Elie Nadelman, Head of a Woman, c. 1920–22, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35758

Childe Hassam, The Church at Old Lyme, 1924, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1080

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33839

Pavel Tchelitchew, Gertrude Stein, c. 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35030

Augusta Savage, Gamin, c. 1929, hand-painted plaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/162973

Lyonel Feininger, Cliffs and Sea, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33732

Wanda Gág, Franklin Stove, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34586

Oscar Bluemner, Sun Storm, 1927, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33689

Lyonel Feininger, Ruins on the Cliff with Tree at Left, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33818

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33809

Jan Matulka, Cityscape, (c. 1925), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36957

László Moholy-Nagy, Oskar Schlemmer, Ascona, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54431

Yves Tanguy, [Untitled], 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34927

Yasuo Kuniyoshi, The Calf Doesn't Want To Go, 1922, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35013

Illinois Central Railroad, Gelatin silver print of four 1927 Mississippi River flood images, April 30, 1927, silver and photographic gelatin on photographic paper; H x W: 7 7/8 x 10 1/16 in. (20 x 25.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743919-1

Leon Kroll, The Park-Winter, 1923, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/93015

Pavel Tchelitchew, Dancer, 1921–23, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34551

Lyonel Feininger, Ruin on Cliff with Two Trees, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33829

Charles Sheeler, Church Street El, 1920, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149112

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33847

Marcel Duchamp, Monte Carlo Bond (No. 12), 1924, Cut-and-pasted gelatin silver prints on lithograph with letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32984

Thomas Hart Benton, Study for Homestead, 1928–1930, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38639

George Grosz, Anna Peter, 1926–27, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32996

László Moholy-Nagy, [Untitled], 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55486

László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Photomontage (gelatin silver prints and ink), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212399

Pavel Tchelitchew, Still Life, c. 1923, Tempera on fiber board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34506

Edward Hopper, Mrs. Acorn's Parlor, 1926, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33771

Charles Demuth, Eggplant and Tomatoes, 1926, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33909

Pavel Tchelitchew, Portrait of Glenway Wescott, 1925, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38835

Ben Shahn, Siesta at Djerba, 1929, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38834

Gaston Lachaise, Standing Woman with Drapery, c. 1929–31, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36807

Edward Timothy Hurley, Fountain Square: Night (Cincinnati), 1921, aquatint and etching on paper; 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047222-0

Morris Kantor, Seated Nude, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35557

Joseph Pennell, The Square, Independence Square, Philadelphia, 1920, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9574

Lyonel Feininger, Ruin by the Sea V (Ruine am Meere V), 1928, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33879

Helen Torr, Buildings, c. 1925–29, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38064

Jules Pascin, Socrates and His Disciples Mocked by Courtesans, (c. 1921), Oil, gouache, and crayon on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36134

John Marin, Lower Manhattan (Composing Derived from Top of Woolworth), 1922, Gouache and charcoal with paper cut-out attached with thread on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34702

Jan Matulka, Figure Composition - Working Men, (c. 1927), Ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36969

Jan Matulka, Prague, c. 1921, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36964

Marcel Duchamp, Designs for Chessmen, c. 1920, Ink, pencil, and relief printing on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35308

Pavel Tchelitchew, Set design for Der Blaue Vogel Cabaret Theater, Berlin, c. 1921–23, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34489

Morgan Russell, Study in Transparency, c. 1922, Oil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33402

László Moholy-Nagy, View from Pont Transbordeur, Marseille, 1929, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55478

László Moholy-Nagy, Negative Portrait, 1925/29, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54428

George Grosz, "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35058

George Grosz, Max Herrmann-Neisse, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35233

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128085

László Moholy-Nagy, [Untitled], 1927, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55473

Adolf Dehn, Sunday Stroll, Vienna, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34851

Yves Tanguy, [Untitled], 1926, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35802

Timothy Cole, Thomas Jefferson, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5972

Charles Demuth, Corn and Peaches, 1929, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33537

Marguerite Zorach, Portrait of Yasuo Kuniyoshi, c. 1927–28, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35011

Lyonel Feininger, Ruin by the Sea II (Ruine am Meere II), 1929, Brown and black charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33898

Timothy Cole, Rodin, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5974

Edward Hopper, Evening Wind, 1921, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7779

Frank Lloyd Wright, September Abstractions, The Desert, design for Liberty Magazine cover, 1926–27, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37772

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33776

Yasuo Kuniyoshi, Two Figures, 1925, Watercolor, dry brush and ink, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33137

George Grosz, Seated Girl (Sitzendes Mädchen), 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37552

John Marin, Camden Mountain across the Bay, 1922, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33200

Morgan Russell, Study in Transparency, c. 1922, Oil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33394

László Moholy-Nagy, [Untitled], 1922, Collodion silver chloride photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55465

Lyonel Feininger, Ruin on the Cliff, 1929, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33889

George Grosz, Methusalem. Costume design for the play Methusalem, 1922, Watercolor, ink, metallic paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34705

William Zorach, Fisherman, 1927, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35020

Charles Burchfield, Railroad Gantry, 1920, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32971

John Storrs, Study for a Sculpture (Forms in Space), 1923, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38353

Nicolas Remisoff, Sketch for tableaux for a Théâtre de la Chauve-Souris production, 1922, Ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36033

Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9612

Pavel Tchelitchew, Green Man. Set design for Der Blaue Vogel Cabaret Theater, Berlin, c. 1921–23, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34241

Pavel Tchelitchew, Set design for Der Blaue Vogel Cabaret Theater, Berlin, c. 1921–23, Cut-and-pasted paper, gouache, and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34611

Charles Demuth, Stairs, Provincetown, 1920, Watercolor and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33563

Joseph Stella, Marcel Duchamp, c. 1920, Silverpoint and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35264

Timothy Cole, Abraham Lincoln, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5969

Joseph Pennell, Gas Works from the Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9611

Timothy Cole, Alexander Hamilton, 1922, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5970

Horace Brodzky, Study for the painting The Family, July 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35762

George Grosz, Café, c. 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33203

László Moholy-Nagy, Berlin Radio Tower, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55476

Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9602

George Grosz, Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso), c. 1920, Ink on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33002

Elie Nadelman, Head of a Woman, c. 1923–25, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35611

John Storrs, Head of Marie Honneger, April 3, 1929, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35296

Childe Hassam, A Vermont Village, 1923, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1083

George Grosz, At the Circus Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37491

Universal Negro Improvement Association, Bronze African Redemption Medal of the Universal Negro Improvement Association, c. 1920, bronze and leather; 2011.57.18a: 1 3/4 × 1 5/8 × 1/16 in. (4.5 × 4.2 × 0.2 cm); 2011.57.18b: 6 5/16 × 11/16 × 13/16 in. (16 × 1.8 × 2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398745206-0

Pavel Tchelitchew, Set design for Der Blaue Cabaret Theatre, Berlin, c. 1920–23, Tempera with glue size, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34566

Gaston Lachaise, Seated Woman, c. 1929–31, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33131

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128087

Gaston Lachaise, Man Standing, c. 1928–29, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33076

László Moholy-Nagy, Negative Cat, c. 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55468

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33785

Helen Torr, Basket of Vegetables, 1928–29, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36187

Joseph Pennell, Landwehr Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9608

Preston Dickinson, Still Life, 1926, Pastel, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33582

Joseph Pennell, Mid-day, General Electric Works, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9694

Walt Kuhn, Girl from "Show Boat", 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33935

Pavel Tchelitchew, Man on Balcony, 1921, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37048

Arthur Dove, Grandmother, 1925, Shingles, needlepoint, page from John Downame’s A Brief Concordance or Table to the Bible of the Last Translation, pressed flowers and ferns mounted on cloth-covered wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37674

Jan Matulka, Cityscape, (c. 1925), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36951

Morgan Russell, Study in Transparency, c. 1922, Oil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33387

Countee Cullen, <I>The Ballad of a Brown Girl: An Old Ballad Retold</I>, 1927, ink on paper; H x W: 10 × 6 1/2 × 1/4 in. (25.4 × 16.5 × 0.6 cm); H x W x D (closed): 9 7/8 × 6 9/16 × 7/16 in. (25.1 × 16.7 × 1.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744963-0

Morgan Russell, Study in Transparency, c. 1922, Oil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33380

George Canning Wales, The Fore Chains, 1922, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6303

Charles Sheeler, Tulips and Etruscan Vase, 1922, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34784

Walker Evans, Girl in Fulton Street, New York, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13724

Charles Burchfield, The Interurban Line, 1920, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32998

Edward Hopper, Box Factory, Gloucester, 1928, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33748

Lyonel Feininger, Ruins on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33763

Lyonel Feininger, Ruin by the Sea I (Ruine am Meere I), 1928, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33856

Pavel Tchelitchew, Boulevard de Montparnasse, c. 1923–24, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34120

Pavel Tchelitchew, Sketch for Decor: Spanish Scene, 1923, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34003

Pavel Tchelitchew, Edith Sitwell, c. 1928, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35038

Childe Hassam, The Chase House, 1929, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7738

Pavel Tchelitchew, .a) Still Life .b) Untitled, c. 1923, .a) Gouache and pencil on paper .b) Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34016

Timothy Cole, The Mill, 1920, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5967

Timothy Cole, Theodore Roosevelt, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5976

Raphael Soyer, Pascin's Model, 1925–27, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37279

Charles Sheeler, Self-Portrait, 1923, Conté crayon, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34738

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128086

Norman Studios, Press kit for the film Black Gold, 1928, ink on paper; H x W: 21 15/16 × 28 1/16 in. (55.8 × 71.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752363-0

Oscar Bluemner, The Eye of Fate, 1927, Watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33681

László Moholy-Nagy, Mise-en-scène for the play Die Menschen, (1923), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37833

Yasuo Kuniyoshi, Fisherman, 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33182

László Moholy-Nagy, Konstruktion, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102026

William Zorach, Maine Landscape, 1927, Watercolor over touches of charcoal on ivory watercolor paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/10946

Lyonel Feininger, Ruin with Tree in Foreground, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33743

Charles Burchfield, Back Alley Scene, 1920, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37147

Peter Blume, Study for Parade (Waterfront, Manhattan), 1929, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33384

Joseph Pennell, Gleisdreieck, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9609

Lyonel Feininger, Cliffs and Sea with Ruins, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33752

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128088

Emile Branchard, Trees and Shack, (1925), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33437

George Grosz, Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), 1924, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38684

Mell Daniel, The Forest, 1923, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38267

George Grosz, Republican Automatons (Republikanische Automaten), 1920, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34169

Pavel Tchelitchew, .a) Sketch for The Eurasian Manifesto: Reflections of Eurasians. On the Roads. .b) Untitled, 1922, .a) Ink and pencil on paper. .b) charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34443

Emile Branchard, Winding Road, (1920–29), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34821

László Moholy-Nagy, [Untitled], 1927, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50173

Arthur B. Davies, Nude, (c. 1920), Crayon and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33373

Paul Kelpe, Composition, Number 160, 1928, Watercolor, pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36501

László Moholy-Nagy, [Untitled], c. 1923, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36309

Walker Evans, 42nd Street, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13730

Lyonel Feininger, Ruin by the Sea II (Ruine am Meere II), 1928, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33866

Childe Hassam, Washington's Headquarters near Valley Forge, 1926, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1084

Singer Corporation, Singer model 66 treadle sewing machine and motor from the Rock Rest Tourist Home, 1921, paint on iron and wood with plastic and metal; H x W x D (Sewing Machine): 8 13/16 × 7 1/16 × 16 7/16 in. (22.4 × 18 × 41.8 cm); H x W x D (Foot pedal): 1 15/16 × 3 3/8 × 6 1/8 in. (5 × 8.5 × 15.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1695458679732-1695458683240-0

Jules Pascin, George Biddle and Jane Belo, (1927–28), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35206

Timothy Cole, Dr. Pasteur, 1925, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5977

László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Cut out pieces for photomontage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223680

George Grosz, At the Cirque Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37484

Alfred Stieglitz, Equivalent, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66625

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128090

Georgia O'Keeffe, Morning Glory with Black, 1926, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135420

Gaston Lachaise, Woman's Head, c. 1920, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35123

Yves Tanguy, [Untitled], 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35945

John Marin, Lower Manhattan, 1920, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33961

Pavel Tchelitchew, Nude with Hat, c. 1921–23, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34627

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128089

George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643

Pavel Tchelitchew, Set design for Der Blaue Vogel Cabaret Theater, Berlin, c. 1921–23, Cut-and-pasted paper, gouache, metallic paint, and pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34044

Childe Hassam, Independence Hall, 1926, drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1081

Yasuo Kuniyoshi, Plant, 1925, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33971

Joseph Pennell, New York Stock Exchange, 1923, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9575

Pavel Tchelitchew, Portrait of a Woman, Paris, 1923, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34031

Charles Burchfield, Pippin House, East Liverpool, Ohio, 1920, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35447

The Prudential Insurance Company of America, <I>Plan of Group Insurance for Employes of The Pullman Company</I>, 1929, ink on paper; 6 7/8 × 5 1/16 × 1/8 in. (17.5 × 12.9 × 0.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1659169808116-1659169819583-0

Preston Dickinson, Grain Elevators, Omaha, (1924), Ink, charcoal, pencil, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33423

Hans Richter, Fugue (Fuge), 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35600

Vogue Magazine, Magazine clipping advertising The Plantation Club, NYC, May 1924, ink on paper; H x W: 12 3/4 × 9 11/16 in. (32.4 × 24.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398747591-0

Pavel Tchelitchew, James Joyce, 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35063

Joseph Pennell, Oberbaum-Brucke, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9601

Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164

Pavel Tchelitchew, Set design for Der Blaue Vogel Cabaret Theater, Berlin, c. 1921–23, Gouache and watercolor on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34462

Webster Publishing Company, <I>Sharp's Language Drills and Test: Fifth Grade</I>, 1929, ink and graphite on paper; H x W x D: 9 5/16 × 6 × 1/4 in. (23.7 × 15.2 × 0.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748734-0

Lyonel Feininger, Cliffs and Sea, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33720

James Castle, Untitled (Coat Construction), c. 1925, Paper, soot, spit, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33093