Eldzier Cortor, L'Abbatoire I, 1950s, Color woodblock on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216677 Saul Steinberg, Aspera, 1959, Pen and black ink with traces of graphite on cream paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220512 Saul Steinberg, Beverly Hills, 1950, Pen and black ink, over graphite and erasing, with watercolor, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220499 Eldzier Cortor, L'Abbatoire IV, 1955, Color woodblock on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216675 Minor White, Broken Paint Figure, August 1959, printed 1959/60, Gelatin silver print, from the portfolio "Sequence 15" (1959), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121750 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11849 George Nelson, Swag Leg Armchair, designed 1956; made 1958/64, Fiberglass and steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103349 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Saul Steinberg, Parade, 1951, Pen and black ink and rubber stamps in various colors, with watercolor and colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220501 Saul Steinberg, Roller Derby, 1954, Pen and black ink, with scraping, on ivory wove paper, cut-and-pasted on white paperboard, ruled in graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220507 Saul Steinberg, Cowboys, 1951, Pen and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220503 Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509 Saul Steinberg, Motels and Highway, 1959, Pen and black inks, with black crayon, on ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220511 Aaron Siskind, New Jersey 5, 1950, printed 1957, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/119323 Eldzier Cortor, Trio Assemblage I, 1950s, Color woodblock on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216702 Harry Bertoia, Side Chair, designed 1952; made 1955, Steel and naugahyde, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103350 Gordon Parks, The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223896 Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508 Saul Steinberg, Cornices, 1952, Pen and black ink, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220506 Eldzier Cortor, L'Abbatoire, 1950s, Color woodblock on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216678 Saul Steinberg, Gamblers I and II, 1951, Pen and black ink, watercolor, and black and colored crayon, with scraping, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220500 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11862 Minor White, Patched Window, from the portfolio "Sequence 15" (1959), August 1959, printed 1959/60, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11974 Dave Heath, Hands of a Negro, c. 1960, Gelatin silver print, pl. 4 from the portfolio "Dave Heath: Work in Progress, Westbank Gallery, March 9-April 11, 1965" (1965), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22964 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223900 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223899 Lygia Clark, [Untitled], 1952, Graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/235585 Aaron Siskind, West Street, New York, 1950, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/119319 Gego (Gertrud Goldschmidt), Starting from a Square (Partiendo de un cuadrado), 1958, Iron and enamel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224866 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223898 Aaron Siskind, Seaweed 8, 1953, printed 1973/78, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/189384 Horst Ademeit, [Untitled], March 27, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216893 David Rowland, GF 40/4 Chair (one of a pair), Designed 1956/64; Made 1964/65, Steel and vinyl, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24629 Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510 Saul Steinberg, Fur Coats, 1951, Pen and brush and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220504 Ray Krueger Metzker, The Loop: Chicago, 1958, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11860 Saul Steinberg, Untitled (Florida Types), 1952, Pen and black ink, with graphite, on ivory wove paper, cut-and-pasted on white paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220498 Wifredo Arcay, [Untitled], 1953, Opaque watercolor, over traces of blue crayon, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237883 Saul Steinberg, Untitled (Cowboy), 1951/52, Pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220496 Kenneth Josephson, Chicago, 1959, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65646 Gordon Parks, Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184381 Aaron Siskind, Martha's Vineyard 2, 1950, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/94263 Aaron Siskind, Chicago 19, 1957, printed later, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158729 Franz Kline, Painting, 1952, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/102581 Saul Steinberg, Downtown Building, 1952, Collage of cut-and-pasted commercially printed papers, and pen and black ink, over graphite with erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220505 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223897