Max Ernst, Natural History (Histoire naturelle), c. 1925, published 1926, Portfolio of thirty-four collotypes after frottage, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10056

Marcel Duchamp, Monte Carlo Bond (No. 12), 1924, Cut-and-pasted gelatin silver prints on lithograph with letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32984

George Grosz, Anna Peter, 1926–27, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32996

Jean (Hans) Arp, Mountain, Navel, Anchors, Table, 1925, Gouache on board with cutouts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33669

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), 1921, Gouache, ink, and pencil on printed paper on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35940

Max Ernst, [Untitled], 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33501

Max Ernst, Here Everything Is Still Floating (Hier ist noch alles in der Schwebe), 1920, Cut-and-pasted printed paper and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35971

Hannah Höch, [Untitled], 1922–23, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38228

Francis Picabia, Fuel Pump (Pompe à combustible), 1922, Pencil, ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33814

Marcel Duchamp, Designs for Chessmen, c. 1920, Ink, pencil, and relief printing on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35308

Max Ernst, Hypertrophic Trophy (hypertrophie trophäe, trophée hypertrophique), 1920, Line block print with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33629

George Grosz, "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35058

George Grosz, Max Herrmann-Neisse, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35233

Max Ernst, Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), 1920, Gouache and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35951

George Grosz, Seated Girl (Sitzendes Mädchen), 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37552

Max Ernst, Farewell My Beautiful Land of Marie Laurencin (Adieu mon beau pays de Marie Laurencin), 1920, Line block print with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35906

Max Ernst, The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), 1920, Gouache, pencil, and ink on printed wallpaper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35454

George Grosz, Methusalem. Costume design for the play Methusalem, 1922, Watercolor, ink, metallic paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34705

George Grosz, Café, c. 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33203

Max Ernst, The Horse He's Sick (Un Peu malade le cheval), 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35468

George Grosz, Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso), c. 1920, Ink on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33002

George Grosz, At the Circus Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37491

Hannah Höch, Watched, 1925, Cut-and-pasted printed paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38825

Max Ernst, The Hat Makes the Man (C'est le chapeau qui fait l'homme), 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35478

Francis Picabia, Self-Portrait, (1923), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38310

George Grosz, Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), 1924, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38684

George Grosz, Republican Automatons (Republikanische Automaten), 1920, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34169

George Grosz, At the Cirque Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37484

Francis Picabia, Portrait (Possibly Raymond Radiquet), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38507

George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643

Hannah Höch, Collage II (On Filet Ground) (Collage II [Auf Filetgrund]), c. 1925, Cut-and-pasted printed and painted paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32990

Hannah Höch, Study for Man and Machine (Skizze zu Mensch und Maschine), 1921, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33945