Will Dyson, Our Youth: Suzannah and the youngers, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12535 Maud O'Reilly, Double handled vase, 1924, Hand-built white earthenware clay shouldered vase with bulging cylindrical neck and handles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12235 G. Bessi, (Neo classic bust), c.1925, Marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5548 Godfrey Miller, (Standing female nude), c.1923–33, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3436 Nell Bott, Vase: (art nouveau), 1924, Earthenware, handbuilt with foliate motif applied with brown slip and blue-green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11985 L.J. Harvey, Plaque: (Neoclassic motif), c.1924, Plaster cast and incised with original frame, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1752 László Moholy-Nagy, Konstruction V, 1923, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65746 L.J. Harvey, Plaque: Pat, 1925, Wood, carved low relief, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7104 Daisy Makeig-Jones, Plate Showing Imps on a Bridge and Tree House, 1924–1930, lusterware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2754 Otto Dix, Lustmord (Lust murder), 1922, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65708 Ian Fairweather, (Mountain gorge with snow-capped range in the distance), c.1924, Watercolour on smooth cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9281 William Robson, Peace, c.1929, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6029 Lovis Corinth, Tod und Paar (Death and the couple) (no. 3 from 'Totentanz' portfolio), 1922, Soft-ground etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8989 Bombay Pioneer workshops of the 92nd (Prince of Wales Own) Punjabis, Three-fold screen, 1922, Carved teak, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8170 Agnes Goodsir, In a Paris studio, c.1922, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7815 Kenneth Macqueen, Weathercock Farm, 1925, Watercolour with gouache over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4828 Georges Rouault, Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere'), 1923, printed 1927, Etching, aquatint, sugar-lift aquatint and burnishing over heliogravure plate on off-white laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10489 Roy De Maistre, Peaceful harbour, c.1926, Oil on canvas board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7632 Vincent Sheldon, Fruit seller, Colombo, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13108 Will Dyson, Moralities: Why did I do it?, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12539 after David Low, Philip Snowden (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9392 Lloyd Rees, Old Medical School, University of Sydney, 1922, printed 1976, Etching on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3173 Hans Heysen, (Landscape), 1923, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6033 Will Rowell, Portrait study, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10570 Vincent Sheldon, For export, 1928, Etching on cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13100 L.J. Harvey, Vase, 1927, Earthenware, hand built on four feet modelled with gum leaves, kookaburras and beetles. Glazed brown splashed yellow, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4526 Hall Thorpe, Anemones, c.1922, Colour woodcut on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24773 after David Low, Somerset Maugham (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12589 John Longstaff, Portrait of E. Crisp, 1924, Charcoal on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5368 Thomas Switzer, The Town Hall under construction, 1927, Pen and ink on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12640 John Hepburn Cadell, Jug, 1922, Hand and slab built white earthenware body of rectangular section with strap handle and thumb indentation. Incised with Omega Studio style floral motif and green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3713 Vida Lahey, Morning light, Brisbane River, c.1925–30, Oil on three-ply board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17972 Godfrey Miller, (Reclining nude), c.1923–33, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7105 Philip Connard, Tommy of Chelsea Green, c.1926–27, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12121 René Lalique, Beautreillis vase, designed 1927, Mould blown opalescent glass with remnant blue patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31301 Jessie Traill, Building the Harbour Bridge, II The Works, North Side, 1928, Etching on yellowed Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3660 William Zorach, Pegasus, 1925, Wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.88a-b Norman Lindsay, Casanova, 1928, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11310 John Russell, Landscape, New Zealand, c.1922–24, Watercolour over pencil on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5801 Lionel Lindsay, Muscovies, 1924, Wood engraving on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3629 Harold Cazneaux, Departure, 1928, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17261 Oskar Fischinger, Raumlichtkunst (Space-Light-Art), c.1926/2012, Three-channel projection HD video installation: 4:3, 9:56 minutes; 9:39 minutes; 8:25 minutes, silent, colour and black-and-white Reconstruction by Center for Visual Music, Los Angeles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20155 Rupert Bunny, La fontaine, c.1929–30, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8594 Alma Irving, Tea-set, 1927, Earthenware, hand-built white clay globular body covered in light brown slip with stylised floral (and figure on teapot) design in underglaze black. Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10425 Desiderius Orban, Outskirts of Prague, 1928 or 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2465 UNKNOWN, Royal Academy of Arts medal (silver) presented to Daphne Mayo, 1922, Metal alloy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38539 after David Low, The Right Honourable J.H. Thomas P.C., M.P. (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2469 Frances Dunbar, Tobacco jar, 1926, Earthenware, slab built with impressed designs and glazed shades of blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8325 Gwendolyn Grant, Pair of bowls, 1927, Earthenware, hand-built buff ochre clay with grey slip decoration incised with flannel flower motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3269 Max Meldrum, (Farm house, demonstration piece), 1922, Oil on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3921 Vincent Sheldon, The Three Fates, 1929, Linocut on grey-black wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13245 William Bustard, Brisbane townscape, 1928, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31495 Will Dyson, One had no idea she was half so attractive, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12538 Hans Heysen, Study of gums, c.1926, Charcoal and white chalk on grey wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14228 Nikolai Sedelnikov, Printer's proof for cover for Avtomobil' i upravlenie im (The Automobile and Driving It), 1928, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32041 Vincent Sheldon, On the Brisbane, 1928, Soft-ground etching, sandpaper ground on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1472 Vincent Sheldon, His Grace Archbishop Duhig (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13136 Ohara Shoson, Bird and water lillies, c.1926, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4622 after David Low, Ernest Bevin (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1832 Jan Oeltjen, Eistoss (Icepack) 3, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12837 Norman Lindsay, Moonlight's piper, 1925, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9540 Henri Matisse, Nu au coussin bleu (Nude on blue cushion), 1924, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14304 George Grosz, Lady Hamilton's schleiertanz (Lady Hamilton's veil dance), 1922, Photo-lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65714 Ohara Shoson, Cockatoo and pomegranate, c.1927, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12747 L.J. Harvey, Cheese dish and cover, 1925, Earthenware, slab built with projecting corners and surmounted with a modelled mouse, incised 'Milo', and with white and cobalt glaze over brown, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15707 William Robson, Tall trees, little house, c.1929, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10648 Wassily Kandinsky, Holzschnitt für die Ganymed-Mappe (Woodcut for 'Ganymede' portfolio), 1924, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65722 L.J. Harvey, Head of a girl in a scarf, 1925, Plaster cast with rubbed finish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15663 Donald Commons, Coast at Bronte, NSW, 1923, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/996 Jessie Traill, Building the Harbour Bridge III The Granite Workers, April 1929, 1929, Etching, sand paper ground on yellowed Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15507 Lionel Lindsay, Mosque of the Taj, c.1929–36, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2121 M.A.J. Bauer, The entry of the pasha, 1925, Etching on yellowed wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3285 Vincent Sheldon, (Tower Bridge, London), c.1929, Watercolour on thick, rough, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12177 Edwin Scott, Untitled (street scene, Paris), 1927, Charcoal on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7639 Norman Lindsay, Ambush, 1927, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8801 William Washington, St. Olave's, Southwark 1739-1928, 1929, Engraving on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12552 Frances Dunbar, Double scraffito vase, 1928, Earthenware, slab built white earthenware dipped in brown and ochre clays and incised with formalised designs in the double scraffito technique. Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/496 Vincent Sheldon, Dining room, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13134 John Russell, Dry weather, New Zealand, c.1922–24, Watercolour over pencil on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5126 after David Low, Arnold Bennett (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5647 Martin Lewis, A man and dog by a campfire, 1926, Pastel on green wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6182 Norman Lindsay, Night's frolic, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8979 Martin Lewis, Shadows on the ramp, 1927, Drypoint and sand ground on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11738 Lovis Corinth, Tod und Greis (Death and the old man) (no. 4 from 'Totentanz' portfolio), 1922, Soft-ground etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13077 Max Liebermann, Portrait of Gerhart Hauptmann, 1922, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15482 Vincent Sheldon, For export, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13105 L.J. Harvey, Water nymph cabinet, c.1929–30, Walnut, carved, with elaborate cabriole legs and Art Nouveau cedar panel carved with a nymph. Lead-glass panels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15737 Vincent Sheldon, The old kiln, 1927, possibly printed 1928, Soft-ground etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1473 Godfrey Miller, (Resting figure), c.1923–33, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/921 Elisabeth Monz, Onion shaped vase, 1929, Earthenware, hand-built cylindrical vase with swelling base and four applied feet. Decorated with a landscape scene in buff and rust slips. Light blue glaze (Note: Harvey School exercise No.10), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9666 W.B. Mcinnes, Portrait, c.1925–33, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6991 Matthew Smith, Cornish landscape, 1923, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14254 Muirhead Bone, Rev. Dr. James, 1927, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1044 UNKNOWN, Royal Academy of Arts medal (gold) presented to Daphne Mayo, 1923, Metal alloy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38541 Kenneth M. Adams, New Mexico Village Under Snow, 1929, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/40.17 Norman Lindsay, Leda, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/662 Marjorie Sakzewski, Squat bottle, 1927, Earthenware, hand-built squat bottle with incised foliate design. Glazed slate blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/751 Alma Gainford Williamson, Bowl, 1924, Earthenware, hand built with four feet. Bush scene in brown and ochre slips and glazed blue/green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/709 KASAMATSU, The Great Lantern at Asakusa, 1926, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8653 CRISTALLERIE SCHNEIDER, Compotiere, c.1925, Orange glass cased maroon with acid etching, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/585 Vincent Sheldon, Solitude, 1927, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13125 Kurt - Artist, van DOESBURG, Theo Schwitters, Kleine Dada soirée (Small Dada evening), 1922, Poster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65770 after David Low, G.B. Shaw (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/817 Jan Oeltjen, Begegnung (The meeting) 1, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12843 Jessie Traill, Building the Harbour Bridge IV The Ant's Progress, 1929, Etching, sand paper ground on yellowed wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4472 L.J. Harvey, Honey jar, 1923, Hand-built cylindrical body set on four applied feet and carved beneath the rim with pendant bell flowers. Cobalt glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7571 Elioth Gruner, New England fleeces, c.1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5230 Lionel Lindsay, Convent of St Euphemia, 1928, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12574 Norman Lindsay, The hidden faun, 1928, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12981 Lionel Lindsay, Andalusia, c.1926, Watercolour over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8227 after David Low, Marie Stopes (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10461 Charles H. Lancaster, The Quarry (Petrie Bight), c.1926, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20064 Walter Richard Sickert, Old Heffel of Rowton's, c.1922, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10843 Norman Lindsay, The Funeral March of Don Juan, 1924, Etching and engraving on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12639 after David Low, Professor Einstein (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2471 Vincent Sheldon, Albion Pottery kiln, 1927, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13091 Bessie Gibson, Portrait of Miss Somerset, c.1928, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6343 Martin Lewis, Homeward bound, Japan, 1926, Drypoint, sandpaper ground on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/334 Georges Rouault, Homme a la moustache et aux lunettes (Man with a moustache and spectacles), 1928, Etching, aquatint, sugar-lift aquatint over heliogravure plate on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11555 Stanley W. Eutrope, Passing clouds, c.1923, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12473 Jessie Traill, The Great East Window, M.E.S. Power House, 1924, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12748 Will Dyson, Orpheus, modern version, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12534 Will Ashton, Morning, Berry's Bay, c.1923, Oil on canvas laid down on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5334 Godfrey Miller, (Standing nude), c.1923–33, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12381 Theo Scharf, Promenade (no. 3 from 'Night in a city' series), c.1924, Etching, drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8802 William Bustard, (Two studies of a man scything), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11540 after David Low, Sir John Simon (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5646 Vincent Sheldon, The stone crusher, 1928, Etching with brush and ink, wash and chalk on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13126 Kathleen O'Connor, Between hours, c.1928–30, Gouache on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7309 Martin Lewis, Butter and egg man's holiday, 1926, Drypoint, sandpaper aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11325 Vincent Sheldon, (Staircase, 'Wynberg') (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13138 A.M.E. Bale, Woman reading, 1924, Oil on canvas laid down on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8412 Vincent Sheldon, For export, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13101 Lionel Lindsay, Mosque and bridge, Cordoba, c.1922–61, Watercolour over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/439 John Hepburn Cadell, Footed bowl, 1922, Hand- and slab-built white earthenware clay set on four feet (at the centres) and lug handles. Incised rope decoration around the rim with scale pattern on the legs. Green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1317 Will Dyson, Moralities: Father, can you forgive me? My daughter, can you forgive me?, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12537 Alma Irving, Nut bowl, 1926, Earthenware, hand-built low circular bowl on four feet, divided into four compartments with a central support for the nut cracker. Four groups of chestnuts and leaves applied to the exterior and glazed blue, and maroon, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10565 William Zorach, Two Figures, 1929, Wax crayon and graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/74.69 Erich Buchholz, (Untitled) (from untitled portfolio), 1922, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4849 Will Dyson, "Thomas Hardy finds evidence of canker in the fields of asphodel", c.1925–30, Etching and drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10799 Max Beckmann, Kaschemme (Bar), 1922, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65706 Robert Flint, Martigues, Provence, 1923, Watercolour over pencil on grey wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6360 Norman Lindsay, Thieves' kitchen, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12987 William Bustard, Evening light, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31494 Albert Gleizes, Composition, 1922, Pencil on light wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65711 Rah Fizelle, Camogli, 1929, Watercolour over pencil on cream paperboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3379 Lionel Lindsay, The jester, 1923, Wood engraving on thin laid India paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3461 Jozef Peeters, De Patroelje (The Patrol), 1922, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/77673 Kenneth Macqueen, (Feeding the pigs), c.1929, Watercolour over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/30537 Maud Fell, Scarab bowl, 1924, Earthenware, press-moulded with wavy rim and carved with a scarab motif. Mauve/ grey glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5497 Karel Maes, [Untitled], 1922, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65741 after David Low, Augustus John (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1108 Lionel Lindsay, Philosophy, 1925, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6238 Vincent Sheldon, Old house, Bowen Hills, 1928, Monotype on cream handmade laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13249 Lionel Lindsay, The pelican, 1924, Wood engraving on thin smooth laid India paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10471 William Zorach, Brooklyn Bridge, 1928, Watercolor and charcoal on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.590 Will Dyson, Moralities: Why did I do it?, c.1926–30, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14219 Vincent Sheldon, The potter (1), 1928, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13120 Pigeon Crowle, Afternoon, c.1927, Watercolour and pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/105 Vincent Sheldon, Preparatory drawing for 'Sitting room, "Wynberg"', 1928, Pencil on light brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13236 Will Dyson, Mother Earth: gaze your fill, poor child and be done with it, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12547 Marguerite Zorach, Hand with Fern, c. 1928, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.385 Charles Gere, Distant view of the Matterhorn, 1926, Watercolour over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7152 after David Low, Jix (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2470 Jacob Epstein, The Visitation, 1926, cast 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5381 Jan Oeltjen, Begegnung (The meeting) 8, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12850 A.D. Colquhoun, Head of Janet McEwan, 1925, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12178 LWK Wirth, Sunshine and shadow, 1923, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20810 Vincent Sheldon, Albion Pottery kiln, 1927, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13092 Vincent Sheldon, The quarry, 1927, possibly printed 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13122 Caroline Barker, Portrait, c.1926, Oil on canvas on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13482 George W. Lambert, Mr Smith of Australia, 1922, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2677 Frank Medworth, The second book of Esdras in the apocrypha, c.1929, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5765 Percy Leason, A spur to philanthropy, c.1924, Pen and indian ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12757 Will Dyson, Philip Island, c.1925–30, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10798 Jan Oeltjen, Eistoss (Icepack) 7, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12841 Vincent Sheldon, For export, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13102 L.J. Harvey, Vase, 1927, Earthenware, hand-built mixed clay and modelled with pair of Venetian lions. Blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15617 Frances Dunbar, Cylindrical vase, 1926, Earthenware, hand built with incurving sides and carved foliate decoration, glazed purple/blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2380 L.J. Harvey, Profile of a boy, 1922, Carved white marble plaque mounted in silky oak bracket frame in Art Nouveau style, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15676 Mikhail Larionov, Design for ticket for Grand Bal des Artistes Travesti Transmental, 1923, Colour woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65735 Jan Oeltjen, Begegnung (The meeting) 7, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12849 George Ault, Trees, 1925, Graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.56 Penleigh Boyd, Sydney Harbour, 1922, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1596 Karl Langer, Little Street in Gagniano, c.1926, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10613 MEISSEN, Covered trembleuse cup and saucer, 1924, White hard-paste porcelain body richly gilt except for the gallery of the saucer and knob to lid, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4635 Emil Nolde, .1 Elderly Men .2 Mythical Creatures, (1926, published 1927), Two lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11613 Vincent Sheldon, The connoisseur, 1928, Monotype on cream handmade laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13248 Hans Heysen, (Road through a landscape with field and trees, unfinished), 1925, Watercolour with gouache over pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14606 Hall Thorpe, Marigolds, c.1922, Colour woodcut on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24778 Roger de La Fresnaye, [Untitled], 1922, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1008 Lionel Lindsay, The crane, 1925, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3885 DAUM FRÈRES, Vase, c.1925, Mould blown smokey grey glass of oval form deeply acid-etched with a design of abstracted tulips and leaves and cross hatches. Fire polished, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12434 Graham Sutherland, The village, 1925, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6545 LALIQUE, René Cristallerie Lalique Et Cie - Manufacturer, Vase: Malsherbe, c.1923, Mould blown grey glass with a design of acanthus leaves. Stained grey, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3356 Jan Oeltjen, Begegnung (The meeting) 5, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12847 George W. Lambert, Portrait of a man smoking a cigarette, c.1925, Pencil on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11255 László Moholy-Nagy, Composition (cross and circle), c.1922, Linocut on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65748 after David Low, Lloyd George (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11502 Jan Oeltjen, Begegnung (The meeting) 3, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12845 L.J. Harvey, Figure: Old Everything of Campbell's, c.1925–30, Earthenware, press-moulded cream clay with black details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4016 Lionel Lindsay, The emperor, 1922, Wood engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10737 Hall Thorpe, Piccadilly (small version), c.1922, Colour woodcut on grey wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4565 Percy Leason, The butcher, c.1927, Etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15467 Rayner Hoff, The Kiss, 1924, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21652 Will Dyson, And mind you less of this 'ere hidden superiority, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12546 Thea Proctor, Le parc (The park) (design for a fan), c.1922, Watercolour and gouache over pencil on silk, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5209 Thea Proctor, Meditation, 1928, Pencil on light-brown wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3554 Muirhead Bone, A Spanish Good Friday, Ronda, 1925, drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1055 Lloyd Rees, George Eaton singing, 1922, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17170 Frances Dunbar, Slab built vase, 1926, Earthenware, slab built vase dipped in green slip and incised with a design of gumleaves and nuts. Glazed green blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1849 Elioth Gruner, Market place, Surabaya [Indonesia], 1924, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12362 L.J. Harvey, Mary, 1924, Plaster cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15604 William Bustard, (Two studies of a man scything), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13069 William Bustard, (Monsterio), c.1927, Watercolour wash, gouache, pen and over over pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13067 Vida Lahey, View from Kirra Headland (showing the Cougalls and Mts. Tallebudgera and Lamington), c.1924, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5326 El Lissitzky, Figurines. The Three-Dimensional Design of the Electro-Mechanical Spectacle: Victory Over the Sun, 1923, 11 lithographic prints in a portfolio with cover, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4631 Joost Schmidt, Paraboloid sculpture, 1928, printed 1950s, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7688 Lionel Lindsay, Little market of San Galtano, 1927, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8570 René Lalique, Druide vase, designed 1924, Mould blown frosted and opalescent glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31300 Wassily Kandinsky, Blau (Blue), 1922, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65723 James Quinn, René the seeker, c.1928, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8021 Roland Wakelin, Portrait of Basil Burdett, c.1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/39567 after David Low, P.G. Wodehouse (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4864 Roland Wakelin, In the Botanical Gardens, 1928, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/717 Marcel Duchamp, Obligation Monte Carlo. Monte Carlo Bond, 1924–38, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12284 L.J. Harvey, Afternoon tea tray, 1927, Walnut, carved with Art Nouveau inspired scrolls with dolphin mask handles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15669 ELLIS ROWAN, Marian Royal Worcester Porcelain Works - Manufacturer, Cunningham wattle plate, 1926, Porcelain, bone china with transfer printing and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15348 Vincent Sheldon, An old bridge, Cash's Crossing, 1928, Etching on off-white, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13117 Vincent Sheldon, The stone crusher, 1928, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13127 Reginald Ward Sturgess, Farmhouse, c.1923, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4588 Vincent Sheldon, In Mitre Court, London, 1929, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13113 Vincent Sheldon, The potter (2), 1928, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13121 William Bustard, Seaside scrub, 1925, Watercolour over pencil, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10647 Elioth Gruner, The wattles, c.1922, Drypoint on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/676 Natori Shunsen, The actor Ichikawa Chushu VII as Takechi Mitsuhide, 1927, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4687 Ethel Spowers, Staircase window, c.1925, Woodcut on thin oriental laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14777 John Hepburn Cadell, Incense burner, 1922, Earthenware, slab and hand-built work with incised decoration of birds and amber glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7272 Kenneth Macqueen, Ploughing the boundary, 1928, Watercolour with pencil, heightened with white on paper adhered to cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14432 Mary Lawrence, Water bottle, 1923, Hand-built earthenware of flattened shape with carved decoration and top handle. Glazed mulberry and yellow, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/114 Malcolm Osborne, Arthur James Grant, 1928, Etching and drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12579 Mervyn Jones, Vase, c.1925–30, Earthenware, hand-built white clay body of flattened spherical form painted with black and brown underglaze colours reserving a design of flowers and stems. Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9824 László Peri, Raumkonstruktion 7 (Space construction 7), c.1922–23, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65758 William Robson, (Farm shed with a massed creeper), c.1929, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/482 Elioth Gruner, Beach scene, Bondi, c.1925–30, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8079 Vincent Sheldon, The stone crusher, 1928, Etching on handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13129 William Bustard, (Sketch of a car), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10456 August Sander, The hod carrier, 1928, printed 1990, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6621 Jessie Traill, The Meccano House: new power house in the building at Yallourn, 1923, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6713 Jan Oeltjen, Begegnung (The meeting) 2, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12844 Jacques Lipchitz, Musical instruments, 1925, reworked at a later date, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12418 Matthew Smith, Tulips, 1925, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8175 Jacob Epstein, Figure study, c.1928, Pencil on thin smooth cream wove, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15417 Lovis Corinth, Tod und Kunstler (Death and the artist) (no. 1 from 'Totentanz' portfolio), 1922, Soft-ground etching and drypoint on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8987 John Taylor Arms, Rocamadour, 1926–1927, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.183 Lloyd Rees, Hydrangeas, c.1929, Oil on canvas faced plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10777 CHARGOIS STUDIO (Cairns), Part of fernery, Lake Barrine (Atherton Tableland), c.1924, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34827 Louis Conrad Rosenberg, Drying nets, 1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9620 Vincent Sheldon, (Small house with river in foreground), c.1929, Watercolour on rough, wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12176 Gerald Brockhurst, Una, c.1929, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12550 J.W. Tristram, Mermaids, 1922, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7562 Berenice Abbott, Buddy Gilmore, Paris, c. 1926–1927, Platinum print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2001.36 Daphne Mayo, Portrait of R. Godfrey Rivers, c.1925–27, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5212 Lionel Lindsay, White goats, 1925, Wood engraving on thin smooth laid India paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7257 Elisabeth Monz, Coffee set, 1929, Earthenware, hand-built tapering cylindrical shape with applied handle and spout. Carved decoration with pink glaze splashed sepia and blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2807 André Masson, Four trial proofs for plates from Histoire de l'oeil, 1928, Illustrated book with four lithographs, two with blue pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19828 Daphne Mayo, Bancroft medal for the British Medical Association (now AMA), Queensland Branch, 1927–28, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38537 William Dobell, Study of Harold Abbott, 1928–29, Oil on canvas on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7860 Vincent Sheldon, Lobby, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13135 Charles Cheston, Esplanade, Dover, evening, 1928, Watercolour, gouache and pencil over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7897 Lovis Corinth, Tod und Jungling (Death and the young man) (no. 5 from 'Totentanz' portfolio), 1922, Soft-ground etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13078 Merric Boyd, Vase, 1926, Earthenware, wheelthrown spherical form glazed deep cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1206 Walter Richard Sickert, A wicked piece, c.1922, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5315 Merric - Potter, BOYD, Doris Boyd, Vase with landscape, 1924, Buff clay, wheelthrown cylindrical form with swelling rim. Brown and blue underglaze decoration beneath clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2912 Jan Oeltjen, Eistoss (Icepack) 8, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12842 Lionel Lindsay, Heysen's birds, 1923, Woodengraving and woodcut on thin smooth laid India paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8046 after David Low, Lord Oxford (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1998 Jan Oeltjen, Eistoss (Icepack) 1, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12835 L.J. Harvey, Jean, 1928, Earthenware, modelled pie dish clay, mixed clay base and clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15703 John Olday, Modern Venus, 1929, Ink and charcoal on white paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6385 Vincent Sheldon, (Sitting room, 'Wynberg') (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13137 Frank Brangwyn, La Porta Capua, 1924, Etching, sandpaper ground on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12875 Lionel Lindsay, Repairing the Herrara Gateway, 1928, Watercolour, pen and ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8405 David Robertson, Grand Canal, Venice, 1926, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12644 Andre Kertesz, Chez Mondrian, 1926, printed later, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9735 Vincent Sheldon, Beach scene, c.1928, Monotype on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3313 Vincent Sheldon, Etching plate for 'The old kiln', 1927, Etching plate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11768 Lionel Lindsay, The Riva, Venice, c.1928, Watercolour and gouache over pencil on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7919 Norman Lindsay, Julia Frisk and Mr Brisk, 1928, Etching on off-white wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11539 Will Dyson, Our Younger Novelists: Alas! is there nothing left for me to take off?, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12541 William Bustard, (Studies of a man ploughing, shouldering a long scythe and scything), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11366 F.W. Whitehouse, The Brisbane at Fernvale, 1926, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8529 L.J. Harvey, Rectangular flask, 1924, Earthenware, modelled with a nude figure and inscription glazed green pink and blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15639 GOODWIN, John Edward Josiah Wedgwood & Co. - Manufacturer, Pair of plates, c.1925–35, Stone china printed with a stylised floral motif in red and cobalt hand coloured in green and yellow with additional blue ground to the rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8037 Harold Parker, Laughing water, 1928, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3000 Vida Lahey, In the hop grounds, Bushey Park (Tas), c.1922–23, Oil on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1487 UNKNOWN, British Empire Exhibition 1925 medal, 1925, Cast bronze (with medal box), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/212 Margaret Preston, Black swans, Wallis Lake, NSW, 1923, Woodcut on thin Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1253 WÜRTTEMBERGISCHE METALLWARENFABRIK (WMF), Vase, c.1927, Hot-worked amber glass with iridised surface, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6056 ELLIS ROWAN, Marian Royal Worcester Porcelain Works - Manufacturer, Boronia cup and saucer, 1926, Porcelain, bone china with transfer printing and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15347 Vincent Sheldon, Old Normal School, 1927, Etching on off white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13119 Cotje Reydon, Wall hanging, 1924, Wool and linen woven in bands with brown, gold, purple and greens and a register of stylised fowls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10690 J. Arthur - Decorator, SALISBURY CROWN CHINA CO. Peach, Cup and saucer, c.1925–27, China painting on bone china painted in mauve and green overglaze colours with a design of flannel flowers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5830 after David Low, H.G. Wells (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6331 Harold Cazneaux, Sand minstrels, 1929, Gelatin silver photograph, sepia-toned on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12469 Vincent Sheldon, For export, 1928, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13106 Randolph Schwabe, Girl reading, 1927, Pencil on blue paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14235 Vincent Sheldon, Toulon, 1929, Pencil on cream wove paper on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12791 Vincent Sheldon, Hospital Hill, Brisbane, 1928, Etching on off-white, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13110 Vincent Sheldon, For export, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13103 Vincent Sheldon, The master's house, Middle Temple, 1929, Etching on handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13114 L.J. Harvey, Head of a girl, 1926, White clay, modelled with white (imperfectly fired) glaze, and blue glazed mixed clay base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15596 Janet Agnes Cumbrae Stewart, In the Market, 1926, Pastel on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7442 Hall Thorpe, Polyanthus, c.1922, Colour woodcut on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24774 William Thomas Owen, Victoria Tower - twilight, c.1924–27, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1912 Vincent Sheldon, Evening, 1927, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13097 Lionel Lindsay, Autumn, 1924, Wood engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6283 Muirhead Bone, Joseph Conrad, 1923/1925, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1040 Roger de La Fresnaye, [Untitled], 1922, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10559 Vincent Sheldon, Colombo, 1929, Watercolour over pencil on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12175 William Bustard, (Studies of a man carrying a sheaf of grain, a man carrying a chook and a man holding a hose), 1927, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13070 after David Low, James Maxton (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2762 Martin Lewis, Relics (Speakeasy Corner), 1928, Drypoint on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12770 William Zorach, Draped Figure, 1927, Bronze on wood base, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.87a-b Lilian Chauvel, The weariness of years, c.1929, Charcoal on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12549 Vincent Sheldon, Dining room, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13133 Muir Auld, Morning, Brisbane waters, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8414 Nell Bott, Open float bowl, 1925, Earthenware, carved with Celtic motifs and polychrome glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15741 Ohara Shoson, Goldfish, c.1926, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2242 Will Dyson, Our Psycho Analysts: Dr Freud introduces a patient to her subconscious, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12545 David Davies, Sketch, c.1922, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/208 Charles - Decorator, CROWN STAFFORDSHIRE PORCELAIN CO. LTD Astley, Beaker, 1923, China painting on bone china blank in magenta, yellow and blue outlined background and yellow ground. Black rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7254 L.J. Harvey, Four-sided vase, 1926, Earthenware, slab built on four feet with two animal masks at the rim and blue with pink glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15697 Jan Oeltjen, Eistoss (Icepack) 4, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12838 Frank Medworth, The Nativity, 1923, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10196 René Lalique, Oleron vase, designed 1927, Mould blown frosted and clear glass with sepia patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31303 L.J. Harvey, Square sugar and cream set, 1927, Earthenware, slab built with tapering sides elaborately carved and with cobalt glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15628 Lovis Corinth, Tod und Weib (Death and the woman) (no. 2 from 'Totentanz' portfolio), 1922, Soft-ground etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8988 John Eldershaw, Polperro, c.1926–27, Watercolour and gouache over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5665 Lionel Lindsay, Bowden's Corner (from 'Old Sydney' series), c.1925–30, Etching on smooth cream wove Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12675 Hall Thorpe, The Chinese vase, c.1926, Colour woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4901 Tom Garrett, Untitled (old country house), c.1929–52, Monotype, reworked with gouache and pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11301 L.J. Harvey, Covered jar: Kookaburras, 1929, Earthenware, cream and terracotta clay over white and incised with a design of kookaburras and gum leaves. Light blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15620 John Heartfield, Nach zehn jahren: Väter und Söhne 1924 (Ten years later: Fathers and sons 1924), 1924, printed 1957, Photo-lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65718 L.J. Harvey, Large jug, 1924, Earthenware, hand built, flat backed, carved with scrolls and a scale design and modelled dragon handle. Blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15616 Grace Crowley, Torso, study in volume, 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7862 Hiroshi Yoshida, The Grand Canyon, c.1925, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6623 Maud Sherwood, The Doria Castle, Italy, c.1926–33, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15272 Aristide Maillol, Femme en berceau no. 1 (Woman cradled), 1923–24, Lithograph on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12954 El Lissitzky, Suprematisch worden van tWee kWA drA ten in six konstrukties (from the book 'About two squares: a Suprematist tale of two squares in six constructions’), 1922, Letterpress leaf on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65738 Muirhead Bone, Leonard Gow, 1927, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1051 William Bustard, (Two studies of a man sowing grain), c.1927, Pencil and red chalk on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13068 John Banks, Idyllic landscape, 1928, Oil on board (in LJ Harvey frame), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15582 Harold Parker, Eve repentant, 1928, Bronze on marble base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8595 Vincent Sheldon, From Hamilton, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13107 Yves Tanguy, Fumier a gauche, violettes a droite (Dung on the left, violets on the right), 1926, Oil on mahogany panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10803 Vincent Sheldon, Albion Pottery kiln, 1927, Watercolour on cream, handmade, wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5635 L.J. Harvey, Wonder, 1923, Plaster cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15701 L.J. Harvey, Sorrow, 1925, Plaster, modelled, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15603 Roy Parkinson, Sydney Harbour, 1927, Watercolour on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7797 Vincent Sheldon, In Mitre Court, London, 1929, Etching on off-white, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13112 L.J. Harvey, Sculpture: Love's coronet, 1922, Plaster, cast from wooden carving (?) with bronze finish. Wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2775 Stanley W. Eutrope, Winter's curtain, c.1922, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/729 Theo Scharf, Restaurant II (no. 7 from 'Night in a city' series), c.1924, Etching, drypoint on thin cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11408 L.J. Harvey, Figurine: Bonzo - Left, 1924, Earthenware, red clay modelled as an abandoned dog with details in blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15710 Charles H. Lancaster, Tuckett's Farm ('Primrose'), Brookfield, 1928, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15585 Will Dyson, There ain't going to be no core, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12540 Bessie Gibson, The brown jug, c.1928, Watercolour over charcoal on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14586 Vincent Sheldon, Romance, 1926, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13124 after David Low, Sir John Reith (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6384 Margaret Preston, NSW and West Australian banksia, 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15277 Christopher Wood, Cornish Port, c.1928, Pencil on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12669 Walter Taylor, Jewel casket, c.1925, Leather, embossed with neoclassical figures, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3151 Margaret Preston, Protea, 1925, Woodcut, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11054 Maud O'Reilly, Vase, 1926, Earthenware thrown baluster shape with deep plum Chun type glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12236 Bernard Hall, Lady with sponge, 1922, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24781 Vincent Sheldon, Road of tombs, Pompeii, 1929, Etching on handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13123 Mary Lawrence, Footed bowl with handles, 1925, Earthenware, hand built with carved decoration and glazed blue/green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/308 Florence E. Bland, Tobacco jar, 1927, Earthenware, hand-built white clay, the globular body set on four scroll feet. Simple interior lid and exterior lid with knot and carved scrolls. The sides similarly decorated. Glazed sepia, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5446 Maud Sherwood, Kairouan, c.1926–33, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8253 Norbertine Von Bresslern-Roth, Tigers, c.1926, Woodcut on cream paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12872 John Russell, Brigham's Creek, tide rising [New Zealand], 1924, Watercolour over pencil on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3900 Christopher Wood, Seine quayside, c.1925, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14237 Vincent Sheldon, Coal wharf, South Brisbane, 1928, Etching on rough cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13093 Jan Oeltjen, Eistoss (Icepack) 2, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12836 after David Low, St Loe Strachey (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5572 Harold Herbert, Old Flemish home, Bradford on Avon, 1923, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/137 Hiroshi Yoshida, Glittering sea (from 'Inland Sea' series), 1926, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1788 L.J. Harvey, Pot, 1928, Earthenware, hand built, two colour glazes, modelled square aperture and foliate corners. Pink glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15631 Hall Thorpe, Primroses, c.1922, Colour woodcut on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24775 Norman Lindsay, The butterfly, 1922, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/295 after David Low, Aldous Huxley (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6 Harold Parker, (Child's head), 1927, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10205 Napier Waller, The man in black, c.1926, Colour linocut on smooth cream wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13601 William Zorach, Torso of a Girl, 1927, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.243 René Lalique, Serpent vase, c.1924, Dark amber frosted with moulded glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33168 Lionel Lindsay, The fig tree, Berry's Bay, 1923, Aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14234 Howard Ashton, Depths of the Jamieson (sketch), 1924, Oil on canvas on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7145 Frank Medworth, Champions of the Red Lion, c.1925, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3221 Marjory Clark, Covered jar, 1929, Earthenware, hand-built swelling white clay form with four prominent ridges terminating in points above the lip and continued on the lid. Running brown and ochre slips carved with a "crazy paving" design. Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4469 László Moholy-Nagy, Lucia Moholy, Dessau, c.1923–28, printed 1994, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65747 Will Dyson, Ah, Mr. Hardy, if you only knew all the circumstances, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12543 F.W. Whitehouse, (Landscape with Brisbane River), 1926, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7529 Ota Masamitsu, Danshichi, the tattooed actor (from 'Figures from the stage in Showa' series), 1926, published 1951, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6261 Roland Wakelin, The Bridge under construction, 1928, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13573 Vincent Sheldon, Old St Andrew's, Brisbane, 1927, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11196 Mary Macdonald, Low vase with handles, 1928, Earthenware, slab and hand built, set on applied feet with two handles and carved on two sides with a design of fruit. Glazed brown with blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5642 George Ault, Beatrice, 1923, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/60.66 Jan Oeltjen, Eistoss (Icepack) 5, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12839 Gwladys Mcaulay Turner, Jug, 1922, Earthenware, hand-built cream clay with rust, deep green and blue underglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8669 UNKNOWN, Royal Academy of Arts medal (silver) presented to Daphne Mayo, 1922, Metal alloy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38540 L.J. Harvey, Sculpture: (Woman's head), 1922, Plaster, cast from modelled original, with bronze paint and wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4517 Roderic O'Conor, Demi-nu au bonnet (Half-nude woman with bonnet), 1923, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10490 Jan Oeltjen, Begegnung (The meeting) 6, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12848 A.M.E. Bale, Iceland poppies, c.1925, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6995 after David Low, Walter Elliott (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9526 Rah Fizelle, Hillside village, Italy, c.1927–31, Watercolour over pencil on rough cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4047 F.M. Lumsden, Cube teapot, c.1925–30, Earthenware, slab built and carved with mottled blue, green and brown glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8672 Norman Lindsay, Women and cards, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12985 Vincent Sheldon, Sunday morning, 1927, Watercolour over pencil on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10740 BAROLAC, Vase, c.1925, Mould blown opalescent glass with iris motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2720 Marguerite Zorach, Boats at Dock, 1927, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.944 James Alexander Murray, The landing stage, 1928, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5466 Margaret Preston, Flower stand, c.1923, Woodcut, hand-coloured on thin Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11641 George Coates, Mrs Edith Urquhart, 1923, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/107 ART DECO STYLE, Chest and display case, c.1925–35, Walnut, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/759 Vincent Sheldon, A dividing fence, 1927, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13095 L.J. Harvey, Vase, 1928, Earthenware, slip-cast body and decorated in the double scraffito technique with rust and ochre clays with four panels of butterflies and alamandas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8225 Merric Boyd, Vase, 1926, Earthenware, wheelthrown waisted shape glazed brown and running green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9502 Gladys Fell, Kookaburra bowl, 1924, Earthenware, press-moulded low circular bowl on three small feet. Carved with a continuous freize of kookaburras and glazed mauve/grey, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4760 Jozef Peeters, Poster for 'Modern Dutch Poetry', 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/77674 Vincent Sheldon, The newsboy, 1926, Etching on cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13115 J.H. Foster, (Creek with trees), c.1927, Gelatin silver photograph, sepia-toned on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7564 after David Low, Joseph Conrad (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4592 Vincent Sheldon, A dividing fence, 1927, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13096 Jan Oeltjen, Begegnung (The meeting) 4, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12846 Arthur Streeton, Valley, Wandiligong, 1928, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6216 Will Dyson, Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12544 John Russell, Quarry, Jew Lizard Gully [Sydney], c.1925, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8628 L.J. Harvey, Head of Christ, 1925, Plaster, modelled, with base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15724 Maud Sherwood, At a cafe, Tunis, c.1926–33, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12100 Muriel Macdiarmid, Potpourri jar, 1929, Earthenware, hand built, the shoulders and lid carved and pierced with a design of insects which extends to the base forming reserves enclosing carved ovals. Glazed blue/green and black with blue underglaze floral motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8575 Elioth Gruner, Rolling hills near Yass, 1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6359 Norman Lindsay, Ambush, 1927, Etching and aquatint on paper (in LJ Harvey customised frame), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15586 Daisy Nosworthy, Tea-set, 1928, Earthenware, hand-built cream Redcliffe clay decorated in blue underglaze with a trellis and cornflower pattern, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4669 Ian Fairweather, Untitled (figures in a park), c.1925, Crayon and watercolour washes on thick rough cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10841 Marjory Clark, Vase, 1929, Earthenware, hand-built baluster vase with two handles, carved below each with scrolls which extend below the shoulders in grotesque fish motifs with pendant bell flowers. Glazed green and blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6330 Jules Pascin, (Reclining female nude), c.1925–30, Pencil and wash on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12753 Paul Klee, Seiltänzer (Tightrope walker), 1923, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65730 after David Low, Ramsay Macdonald (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6279 Vincent Sheldon, The miser, 1927, Soft-ground etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6239 Lionel Lindsay, San Galtano, Naples, 1927, Watercolour and gouache over pencil, reworked with pencil on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7782 after David Low, J.M. Keynes (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9330 Desiderius Orban, A village on the river, c.1929, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7826 Pigeon Crowle, Morning, c.1927, Watercolour and pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5492 John D. Moore, Sydney Harbour, 1927, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10421 Vincent Sheldon, Cape St Vincent, 1929, Pencil on cream wove paper on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12797 L.J. Harvey, Plaque: Beatrice, 1925, Beech, inset, carved and stained, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/274 Lionel Lindsay, (Unfinished sketch), c.1926, Watercolour over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7528 Vincent Sheldon, Windblown, c.1929, Monotype on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13250 Will Dyson, Mornin' white trash, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12536 Stanley W. Eutrope, Pastoral, c.1925, Bromoil photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12474 L.J. Harvey, Baby in bonnet and ruffle sleeve dress, 1929, Earthenware, modelled, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15600 Will Dyson, Trouble in B flat, c.1926–30, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11577 Pigeon Crowle, Evening, c.1927, Watercolour and pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7393 UNKNOWN, British Empire Exhibition 1924 medal, 1924, Cast bronze (with medal box), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4601 Vincent Sheldon, A camp in the desert, Egypt, 1929, Watercolour on rough, wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5636 El Lissitzky, Portrait of Kurt Schwitters, 1924, printed 1985, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65737 Margaret Preston, Jug of flowers, c.1929, Woodcut, hand-coloured on thin laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14245 William Rothenstein, Earl Balfour, 1923, Red and white chalks and wash on thick grey wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12554 UNKNOWN, British Empire Exhibition 1925. Bronze medallion presented to LJ Harvey, 1925, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24929 Maud O'Reilly, Bowl, 1926, Earthenware, thrown shallow bowl with running mottled blue and blue/green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15504 Arthur Streeton, The oat field, 1926, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6366 Will Dyson, Our psycho analysts. Dr. Freud: "Naughty, naughty, who's been thinking pure thoughts again?", c.1925–30, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12542 Lionel Lindsay, Cobb and Co., 1925, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12677 after David Low, Mr Baldwin (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3877 Phillip Wilson Steer, Battersea Reach, 1924, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14271 after David Low, G.K. Chesterton (reproduction), c.1926–33, Reproduction on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1738 George Ault, Seated figure, nude, 1926, Graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.130 Georges Rouault, Autoportrait, 1926, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4563 Vincent Sheldon, Hospital Hill, Brisbane, 1928, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13111 Vincent Sheldon, The stone crusher, 1928, Etching on thick cream, handmade, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13128 L.J. Harvey, Thoughts, 1923, Plaster cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15702 ELLIS ROWAN, Marian Royal Worcester Porcelain Works - Manufacturer, Flannel flower cup, saucer and plate, 1924, Porcelain, bone china with transfer printing and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15349 Thea Proctor, The swing, 1925, printed 1926, Woodcut, hand-coloured on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15478 Harold Parker, Seated nude with flower, 1928, Plaster with painted patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35591 Norman Lindsay, Enter the Duke, 1924, Etching, drypoint and engraving on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10845 Mary Macdonald, Vase, 1927, Earthenware, hand-built white clay dipped brown and carved with a design of grape leaves, fruit, tendrils and insects. Glazed blue/green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9864 Blamire Young, Land-locked sea, c.1928, Watercolour on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1770 Pigeon Crowle, (Unfinished sketch of a woman), c.1927, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7392 Vincent Sheldon, For export, 1928, Etching on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13104 Jan Oeltjen, Eistoss (Icepack) 6, 1923, Linocut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12840 Maud Sherwood, A Spanish girl, c.1926–33, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/543 Muirhead Bone, Joseph Conrad Listening to Music, 1923/1925, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1039 L.J. Harvey, Plaque: Old Calabash, c.1924, Plaster, cast and incised in original black painted frame, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/563 Margaret Preston, Waratah group, 1925, Woodcut, hand-coloured on thin laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14274 Germaine Krull, Métal (Metal), 1928, Artist’s book with 64 photogravures, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65732 Francis Dodd, Winchester Road, Bromley, 1925, Watercolour and gouache over pencil on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9691 Vincent Sheldon, 'Wynberg' (from 'Wynberg set'), 1928, Etching on thin, cream, laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13132 Norman Lindsay, The innocents, 1925, Etching and engraving on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/715