Otto Dix, Passer-By (Schreitende), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34917 Otto Dix, Self-Portrait (Selbstporträt), 1922, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34693 Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19811 Käthe Kollwitz, Bread (Brot), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8197 Theo van Doesburg, Study for a Composition, 1923, Gouache and ink on tissue paper and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38206 Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736 Käthe Kollwitz, Schlafende mit Kind, 1929, Holzschnitt in Schwarz auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28104 Georges Rouault, Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16788 Georges Rouault, Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16706 Ernst Ludwig Kirchner, Wildboden, c. 1924, Aquarell und Gouache über Bleistift auf Velinkarton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10679 Ernst Ludwig Kirchner, Bildnis Dr. Carl Hagemann, 1928–1933, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2042 Georges Rouault, Trial proof for It is Hard to Live..., plate XII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16661 Ernst Ludwig Kirchner, Mondnacht; Handorgler in Mondnacht, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2062 George Grosz, Anna Peter, 1926–27, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32996 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11638 Ernst Ludwig Kirchner, Szene im Café, c. 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114801 Käthe Kollwitz, Beggars, 1924, charcoal, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8141 Georges Rouault, Trial proof for Eternally Scourged..., plate III from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16567 Georges Rouault, Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16605 Ernst Barlach, Standing Figure with Extinguished Torches, 1922, charcoal on green-gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4144 Georges Rouault, Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16663 Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14926 Ernst Ludwig Kirchner, Traurige Frau; Stehender weiblicher Akt; Nacktes Mädchen, 1921, Arvenholz bemalt, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4343 Georges Rouault, Trial proof for Abandoned, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19822 Georges Rouault, Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere, c. 1922–1927, Lift ground aquatint and aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24653 Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908 Georges Rouault, Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16824 Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612 Ernst Barlach, The Hornblower (Der Hornbläser), 1927, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32975 Theo van Doesburg, Contra-construction in a Circle, c. 1923, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33496 Georges Rouault, Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, 1923, Aquatint and lift ground aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16284 Lovis Corinth, Self-Portrait with Reflections, 1925, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33361 George Grosz, "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35058 George Grosz, Max Herrmann-Neisse, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35233 Georges Rouault, Trial proof for Street of the Lonely, plate XXIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16675 Käthe Kollwitz, Germany's Children are Hungry! (Deutschlands Kinder Hungern!), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8199 George Grosz, Seated Girl (Sitzendes Mädchen), 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37552 Käthe Kollwitz, Bettelnde (Begging), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8150 Lovis Corinth, Walchensee im Winter, 1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3992 George Grosz, Methusalem. Costume design for the play Methusalem, 1922, Watercolor, ink, metallic paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34705 Georges Rouault, Trial proof for The Condemned is Led Away..., plate XVIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16670 Georges Rouault, Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16665 Otto Dix, Beautiful Mally (Die schöne Mally), 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37043 Georges Rouault, Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16701 Vasily Kandinsky, Black Relationship (Schwarze Beziehung), 1924, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36689 Marc Chagall, Untitled from My Life, 1922, published 1923 (hand additions executed 1946), Title page with hand additions from a portfolio of twenty etchings, fifteen with drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/22273 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16281 Georges Rouault, Trial proof for Old Mother, Now Cries Alone, c. 1922–1927., Lift ground aquatint, aquatint, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/21924 Lovis Corinth, Selbstbildnis, 1923, Aquarell auf rauem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/13571 Ernst Ludwig Kirchner, Das Leben, 1928–1932, Gewebte Wolle, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2095 George Grosz, Café, c. 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33203 Georges Rouault, Trial proof for Jesus Mocked..., plate II from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16551 Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925 George Grosz, Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso), c. 1920, Ink on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33002 Georges Rouault, Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere, 1922, Aquatintand drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16651 Otto Dix, Café Couple (Paar im Café), 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34237 George Grosz, At the Circus Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37491 Georges Rouault, Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere, c. 1922–1927, Aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12335 Theo van Doesburg, Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten, 1922–23, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38207 Lovis Corinth, Carmencita, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2048 Ernst Barlach, The Miser (Der Geizige), 1922, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33060 Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843 Käthe Kollwitz, Nie wieder Krieg, 1924, Kreide- und Pinsellithografie (Umdruck) in Schwarz auf Velinpapier (braunes Affichenpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28081 Georges Rouault, Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16668 Ernst Ludwig Kirchner, Liegender weiblicher Akt, c. 1923, Pinsel in Schwarz über Bleistift auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20595 Lovis Corinth, Leonid Osipovich Pasternak, (1923), Crayon and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37270 Oskar Kokoschka, Seated Woman, 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33539 Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728 Oskar Kokoschka, Seated Girl, (1922), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34085 Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927 Otto Dix, At the Café (Im Café), 1922, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33053 Otto Dix, Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust), 1920, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38377 Georges Rouault, Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, 1923, Lift ground aquatint, etching, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14925 James Ensor, Mädchen mit Masken (Kommunion), 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3321 Georges Rouault, Trial proof for The Bay Of The Dead, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12360 Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737 George Grosz, Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), 1924, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38684 George Grosz, Republican Automatons (Republikanische Automaten), 1920, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34169 Oskar Kokoschka, Hugo Erfurth, c. 1920, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35566 George Grosz, At the Cirque Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37484 George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643 Georges Rouault, Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16924 Georges Rouault, Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, 1923, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16620 Käthe Kollwitz, Die Freiwilligen, 1921–1922, Holzschnitt in Schwarz auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28063 Ernst Ludwig Kirchner, Mutter und Kind; Frau und Mädchen, 1924, Arvenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4655 Georges Rouault, Trial proof for "With Tooth and Nail," plate L from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16884 Lovis Corinth, Self-Portrait (Selbstbildnis), 1922, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37306 Ernst Ludwig Kirchner, Brandenburger Tor, 1929, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2813 Ernst Ludwig Kirchner, Nackte Frau am Fenster, 1922–1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3982 Emil Nolde, Gypsy Girl (Zigeunermädchen), (1920–21), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33285