Will Dyson, Our Youth: Suzannah and the youngers, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12535

Max Beckmann, A Mirror on an Easel (Spiegel auf einer Staffelei), 1926, Charcoal and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33778

František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252

Eugène Atget, Rues Clovis et Descartes, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39670

Griffith Baily Coale, Shipping (mural study), 1929, oil on canvas; 16 5/8 x 59 1/4 in. (42.3 x 150.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381043674-1

Jakob Nussbaum, Selbstbildnis, 1927, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3282

Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699

Eugène Atget, Rue de la Montagne-Sainte-Geneviève, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39489

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33839

Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734

William Robson, Peace, c.1929, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6029

Roy De Maistre, Peaceful harbour, c.1926, Oil on canvas board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7632

Vincent Sheldon, Fruit seller, Colombo, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13108

Will Dyson, Moralities: Why did I do it?, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12539

Pavel Tchelitchew, Gertrude Stein, c. 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35030

Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277

Eugène Atget, Avenue des Gobelins, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39446

after David Low, Philip Snowden (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9392

Will Rowell, Portrait study, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10570

Vincent Sheldon, For export, 1928, Etching on cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13100

L.J. Harvey, Vase, 1927, Earthenware, hand built on four feet modelled with gum leaves, kookaburras and beetles. Glazed brown splashed yellow, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4526

after David Low, Somerset Maugham (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12589

Thomas Switzer, The Town Hall under construction, 1927, Pen and ink on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12640

Lyonel Feininger, Cliffs and Sea, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33732

Henri Matisse, Reclining Nude, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36071

Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736

Wanda Gág, Franklin Stove, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34586

Käthe Kollwitz, Schlafende mit Kind, 1929, Holzschnitt in Schwarz auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28104

Eugène Atget, Rue des Saules, Auberge du Lapin Agile, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40983

Oscar Bluemner, Sun Storm, 1927, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33689

Robert Delaunay, Study for backdrop for the ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36073

Lyonel Feininger, Ruins on the Cliff with Tree at Left, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33818

Philip Connard, Tommy of Chelsea Green, c.1926–27, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12121

René Lalique, Beautreillis vase, designed 1927, Mould blown opalescent glass with remnant blue patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31301

Jessie Traill, Building the Harbour Bridge, II The Works, North Side, 1928, Etching on yellowed Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3660

Eugène Atget, Boulevard Saint-Denis, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39660

Norman Lindsay, Casanova, 1928, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11310

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33809

Harold Cazneaux, Departure, 1928, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17261

Oskar Fischinger, Raumlichtkunst (Space-Light-Art), c.1926/2012, Three-channel projection HD video installation: 4:3, 9:56 minutes; 9:39 minutes; 8:25 minutes, silent, colour and black-and-white
Reconstruction by Center for Visual Music, Los Angeles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20155

Camilo Blas (José Alfonso Sánchez Urteaga), Threshing ( La Trilla ), 1928, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37703

László Moholy-Nagy, Oskar Schlemmer, Ascona, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54431

Rupert Bunny, La fontaine, c.1929–30, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8594

Alma Irving, Tea-set, 1927, Earthenware, hand-built white clay globular body covered in light brown slip with stylised floral (and figure on teapot) design in underglaze black. Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10425

Desiderius Orban, Outskirts of Prague, 1928 or 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2465

Eugène Atget, Coiffeur, avenue de l'Observatoire, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40965

after David Low, The Right Honourable J.H. Thomas P.C., M.P. (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2469

Frances Dunbar, Tobacco jar, 1926, Earthenware, slab built with impressed designs and glazed shades of blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8325

Gwendolyn Grant, Pair of bowls, 1927, Earthenware, hand-built buff ochre clay with grey slip decoration incised with flannel flower motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3269

Vincent Sheldon, The Three Fates, 1929, Linocut on grey-black wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13245

William Bustard, Brisbane townscape, 1928, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31495

Will Dyson, One had no idea she was half so attractive, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12538

Hans Heysen, Study of gums, c.1926, Charcoal and white chalk on grey wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14228

Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315

Walter Gropius, BAUHAUS. Zeitschrift für Gestaltung, 1926/31, Periodicals, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199263

Nikolai Sedelnikov, Printer's proof for cover for Avtomobil' i upravlenie im (The Automobile and Driving It), 1928, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32041

Vincent Sheldon, On the Brisbane, 1928, Soft-ground etching, sandpaper ground on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1472

Ernst Ludwig Kirchner, Bildnis Dr. Carl Hagemann, 1928–1933, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2042

Yoshida Hiroshi, Komogatake, 1929, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196984

Yves Tanguy, [Untitled], 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34927

Illinois Central Railroad, Gelatin silver print of four 1927 Mississippi River flood images, April 30, 1927, silver and photographic gelatin on photographic paper; H x W: 7 7/8 x 10 1/16 in. (20 x 25.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743919-1

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242

Eugène Atget, Saint Jacques du Haut-Pas, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40907

Vincent Sheldon, His Grace Archbishop Duhig (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13136

Ohara Shoson, Bird and water lillies, c.1926, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4622

after David Low, Ernest Bevin (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1832

Eugène Atget, Boulevard Auguste-Blanqui, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41792

Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365

Eugène Atget, Rue des Gobelins, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39589

Walter Dexel, The Mountain Fortress. Set design for the play Mann ist Mann (A Man's a Man), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37493

Lyonel Feininger, Ruin on Cliff with Two Trees, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33829

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463

Cadavre Exquis, Figure, c. 1927, Cut-and-pasted printed paper and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35778

Ohara Shoson, Cockatoo and pomegranate, c.1927, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12747

Thomas Handforth, Untitled (North African Oasis), c. 1928, sepia ink wash on paper; 11 × 15 in. (27.9 × 38.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1651740776933-1651740804996-0

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221149

William Robson, Tall trees, little house, c.1929, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10648

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33847

Jessie Traill, Building the Harbour Bridge III The Granite Workers, April 1929, 1929, Etching, sand paper ground on yellowed Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15507

Lionel Lindsay, Mosque of the Taj, c.1929–36, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2121

Thomas Hart Benton, Study for Homestead, 1928–1930, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38639

Vincent Sheldon, (Tower Bridge, London), c.1929, Watercolour on thick, rough, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12177

Edwin Scott, Untitled (street scene, Paris), 1927, Charcoal on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7639

George Grosz, Anna Peter, 1926–27, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32996

Norman Lindsay, Ambush, 1927, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8801

William Washington, St. Olave's, Southwark 1739-1928, 1929, Engraving on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12552

Frances Dunbar, Double scraffito vase, 1928, Earthenware, slab built white earthenware dipped in brown and ochre clays and incised with formalised designs in the double scraffito technique. Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/496

Vincent Sheldon, Dining room, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13134

László Moholy-Nagy, [Untitled], 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55486

after David Low, Arnold Bennett (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5647

Martin Lewis, A man and dog by a campfire, 1926, Pastel on green wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6182

Norman Lindsay, Night's frolic, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8979

黃土水, 釋迦出山, 1927, Sculpture, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/08000244

Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073

Martin Lewis, Shadows on the ramp, 1927, Drypoint and sand ground on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11738

Eugène Atget, Fête de Vaugirard, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41032

László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Photomontage (gelatin silver prints and ink), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212399

Vincent Sheldon, For export, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13105

L.J. Harvey, Water nymph cabinet, c.1929–30, Walnut, carved, with elaborate cabriole legs and Art Nouveau cedar panel carved with a nymph. Lead-glass panels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15737

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221150

Vincent Sheldon, The old kiln, 1927, possibly printed 1928, Soft-ground etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1473

Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Edward Hopper, Mrs. Acorn's Parlor, 1926, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33771

Elisabeth Monz, Onion shaped vase, 1929, Earthenware, hand-built cylindrical vase with swelling base and four applied feet. Decorated with a landscape scene in buff and rust slips. Light blue glaze (Note: Harvey School exercise No.10), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9666

Muirhead Bone, Rev. Dr. James, 1927, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1044

Georg Kolbe, Male Figure (Männliche Figur), (c. 1927–37), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33134

Boris Ignatovich, Drinking Tea in the Village of Ramenskoe, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238054

Eugène Atget, Fête de Vaugirard, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41029

Kenneth M. Adams, New Mexico Village Under Snow, 1929, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/40.17

Ernst Ludwig Kirchner, Szene im Café, c. 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114801

Norman Lindsay, Leda, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/662

Marjorie Sakzewski, Squat bottle, 1927, Earthenware, hand-built squat bottle with incised foliate design. Glazed slate blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/751

Lajos D'Ebneth, Composition, 1926, Cut-and-pasted colored paper on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38208

KASAMATSU, The Great Lantern at Asakusa, 1926, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8653

Eugène Atget, Boulevard Auguste-Blanqui, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41747

Vincent Sheldon, Solitude, 1927, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13125

after David Low, G.B. Shaw (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/817

Jessie Traill, Building the Harbour Bridge IV The Ant's Progress, 1929, Etching, sand paper ground on yellowed wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4472

Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40201

Charles Demuth, Eggplant and Tomatoes, 1926, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33909

Boris Ignatovich, Council of the Agricultural Commune, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238056

Elioth Gruner, New England fleeces, c.1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5230

Julio Montenegro, To Work Is to Pray (Laborar es orar), c. 1928, Colored ink, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37951

Lionel Lindsay, Convent of St Euphemia, 1928, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12574

Eugène Atget, Saint Sulpice, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40556

Ben Shahn, Siesta at Djerba, 1929, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38834

Norman Lindsay, The hidden faun, 1928, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12981

Lionel Lindsay, Andalusia, c.1926, Watercolour over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8227

Eugène Atget, Pont Marie, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39693

after David Low, Marie Stopes (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10461

Gaston Lachaise, Standing Woman with Drapery, c. 1929–31, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36807

Paul Klee, Three Fruit (Drei Früchte), 1927, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33863

Charles H. Lancaster, The Quarry (Petrie Bight), c.1926, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20064

Eugène Atget, Rue Mouffetard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40483

after David Low, Professor Einstein (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2471

Vincent Sheldon, Albion Pottery kiln, 1927, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13091

Bessie Gibson, Portrait of Miss Somerset, c.1928, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6343

Martin Lewis, Homeward bound, Japan, 1926, Drypoint, sandpaper ground on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/334

Wobbe Alkema, [Untitled], 1928, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38171

Georges Rouault, Homme a la moustache et aux lunettes (Man with a moustache and spectacles), 1928, Etching, aquatint, sugar-lift aquatint over heliogravure plate on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11555

Will Dyson, Orpheus, modern version, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12534

Eugène Atget, Boulevard de Strasbourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40478

Bill Brandt, Portrait of Eva Boros, c. 1928–9, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499128

Robert Delaunay, Costumes for The Dance of Statues for Triumphe de Paris, 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36078

Eugène Atget, Saint-Étienne-du-Mont, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40676

William Bustard, (Two studies of a man scything), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11540

after David Low, Sir John Simon (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5646

Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614

Vincent Sheldon, The stone crusher, 1928, Etching with brush and ink, wash and chalk on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13126

Kathleen O'Connor, Between hours, c.1928–30, Gouache on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7309

Martin Lewis, Butter and egg man's holiday, 1926, Drypoint, sandpaper aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11325

Vincent Sheldon, (Staircase, 'Wynberg') (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13138

Eugène Atget, Fête de Vaugirard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41027

Eugène Atget, Quai d'Anjou, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39477

Vincent Sheldon, For export, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13101

Kawase Hasui, Kegon Falls, Nikko (Nikko Kegon no taki), 1927, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87287

Lyonel Feininger, Ruin by the Sea V (Ruine am Meere V), 1928, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33879

Alexander Bogomazov, Three Figures of Woodcutters, c. 1927–28, Watercolor and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36471

Will Dyson, Moralities: Father, can you forgive me? My daughter, can you forgive me?, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12537

Alma Irving, Nut bowl, 1926, Earthenware, hand-built low circular bowl on four feet, divided into four compartments with a central support for the nut cracker. Four groups of chestnuts and leaves applied to the exterior and glazed blue, and maroon, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10565

William Zorach, Two Figures, 1929, Wax crayon and graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/74.69

Eugène Atget, Quai d'Anjou, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39494

Norman Lindsay, Thieves' kitchen, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12987

William Bustard, Evening light, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31494

Rah Fizelle, Camogli, 1929, Watercolour over pencil on cream paperboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3379

John Longstaff, Dr Alexander Leeper, 1928, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442918

Kenneth Macqueen, (Feeding the pigs), c.1929, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/30537

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213

Eugène Atget, Fête de Vaugirard, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41031

after David Low, Augustus John (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1108

Jan Matulka, Figure Composition - Working Men, (c. 1927), Ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36969

Vincent Sheldon, Old house, Bowen Hills, 1928, Monotype on cream handmade laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13249

Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908

William Zorach, Brooklyn Bridge, 1928, Watercolor and charcoal on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.590

Will Dyson, Moralities:  Why did I do it?, c.1926–30, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14219

Wyndham Lewis, Cover design for The Enemy No. 1, (1926), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38828

Vincent Sheldon, The potter (1), 1928, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13120

Eugène Atget, Boulevard Saint-Martin, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39665

Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612

Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057

Pigeon Crowle, Afternoon, c.1927, Watercolour and pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/105

Vincent Sheldon, Preparatory drawing for 'Sitting room, "Wynberg"', 1928, Pencil on light brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13236

Ernst Barlach, The Hornblower (Der Hornbläser), 1927, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32975

Édouard Vuillard, Siesta, 1928, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36851

Will Dyson, Mother Earth: gaze your fill, poor child and be done with it, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12547

Marguerite Zorach, Hand with Fern, c. 1928, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.385

Charles Gere, Distant view of the Matterhorn, 1926, Watercolour over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7152

after David Low, Jix (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2470

Jacob Epstein, The Visitation, 1926, cast 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5381

Eugène Atget, Avenue des Gobelins, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40472

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221145

Vincent Sheldon, Albion Pottery kiln, 1927, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13092

Vincent Sheldon, The quarry, 1927, possibly printed 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13122

Caroline Barker, Portrait, c.1926, Oil on canvas on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13482

Paul Klee, View of Ancient City (Antikes Stadtbild), 1927, Ink and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37343

Frank Medworth, The second book of Esdras in the apocrypha, c.1929, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5765

Anna Boberg, Study from the South of France, 1927, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106361264

Karafyllakis Antonios, Head of an old woman, 1929, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00734_ZOG709

Vincent Sheldon, For export, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13102

László Moholy-Nagy, View from Pont Transbordeur, Marseille, 1929, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55478

Eugène Atget, Avenue des Gobelins. Bijouterie, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40479

L.J. Harvey, Vase, 1927, Earthenware, hand-built mixed clay and modelled with pair of Venetian lions. Blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15617

Frances Dunbar, Cylindrical vase, 1926, Earthenware, hand built with incurving sides and carved foliate decoration, glazed purple/blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2380

Karl Langer, Little Street in Gagniano, c.1926, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10613

László Moholy-Nagy, [Untitled], 1927, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55473

Emil Nolde, .1 Elderly Men .2 Mythical Creatures, (1926, published 1927), Two lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11613

Vincent Sheldon, The connoisseur, 1928, Monotype on cream handmade laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13248

Adolf Dehn, Sunday Stroll, Vienna, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34851

Yves Tanguy, [Untitled], 1926, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35802

張穀年, 雪景, 1929, Ink wash, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/08100040

Timothy Cole, Thomas Jefferson, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5972

Charles Demuth, Corn and Peaches, 1929, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33537

Walter Dexel, Street Beside the Old Pagoda of the Yellow Monks. Set design for the play Mann ist Mann (A Man's a Man), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37500

Eugène Atget, Fête de Vaugirard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41028

Arthur Streeton, Land of the Golden Fleece, 1926, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736803

Marguerite Zorach, Portrait of Yasuo Kuniyoshi, c. 1927–28, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35011

Lyonel Feininger, Ruin by the Sea II (Ruine am Meere II), 1929, Brown and black charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33898

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490

Timothy Cole, Rodin, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5974

Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297

after David Low, Lloyd George (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11502

Eugène Atget, Saint-Sulpice, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40574

Frank Lloyd Wright, September Abstractions, The Desert, design for Liberty Magazine cover, 1926–27, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37772

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33776

Percy Leason, The butcher, c.1927, Etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15467

Will Dyson, And mind you less of this 'ere hidden superiority, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12546

Eugène Atget, Cour, Ruelle des Reculettes, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41701

Exarch Eugenia, Άτιτλο, 1928, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00917_ZOG893

Eugène Atget, Luxembourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39551

Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39926

George Grosz, Seated Girl (Sitzendes Mädchen), 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37552

Thea Proctor, Meditation, 1928, Pencil on light-brown wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3554

Frances Dunbar, Slab built vase, 1926, Earthenware, slab built vase dipped in green slip and incised with a design of gumleaves and nuts. Glazed green blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1849

Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366

William Bustard, (Two studies of a man scything), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13069

Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345

William Bustard, (Monsterio), c.1927, Watercolour wash, gouache, pen and over over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13067

Kurt Schwitters, Untitled (V 2), 1928, Cut-and-pasted colored and printed papers and ink on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37713

Joost Schmidt, Paraboloid sculpture, 1928, printed 1950s, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7688

Lionel Lindsay, Little market of San Galtano, 1927, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8570

Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384

Lyonel Feininger, Ruin on the Cliff, 1929, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33889

鄭孝胥, 騷人論藝, 1926, Calligraphy, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/08200081

James Quinn, René the seeker, c.1928, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8021

Eugène Atget, Saint-Cloud, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39929

Karl Hofer, Zwei Freunde, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2089

Roland Wakelin, Portrait of Basil Burdett, c.1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/39567

Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014

Eugène Atget, Rue des Gobelins, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39592

Eugène Atget, Luxembourg, July 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39553

after David Low, P.G. Wodehouse (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4864

Roland Wakelin, In the Botanical Gardens, 1928, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/717

William Zorach, Fisherman, 1927, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35020

Kawase Hasui, Shin Ohashi Bridge (Shin Ohashi), from the series "Twenty View of Tokyo (Tokyu nijukkei)", 1926, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87298

L.J. Harvey, Afternoon tea tray, 1927, Walnut, carved with Art Nouveau inspired scrolls with dolphin mask handles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15669

ELLIS ROWAN, Marian Royal Worcester Porcelain Works - Manufacturer, Cunningham wattle plate, 1926, Porcelain, bone china with transfer printing and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15348

Vincent Sheldon, An old bridge, Cash's Crossing, 1928, Etching on off-white, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13117

Vincent Sheldon, The stone crusher, 1928, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13127

Eugène Atget, Marché de La Madeleine, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40119

Georg Kolbe, Rückenakt in starker Beugung, 1928, Aquarell und Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10388

Vincent Sheldon, In Mitre Court, London, 1929, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13113

Vincent Sheldon, The potter (2), 1928, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13121

Kurt Schwitters, Merz 1926 17. Lissitzky, 1926, Cut-and-pasted colored paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35525

Natori Shunsen, The actor Ichikawa Chushu VII as Takechi Mitsuhide, 1927, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4687

Kenneth Macqueen, Ploughing the boundary, 1928, Watercolour with pencil, heightened with white on paper adhered to cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14432

Eugène Atget, Place de la Concorde, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39240

Timothy Cole, Abraham Lincoln, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5969

Arthur Streeton, Valley, Wandiligong (1928), 1928, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111034159

Malcolm Osborne, Arthur James Grant, 1928, Etching and drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12579

William Robson, (Farm shed with a massed creeper), c.1929, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/482

Sonia Delaunay, Étude de Robe No. 1284, 1926, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36102

Vincent Sheldon, The stone crusher, 1928, Etching on handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13129

William Bustard, (Sketch of a car), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10456

August Sander, The hod carrier, 1928, printed 1990, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6621

Eugène Atget, Fête de la Villette, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41113

Eugène Atget, Port des Tuileries, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39694

Ernst Ludwig Kirchner, Das Leben, 1928–1932, Gewebte Wolle, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2095

Horace Brodzky, Study for the painting The Family, July 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35762

George Grosz, Café, c. 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33203

Eugène Atget, Coiffeur, avenue de l'Observatoire, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39487

Kirill Zdanevich, Study for Tribun Poetov (Tribune of Poets), 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14373

László Moholy-Nagy, Berlin Radio Tower, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55476

Otto Freundlich, Ascension, 1929, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4385

Jacob Epstein, Figure study, c.1928, Pencil on thin smooth cream wove, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15417

Eugène Atget, Pont Marie, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39789

John Taylor Arms, Rocamadour, 1926–1927, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.183

Lloyd Rees, Hydrangeas, c.1929, Oil on canvas faced plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10777

Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925

Louis Conrad Rosenberg, Drying nets, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9620

Julio Montenegro, Solidarity!! (Solidaridad!!), 1928, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37954

Vincent Sheldon, (Small house with river in foreground), c.1929, Watercolour on rough, wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12176

Gerald Brockhurst, Una, c.1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12550

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221146

Berenice Abbott, Buddy Gilmore, Paris, c. 1926–1927, Platinum print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2001.36

Willi Baumeister, Figures, (1926), Charcoal, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38174

Elisabeth Monz, Coffee set, 1929, Earthenware, hand-built tapering cylindrical shape with applied handle and spout. Carved decoration with pink glaze splashed sepia and blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2807

Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521

Wobbe Alkema, [Untitled], 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38167

Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529

John Storrs, Head of Marie Honneger, April 3, 1929, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35296

Karl Hofer, Two Women by the Shore, (c. 1928–29), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33956

Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221151

Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366

André Masson, Four trial proofs for plates from Histoire de l'oeil, 1928, Illustrated book with four lithographs, two with blue pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19828

Daphne Mayo, Bancroft medal for the British Medical Association (now AMA), Queensland Branch, 1927–28, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38537

Max Jacob, Three Figures, 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33781

William Dobell, Study of Harold Abbott, 1928–29, Oil on canvas on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7860

Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted newspaper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38165

Vincent Sheldon, Lobby, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13135

Gaston Lachaise, Seated Woman, c. 1929–31, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33131

Charles Cheston, Esplanade, Dover, evening, 1928, Watercolour, gouache and pencil over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7897

Merric Boyd, Vase, 1926, Earthenware, wheelthrown spherical form glazed deep cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1206

Paul Klee, Fire in the Evening, 1929, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34854

Kurt Schwitters, Mz 26, 48. Berlin, 1926, Cut-and-pasted colored and printed papers and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37709

Griffith Baily Coale, Shipping (mural study), 1929, oil on canvas; 16 3/8 x 88 1/8 in. (41.6 x 223.8 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381043674-0

Arthur Streeton, Land of the golden fleece, 1926, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443273

Gaston Lachaise, Man Standing, c. 1928–29, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33076

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221148

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33785

Helen Torr, Basket of Vegetables, 1928–29, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36187

after David Low, Lord Oxford (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1998

Paul Klee, Portrait of an Equilibrist, 1927, Oil and collage on cardboard over wood with painted plaster border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35209

L.J. Harvey, Jean, 1928, Earthenware, modelled pie dish clay, mixed clay base and clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15703

John Olday, Modern Venus, 1929, Ink and charcoal on white paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6385

Vincent Sheldon, (Sitting room, 'Wynberg') (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13137

Lionel Lindsay, Repairing the Herrara Gateway, 1928, Watercolour, pen and ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8405

David Robertson, Grand Canal, Venice, 1926, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12644

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221144

Andre Kertesz, Chez Mondrian, 1926, printed later, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9735

Eugène Atget, Passage Moret, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40273

Vincent Sheldon, Beach scene, c.1928, Monotype on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3313

Vincent Sheldon, Etching plate for 'The old kiln', 1927, Etching plate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11768

Lionel Lindsay, The Riva, Venice, c.1928, Watercolour and gouache over pencil on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7919

Maks Al'pert, Dneprostroi Dam, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237986

Norman Lindsay, Julia Frisk and Mr Brisk, 1928, Etching on off-white wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11539

Will Dyson, Our Younger Novelists: Alas! is there nothing left for me to take off?, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12541

William Bustard, (Studies of a man ploughing, shouldering a long scythe and scything), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11366

F.W. Whitehouse, The Brisbane at Fernvale, 1926, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8529

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199176

Walter Dexel, [Untitled], 1926, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38200

Preston Dickinson, Still Life, 1926, Pastel, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33582

John Longstaff, The Hon W A Holman, KC, 1929. https://dartabase.art/cite/wikidata/Q99851972

Arthur Streeton, Afternoon light, Goulburn Valley, Victoria, 1927, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736409

Ivo Pannaggi, Collage, 1926, Parcel post wrapping, stamps, ink, and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33036

Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176

王雲, 貓, 1927, Ink wash, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/07600064

Harold Parker, Laughing water, 1928, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3000

WÜRTTEMBERGISCHE METALLWARENFABRIK (WMF), Vase, c.1927, Hot-worked amber glass with iridised surface, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6056

ELLIS ROWAN, Marian Royal Worcester Porcelain Works - Manufacturer, Boronia cup and saucer, 1926, Porcelain, bone china with transfer printing and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15347

Vincent Sheldon, Old Normal School, 1927, Etching on off white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13119

Eugène Atget, Petit bar, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41287

Walt Kuhn, Girl from "Show Boat", 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33935

Eugène Atget, Boulevard de Bonne-Nouvelle, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39667

臺靜農, 張懷瓘書斷, 1928, Calligraphy, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/08200072

after David Low, H.G. Wells (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6331

Harold Cazneaux, Sand minstrels, 1929, Gelatin silver photograph, sepia-toned on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12469

Vincent Sheldon, For export, 1928, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13106

Eugène Atget, Marché de La Madeleine, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40329

Eugène Atget, Cour, 3 ruelle des Reculettes, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40274

Randolph Schwabe, Girl reading, 1927, Pencil on blue paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14235

Vincent Sheldon, Toulon, 1929, Pencil on cream wove paper
on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12791

Vincent Sheldon, Hospital Hill, Brisbane, 1928, Etching on off-white, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13110

Vincent Sheldon, For export, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13103

Vincent Sheldon, The master's house, Middle Temple, 1929, Etching on handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13114

Countee Cullen, <I>The Ballad of a Brown Girl: An Old Ballad Retold</I>, 1927, ink on paper; H x W: 10 × 6 1/2 × 1/4 in. (25.4 × 16.5 × 0.6 cm); H x W x D (closed): 9 7/8 × 6 9/16 × 7/16 in. (25.1 × 16.7 × 1.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744963-0

Walker Evans, Girl in Fulton Street, New York, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13724

Henri Matisse, Odalisque with a Moorish Chair, 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33393

Vincent Sheldon, Evening, 1927, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13097

Vincent Sheldon, Colombo, 1929, Watercolour over pencil on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12175

William Bustard, (Studies of a man carrying a sheaf of grain, a man carrying a chook and a man holding a hose), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13070

Martin Lewis, Relics (Speakeasy Corner), 1928, Drypoint on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12770

William Zorach, Draped Figure, 1927, Bronze on wood base, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.87a-b

林有德, 一帆風順, 1927, Watercolor, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/07900080

Lilian Chauvel, The weariness of years, c.1929, Charcoal on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12549

Vincent Sheldon, Dining room, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13133

Muir Auld, Morning, Brisbane waters, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8414

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228

Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728

René Lalique, Oleron vase, designed 1927, Mould blown frosted and clear glass with sepia patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31303

L.J. Harvey, Square sugar and cream set, 1927, Earthenware, slab built with tapering sides elaborately carved and with cobalt glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15628

Tom Garrett, Untitled (old country house), c.1929–52, Monotype, reworked with gouache and pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11301

L.J. Harvey, Covered jar: Kookaburras, 1929, Earthenware, cream and terracotta clay over white and incised with a design of kookaburras and gum leaves. Light blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15620

蕭謙中, 山水, 1927, Ink wash, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/08000162

Grace Crowley, Torso, study in volume, 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7862

Edward Hopper, Box Factory, Gloucester, 1928, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33748

Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839

Lyonel Feininger, Ruins on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33763

Muirhead Bone, Leonard Gow, 1927, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1051

Lyonel Feininger, Ruin by the Sea I (Ruine am Meere I), 1928, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33856

William Bustard, (Two studies of a man sowing grain), c.1927, Pencil and red chalk on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13068

John Banks, Idyllic landscape, 1928, Oil on board (in LJ Harvey frame), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15582

Harold Parker, Eve repentant, 1928, Bronze on marble base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8595

Vincent Sheldon, From Hamilton, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13107

Vincent Sheldon, Albion Pottery kiln, 1927, Watercolour on cream, handmade, wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5635

Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927

Walter Dexel, Two White Verticals, 27 XX, 1927, Gouache, ink, pencil, and watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38202

Roy Parkinson, Sydney Harbour, 1927, Watercolour on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7797

Vincent Sheldon, In Mitre Court, London, 1929, Etching on off-white, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13112

Pavel Tchelitchew, Edith Sitwell, c. 1928, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35038

Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445

Childe Hassam, The Chase House, 1929, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7738

Charles H. Lancaster, Tuckett's Farm ('Primrose'), Brookfield, 1928, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15585

Bessie Gibson, The brown jug, c.1928, Watercolour over charcoal on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14586

Margaret Preston, NSW and West Australian banksia, 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15277

Christopher Wood, Cornish Port, c.1928, Pencil on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12669

王震, 歲朝清貢, 1929, Ink wash, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/07600065

Timothy Cole, Theodore Roosevelt, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5976

Norman Studios, Press kit for the film Black Gold, 1928, ink on paper; H x W: 21 15/16 × 28 1/16 in. (55.8 × 71.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752363-0

Paul Klee, Magicians in Dispute (Magier im Disput), 1928, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35216

Oscar Bluemner, The Eye of Fate, 1927, Watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33681

Vincent Sheldon, Road of tombs, Pompeii, 1929, Etching on handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13123

Florence E. Bland, Tobacco jar, 1927, Earthenware, hand-built white clay, the globular body set on four scroll feet.  Simple interior lid and exterior lid with knot and carved scrolls. The sides similarly decorated.  Glazed sepia, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5446

William Zorach, Maine Landscape, 1927, Watercolor over touches of charcoal on ivory watercolor paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/10946

Vincent Sheldon, Coal wharf, South Brisbane, 1928, Etching on rough cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13093

Lyonel Feininger, Ruin with Tree in Foreground, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33743

Eugène Atget, Hôtel Lambert, Quai d'Anjou, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39695

L.J. Harvey, Pot, 1928, Earthenware, hand built, two colour glazes, modelled square aperture and foliate corners. Pink glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15631

Peter Blume, Study for Parade (Waterfront, Manhattan), 1929, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33384

Harold Parker, (Child's head), 1927, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10205

William Zorach, Torso of a Girl, 1927, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.243

Jean Arp, Constellation, 1928, Silkscreen, Museum of Contemporary Art Tokyo, Tokyo. https://dartabase.art/cite/tomuco/6382642

Georges Vantongerloo, XY = K Green and Red, 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35841

Marjory Clark, Covered jar, 1929, Earthenware, hand-built swelling white clay form with four prominent ridges terminating in points above the lip and continued on the lid.  Running brown and ochre slips carved with a "crazy paving" design.  Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4469

Lyonel Feininger, Cliffs and Sea with Ruins, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33752

Roland Wakelin, The Bridge under construction, 1928, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13573

Vincent Sheldon, Old St Andrew's, Brisbane, 1927, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11196

Mary Macdonald, Low vase with handles, 1928, Earthenware, slab and hand built, set on applied feet with two handles and carved on two sides with a design of fruit.  Glazed brown with blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5642

Kurt Schwitters, Karlsruhe, 1929, Cut-and-pasted printed paper and crayon on printed board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38342

Rah Fizelle, Hillside village, Italy, c.1927–31, Watercolour over pencil on rough cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4047

Norman Lindsay, Women and cards, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12985

Jean Cocteau, Monroe Wheeler, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38118

Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427

Vincent Sheldon, Sunday morning, 1927, Watercolour over pencil on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10740

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221147

Marguerite Zorach, Boats at Dock, 1927, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.944

James Alexander Murray, The landing stage, 1928, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5466

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160

Robert Delaunay, Costume designs for the unrealized ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36067

László Moholy-Nagy, [Untitled], 1927, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50173

Vincent Sheldon, A dividing fence, 1927, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13095

L.J. Harvey, Vase, 1928, Earthenware, slip-cast body and decorated in the double scraffito technique with rust and ochre clays with four panels of butterflies and alamandas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8225

Paul Kelpe, Composition, Number 160, 1928, Watercolor, pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36501

Walker Evans, 42nd Street, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13730

J.H. Foster, (Creek with trees), c.1927, Gelatin silver photograph, sepia-toned on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7564

Lyonel Feininger, Ruin by the Sea II (Ruine am Meere II), 1928, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33866

Vincent Sheldon, A dividing fence, 1927, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13096

Jules Pascin, George Biddle and Jane Belo, (1927–28), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35206

Arthur Streeton, Valley, Wandiligong, 1928, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6216

Muriel Macdiarmid, Potpourri jar, 1929, Earthenware, hand built, the shoulders and lid carved and pierced with a design of insects which extends to the base forming reserves enclosing carved ovals. Glazed blue/green and black with blue underglaze floral motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8575

Eugène Atget, Port des Tuileries, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40582

László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Cut out pieces for photomontage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223680

Elioth Gruner, Rolling hills near Yass, 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6359

Norman Lindsay, Ambush, 1927, Etching and aquatint on paper (in LJ Harvey customised frame), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15586

Daisy Nosworthy, Tea-set, 1928, Earthenware, hand-built cream Redcliffe clay decorated in blue underglaze with a trellis and cornflower pattern, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4669

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196

Marjory Clark, Vase, 1929, Earthenware, hand-built baluster vase with two handles, carved below each with scrolls which extend below the shoulders in grotesque fish motifs with pendant bell flowers.  Glazed green and blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6330

Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted colored paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38169

Vincent Sheldon, The miser, 1927, Soft-ground etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6239

Balthus (Baltusz Klossowski de Rola), Study for The Street, (1929), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37490

Lionel Lindsay, San Galtano, Naples, 1927, Watercolour and gouache over pencil, reworked with pencil on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7782

André Dunoyer de Segonzac, Landscape, c. 1928, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34151

Desiderius Orban, A village on the river, c.1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7826

Pigeon Crowle, Morning, c.1927, Watercolour and pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5492

Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507

John D. Moore, Sydney Harbour, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10421

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507

André Masson, Battle of the Fishes, (1927), Chalk, charcoal, conté crayon, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38251

Vincent Sheldon, Cape St Vincent, 1929, Pencil on cream wove paper
on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12797

Eugène Atget, Avenue des Gobelins, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40500

Vincent Sheldon, Windblown, c.1929, Monotype on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13250

George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643

Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364

Julio Montenegro, Field, c. 1928, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37947

L.J. Harvey, Baby in bonnet and ruffle sleeve dress, 1929, Earthenware, modelled, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15600

Kurt Schwitters, 29/8, 1929, Cut-and-pasted colored paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35248

Pigeon Crowle, Evening, c.1927, Watercolour and pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7393

Vincent Sheldon, A camp in the desert, Egypt, 1929, Watercolour on rough, wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5636

Margaret Preston, Jug of flowers, c.1929, Woodcut, hand-coloured on thin laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14245

The Prudential Insurance Company of America, <I>Plan of Group Insurance for Employes of The Pullman Company</I>, 1929, ink on paper; 6 7/8 × 5 1/16 × 1/8 in. (17.5 × 12.9 × 0.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1659169808116-1659169819583-0

Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278

Pavel Tchelitchew, James Joyce, 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35063

郭梁, 壽翁圖, 1927, Ink wash, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/08200044

Georg Kolbe, Nude (Akt), (c. 1927), Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35427

Vincent Sheldon, Hospital Hill, Brisbane, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13111

Vincent Sheldon, The stone crusher, 1928, Etching on thick cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13128

Ernst Ludwig Kirchner, Brandenburger Tor, 1929, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2813

Harold Parker, Seated nude with flower, 1928, Plaster with painted patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35591

Alexander Bogomazov, .a) Man and Woman Carrying Large Baskets  .b) Untitled, c. 1927–28, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36466

Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560

Mary Macdonald, Vase, 1927, Earthenware, hand-built white clay dipped brown and carved with a design of grape leaves, fruit, tendrils and insects.  Glazed blue/green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9864

Blamire Young, Land-locked sea, c.1928, Watercolour on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1770

Pigeon Crowle, (Unfinished sketch of a woman), c.1927, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7392

Vincent Sheldon, For export, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13104

Germaine Krull, Métal (Metal), 1928, Artist’s book with 64 photogravures, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65732

Webster Publishing Company, <I>Sharp's Language Drills and Test: Fifth Grade</I>, 1929, ink and graphite on paper; H x W x D: 9 5/16 × 6 × 1/4 in. (23.7 × 15.2 × 0.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748734-0

Lyonel Feininger, Cliffs and Sea, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33720

Vincent Sheldon, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13132