Fernand Léger, Study for Cinematic Mural, Study I, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37922

Cadavre Exquis, Figure, 1934, Composite drawing of pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36772

Fernand Léger, Study for a mural, 1938, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34588

Jean Hélion, Ile de France, 1935, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38221

Georges Méliès, Project for Théâtre de Verdure, Orly, 1935, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33225

Max Ernst, Sun and Forest (Soleil et forêt), 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36573

Henri Matisse, Reclining Nude, 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33693

Cadavre Exquis, [Untitled], 1935, Composite collage of cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33175

Cadavre Exquis, Landscape, c. 1933, Composite drawing of colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35963

Fernand Léger, Fragment of a Nut, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36300

Fernand Léger, Study for Cinematic Mural, Study V, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37925

Vasily Kandinsky, Round Poetry (Runde Dichtung), 1933, Watercolor, opaque watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38631

Max Ernst, Forest and Sun, 1931, Graphite frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37053

Henri Matisse, John Dewey, 1930, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34789

Georges Méliès, Drawing of Scene 15: In The Interior of The Moon. The Giant Mushroom Grotto of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38318

Oscar Domínguez, [Untitled], 1936–37, Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33503

Balthus (Baltusz Klossowski de Rola), Illustrations for Bronte: Wuthering Heights. a) "...The Room is Haunted! I'm Afraid of Being Alone!". b) "Miss Cathy Seized Him Again", (1933), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35526

Fernand Léger, Study for Cinematic Mural, Study IV, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37918

Marcel Jean, Untitled (Woman's Profile), 1936, Decalcomania (ink transfer) on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33105

Max Ernst, Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste), 1931, Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35777

Fernand Léger, The Accordionist, 1930, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38601

Emilio Terry, Fireplace with a Waterfall, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37022

Marcel Jean, Repas dans le désert, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33070

Marcel Jean, L'Arbre à mains, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33089

Fernand Léger, Study for Cinematic Mural, Study III, 1938–39, Gouache, ink, colored pencil, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37948

Georges Méliès, Drawing of Scene 10: Flight of the Rocket Shell into the Moon. Appearance of the Earth From the Moon of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36891

Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525

Jean Hélion, Untitled, No. 19, 1933–34, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38220

Fernand Léger, Study for Cinematic Mural, Study VI, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37928

André Masson, Prisoner of the Mirror: Transfiguring Your Death, (1939), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34912

Vasily Kandinsky, Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), 1931, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37596

Jean Cocteau, A Boy in Profile, c. 1930, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38121

Fernand Léger, Study for Cinematic Mural, Study II, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37932

André Breton, [Untitled], 1935, Decalcomania (ink transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33058

Max Ernst, Butterflies (Papillons), 1931, Cut-and-pasted printed and painted paper, cellophane, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35461

Balthus (Baltusz Klossowski de Rola), a) Study for Cathy Dressing b) Study for The Street, (1933), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35769

Fernand Léger, Study for Cinematic Mural, Study VII, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37944

Tristan Tzara, [Untitled], 1936, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37057

Oscar Domínguez, [Untitled], 1936, Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37018

Pierre Bonnard, Woman Bathing, c. 1942, Gouache with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/83638

Oscar Domínguez, [Untitled], (1937), Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33498

Georges Méliès, Drawing of Scene 12: The Dream: The Belies, The Great Bear, Phoebus, The Twin Stars, Saturn of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38324

Kirill Zdanevich, Maquette for cover of Agronomy, c. 1930, Cut-and-pasted printed paper and cut-and-pasted gelatin silver print with gouache, ink, and pencil additions on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14250

Georges Méliès, Drawing of Scene 9: Landing Right in the Moon's Eye!!! of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38327

Marcel Jean, [Untitled], 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33143

Marcel Jean, [Untitled], 1936, Decalcomania (gouache transfer) with gouache additions on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33124