts of the Revolutionaries: Passage of the Planets of the Future, 1955, Watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00103 Joseph Beuys, Angel Whale, 1953, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00099 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Joseph Beuys, Langhaus (Vitrine), 1953–62, Wood, glass, felt, oil paint and paper, Tate, London. https://dartabase.art/cite/tate/AR00087 Joseph Beuys, Brightly-Lit Stag Chair, 1957–71, 2 works on paper, oil paint, graphite and masking tape, Tate, London. https://dartabase.art/cite/tate/AR00697 Joseph Beuys, [Untitled], 1959, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00644 Otto Piene, Untitled (Smoke Drawing) (Ohne Titel [Rauchzeichnung]), 1959, Soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33265 Joseph Beuys, [Untitled], 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36098 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Joseph Beuys, [Untitled], 1958, Oil and collage on paper, Tate, London. https://dartabase.art/cite/tate/AR00642 Otto Nebel, Told to Autumn, III, 1951, Ink and watercolor on colored paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38290 Paul Klee, Day Music (Musique diurne) from Art d'Aujourd'hui, Maîtres de l'Art Abstrait (Art of Today, Masters of Abstract Art), Album I, 1953 (original executed in 1940), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31874 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Joseph Beuys, Blacksmith II, 1958, Graphite on card, Tate, London. https://dartabase.art/cite/tate/AR00108 Joseph Beuys, Ice Age, 1951, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00096 Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919 Gerhard Altenbourg, Garden Behind the Spinnbahn, End of February (Gartenkolonie hinter der Spinnbahn, Ende Februar), 1956, Ink, lithographic crayon, and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33952 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Joseph Beuys, Crystal Measurement, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00632 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Hartmut Friedrich, Remains of a Meal of Carp, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33085 Joseph Beuys, Actress, 1956, Crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00637 Joseph Beuys, [Untitled], 1958, Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36265 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Joseph Beuys, Electricity, 1959, 3 works on paper, oil paint and watercolour, Tate, London. https://dartabase.art/cite/tate/AR00112 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Joseph Beuys, Clan, 1958, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00107 Joseph Beuys, From the Life of the Bees, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00635 Joseph Beuys, Sculptures, 1954, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00102 Joseph Beuys, Table with Accumulator, 1958–85, Wood, accumulator, clay and wire, Tate, London. https://dartabase.art/cite/tate/AR00603 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Joseph Beuys, The Table, 1952, Graphite, watercolour and stamp on paper, Tate, London. https://dartabase.art/cite/tate/AR00098 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Joseph Beuys, White Woman in the Grass (Fairy), 1954, Graphite and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00101 Joseph Beuys, Roses, 1952, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00097 Joseph Beuys, Monument to the Stag, 1958–85, Wood, iron and copper, Tate, London. https://dartabase.art/cite/tate/AR00602 Joseph Beuys, Monument to the Stag, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00111 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Joseph Beuys, Weird Sister, 1953–62, Graphite and oil paint on acetate, Tate, London. https://dartabase.art/cite/tate/AR00100 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Richard Oelze, Performer, 1952–53, Crayon on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33206 Joseph Beuys, [Untitled], 1958, Watercolour and tempera on paper, Tate, London. https://dartabase.art/cite/tate/AR00641 Hannah Höch, With Seaweed, 1950, Cut-and-pasted papers, torn papers, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33026 Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Joseph Beuys, Wooden Virgin, 1958, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00639 Joseph Beuys, Untitled (Frauendarstellung), 1958, Oil paint and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00106 Joseph Beuys, Pregnant Woman with Swan, 1959, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00114 Joseph Beuys, [Untitled], 1959, Graphite, oil paint and typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00643 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Joseph Beuys, Untitled (Skull on Ur-Sled), 1957, Watercolor, dirt, and metallic paint on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33466 Joseph Beuys, FILTER, 1958, Graphite and gold paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00640 Joseph Beuys, Actresses, 1958, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00105 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Joseph Beuys, Witches Spitting Fire, 1959, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00109 Joseph Beuys, Observation on the Cat, 1956, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00104 Rupprecht Geiger, Number 9, 1959, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34504