Elizabeth McFadden, Banners of the Sun, 1955, Fabric and painted metallic-surfaced paper on corrugated cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37376 Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Francis Bacon, Figure in Grey Interior, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07366 Albert Alcalay, Times Square, 1955, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35601 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Pavel Tchelitchew, [Untitled], 1953, Colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35627 Jacob Lawrence, Street Shadows, 1959, Egg tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38728 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 Joseph Beuys, Probe in the bloodstream of the oak, 1958, Envelope, tempera, graphite and pin on paper, Tate, London. https://dartabase.art/cite/tate/AR00634 Agatha Wojciechowsky, [Untitled], 1956, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37069 Francis Bacon, Seated Woman, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07386 Glinos Antonis, Landscape: Columns of Olympian Zeus, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00577_ZOG561 Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36732 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 Saul Steinberg, Aspera, 1959, Pen and black ink with traces of graphite on cream paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220512 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 David Smith, Untitled (Tank Totems), 1953, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35642 Francis Bacon, Turning Figure, c.1959–62, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07352 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Anne Ryan, Number 706 (Red Collage No. III), 1954, Cut-and-pasted colored and printed paper, and cloth on corrugated cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38048 José Luis Cuevas, Madman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35754 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Francis Bacon, Bending Figure, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07371 Sari Dienes, Tomb, c. 1953–54, Ink rubbing on paper, fabric flag, and torn colored board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36569 Lyonel Feininger, Church on the Cliff I (Kirche auf der Klippe I), 1953, Pen and ink, watercolor, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36699 H. C. Westermann, The Mysteriously Abandoned New Home, 1958, Pine, birch, vermillion, redwood, glass, paint, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/15566 Lucio Fontana, [Untitled], 1956, Ink on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37632 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Peter Blume, Easter Island and Rana Raraku, 1954, Ink on paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36337 William E. Krallman, The Seeker, 1955, Ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35780 Lamprou Spyros, Daughter’s head, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00606_ZOG590 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Brion Gysin, A Trip from Here to There, 1958, Ink and gouache on forty-eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35418 Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36733 Joseph Beuys, [Untitled], 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame, Tate, London. https://dartabase.art/cite/tate/AR00646 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Theo van Doesburg, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31866 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Eldzier Cortor, L'Abbatoire IV, 1955, Color woodblock on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216675 Seymour Lipton, Study for Sanctuary, 1953, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34013 Mary Petty, Summer, (1959), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37843 Zion Baptist Church, The Nation's Prayer Call Vol. 2 No. 4, 1956–1957, ink on paper; H x W: 12 1/8 × 9 1/16 in. (30.8 × 23 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751592-0 Karousos Giannis, Female semi-nude, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00676_ZOG660 Minor White, Broken Paint Figure, August 1959, printed 1959/60, Gelatin silver print, from the portfolio "Sequence 15" (1959), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121750 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11849 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Francis Bacon, Figure with Left Arm Raised, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07362 Munakata Shikô, Bird and Fox, 1958, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58548 Joseph Beuys, Battery, 1959, Graphite on board on oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00110 Francis Bacon, Standing Figure, c.1957–61, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T07367 Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726 Lamprou Spyros, Head, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00609_ZOG593 Jacob Landau, Cinna the Poet, 1959, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34906 Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Joseph Beuys, Bathroom of Circe, 1954–8, Watercolour and gold paint on paper and board, Tate, London. https://dartabase.art/cite/tate/AR00636 Joseph Cornell, Allegory of Innocence, 1956, Cut-and-pasted printed paper on paper on board in wood frame with colored glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37045 Francis Bacon, Head, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07373 Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816 Jean Dubuffet, Goat with a Bird (Chèvre à l'oiseau), 1954, Ink transfer and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33591 George Nelson, Swag Leg Armchair, designed 1956; made 1958/64, Fiberglass and steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103349 Piet Mondrian, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31863 Lefteris Kanakakis, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00584_ZOG568 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Joseph Beuys, Woman with falling stone, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00645 Lyonel Feininger, [Untitled], 1954, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34878 Decoulakos Ilias, Landscape: Galatsi, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00591_ZOG575 Kimber Smith, [Untitled], 1959, Dry pigment and aqueous medium on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36837 Saul Steinberg, Roller Derby, 1954, Pen and black ink, with scraping, on ivory wove paper, cut-and-pasted on white paperboard, ruled in graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220507 Nice win, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00582_ZOG566 John Levee, Drawing, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35792 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Joseph Beuys, Two Red Fish, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00633 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Carl Fredrik Reuterswärd, Bam Bam, 1958, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37755 Yamaguchi Gen, Human Beings, 1953, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45716 Jacques Villeglé, bleu O noir, 1955, Torn-and-pasted paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34434 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 José Luis Cuevas, Madwoman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35767 Francis Bacon, Fallen Figure, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07369 Joseph Beuys, [Untitled], 1955, Leaf and lime on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00696 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Larry Rivers, Portrait of Edwin Denby, (1953), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37323 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 Reg Butler, Head and Shoulders, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34026 Jean Dubuffet, Le Vin de barbe, 1959, Torn-and-pasted paper with ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35145 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Yamaguchi Gen, A Tacit Agreement, 1958, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111144 Wolf Kahn, In the Harbor of Provincetown, 1956, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37333 Joseph Beuys, Geysir, 1953, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00631 Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509 Karel Appel, Beast, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32981 Ben Shahn, Self-Portrait, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35592 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Jean Dubuffet, Donkey and Cart, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33594 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Yiannis Faitakis, Landscape: Galatsi, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00588_ZOG572 Saul Steinberg, Motels and Highway, 1959, Pen and black inks, with black crayon, on ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220511 Joseph Cornell, Bear with Angel, 1953, Relief print with cut-and-pasted papers, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38635 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Anne Ryan, [Untitled], c. 1953, Cut-and-pasted colored and painted paper and cloth on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34898 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 John D. Graham, Horse, c. 1953, Ink, ballpoint pen, pencil, gouache, and colored pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33944 Joseph Beuys, [Untitled], 1957, Stone dust and clay on paper, Tate, London. https://dartabase.art/cite/tate/AR00638 Inagaki Tomoo, Cat Making Up, 1962, Ink and pencil on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84181 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Lefteris Kanakakis, Daughter’s head, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00600_ZOG584 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Maria Karavela, Daughter’s head, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00602_ZOG586 Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Tony Smith, [Untitled], 1953–55, Charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35363 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Albert Gleizes, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1945), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31871 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Joseph Beuys, Girl in Conversation with a Seal (Mädchen mit Seehund im Gespräch), 1955, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36257 Francis Bacon, Figure Lying, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07374 Joseph Beuys, Hearts of the Revolutionaries: Passage of the Planets of the Future, 1955, Watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00103 Joseph Beuys, Angel Whale, 1953, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00099 Francis Picabia, A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31864 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Lyonel Feininger, [Untitled], 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34870 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36727 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 José Ygnacio Bermúdez, Girl Playing with Dog, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35469 Milton Avery, Dune and Bushes, 1958, Watercolor and gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35088 Joseph Beuys, Langhaus (Vitrine), 1953–62, Wood, glass, felt, oil paint and paper, Tate, London. https://dartabase.art/cite/tate/AR00087 Chryssa, Drawing for Stock Page, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37072 David Smith, Untitled 5/28/55, 1955, Oil crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36448 Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33761 Anne Ryan, Number 631, 1953, Cut-and-pasted paper, colored paper, and cloth on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38046 Wolf Kahn, Seated Woman, Two Views, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33240 Karel Appel, [Untitled], 1959, Crayon on paper (recto); pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37614 Andy Warhol, Untitled (Unknown Male), (c. 1957), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34808 Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736 Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36728 Jean Dubuffet, Black Earth (Terres noires), 1955, Cut-and-pasted paper with ink transfer on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33136 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 Joseph Beuys, Brightly-Lit Stag Chair, 1957–71, 2 works on paper, oil paint, graphite and masking tape, Tate, London. https://dartabase.art/cite/tate/AR00697 Joseph Beuys, [Untitled], 1959, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00644 Otto Piene, Untitled (Smoke Drawing) (Ohne Titel [Rauchzeichnung]), 1959, Soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33265 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Joseph Beuys, [Untitled], 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36098 John D. Graham, Leda #1, 1954, Oil, pencil, colored pencil, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36530 Francis Bacon, Figure Bending Forwards, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07358 Petros Karagiannis, Landscape: Galatsi, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00590_ZOG574 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Georges Mathieu, [Untitled], 1958, Colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37575 Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735 Francis Bacon, Pink Crawling Figure, c.1957–61, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/T07378 Lee Lozano, No title, c. 1962, Crayon and graphite on beige wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5367 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Jean-Michel Atlan, Realm (Royaume), 1957, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33712 Andy Warhol, Untitled (Feet), c. 1958, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34820 Vostantzoglou-Vlastari Ioanna, Landscape: Galatsi, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00587_ZOG571 William Brice, Man in a Cap, 1956, Charcoal, ink, and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33293 Francis Bacon, Two Owls, No. 1, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07355 Ling Po, Panel (Design 104), 1955, Rayon and silk, plain weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100200 Μαλάμος Κώστας, Βασιλίσσης Σοφίας, 1958, Athens City Museum – Vouros-Eutaxias Foundation. https://dartabase.art/cite/europeana//1503/https___www_searchculture_gr_aggregator_edm_DigAthensMuseum_000190_62cf7bce_63ba_4498_acdf_3d822118db64 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Dimosthenis Kokkinidis, Daughter’s head, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00614_ZOG598 Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752 Dimitris Mytaras, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00579_ZOG563 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Joseph Beuys, [Untitled], 1958, Oil and collage on paper, Tate, London. https://dartabase.art/cite/tate/AR00642 Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739 Sugar Heaven, Synthesis, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00559_ZOG543 Rodolfo Abularach, A Head for Ixtab, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37528 Decoulakos Ilias, Daughter’s head, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00617_ZOG601 Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750 Andy Warhol, Unknown Female, (c. 1957), Metallic leaf and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36335 Francis Bacon, Figure with Left Arm Raised, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07361 Inagaki Tomoo, Cat Making Up, 1962, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16227 Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Paul Klee, Day Music (Musique diurne) from Art d'Aujourd'hui, Maîtres de l'Art Abstrait (Art of Today, Masters of Abstract Art), Album I, 1953 (original executed in 1940), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31874 Auguste Herbin, Jour (Day), 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38226 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Francis Bacon, Blue Crawling Figure, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07377 Pepi (Kalliopi) Svoronou-Kokkinidou, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00581_ZOG565 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Kenzo Okada, Number 2A, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37644 Psyropoulou-Karayanni Evdoxia, Synthesis, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00556_ZOG540 Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Fritz Glarner, Tondo, 1954, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38212 Jean Dubuffet, Baptism of Fire (Baptême du feu), 1959, Pasted leaves with oil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37485 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Joseph Beuys, Blacksmith II, 1958, Graphite on card, Tate, London. https://dartabase.art/cite/tate/AR00108 Cy Twombly, [Untitled], (1955), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37220 Petros Karagiannis, Synthesis, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00558_ZOG542 Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36721 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Μαλάμος Κώστας, Βασιλίσσης Σοφίας, 1958, Athens City Museum – Vouros-Eutaxias Foundation. https://dartabase.art/cite/europeana//1503/https___www_searchculture_gr_aggregator_edm_DigAthensMuseum_000190_9c2a59d9_9161_4c27_8143_9e830f640e4e Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919 Gerhard Altenbourg, Garden Behind the Spinnbahn, End of February (Gartenkolonie hinter der Spinnbahn, Ende Februar), 1956, Ink, lithographic crayon, and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33952 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Joseph Beuys, Crystal Measurement, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00632 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Hartmut Friedrich, Remains of a Meal of Carp, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33085 Feradouros Dionysios, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00583_ZOG567 Francis Bacon, Figure Lying Flat, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07365 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734 Glinos Antonis, Daughter’s head, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00604_ZOG588 Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740 Francis Bacon, Seated Figure, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07364 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 Dimosthenis Kokkinidis, Landscape: Columns of Olympian Zeus, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00575_ZOG559 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Jean Dubuffet, Stone Transcription (Transcription aux pierres), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33611 Jannis Kounellis, Untitled (7 x 33), 1959, Tempera and glue on graph paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34584 Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746 Joseph Beuys, Actress, 1956, Crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00637 Saito Kiyoshi, Rain, Paris (A), 1960, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/94203 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Leonard Baskin, Flea, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36260 Francis Bacon, Cross-legged Figure with Arms Raised, No. 1, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07384 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Lamprou Spyros, Landscape: Galatsi, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00593_ZOG577 Auguste Herbin, Project for a Painting, c. 1955, Pencil, crayon, and ink on transparentized paper (recto); Pencil on transparentized paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38227 Joseph Beuys, [Untitled], 1958, Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36265 David Smith, Untitled 13/3/59, 1959, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36536 Richard Lippold, The Four Seasons, 1958, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38078 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11862 Joseph Beuys, Electricity, 1959, 3 works on paper, oil paint and watercolour, Tate, London. https://dartabase.art/cite/tate/AR00112 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Francis Bacon, Composition, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07380 Minor White, Patched Window, from the portfolio "Sequence 15" (1959), August 1959, printed 1959/60, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11974 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Dave Heath, Hands of a Negro, c. 1960, Gelatin silver print, pl. 4 from the portfolio "Dave Heath: Work in Progress, Westbank Gallery, March 9-April 11, 1965" (1965), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22964 Fernand Léger, Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1919), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31861 Hiratsuka Un'ichi, Structural Interior of Tengaimon Gate, 1960, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58533 Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Joseph Cornell, Constellation (Poem and collage for a Christmas card), 1953, Ink on cut-and-pasted papers, typewriting, and foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37056 Willem de Kooning, Untitled (Torsos), c. 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35221 Gravvalos Panagiotis, Synthesis, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00560_ZOG544 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Feradouros Dionysios, Daughter’s head, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00608_ZOG592 Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Joseph Beuys, Clan, 1958, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00107 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Eliot Elisofon, Bent Umbrella Grass, No. 1, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33055 Joseph Beuys, From the Life of the Bees, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00635 Joseph Beuys, Sculptures, 1954, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00102 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Lyonel Feininger, Farewell to "82", 1954, Watercolor, pastel, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34826 Joseph Beuys, Table with Accumulator, 1958–85, Wood, accumulator, clay and wire, Tate, London. https://dartabase.art/cite/tate/AR00603 Ellsworth Kelly, Study for Sculpture for a Large Wall, 1956, Ink on blueprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34513 Georgia O'Keeffe, Drawing X, 1959, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35902 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963 Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749 Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751 Yves Tanguy, [Untitled], 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34608 Μαλάμος Κώστας, Ζωγραφική, 1958, Athens City Museum – Vouros-Eutaxias Foundation. https://dartabase.art/cite/europeana//1503/https___www_searchculture_gr_aggregator_edm_DigAthensMuseum_000190_5688e720_4e9b_42a5_8f2f_a55098970afa Yoshida Hodaka, Ancient People, 1956, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45727 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Babali Ioanna, Daughter’s head, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00605_ZOG589 Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36743 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Francis Bacon, Falling Figure, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07360 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33775 Joseph Beuys, White Woman in the Grass (Fairy), 1954, Graphite and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00101 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Joseph Beuys, Monument to the Stag, 1958–85, Wood, iron and copper, Tate, London. https://dartabase.art/cite/tate/AR00602 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720 Francis Bacon, Bending Figure, No. 2, c.1957–61, Ink and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07379 Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Christidis Christos, Άτιτλο, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00919_ZOG895 John D. Graham, Sketchbook, 1955, Spiral-bound sketchbook with ballpoint pen, pencil, and colored pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38648 Joseph Cornell, Constellation (Project for a Christmas card), 1953, Gouache and cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37051 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Joseph Beuys, Monument to the Stag, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00111 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Michael Agraniotis, Landscape garden, 1955, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00595_ZOG579 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Jean Dubuffet, Cow, (December) 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33584 Anne Ryan, Number 584, 1953, Cut-and-pasted colored and printed paper and cloth on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38038 Joseph Beuys, Weird Sister, 1953–62, Graphite and oil paint on acetate, Tate, London. https://dartabase.art/cite/tate/AR00100 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Kurt Seligmann, Exorcism, 1954, Ink, gouache, wash, and resin on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37160 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Ellsworth Kelly, Study for White Sculpture, 1958, Cut-and-pasted paper and pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37233 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Yamaguchi Gen, A Tacit Agreement, 1958, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/130209 Francis Bacon, Figure with Foot in Hand, c.1957–61, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/T07368 Aleksander Kobzdej, Conflict, 1959, Casein and oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33730 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Ellsworth Kelly, Study for Rebound, 1955, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37221 Francis Bacon, Man on a Sofa, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07382 Sakellariou Akakia, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00585_ZOG569 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 Nice win, Daughter’s head, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00601_ZOG585 Arnold Bittleman, Collage with a Leaf, 1957, Cut-and-pasted paper, leaves, oil, and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34011 Gego (Gertrud Goldschmidt), Starting from a Square (Partiendo de un cuadrado), 1958, Iron and enamel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224866 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Jackson Pollock, [Untitled], 1953–54, Ink and colored ink on paper (recto); Oil and gouache on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35733 César (César Baldaccini), [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36136 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Mark Tobey, Wild Field, 1959, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37745 Kyros Sunday, Head of a man, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00610_ZOG594 James Kearns, The Ring, 1956, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34718 Sam Francis, [Untitled], 1958, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33371 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Robert Rauschenberg, Quiz, 1958, Transfer drawing, gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38316 Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745 Tadashi Sato, Reflection No. 2, 1958, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38551 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Μαλάμος Κώστας, Ζωγραφική, 1958, Athens City Museum – Vouros-Eutaxias Foundation. https://dartabase.art/cite/europeana//1503/https___www_searchculture_gr_aggregator_edm_DigAthensMuseum_000190_25f44c24_de23_4c65_9d3d_63e184d64f10 John Cage, Page 18, Solo for Piano, from Concert for Piano and Orchestra, 1958, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33472 Horst Ademeit, [Untitled], March 27, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216893 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Nice win, Landscape: Columns of Olympian Zeus, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00576_ZOG560 Francis Bacon, Figure in a Framework, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07356 David Rowland, GF 40/4 Chair (one of a pair), Designed 1956/64; Made 1964/65, Steel and vinyl, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24629 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Paul-Émile Borduas, La Guignolée, 1954, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32988 Jean Dubuffet, Cow, December 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33588 Hedda Sterne, Drawing #2, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37686 Jean Dubuffet, Post at the Foot of a Wall (Pied du mur au poteau), 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33598 Ellsworth Kelly, Study for Sculpture for a Large Wall, 1956, Ink and pencil on blueprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34496 Zoi Oikonomou-Mavrogeni, Daughter’s head, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00612_ZOG596 Maria Karavela, Daughter’s head, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00607_ZOG591 Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722 Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724 Francis Bacon, Cross-legged Figure with Arms Raised, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07385 Μαλάμος Κώστας, Πλατεία Συντάγματος, 1958, Athens City Museum – Vouros-Eutaxias Foundation. https://dartabase.art/cite/europeana//1503/https___www_searchculture_gr_aggregator_edm_DigAthensMuseum_000190_69eaeac2_1146_4a77_8ea1_a41e3b6d04a7 Francis Bacon, Figure with Arms Swung Out, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07363 Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510 David V. Hayes, Study for Beast, 1957, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36223 Ray Johnson, Caged, 1959, Cut-and-pasted painted papers on colored board mounted on painted board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36021 Ellsworth Kelly, Study for Black Ripe, 1954, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33061 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Venetoulias Loukas, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00586_ZOG570 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Landès Lewitin, [Untitled], c. 1955–60, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36803 Gregory Masurovsky, Drawing, 1957, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34563 Michael Agraniotis, Synthesis, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00561_ZOG545 Francis Bacon, Fallen Figure with Arms Up, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07370 Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36729 Jean Dubuffet, Eater (Mangeur), 1954, Oil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37907 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11860 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Iliakis Kostas, Daughter’s head, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00603_ZOG587 Joseph Beuys, [Untitled], 1958, Watercolour and tempera on paper, Tate, London. https://dartabase.art/cite/tate/AR00641 Oli Sihvonen, [Untitled], 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37658 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Kesanlis Nikos, Composition, 1955, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00564_ZOG548 Francis Bacon, Man on a Bed, c.1957–61, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T07381 Richard Lindner, Boy, 1954, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33943 Feradouros Dionysios, Landscape: Galatsi, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00589_ZOG573 William Scott, Still Life with Strainer, 1956, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36533 Kinoshita Tomio, Three Masks (Kamen 3), 1957, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16320 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748 Lamprou Spyros, Scenery: Porto Rafti, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00574_ZOG558 H. C. Westermann, Angry Young Machine, 1959, Pine, plywood, galvanized iron pipe and fittings, faucet handle, cast-lead soldier, aluminum alkyd enamel, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48518 Jani-Ginnerup Chara, Scenery: Porto Rafti|Scenery: Porto Rafti, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00572_1_ZOG556 Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742 Andreas Skurogiannis, Synthesis, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00557_ZOG541 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738 Francis Bacon, Figure Crawling, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07372 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Robert Rauschenberg, Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36731 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Anne Ryan, Number 540, 1954, Cut-and-pasted paper, colored paper, and cloth on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38036 Kenneth Josephson, Chicago, 1959, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65646 Lyonel Feininger, [Untitled], 1954, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34862 James Lee Byars, Painting, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38115 Francis Bacon, Two Owls, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07359 Μαλάμος Κώστας, Οδός Ερμού, 1958, Athens City Museum – Vouros-Eutaxias Foundation. https://dartabase.art/cite/europeana//1503/https___www_searchculture_gr_aggregator_edm_DigAthensMuseum_000190_5d0f812a_50ec_4143_b0b7_5dd9fae68859 Jacques Prévert, The Window of Isis, 1957, Cut-and-pasted printed paper on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36034 Francis Bacon, Study for Portrait II (after the Life Mask of William Blake), 1955, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T02414 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36718 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Francis Bacon, Figure Lying, No. 2, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07375 Joseph Beuys, Wooden Virgin, 1958, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00639 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Ben Shahn, Dr. J. Robert Oppenheimer, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33410 Joseph Beuys, Untitled (Frauendarstellung), 1958, Oil paint and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00106 Joseph Beuys, Pregnant Woman with Swan, 1959, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00114 Karas Christos, Landscape, garden, 1955, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00594_ZOG578 Asimako Florence, Landscape: Galatsi, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00578_ZOG562 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 H. C. Westermann, Uncommitted Little Chicago Child, 1957, Oak, maple, metal clock face, and paper découpage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270966 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Joseph Beuys, [Untitled], 1959, Graphite, oil paint and typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00643 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Joseph Beuys, Untitled (Skull on Ur-Sled), 1957, Watercolor, dirt, and metallic paint on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33466 Joseph Beuys, FILTER, 1958, Graphite and gold paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00640 Carmen L. Cicero, Abstraction, Untitled, 1955, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35722 Saito Kiyoshi, Rain, Paris (A), 1960, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/12328 Francis Bacon, Study for a Portrait of Van Gogh IV, 1957, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00226 Eduardo Ramírez Villamizar, Black and White, 1956, Gouache and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37408 Tsar Kostas, Landscape: Galatsi, 1956, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00592_ZOG576 Iliakis Kostas, Head of a man, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00611_ZOG595 Kostakou-Koulourakou Maria, Synthesis, 1955, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00562_ZOG546 Venetoulias Loukas, Daughter’s head, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00615_ZOG599 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Lyonel Feininger, Hot Weather!, 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34853 Μαλάμος Κώστας, Δυτική Πλευρά Ακρόπολης, 1958, Athens City Museum – Vouros-Eutaxias Foundation. https://dartabase.art/cite/europeana//1503/https___www_searchculture_gr_aggregator_edm_DigAthensMuseum_000190_5bcb69b4_9329_4893_97a8_a9cabd67c1d8 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36730 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Francis Bacon, Blue Crawling Figure, No. 1, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07376 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Ellsworth Kelly, Study for Sculpture for a Large Wall, 1956, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34478 Joseph Beuys, Actresses, 1958, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00105 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 Aaron Siskind, Chicago 19, 1957, printed later, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158729 Stamelou Katina, Scenery: Porto Rafti, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00573_ZOG557 Claes Oldenburg, Self Portrait, 1958, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35800 Francis Bacon, Nude Reading, c.1957–61, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07383 Stavridou Georgia, Daughter’s head, 1957, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00613_ZOG597 Jean Dubuffet, Textural Transcription I (Transcription texturologique I), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33617 Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Joseph Beuys, Witches Spitting Fire, 1959, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00109 Francis Bacon, Collapsed Figure, c.1957–61, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/T07357 Joseph Beuys, Observation on the Cat, 1956, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00104 José Ygnacio Bermúdez, Microflora, 1956, Collage of paper with charcoal, pencil, tempera, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37329 Psyropoulou-Karayanni Evdoxia, Synthesis, 1955, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00563_ZOG547 Dimosthenis Kokkinidis, Άτιτλο, 1958, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00828_ZOG803 Rupprecht Geiger, Number 9, 1959, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34504 Jean Dubuffet, Tree (L'arbre), 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33603 Ung-no Lee, Sailing, 1957, Ink and colored ink on paper on scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33864 Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555 Tsar Kostas, Synthesis, 1959, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00555_ZOG539 Ung-no Lee, Composition, (1959), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34154