Milton Avery, Anemones, 1958, Oil on canvas board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/77.1.1 Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Piero Dorazio, [Untitled], 1959, Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33068 Jon Molvig, Maryke reclining no. 2, 1957, Charcoal on paper on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6300 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Colin Mccahon, Puketutu, Manukau (set), 1957, Offset lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4130 Francis Bacon, Figure in Grey Interior, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07366 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Carl Mcconnell, Vase, 1957, Stoneware, thrown with band at the shoulder incised with slash marks and "horse- eyes" and stained iron. Ruli blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2917 Jacob Lawrence, Street Shadows, 1959, Egg tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38728 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 Joseph Beuys, Probe in the bloodstream of the oak, 1958, Envelope, tempera, graphite and pin on paper, Tate, London. https://dartabase.art/cite/tate/AR00634 Donald Friend, Adam and Eve, c.1957–61, Oil and gold leaf on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10938 Francis Bacon, Seated Woman, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07386 Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36732 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 June Wayne, Breake of day (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4065 Lloyd Rees, City skyline, Sydney, 1959, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7073 Mark Strizic, View of my opposite neighbours in Francis Street, Richmond, 1959 (from 'Views from my windows' series), 1959, printed 1972, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14891 Saul Steinberg, Aspera, 1959, Pen and black ink with traces of graphite on cream paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220512 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Francis Bacon, Turning Figure, c.1959–62, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07352 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Andy Warhol, Christmas Sewing Theme, 1957, Ink and dye on paper, Tate, London. https://dartabase.art/cite/tate/AR00267 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Francis Bacon, Bending Figure, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07371 Allan Anderson, Uskudar, 1959, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/59.4 Andy Warhol, Six Handbags, 1958, Ink and tempera on paper, Tate, London. https://dartabase.art/cite/tate/AR00270 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01037 Richard Anuszkiewicz, Concentric II, 1958–1997, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.32.2 Thomas Yerxa, Deserted Warehouse, 1958, Oil and ink on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/58.42 H. C. Westermann, The Mysteriously Abandoned New Home, 1958, Pine, birch, vermillion, redwood, glass, paint, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/15566 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 June Wayne, Twicknam Garden (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5888 June Wayne, The sunne rising (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/488 YIRRWALA, Two crocodiles, 1958, Natural pigments on bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8510 Brion Gysin, A Trip from Here to There, 1958, Ink and gouache on forty-eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35418 Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36733 Joseph Beuys, [Untitled], 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame, Tate, London. https://dartabase.art/cite/tate/AR00646 John Rigby, Queen Street [Brisbane (from George Street, looking north)], 1959, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1927 Josef Albers, Pair D, 1958, Pen and ink on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/77.3 Kenneth Macqueen, Wheat motive, c.1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/30541 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 George Lawrence, Lane Cove River, 1959, Oil on paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6344 Andy Warhol, Foot with Flowers, 1958, Ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00258 Mary Petty, Summer, (1959), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37843 Joe Rootsey, (Four landscape sketches), 1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14502 UNKNOWN, M.B.E. (Member of the Order of the British Empire) presented to Daphne Mayo, 1959, Metal alloy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38535 Minor White, Broken Paint Figure, August 1959, printed 1959/60, Gelatin silver print, from the portfolio "Sequence 15" (1959), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121750 Emilio Greco, [title not known], 1959, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A01081 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11849 Carl Andre, Quincy Slot Work, 1959, Wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2008.261 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747 Andy Warhol, Fashion Accessories, 1959, Ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00278 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Francis Bacon, Figure with Left Arm Raised, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07362 Nym Bandak, Ngakumarl painting (Murrinhpatha totemic landscape), c.1959–60, Natural pigments on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/430 Joe Rootsey, (Looking over Cooktown), c.1958, Watercolour and gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/37288 Rubery Bennett, Cloud march, c.1957, Oil on canvas laid down on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14591 Joseph Beuys, Battery, 1959, Graphite on board on oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00110 Robert Dickerson, Working in the fields, 1959, Enamel on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2 Arthur Evan Read, Fair haired girl, c.1957, Pen and brush, brown-black ink and wash over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9947 Francis Bacon, Standing Figure, c.1957–61, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T07367 Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726 Ralph Balson, Painting, 1957, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8593 Noel Counihan, An old man (from 'Linocuts Counihan '59' portfolio), 1959, Linocut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5890 Jacob Landau, Cinna the Poet, 1959, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34906 Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Joe Rootsey, (Road from Cooktown to Lakeland), 1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14519 Francis Bacon, Head, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07373 Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816 Deaf Tommy Mungatopi, All-bin-mix-up, c.1957, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35249 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Jacob Epstein, Kitty, 1957, Bronze, marble pedestal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14603 Joseph Beuys, Woman with falling stone, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00645 Eric Smith, Study for 'Drift tide', 1959, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1681 Jon Molvig, Sketch for Madam Y, 1957, Oil on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10404 Kimber Smith, [Untitled], 1959, Dry pigment and aqueous medium on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36837 June Wayne, The good-morrow (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5794 Tekauvai Teariki Monga, Etu popongi - Morning star, 1958, Tivaevae, Taorei style quilt: commercial cotton cloth and thread in patchwork technique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13341 Carl Mcconnell, Teapot with tenmoku glaze, c.1958–60, Stoneware, wheelthrown with wire-cut sides and tenmoku glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17923 Ian Fairweather, Café tables, 1957, Gouache and watercolour on cardboard adhered to composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9303 Penny Sharpe, (Boats on the Brisbane River), 1959, Watercolour and Indian ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8833 John Perceval, Sculpture: The Herald Angel, 1958, Stoneware, bust of an angel playing a lute with green and red reduced copper glazes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1826 Donald Friend, Pastorale, c.1957–61, Watercolour, gouache, gold leaf on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12164 Joe Rootsey, (Kalpower), c.1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14524 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume I, 1957–61, published 1961, Portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12667 Richard Werner, Surfers Paradise (suntan oil man), c.1957, Pencil on cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1996 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Carl Fredrik Reuterswärd, Bam Bam, 1958, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37755 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 Francis Bacon, Fallen Figure, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07369 Mark Strizic, A view through my window (from 'Views from my windows' series), 1959, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14897 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Reg Butler, Head and Shoulders, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34026 Jean Dubuffet, Le Vin de barbe, 1959, Torn-and-pasted paper with ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35145 Joe Rootsey, (At Wakooka, Barrow Point in the background), 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9447 June Wayne, The relique (from 'John Donne: Songs and sonets' book), 1958, Colour lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3804 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Judy Cassab, Portrait of Treania Smith, 1957, Oil on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2335 Fred Williams, The St George River, Lorne, 1959–60, 1966, Etching, aquatint, engraving, drypoint on grey Ingres paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6250 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 William Dargie, Study for portrait of Albert Namatjira, c.1957–59, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35170 Saul Steinberg, Motels and Highway, 1959, Pen and black inks, with black crayon, on ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220511 Jon Molvig, A ballade of native stockmen no. 2, 1959, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6504 MESZAROS, Andor Pinches - Medallist, Medallion: Christus convenit matrem, 1957, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7291 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Joseph Beuys, [Untitled], 1957, Stone dust and clay on paper, Tate, London. https://dartabase.art/cite/tate/AR00638 Saul Leiter, Phone call, 1957, printed later, Chromogenic print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20883 Inagaki Tomoo, Cat Making Up, 1962, Ink and pencil on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84181 Noel Counihan, Peace means life (from 'Linocuts Counihan '59' portfolio), 1959, Linocut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3121 Eugene Von Bruenchenhein, Untitled (Blue, Fireworks) #786, 1959, Oil and enamel on Masonite, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/23319 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Mario Giacomelli, Scanno, 1957–59, printed 1985, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10433 Yvonne Audette, Allegro serata, 1957, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6710 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Joe Rootsey, McLean Bridge on the way to Mt Tamborine, c.1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11699 Francis Bacon, Figure Lying, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07374 Mary Webb, La vague, 1958, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18440 Mary Darling, Lampbase, 1959, Hand-built white earthenware baluster shape with trumpet flower handles and spreading foot. Decorated around foot and neck with a continuous leaf pattern and on body with a stylised leaf and flower motif in two shades of blue. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7555 Thea Proctor, Still life and interior, 1959, Watercolour and gouache over pencil on smooth wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4157 Horace Brodzky, Conversation, 1958, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8013 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36727 Milton Avery, Dune and Bushes, 1958, Watercolor and gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35088 Chryssa, Drawing for Stock Page, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37072 Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33761 Karel Appel, [Untitled], 1959, Crayon on paper (recto); pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37614 Andy Warhol, Hot Air Balloon, 1958, Ink and dye on paper, Tate, London. https://dartabase.art/cite/tate/AR00254 Andy Warhol, Untitled (Unknown Male), (c. 1957), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34808 Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736 Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36728 Ian Fairweather, Gethsemane, 1958, Gouache on cardboard on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18491 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 C.G. Gibbs, Brisbane outskirts, 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11700 David - Potter, BOYD, Hermia Boyd, Candelabrum, c.1957–58, Earthenware, wheelthrown and hand built with manganese glaze in three sections, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12304 Joe Rootsey, (Barney's Lake, east of Kalpower), 1958, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10244 Ian Fairweather, War and peace, 1959, Synthetic polymer paint and gouache on cardboard on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8552 Joe Rootsey, (Cherbourg mission building), 1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14563 Joseph Beuys, Brightly-Lit Stag Chair, 1957–71, 2 works on paper, oil paint, graphite and masking tape, Tate, London. https://dartabase.art/cite/tate/AR00697 Joseph Beuys, [Untitled], 1959, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00644 Otto Piene, Untitled (Smoke Drawing) (Ohne Titel [Rauchzeichnung]), 1959, Soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33265 Joseph Beuys, [Untitled], 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36098 Francis Bacon, Figure Bending Forwards, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07358 Andy Warhol, Woman with Hat, 1957, Gold leaf and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00281 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Georges Mathieu, [Untitled], 1958, Colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37575 Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735 Francis Bacon, Pink Crawling Figure, c.1957–61, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/T07378 George Lockwood, Trial proof for plate from HOMAGE TO ODILON REDON, 1959, Wood engraving, printed in color, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/21390 Kenneth Jack, Deserted farmhouse, Flinders, Victoria, 1959, Pen, brush and ink watercolour on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11551 Ansel Adams, Aspens, Northern New Mexico, 1958, Gelatin silver print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/P.2014.45 Lee Lozano, No title, c. 1962, Crayon and graphite on beige wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5367 Noel Counihan, Albert Namatjira (from 'Linocuts Counihan '59' portfolio), 1959, Linocut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8982 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Jean-Michel Atlan, Realm (Royaume), 1957, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33712 Andy Warhol, Untitled (Feet), c. 1958, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34820 Jack Wherra, (Hunting scene), c.1957, Carved boab nut, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7504 Victor Vasarely, [Untitled], c.1958, Colour linocut on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6336 Henri Bastin, West of Bourke, c.1958, Gouache and watercolour on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4985 Francis Bacon, Two Owls, No. 1, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07355 June Wayne, A valediction: Of weeping (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3007 Vilma Vrbová-Kotrbová, Eva with a drawing, 1957, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7847 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Gerhard Rühm, Nachmittags (Of an afternoon), 1957, published later, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5685 June Wayne, The funerall (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1702 Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752 Joseph Beuys, [Untitled], 1958, Oil and collage on paper, Tate, London. https://dartabase.art/cite/tate/AR00642 Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739 Joe Rootsey, (Landscape with road and fence), c.1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9883 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01034 Diane Arbus, 42nd Street Movie Theatre Audience, N.Y.C. 1958, 1958, printed after 1971, Photograph, gelatine silver print on paper, Tate, London. https://dartabase.art/cite/tate/AR00518 Rodolfo Abularach, A Head for Ixtab, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37528 Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750 Andy Warhol, Unknown Female, (c. 1957), Metallic leaf and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36335 Francis Bacon, Figure with Left Arm Raised, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07361 Inagaki Tomoo, Cat Making Up, 1962, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16227 Fred Williams, Gum tree, 1958, Aquatint, engraving, rough biting and drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5465 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 William Dobell, Portrait of Sir Leon Trout, 1959, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13531 Inge King, Sculptural form, 1958, Cast aluminium on wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22136 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Imogen Cunningham, Unmade bed, 1957, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6574 Francis Bacon, Blue Crawling Figure, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07377 Jon Molvig, Madam Z, c.1958–60, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33575 Richard Artschwager, [Untitled], c. 1958, Watercolor and pastel on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.8 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Kenzo Okada, Number 2A, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37644 Fred Williams, Gum tree, 1958, Aquatint, engraving, rough biting and drypoint on green handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1251 Nasreen Mohamedi, [Untitled], c.1958, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9430 Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806 Jon Molvig, Blue nude, c.1959, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7000 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Jean Dubuffet, Baptism of Fire (Baptême du feu), 1959, Pasted leaves with oil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37485 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Joseph Beuys, Blacksmith II, 1958, Graphite on card, Tate, London. https://dartabase.art/cite/tate/AR00108 Jean Birchley, Pierced dish, 1958, Earthenware, hand-built buff clay elaborately pierced with formalised leaf motifs with white glaze and platinum lustre, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2519 June Wayne, The apparition (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5655 Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36721 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Pamela Macfarlane, Puppeteer, 1958, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/32232 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Richard Moketarinja, Valley through Red Rock Gorge, c.1959, Watercolour over pencil on smooth cream wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5599 Jack Youngerman, Coenties Slip, 1959, Oil on linen, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.94 Jon Molvig, Maryke reclining no. 1, 1957, Charcoal on paper on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10886 NAJOMBOLMI (Charlie Barramundi Naiyombolmi), Untitled (six mimihs copulating), c.1958, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35263 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Charles Bush, Moss and rocks, Tamborine (Q), 1958, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6433 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Hartmut Friedrich, Remains of a Meal of Carp, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33085 Lloyd Rees, Calabria, 1959, Carbon pencil and watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12886 Ethel Walker, Flowerpiece, 1957, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8486 Jon Molvig, Figures, 1958, Chalk and gouache on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12195 Francis Bacon, Figure Lying Flat, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07365 Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734 Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740 Francis Bacon, Seated Figure, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07364 Andy Warhol, Baboon, 1957, Ink, gold leaf, graphite and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00252 Jean Dubuffet, Stone Transcription (Transcription aux pierres), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33611 David Aronson, The Judges, 1959, Graphite and brown wash on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/60.39a-b Andy Warhol, Head with Flowers, 1958, Ink and dye on paper, Tate, London. https://dartabase.art/cite/tate/AR00274 Fred Williams, Gum tree, 1958, Aquatint, engraving, rough biting and drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4390 Wolfgang Sievers, Sulphuric acid plant - E.Z. Industries, Risdon, Hobart, 1959, printed 1994, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4847 Harold Altman, Market, Mother and Child, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32989 Jannis Kounellis, Untitled (7 x 33), 1959, Tempera and glue on graph paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34584 Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Leonard Baskin, Flea, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36260 Arthur Boyd, Sleeping bride, 1957–58, Oil and tempera on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24551 Emilio Greco, [title not known], 1959, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A01080 John Rigby, Bell tower, Positano, 1957, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6180 Joe Rootsey, On the way to Samford, Qld, 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14494 Noel Counihan, Hunger (from 'Linocuts Counihan '59' portfolio), 1959, Linocut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11552 Francis Bacon, Cross-legged Figure with Arms Raised, No. 1, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07384 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Joseph Beuys, [Untitled], 1958, Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36265 David Smith, Untitled 13/3/59, 1959, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36536 Russell Drysdale, North Australian landscape, 1959, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3547 Richard Lippold, The Four Seasons, 1958, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38078 Joe Rootsey, (Eastward from Bathurst Head), 1958, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1263 Joe Rootsey, (Road from Laura towards Lakeland), 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14467 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 June Wayne, A valediction: Forbidding mourning (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/967 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11862 Joseph Beuys, Electricity, 1959, 3 works on paper, oil paint and watercolour, Tate, London. https://dartabase.art/cite/tate/AR00112 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Francis Bacon, Composition, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07380 Minor White, Patched Window, from the portfolio "Sequence 15" (1959), August 1959, printed 1959/60, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11974 Ludwig Hirschfeld-Mack, Trees, 1959, Pencil and ink over monotype on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5736 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 June Wayne, Hexastichon Bibliopolae (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2934 Josef Albers, Homage to the Square: "Gained", 1959, Oil on composition board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/79.36 Andy Warhol, Boy with Stars and Stripes, 1959, Ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00277 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741 Joseph Beuys, Clan, 1958, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00107 Noel Counihan, A memory of Italy (from 'Linocuts Counihan '59' portfolio), 1959, Linocut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3723 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Eliot Elisofon, Bent Umbrella Grass, No. 1, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33055 Aubrey Williams, Festival, 1959, Gouache and watercolour on brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5350 Edward Ardizzone, The boat for Greenwich, 1958, Watercolour, pen and ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5221 Joseph Beuys, Table with Accumulator, 1958–85, Wood, accumulator, clay and wire, Tate, London. https://dartabase.art/cite/tate/AR00603 Jon Molvig, Still life with plants, c.1959, Oil on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12063 Joe Rootsey, (Tree and fence on the way to Samford), c.1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14460 Georgia O'Keeffe, Drawing X, 1959, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35902 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963 Larrtjanga Ganambarr, Balirlira and the Macassans, c.1958, Natural pigments on bark (Eucalyptus tetrodonta), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14631 Earle Backen, Composition, 1959, Etching, aquatint, open bite on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8402 Andy Warhol, Instruments with Hands, 1957, Ink and dye on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00612 Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749 Edward Ardizzone, Boredom, 1959, Watercolour, pen and ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3916 Jon Molvig, Charles Blackman, 1957, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7721 Josef Albers, Intaglio Duo 2, 1958, Embossing, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.206 Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751 Richard Werner, El Morocco, 1957, Ink on cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6614 Andy Warhol, Abstract Stencilled Images, 1958, Sprayed paint and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00273 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Harold Altman, Waiting, 1959, Etching and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2004.699 Grace Cossington Smith, Interior, 1958, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12127 Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671 June Wayne, Song (from 'John Donne: Songs and sonets' book), 1958, Colour lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5795 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36743 Andy Warhol, Here Lies the Heart, 1957, Ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00264 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Francis Bacon, Falling Figure, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07360 Jack Wherra, (Pastoral scene), c.1957, Carved boab nut, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3693 Ruth Asawa, Untitled (PT.106, Plane Tree #12), 1959, Brush and ink on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2016.5 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Robert Emerson Curtis, Mount Isa Mines, North Queensland, 1957, Charcoal on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1331 Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33775 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Joseph Beuys, Monument to the Stag, 1958–85, Wood, iron and copper, Tate, London. https://dartabase.art/cite/tate/AR00602 June Wayne, The baite (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3862 Kathleen Mcarthur, Emilies (Emilia Sonchifolio), 1958, Watercolour and indian ink over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/221 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 YIRRWALA, Echidna, 1959, Natural pigments on bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9975 Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720 Francis Bacon, Bending Figure, No. 2, c.1957–61, Ink and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07379 Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01035 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Joe Rootsey, (Cape Melville lava rocks), 1958, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10200 Joseph Beuys, Monument to the Stag, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00111 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Charles Blackman, Untitled (head with plant II), 1958, Synthetic polymer paint on light brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7603 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Jon Molvig, Portrait of Russell Cuppaidge, 1959, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13493 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Gerhard Rühm, Low floating, 1957, published later, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10214 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Harold Altman, Study, 1959, Pen and ink on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/60.53 Joe Rootsey, (The Pinnacles at Wakooka), c.1958, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14554 Richard Werner, Sabrina's bodyguard, c.1958, Pencil on cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5027 Max Dupain, Children with cane train, Herbert River, Queensland, c.1958, printed 1987, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/999 Ludwig Hirschfeld-Mack, Two faces, 1957, Wax crayons and wash on thick paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/444 Ellsworth Kelly, Study for White Sculpture, 1958, Cut-and-pasted paper and pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37233 Joe Rootsey, (Yellow rocks in foreground), 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9877 MESZAROS, Andor Pinches - Medallist, Medallion: Christus prima cadit, 1959, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/749 Derek Ellis, St. Mary's, Kangaroo Point, 1959, Oil on paper on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6345 Jon Molvig, The cattle grid, 1958, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5474 Francis Bacon, Figure with Foot in Hand, c.1957–61, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/T07368 Joe Rootsey, (Bottom lake at Kalpower), 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9672 Aleksander Kobzdej, Conflict, 1959, Casein and oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33730 Ludwig Hirschfeld-Mack, Restless morning, 1959, Synthetic polymer paint and poster paint on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3920 Joe Rootsey, (Landscape), c.1958, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14485 Vida Lahey, Blue-eyed daisies, 1959, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3986 Ludwig Hirschfeld-Mack, Abstract, 1958, Watercolour, pencil and ink over monotype on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12773 Francis Bacon, Man on a Sofa, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07382 Axel Poignant, Funeral, Santa Stefano Di Camastra, 1958, printed 1981, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12439 Arnold Bittleman, Collage with a Leaf, 1957, Cut-and-pasted paper, leaves, oil, and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34011 Gego (Gertrud Goldschmidt), Starting from a Square (Partiendo de un cuadrado), 1958, Iron and enamel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224866 Peter Rushforth, Vase, c.1957–58, Stoneware, thrown with a grey celadon glaze, fired to 1260 degrees Celsius in a wood fired kiln, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11910 César (César Baldaccini), [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36136 Mark Tobey, Wild Field, 1959, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37745 Sam Francis, [Untitled], 1958, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33371 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Robert Rauschenberg, Quiz, 1958, Transfer drawing, gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38316 Murray Griffin, The burning mountain, c.1958–66, Colour linocut on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14207 Jean Lurçat, [Untitled], 1959, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1092 Max Dupain, Burning cane, Burdekin District, Queensland, c.1958, printed 1987, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11344 Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745 Fred Williams, Lizard, 1958, Aquatint and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2491 Tadashi Sato, Reflection No. 2, 1958, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38551 Fred Williams, Rocks and bush, Mittagong, 1958, Flat biting, aquatint, engraving and drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4389 John Cage, Page 18, Solo for Piano, from Concert for Piano and Orchestra, 1958, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33472 Horst Ademeit, [Untitled], March 27, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216893 Francis Bacon, Figure in a Framework, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07356 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Jon Molvig, Standing nude, 1958, Brush and oil wash on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12194 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Andy Warhol, Ice Cream Dessert, 1959, Ink and dye on paper, Tate, London. https://dartabase.art/cite/tate/AR00255 Joe Rootsey, (Ghost gum), c.1958, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14546 Ian Fairweather, Pumicestone Passage, 1957, Gouache on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6674 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Elvin B. Harvey, Large crucifix, 1958, Body carved in beech, cross and stand in silky oak, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15674 June Wayne, The extasie (from 'John Donne: Songs and sonets' book), 1958, Colour lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1300 Carl Plate, Abstract study, 1959, Gouache on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10712 Lotte Lehmann, From the balcony, Vulpera, Switzerland, 1957, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4950 Betty Churcher, Dr J.V. Duhig, 1959, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5623 Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722 Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724 Ian Fairweather, Kite flying, 1958, Synthetic polymer paint and gouache on cardboard laid down on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8574 Thea Proctor, Nude reclining, 1959, Watercolour and gouache on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14206 Francis Bacon, Cross-legged Figure with Arms Raised, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07385 Francis Bacon, Figure with Arms Swung Out, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07363 Clifton Pugh, Fighting cocks, 1957, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7281 Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510 David V. Hayes, Study for Beast, 1957, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36223 Ray Johnson, Caged, 1959, Cut-and-pasted painted papers on colored board mounted on painted board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36021 Charles Blackman, Untitled (head with plant I), 1958, Ink on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7602 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Joe Rootsey, (Blue mountains in background), 1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14516 Joe Rootsey, (Walcom station), 1958, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10201 Elisabeth Frink, Wild boar, 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12130 Otto Pareroultja, Colours of Central Australia, c.1957–58, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10230 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Gregory Masurovsky, Drawing, 1957, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34563 Francis Bacon, Fallen Figure with Arms Up, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07370 Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36729 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11860 Joseph Beuys, [Untitled], 1958, Watercolour and tempera on paper, Tate, London. https://dartabase.art/cite/tate/AR00641 Oli Sihvonen, [Untitled], 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37658 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Francis Bacon, Man on a Bed, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07381 Roy De Maistre, Christ is nailed to the Cross, 1958, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6997 Mawalan 1 Marika, Jarwolalwal, c.1958, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14633 Frank De Silva, Zillmere, 1957, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7282 Carl Mcconnell, Octagonal bowl, c.1958, Stoneware, thrown with paddled and wirecut facets and green celadon glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/552 Richard Werner, Double Bay lovely, 1959, Pencil on cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9964 Kinoshita Tomio, Three Masks (Kamen 3), 1957, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16320 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Francis Lymburner, Donkeys, Paris, c.1958, Pen and blue and black inks and wash on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3681 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748 H. C. Westermann, Angry Young Machine, 1959, Pine, plywood, galvanized iron pipe and fittings, faucet handle, cast-lead soldier, aluminum alkyd enamel, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48518 Munggurruwuy Yunupingu, Macassan Praus, c.1958, Natural pigments on eucalyptus bark, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35296 Sidney Nolan, Carcase, 1957, Fibre-tipped pen and Ripolin enamel on paper mounted on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10850 Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742 Roger De Grey, Hills of Hadlow, 1957, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5593 Arthur Boyd, Persecuted lovers - study, 1957–58, Oil and tempera on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/26030 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738 Francis Bacon, Figure Crawling, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07372 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Mark Strizic, BHP Whyalla shipbuilding staunchers, 1958 (from 'Industrial forms and faces' series), 1958, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14898 Joe Rootsey, Untitled (Anthills and escarpment), c.1959, Watercolour on paperboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11967 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Francis Lymburner, Dieppe Harbour, c.1958, Pen and blue-black ink and wash on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3416 William Rose, Pestilence of the West, 1959, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5489 Joe Rootsey, (Valley with small trees in foreground), 1959, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14520 Robert Rauschenberg, Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36731 Richard Werner, Surfers Paradise (returned soldier), c.1957, Pencil on cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1997 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Karl Zerbe, Study for "Good Angel Tenanted", 1957, Polymer tempera on paper mounted on composition board, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/58.28 Kenneth Josephson, Chicago, 1959, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65646 Joe Rootsey, (Wakooka, inland from Barrow Point), 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14501 James Lee Byars, Painting, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38115 Donald Friend, Mantis and tropical plants, c.1959, Watercolour with brush and ink, and pen and coloured inks, heightened with white on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11517 Francis Bacon, Two Owls, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07359 Jacques Prévert, The Window of Isis, 1957, Cut-and-pasted printed paper on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36034 Colin Colahan, Vance Palmer (c.1933), 1957, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4306 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Thomas Pilgrim, Baddow House, Maryborough, 1957, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9670 Andy Warhol, Hats, 1959, Ink and dye on paper, Tate, London. https://dartabase.art/cite/tate/AR00280 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36718 Jon Molvig, Sun, 1959, Oil and enamel on hardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24283 Fred Williams, Landscape with steep road, 1959, Aquatint, etching, drypoint, engraving on grey Ingres paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3934 Noel Counihan, Strontium 90 (from 'Linocuts Counihan '59' portfolio), 1959, Linocut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8981 Yvonne Audette, The grey wall with lines, 1957, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9632 Francis Bacon, Figure Lying, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07375 Joseph Beuys, Wooden Virgin, 1958, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00639 Joseph Beuys, Untitled (Frauendarstellung), 1958, Oil paint and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00106 Max Ragless, Birdsville [Queensland], 1959, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6920 Pat Adams, From a Pleasure House, 1959, Opaque watercolor on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/61.51 Joseph Beuys, Pregnant Woman with Swan, 1959, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00114 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 H. C. Westermann, Uncommitted Little Chicago Child, 1957, Oak, maple, metal clock face, and paper découpage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270966 June Wayne, The anniversarie (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3198 Joseph Beuys, [Untitled], 1959, Graphite, oil paint and typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00643 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Joe Rootsey, (Top of Howick, south of Barrow Point), 1959, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/491 Jon Molvig, A twilight of women, 1957, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7209 Joseph Beuys, Untitled (Skull on Ur-Sled), 1957, Watercolor, dirt, and metallic paint on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33466 Joseph Beuys, FILTER, 1958, Graphite and gold paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00640 Andy Warhol, Head with Red Gloves and Butterfly, 1959, Ink and dye on paper, Tate, London. https://dartabase.art/cite/tate/AR00275 Karl Langer, Pandanus palms, c.1959–60, Fibre-tipped pen and ink on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/523 Carl Mcconnell, Tea-set (teapot, sugar bowl and milk jug), c.1958, Stoneware, thrown cylindrical brown body with partial blue green glaze and combed zig-zag decoration on the teapot. Cane handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6863 June Wayne, The canonization (from 'John Donne: Songs and sonets' book), 1958, Lithograph with letterpress text on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3197 Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36730 Margaret Mcneil, Vida Lahey, MBE, 1959, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7041 Harold Altman, Frieze, 1958, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.195 Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Joseph Beuys, Actresses, 1958, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00105 Claes Oldenburg, Self Portrait, 1958, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35800 Andy Warhol, Head of a Girl and Children, 1958–61, Graphite and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00282 Jack Youngerman, Red White, 1958, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/84.63 Jean Dubuffet, Textural Transcription I (Transcription texturologique I), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33617 Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723 Joseph Beuys, Witches Spitting Fire, 1959, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00109 Lennart Anderson, Portrait of Mrs. Suzy Peterson, 1959, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/63.49 Max Dupain, At Macknade Mill, Queensland, c.1958, printed 1987, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3112 Rupprecht Geiger, Number 9, 1959, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34504 Richard Werner, Double Bay visage, 1959, Pencil on cartridge paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6613 Ung-no Lee, Composition, (1959), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34154 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01036