Francis Bacon, Figure in Grey Interior, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07366

Jacob Lawrence, Street Shadows, 1959, Egg tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38728

Joseph Beuys, Probe in the bloodstream of the oak, 1958, Envelope, tempera, graphite and pin on paper, Tate, London. https://dartabase.art/cite/tate/AR00634

Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36732

David Smith, Untitled 10/14/52, 1952, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37097

David Smith, Untitled (Tank Totems), 1953, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35642

Francis Bacon, Turning Figure, c.1959–62, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07352

Lyonel Feininger, [Untitled], 1952, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34802

Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146

Francis Bacon, Bending Figure, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07371

Lyonel Feininger, Church on the Cliff I (Kirche auf der Klippe I), 1953, Pen and ink, watercolor, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36699

Saul Steinberg, Beverly Hills, 1950, Pen and black ink, over graphite and erasing, with watercolor, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220499

Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040

Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047

Brion Gysin, A Trip from Here to There, 1958, Ink and gouache on forty-eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35418

Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36733

Joseph Beuys, [Untitled], 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame, Tate, London. https://dartabase.art/cite/tate/AR00646

Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779

Mary Petty, Summer, (1959), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37843

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062

Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747

Francis Bacon, Figure with Left Arm Raised, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07362

Joseph Beuys, Battery, 1959, Graphite on board on oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00110

Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726

Jacob Landau, Cinna the Poet, 1959, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34906

Franz Kline, Untitled II, c. 1952, Ink and oil on cut-and-pasted printed paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36189

Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744

Joseph Beuys, Bathroom of Circe, 1954–8, Watercolour and gold paint on paper and board, Tate, London. https://dartabase.art/cite/tate/AR00636

Francis Bacon, Head, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07373

Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816

Lyonel Feininger, [Untitled], (1950), Watercolor, metallic paint, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34777

Saul Steinberg, Parade, 1951, Pen and black ink and rubber stamps in various colors, with watercolor and colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220501

Lyonel Feininger, [Untitled], 1954, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34878

Joseph Beuys, Two Red Fish, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00633

Francis Bacon, Fallen Figure, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07369

Willem de Kooning, Seated Woman, 1952, Pencil, pastel, and oil on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33413

Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065

Joseph Beuys, Geysir, 1953, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00631

Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509

Spencer Nichols, One of the Wyves of Wyngyne, 1950s, oil on canvas, Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381052273-0

John D. Graham, Horse, c. 1953, Ink, ballpoint pen, pencil, gouache, and colored pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33944

Max Beckmann, Hinter der Bühne (Backstage), 1950, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4128

Joseph Beuys, Girl in Conversation with a Seal (Mädchen mit Seehund im Gespräch), 1955, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36257

Henri Matisse, Cover design for exhibition catalogue Henri Matisse, 1951, Gouache on paper, cut-and-pasted, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36808

Francis Bacon, Figure Lying, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07374

Joseph Beuys, Hearts of the Revolutionaries: Passage of the Planets of the Future, 1955, Watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00103

Lyonel Feininger, [Untitled], 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34870

Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36727

Lyonel Feininger, Rain (recto); Walking Figures (verso), 1952, Watercolor, charcoal, and pen and ink (recto); charcoal (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34814

Milton Avery, Dune and Bushes, 1958, Watercolor and gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35088

Joseph Beuys, Langhaus (Vitrine), 1953–62, Wood, glass, felt, oil paint and paper, Tate, London. https://dartabase.art/cite/tate/AR00087

Chryssa, Drawing for Stock Page, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37072

David Smith, Untitled 5/28/55, 1955, Oil crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36448

Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33761

Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736

Francis Bacon, Study of a Dog, 1952, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/N06131

Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36728

André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551

Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153

Joseph Beuys, Brightly-Lit Stag Chair, 1957–71, 2 works on paper, oil paint, graphite and masking tape, Tate, London. https://dartabase.art/cite/tate/AR00697

Joseph Beuys, [Untitled], 1959, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00644

Fernand Léger, The Constructors, 1951, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38258

John D. Graham, Leda #1, 1954, Oil, pencil, colored pencil, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36530

Francis Bacon, Figure Bending Forwards, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07358

Lyonel Feininger, Figures, 1950, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34731

Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735

Francis Bacon, Pink Crawling Figure, c.1957–61, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/T07378

Joong Seop Lee, People Reading the Newspaper (Number 84), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33369

Francis Bacon, Two Owls, No. 1, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07355

Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752

Joseph Beuys, [Untitled], 1958, Oil and collage on paper, Tate, London. https://dartabase.art/cite/tate/AR00642

Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739

Anne Ryan, Number 241, 1950, Cut-and-pasted colored paper, cloth, string, and gold foil on paper on fabric on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38002

Otto Nebel, Told to Autumn, III, 1951, Ink and watercolor on colored paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38290

Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750

Francis Bacon, Figure with Left Arm Raised, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07361

Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910

Auguste Herbin, Jour (Day), 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38226

Francis Bacon, Figure in a Landscape, c.1952, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07351

Francis Bacon, Blue Crawling Figure, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07377

Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806

Jean Dubuffet, Baptism of Fire (Baptême du feu), 1959, Pasted leaves with oil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37485

Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858

Fausto Pirandello, Women's Quarters (Gineceo), 1950, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36231

Joseph Beuys, Ice Age, 1951, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00096

Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36721

Helen Frankenthaler, Great Meadows (recto); Untitled (Landscape) (verso), 1951, Watercolor and acrylic on paper (recto); Watercolor on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36579

Gerhard Altenbourg, Garden Behind the Spinnbahn, End of February (Gartenkolonie hinter der Spinnbahn, Ende Februar), 1956, Ink, lithographic crayon, and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33952

Joseph Beuys, Crystal Measurement, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00632

Francis Bacon, Figure Lying Flat, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07365

Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508

Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734

Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740

Agnes Martin, [Untitled], 1952, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37312

Jannis Kounellis, Untitled (7 x 33), 1959, Tempera and glue on graph paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34584

Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746

Alfonso Ossorio, Impregnate, 1951, Watercolor, wax, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37212

Joseph Beuys, Actress, 1956, Crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00637

Leonard Baskin, Flea, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36260

Lucian Freud, Francis Bacon, 1952, Oil paint on metal, Tate, London. https://dartabase.art/cite/tate/N06040

David Smith, Untitled 13/3/59, 1959, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36536

Saul Steinberg, Gamblers I and II, 1951, Pen and black ink, watercolor, and black and colored crayon, with scraping, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220500

Spencer Nichols, Their Manner of Praying with Their Rattles about the Fire, 1950s, oil on canvas, Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381052274-0

Joseph Beuys, Electricity, 1959, 3 works on paper, oil paint and watercolour, Tate, London. https://dartabase.art/cite/tate/AR00112

Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127

Francis Bacon, Composition, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07380

Ellsworth Kelly, Awnings, Avenue Matignon, 1950, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37179

Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770

Joseph Cornell, Constellation (Poem and collage for a Christmas card), 1953, Ink on cut-and-pasted papers, typewriting, and foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37056

Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741

Jean Dubuffet, Facade, 1951, Watercolor on gesso on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38742

Joong Seop Lee, Fairyland (Number 57), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33357

Joseph Beuys, Clan, 1958, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00107

Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765

Eliot Elisofon, Bent Umbrella Grass, No. 1, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33055

Jacob Lawrence, Sedation, 1950, Casein tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33186

Joseph Beuys, From the Life of the Bees, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00635

Joseph Beuys, Sculptures, 1954, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00102

Lyonel Feininger, Farewell to "82", 1954, Watercolor, pastel, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34826

Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749

Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751

Joseph Beuys, The Table, 1952, Graphite, watercolour and stamp on paper, Tate, London. https://dartabase.art/cite/tate/AR00098

Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108

Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36743

Lyonel Feininger, Rain, 1952, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34813

Francis Bacon, Falling Figure, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07360

Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33775

Joseph Beuys, White Woman in the Grass (Fairy), 1954, Graphite and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00101

Joseph Beuys, Roses, 1952, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00097

Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720

Francis Bacon, Bending Figure, No. 2, c.1957–61, Ink and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07379

Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737

Joseph Cornell, Constellation (Project for a Christmas card), 1953, Gouache and cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37051

Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381

Joseph Beuys, Weird Sister, 1953–62, Graphite and oil paint on acetate, Tate, London. https://dartabase.art/cite/tate/AR00100

Kurt Seligmann, Exorcism, 1954, Ink, gouache, wash, and resin on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37160

Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107

Francis Bacon, Figure with Foot in Hand, c.1957–61, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/T07368

Aleksander Kobzdej, Conflict, 1959, Casein and oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33730

Francis Bacon, Man on a Sofa, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07382

Anne Ryan, Number 413, 1951, Cut-and-pasted paper, colored paper, cloth, and foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38018

Arnold Bittleman, Collage with a Leaf, 1957, Cut-and-pasted paper, leaves, oil, and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34011

Jackson Pollock, [Untitled], 1953–54, Ink and colored ink on paper (recto); Oil and gouache on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35733

Mark Tobey, Wild Field, 1959, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37745

Sam Francis, [Untitled], 1958, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33371

Robert Rauschenberg, Quiz, 1958, Transfer drawing, gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38316

Lyonel Feininger, [Untitled], 1950, Metallic paint, watercolor, pen and ink, charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34763

Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745

Theodoros Stamos, Happy Birthday Helen, 1951, Gouache on composition board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36844

Tadashi Sato, Reflection No. 2, 1958, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38551

Francis Bacon, Figure in a Framework, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07356

Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270

Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846

Paul-Émile Borduas, La Guignolée, 1954, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32988

Lucian Freud, Boy Smoking, 1950–1, Oil paint on copper, Tate, London. https://dartabase.art/cite/tate/T12618

Fernand Léger, La partie de campagne, 1950, Gouache und Feder (?) in Schwarz, etwas Bleistift, über Quadrierung mit Bleistift, auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128569

Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722

Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724

Francis Bacon, Cross-legged Figure with Arms Raised, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07385

Francis Bacon, Figure with Arms Swung Out, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07363

Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510

David V. Hayes, Study for Beast, 1957, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36223

Francis Bacon, Fallen Figure with Arms Up, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07370

Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36729

Jean Dubuffet, Eater (Mangeur), 1954, Oil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37907

Joong Seop Lee, Family in Paradise (Number 50), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33348

Joseph Beuys, [Untitled], 1958, Watercolour and tempera on paper, Tate, London. https://dartabase.art/cite/tate/AR00641

Richard Lindner, Boy, 1954, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33943

Hannah Höch, With Seaweed, 1950, Cut-and-pasted papers, torn papers, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33026

Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952

Henri Matisse, Maquette for Nuit de Noël, 1952, Gouache on paper, cut-and-pasted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36817

Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748

Sonia Delaunay, Colored Rhythm, 1953, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38196

Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742

Wifredo Arcay, [Untitled], 1953, Opaque watercolor, over traces of blue crayon, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237883

Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738

Francis Bacon, Figure Crawling, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07372

Mary Petty, Mother's Day, (1951), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37838

Louise Bourgeois, [Untitled], 1950, Gouache, pencil, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35082

Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162

Lyonel Feininger, [Untitled], 1954, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34862

Francis Bacon, Two Owls, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07359

Rufino Tamayo, El hombre que rie (The Man Who Laughs), 1953, Oil on sand-textured Masonite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/283823

Francis Bacon, Study for Portrait II (after the Life Mask of William Blake), 1955, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T02414

Jackson Pollock, [Untitled], (c. 1952), Ink and gouache on Howell paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37766

Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36718

Francis Bacon, Figure Lying, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07375

Joseph Beuys, Wooden Virgin, 1958, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00639

Joseph Beuys, Untitled (Frauendarstellung), 1958, Oil paint and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00106

Joseph Beuys, Pregnant Woman with Swan, 1959, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00114

Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066

Joseph Beuys, [Untitled], 1959, Graphite, oil paint and typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00643

Lucian Freud, Girl with a White Dog, 1950–1, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/N06039

Joseph Beuys, Untitled (Skull on Ur-Sled), 1957, Watercolor, dirt, and metallic paint on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33466

Francis Bacon, Study for a Portrait of Van Gogh IV, 1957, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00226

Eduardo Ramírez Villamizar, Black and White, 1956, Gouache and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37408

Tancredi (Tancredi Parmeggiani), Springtime (Primavera), 1952, Gouache and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35181

Lyonel Feininger, Hot Weather!, 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34853

Alfonso Ossorio, Animulae, 1950, Watercolor and wax on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38413

Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36730

Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725

Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628

Francis Bacon, Blue Crawling Figure, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07376

Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653

Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054

Lyonel Feininger, a. Untitled b. Untitled, 1952, a. Watercolor, charcoal, and pen and ink on paper b. charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34790

Dorothy Dehner, From Japan, 1951, Watercolor, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33099

Joseph Beuys, Actresses, 1958, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00105

Francis Bacon, Nude Reading, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07383

Francis Bacon, Study for a Portrait, 1952, Oil paint and sand on canvas, Tate, London. https://dartabase.art/cite/tate/T12616

Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723

Joseph Beuys, Witches Spitting Fire, 1959, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00109

Francis Bacon, Collapsed Figure, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07357

José Ygnacio Bermúdez, Microflora, 1956, Collage of paper with charcoal, pencil, tempera, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37329

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061

Franz Kline, Painting, 1952, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/102581

Giuseppe Capogrossi, Composition, 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33066

Jack Youngerman, [Untitled], 1953, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34453