Elizabeth McFadden, Banners of the Sun, 1955, Fabric and painted metallic-surfaced paper on corrugated cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37376

Jackson Pollock, [Untitled], (c. 1951), Ink and colored ink on Japanese paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34857

Albert Alcalay, Times Square, 1955, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35601

Pavel Tchelitchew, [Untitled], 1953, Colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35627

Jacob Lawrence, Street Shadows, 1959, Egg tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38728

Agatha Wojciechowsky, [Untitled], 1956, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37069

Lyonel Feininger, Walking Figures, 1952, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34815

Anne Ryan, Number 48, 1950, Cut-and-pasted paper, printed paper, cloth, and metal leaf on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33299

Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36732

David Smith, Untitled 10/14/52, 1952, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37097

Saul Steinberg, Aspera, 1959, Pen and black ink with traces of graphite on cream paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220512

David Smith, Untitled (Tank Totems), 1953, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35642

Anne Ryan, Number 706 (Red Collage No. III), 1954, Cut-and-pasted colored and printed paper, and cloth on corrugated cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38048

Lyonel Feininger, [Untitled], 1952, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34802

Sari Dienes, Tomb, c. 1953–54, Ink rubbing on paper, fabric flag, and torn colored board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36569

Ben Shahn, Monroe Wheeler, 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33411

Lyonel Feininger, Church on the Cliff I (Kirche auf der Klippe I), 1953, Pen and ink, watercolor, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36699

H. C. Westermann, The Mysteriously Abandoned New Home, 1958, Pine, birch, vermillion, redwood, glass, paint, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/15566

Saul Steinberg, Beverly Hills, 1950, Pen and black ink, over graphite and erasing, with watercolor, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220499

Peter Blume, Easter Island and Rana Raraku, 1954, Ink on paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36337

William E. Krallman, The Seeker, 1955, Ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35780

Brion Gysin, A Trip from Here to There, 1958, Ink and gouache on forty-eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35418

Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36733

Pavel Tchelitchew, Head, VI, 1950, Colored pencil on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35189

Anne Ryan, Number 362, 1950, Cut-and-pasted colored paper and string on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38012

Seymour Lipton, Study for Sanctuary, 1953, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34013

Mary Petty, Summer, (1959), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37843

Zion Baptist Church, <I>The Nation's Prayer Call Vol. 2 No. 4</I>, 1956–1957, ink on paper; H x W: 12 1/8 × 9 1/16 in. (30.8 × 23 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751592-0

Jackson Pollock, [Untitled], c. 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37761

Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747

Anne Ryan, Number 164, 1951, Cut-and-pasted colored and painted paper and cloth on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37994

Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726

Jackson Pollock, [Untitled], c. 1951, Black and sepia ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37765

Jacob Landau, Cinna the Poet, 1959, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34906

Franz Kline, Untitled II, c. 1952, Ink and oil on cut-and-pasted printed paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36189

Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744

Joseph Cornell, Allegory of Innocence, 1956, Cut-and-pasted printed paper on paper on board in wood frame with colored glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37045

Lyonel Feininger, Marine Scene, Twilight, 1950, Wash, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34741

Lyonel Feininger, [Untitled], (1950), Watercolor, metallic paint, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34777

Saul Steinberg, Parade, 1951, Pen and black ink and rubber stamps in various colors, with watercolor and colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220501

Lyonel Feininger, [Untitled], 1954, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34878

Kimber Smith, [Untitled], 1959, Dry pigment and aqueous medium on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36837

Saul Steinberg, Roller Derby, 1954, Pen and black ink, with scraping, on ivory wove paper, cut-and-pasted on white paperboard, ruled in graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220507

Saul Steinberg, Cowboys, 1951, Pen and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220503

John Levee, Drawing, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35792

Anne Ryan, Number 156, 1950, Cut-and-pasted colored paper and cloth on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37990

Anne Ryan, Number 79, 1951, Cut-and-pasted colored and printed paper and cloth on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37984

Willem de Kooning, Seated Woman, 1952, Pencil, pastel, and oil on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33413

Larry Rivers, Portrait of Edwin Denby, (1953), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37323

Anne Ryan, Number 482, 1952, Cut-and-pasted paper, colored paper, and cloth on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38022

Wolf Kahn, In the Harbor of Provincetown, 1956, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37333

Edward Corbett, Number 15, 1951, Chalk and casein on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33484

Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509

Ben Shahn, Self-Portrait, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35592

Edward Corbett, Number 11, 1951, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33491

Saul Steinberg, Motels and Highway, 1959, Pen and black inks, with black crayon, on ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220511

Joseph Cornell, Bear with Angel, 1953, Relief print with cut-and-pasted papers, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38635

Anne Ryan, [Untitled], c. 1953, Cut-and-pasted colored and painted paper and cloth on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34898

John D. Graham, Horse, c. 1953, Ink, ballpoint pen, pencil, gouache, and colored pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33944

Louise Bourgeois, [Untitled], 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35074

Tony Smith, [Untitled], 1953–55, Charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35363

Anne Ryan, Number 412, 1951, Cut-and-pasted colored and painted paper and cloth on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38015

Anne Ryan, Number 495, 1951, Cut-and-pasted colored and printed paper and cloth on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38025

Lyonel Feininger, [Untitled], 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34870

Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36727

Lyonel Feininger, Rain (recto); Walking Figures (verso), 1952, Watercolor, charcoal, and pen and ink (recto); charcoal (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34814

Milton Avery, Dune and Bushes, 1958, Watercolor and gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35088

Chryssa, Drawing for Stock Page, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37072

David Smith, Untitled 5/28/55, 1955, Oil crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36448

Anne Ryan, Number 631, 1953, Cut-and-pasted paper, colored paper, and cloth on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38046

Wolf Kahn, Seated Woman, Two Views, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33240

Andy Warhol, Untitled (Unknown Male), (c. 1957), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34808

Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736

Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36728

Anne Ryan, Number 225, 1950, Cut-and-pasted colored paper, cloth, string, and sandpaper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37998

Wilton, Racing shirt for the New York Pioneer Club worn by Ted Corbitt, 1950s, fleece on cotton; H x W: 23 1/4 × 15 3/8 in. (59 × 39 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750078-0

John D. Graham, Leda #1, 1954, Oil, pencil, colored pencil, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36530

Louise Bourgeois, [Untitled], 1951, signed 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36914

Lyonel Feininger, Figures, 1950, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34731

William Kienbusch, Low Tide, 1950, Casein and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34623

Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735

Lee Lozano, No title, c. 1962, Crayon and graphite on beige wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5367

Andy Warhol, Untitled (Feet), c. 1958, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34820

William Brice, Man in a Cap, 1956, Charcoal, ink, and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33293

Saul Steinberg, Railway, 1951, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37719

Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752

Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739

Anne Ryan, Number 241, 1950, Cut-and-pasted colored paper, cloth, string, and gold foil on paper on fabric on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38002

Hedda Sterne, Monroe Wheeler, 1950, Pencil on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34430

Rodolfo Abularach, A Head for Ixtab, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37528

Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750

Andy Warhol, Unknown Female, (c. 1957), Metallic leaf and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36335

Ynez Johnston, Dark Jungle, 1950, Casein on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33098

N.G. Slater Corporation, Pinback button advocating against drugs, 1950–2000, ink on paper with metal and plastic; H x W x D: 1 3/4 × 1 1/2 × 5/16 in. (4.4 × 3.8 × 0.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748172-1

Kenzo Okada, Number 2A, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37644

Gordon Parks, The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223896

Fritz Glarner, Tondo, 1954, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38212

Cy Twombly, [Untitled], (1955), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37220

Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36721

Helen Frankenthaler, Great Meadows (recto); Untitled (Landscape) (verso), 1951, Watercolor and acrylic on paper (recto); Watercolor on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36579

Ellsworth Kelly, Brushstrokes Cut into Forty-Nine Squares and Arranged by Chance, 1951, Ink on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37184

Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508

Saul Steinberg, Cornices, 1952, Pen and black ink, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220506

Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734

Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740

Ellsworth Kelly, Study for La Combe II, 1950, Cut-and-pasted colored paper and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37208

Agnes Martin, [Untitled], 1952, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37312

Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746

Alfonso Ossorio, Impregnate, 1951, Watercolor, wax, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37212

Leonard Baskin, Flea, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36260

David Smith, Untitled 13/3/59, 1959, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36536

Richard Lippold, The Four Seasons, 1958, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38078

Saul Steinberg, Gamblers I and II, 1951, Pen and black ink, watercolor, and black and colored crayon, with scraping, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220500

Ellsworth Kelly, Awnings, Avenue Matignon, 1950, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37179

Norman Lewis, The Messenger, 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35594

Joseph Cornell, Constellation (Poem and collage for a Christmas card), 1953, Ink on cut-and-pasted papers, typewriting, and foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37056

Willem de Kooning, Untitled (Torsos), c. 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35221

Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741

Eliot Elisofon, Bent Umbrella Grass, No. 1, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33055

Jacob Lawrence, Sedation, 1950, Casein tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33186

Lyonel Feininger, Farewell to "82", 1954, Watercolor, pastel, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34826

Ellsworth Kelly, Study for Sculpture for a Large Wall, 1956, Ink on blueprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34513

Georgia O'Keeffe, Drawing X, 1959, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35902

Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749

Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751

Ellsworth Kelly, Study for White Plaque: Bridge Arch and Reflection, 1951, Cut-and-pasted colored paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37229

Yves Tanguy, [Untitled], 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34608

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223900

Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36743

Lyonel Feininger, Rain, 1952, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34813

Ellsworth Kelly, White and Black, 1952, Cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34008

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223899

Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720

Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737

John D. Graham, Sketchbook, 1955, Spiral-bound sketchbook with ballpoint pen, pencil, and colored pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38648

Joseph Cornell, Constellation (Project for a Christmas card), 1953, Gouache and cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37051

Ellsworth Kelly, Red and White, 1952, Cut-and-pasted paper and cut-and-pasted painted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37196

Anne Ryan, Number 584, 1953, Cut-and-pasted colored and printed paper and cloth on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38038

Kurt Seligmann, Exorcism, 1954, Ink, gouache, wash, and resin on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37160

Ellsworth Kelly, Study for White Sculpture, 1958, Cut-and-pasted paper and pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37233

Ellsworth Kelly, Study for Rebound, 1955, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37221

Anne Ryan, Number 413, 1951, Cut-and-pasted paper, colored paper, cloth, and foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38018

Arnold Bittleman, Collage with a Leaf, 1957, Cut-and-pasted paper, leaves, oil, and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34011

Jackson Pollock, [Untitled], 1953–54, Ink and colored ink on paper (recto); Oil and gouache on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35733

Mark Tobey, Wild Field, 1959, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37745

James Kearns, The Ring, 1956, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34718

Sam Francis, [Untitled], 1958, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33371

Robert Rauschenberg, Quiz, 1958, Transfer drawing, gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38316

Lyonel Feininger, [Untitled], 1950, Metallic paint, watercolor, pen and ink, charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34763

Tony Smith, [Untitled], 1953–55, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35357

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223898

Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745

Ellsworth Kelly, Spectrum Colors Arranged by Chance VI, 1951, Cut-and-pasted color-coated paper and pencil on four sheets of black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35484

Theodoros Stamos, Happy Birthday Helen, 1951, Gouache on composition board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36844

Tadashi Sato, Reflection No. 2, 1958, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38551

John Cage, Page 18, Solo for Piano, from Concert for Piano and Orchestra, 1958, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33472

Andy Warhol, A Is an Alphabet, 1953, Portfolio of 26 offset lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14230

Ellsworth Kelly, Spectrum Colors Arranged by Chance II, 1951, Cut-and-pasted color-coated paper and pencil on four sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37202

Philip Guston, [Untitled], 1951, Ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37156

Hedda Sterne, Drawing #2, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37686

Ben Shahn, Monroe Wheeler, 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33420

Ellsworth Kelly, Study for Sculpture for a Large Wall, 1956, Ink and pencil on blueprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34496

Jackson Pollock, [Untitled], c. 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36965

Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722

Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724

Ellsworth Kelly, Study for Meschers, 1951, Cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37215

Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510

David V. Hayes, Study for Beast, 1957, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36223

Anne Ryan, Number 526, 1953, Cut-and-pasted paper, colored paper, and cloth on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38032

Ray Johnson, Caged, 1959, Cut-and-pasted painted papers on colored board mounted on painted board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36021

Ellsworth Kelly, Study for Black Ripe, 1954, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33061

Landès Lewitin, [Untitled], c. 1955–60, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36803

Gregory Masurovsky, Drawing, 1957, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34563

Saul Steinberg, Fur Coats, 1951, Pen and brush and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220504

Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36729

Ellsworth Kelly, Automatic Drawing: Pine Branches VI, 1950, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37190

Oli Sihvonen, [Untitled], 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37658

John D. Graham, Sketchbook, 1952–53, Spiral-bound sketchbook with pencil and ballpoint pen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38645

Ben Shahn, Monroe Wheeler in Profile, 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37167

Richard Lindner, Boy, 1954, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33943

Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748

H. C. Westermann, Angry Young Machine, 1959, Pine, plywood, galvanized iron pipe and fittings, faucet handle, cast-lead soldier, aluminum alkyd enamel, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48518

Saul Steinberg, Untitled (Florida Types), 1952, Pen and black ink, with graphite, on ivory wove paper, cut-and-pasted on white paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220498

Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742

Anne Ryan, Number 518, 1953, Cut-and-pasted paper, colored paper, and cloth on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38029

Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738

Mary Petty, Mother's Day, (1951), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37838

Larry Rivers, Kenneth Koch, (1953), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37325

Louise Bourgeois, [Untitled], 1950, Gouache, pencil, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35082

Robert Rauschenberg, Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36731

Anne Ryan, Number 540, 1954, Cut-and-pasted paper, colored paper, and cloth on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38036

Saul Steinberg, Untitled (Cowboy), 1951/52, Pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220496

Lyonel Feininger, [Untitled], 1954, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34862

James Lee Byars, Painting, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38115

Jackson Pollock, [Untitled], (c. 1952), Ink and gouache on Howell paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37766

Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36718

Ben Shahn, Dr. J. Robert Oppenheimer, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33410

Anne Ryan, Number 283, c. 1952, Cut-and-pasted colored and painted paper and cloth on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34886

Gordon Parks, Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184381

H. C. Westermann, Uncommitted Little Chicago Child, 1957, Oak, maple, metal clock face, and paper découpage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270966

Jackson Pollock, [Untitled], c. 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37760

Carmen L. Cicero, Abstraction, Untitled, 1955, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35722

Anne Ryan, Number 628, c. 1952, Cut-and-pasted colored and painted paper and cloth on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38043

Lyonel Feininger, Hot Weather!, 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34853

Alfonso Ossorio, Animulae, 1950, Watercolor and wax on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38413

Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36730

Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725

Lyonel Feininger, a. Untitled b. Untitled, 1952, a. Watercolor, charcoal, and pen and ink on paper b. charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34790

Dorothy Dehner, From Japan, 1951, Watercolor, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33099

Ellsworth Kelly, Study for Sculpture for a Large Wall, 1956, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34478

Claes Oldenburg, Self Portrait, 1958, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35800

Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723

Anne Ryan, Number 141, 1951, Cut-and-pasted colored and printed paper and cloth on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37975

Herbert Ferber, Study for The Bow, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38456

Franz Kline, Painting, 1952, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/102581

Saul Steinberg, Downtown Building, 1952, Collage of cut-and-pasted commercially printed papers, and pen and black ink, over graphite with erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220505

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223897

Jack Youngerman, [Untitled], 1953, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34453