Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Marino Marini, Nude, (1949), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38249 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Massimo Campigli, Mosaic Design for Floor of Teatro Metropolitano, Rome, (1943), Gouache and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37068 Gustavo Lazarini Terradas, Aunt Juliana, 1941, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37842 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Corrado Cagli, The Concentration Camp of Buchenwald, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34924 Gustavo Lazarini Terradas, Old-Fashioned Lady (Dama Antigua), 1941, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37845 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167 Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251 Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 Corrado Cagli, The Bridge at Worms, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34913 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Marino Marini, Horseman, 1949, Ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38247 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Corrado Cagli, Troubadours, 1946, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34068 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Joaquín Torres-García, The Port, 1942, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38090 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553