Max Beckmann, A Mirror on an Easel (Spiegel auf einer Staffelei), 1926, Charcoal and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33778

František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252

Jean Lurçat, Harlequin and his Shadow (plate, folio 13) from Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16700

Eugène Atget, Rues Clovis et Descartes, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39670

Griffith Baily Coale, Shipping (mural study), 1929, oil on canvas; 16 5/8 x 59 1/4 in. (42.3 x 150.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381043674-1

Jakob Nussbaum, Selbstbildnis, 1927, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3282

Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699

Childe Hassam, The Church at Old Lyme, 1924, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1080

Eugène Atget, Parc de Sceaux, Avril, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40711

Eugène Atget, Rue de la Montagne-Sainte-Geneviève, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39489

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33839

Eugène Atget, La Marne à la Varenne, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39463

Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40701

Pavel Tchelitchew, Gertrude Stein, c. 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35030

Max Ernst, Natural History (Histoire naturelle), c. 1925, published 1926, Portfolio of thirty-four collotypes after frottage, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10056

Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277

Eugène Atget, Avenue des Gobelins, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39446

Eugène Atget, Magasin, avenue des Gobelins, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39485

Eugène Atget, Vanves -- Vieille ferme, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38973

Jean Lurçat, Plate (folio 6) from the illustrated book Toupies, 1925, Drypoint and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16693

Eugène Atget, Marly-la-Machine, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39117

Lyonel Feininger, Cliffs and Sea, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33732

Eugène Atget, Vanves, rue du Chariot, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38966

Henri Matisse, Reclining Nude, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36071

Eugène Atget, Saint-Cucufa, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41045

Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736

Wanda Gág, Franklin Stove, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34586

Käthe Kollwitz, Schlafende mit Kind, 1929, Holzschnitt in Schwarz auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28104

A. H. Andrews & Co., Desk from the Hope School, 1925–1954, iron and hardwood; H x W x D: 26 3/4 × 20 1/8 × 24 3/4 in. (67.9 × 51.1 × 62.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743070-0

Eugène Atget, Rue des Saules, Auberge du Lapin Agile, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40983

Oscar Bluemner, Sun Storm, 1927, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33689

Robert Delaunay, Study for backdrop for the ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36073

Eugène Atget, Coin, rues Lanneau, Jean-De-Beauvais et Fromentel, May-June 1925, Matte gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39579

Eugène Atget, Canal Saint-Denis, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41648

Lyonel Feininger, Ruins on the Cliff with Tree at Left, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33818

Eugène Atget, Boulevard Saint-Denis, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39660

Eugène Atget, Vanves, vieille rue, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39189

Eugène Atget, Coin, boulevard de la Madeleine, 8e, Juin 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39226

Eugène Atget, Saint-Denis, canal, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41650

Eugène Atget, Canal Saint-Denis, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41654

Amédée Ozenfant, Fugue, 1925, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34934

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40777

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33809

Eugène Atget, Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40778

Eugène Atget, Marly-la-Machine, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39115

Jan Matulka, Cityscape, (c. 1925), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36957

Camilo Blas (José Alfonso Sánchez Urteaga), Threshing ( La Trilla ), 1928, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37703

László Moholy-Nagy, Oskar Schlemmer, Ascona, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54431

Eugène Atget, Coiffeur, avenue de l'Observatoire, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40965

Eugène Atget, Parc de Sceaux, Avril, 7 h. matin, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39449

Eugène Atget, Boutique aux Halles, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39933

Eugène Atget, Parc de Sceaux, Juin, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40707

Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315

Walter Gropius, BAUHAUS. Zeitschrift für Gestaltung, 1926/31, Periodicals, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199263

Paul Klee, Slavery (Sklaverei), 1925, Oil transfer drawing, gouache and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33873

Eugène Atget, Parc de Sceaux, Juin, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40972

Ernst Ludwig Kirchner, Bildnis Dr. Carl Hagemann, 1928–1933, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2042

Yoshida Hiroshi, Komogatake, 1929, Color woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196984

Yves Tanguy, [Untitled], 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34927

Illinois Central Railroad, Gelatin silver print of four 1927 Mississippi River flood images, April 30, 1927, silver and photographic gelatin on photographic paper; H x W: 7 7/8 x 10 1/16 in. (20 x 25.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743919-1

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242

Eugène Atget, Saint Jacques du Haut-Pas, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40907

Pablo Picasso, Four Dancers, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34480

Eugène Atget, Boulevard Auguste-Blanqui, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41792

Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365

Eugène Atget, Rue des Gobelins, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39589

Walter Dexel, The Mountain Fortress. Set design for the play Mann ist Mann (A Man's a Man), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37493

Lyonel Feininger, Ruin on Cliff with Two Trees, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33829

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463

Cadavre Exquis, Figure, c. 1927, Cut-and-pasted printed paper and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35778

Thomas Handforth, Untitled (North African Oasis), c. 1928, sepia ink wash on paper; 11 × 15 in. (27.9 × 38.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1651740776933-1651740804996-0

Miguel Covarrubias, Fanny Brice and Nicholas Arnstein, c. 1925, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34081

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221149

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33847

Thomas Hart Benton, Study for Homestead, 1928–1930, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38639

George Grosz, Anna Peter, 1926–27, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32996

Eugène Atget, Arcueil-Cachan, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39151

Eugène Atget, Pont-Neuf, Hiver, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39689

László Moholy-Nagy, [Untitled], 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55486

Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073

Orrefors Glasbruk, Vase, c. 1930, Glass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9642

Eugène Atget, Fête de Vaugirard, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41032

László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Photomontage (gelatin silver prints and ink), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212399

Eugène Atget, Parc de Sceaux, Mars, 7 h. matin, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39448

Jean Lurçat, Harlequin General , plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16694

Jean Lurçat, Dancing Harlequin, plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16692

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221150

Eugène Atget, Jouy-en-Josas, église, Juin 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38975

Jean (Hans) Arp, Mountain, Navel, Anchors, Table, 1925, Gouache on board with cutouts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33669

Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Edward Hopper, Mrs. Acorn's Parlor, 1926, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33771

Eugène Atget, Parc de Sceaux, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40712

Georg Kolbe, Male Figure (Männliche Figur), (c. 1927–37), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33134

Boris Ignatovich, Drinking Tea in the Village of Ramenskoe, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238054

Eugène Atget, Entrée du Village de Cachan, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39162

Eugène Atget, Fête de Vaugirard, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41029

Jean Lurçat, Harlequin Mime , plate (folio 8) from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16695

Ernst Ludwig Kirchner, Szene im Café, c. 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114801

Pedro Figari, Creole Dance, c. 1925, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33064

Lajos D'Ebneth, Composition, 1926, Cut-and-pasted colored paper on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38208

Eugène Atget, Le Pont Neuf, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39686

Eugène Atget, Boulevard Auguste-Blanqui, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41747

Eugène Atget, Rue de la Montagne-Sainte-Geneviève, June 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39377

Anonymous Artist, The Smiling Girl, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/62

Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40201

Charles Demuth, Eggplant and Tomatoes, 1926, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33909

Boris Ignatovich, Council of the Agricultural Commune, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238056

Eugène Atget, Saint-Cucufa, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41043

Eugène Atget, Parc de Sceaux, avril, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40679

Julio Montenegro, To Work Is to Pray (Laborar es orar), c. 1928, Colored ink, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37951

Eugène Atget, Saint Sulpice, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40556

Pavel Tchelitchew, Portrait of Glenway Wescott, 1925, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38835

Ben Shahn, Siesta at Djerba, 1929, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38834

Eugène Atget, Hôtel Scipion Sardini, Place Scipion,, Mars 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39616

Eugène Atget, Pont Marie, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39693

Gaston Lachaise, Standing Woman with Drapery, c. 1929–31, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36807

Paul Klee, Three Fruit (Drei Früchte), 1927, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33863

Eugène Atget, Rue Mouffetard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40483

Forman Hanna, Cloud Study, c. 1925, gelatin silver print; sheet: 9 1/4 x 11 7/8 in. (23.5 x 30.1 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061147-0

Wobbe Alkema, [Untitled], 1928, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38171

Eugène Atget, Boulevard de Strasbourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40478

bill brandt, Portrait of Eva Boros, c. 1928–9, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499128

Robert Delaunay, Costumes for The Dance of Statues for Triumphe de Paris, 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36078

Eugène Atget, Saint-Étienne-du-Mont, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40676

Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614

Eugène Atget, Boutique aux Halles, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40490

Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965

Eugène Atget, Fête de Vaugirard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41027

Eugène Atget, Quai d'Anjou, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39477

Anonymous Artist, The Lacemaker, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/61

Paul Klee, Man with a Top Hat (Herr mit Cylinder), 1925, Sprayed gouache and ink on paper with gouache and ink borders on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37363

Eugène Atget, Châtenay, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41326

Kawase Hasui, Kegon Falls, Nikko (Nikko Kegon no taki), 1927, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87287

Lyonel Feininger, Ruin by the Sea V (Ruine am Meere V), 1928, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33879

Alexander Bogomazov, Three Figures of Woodcutters, c. 1927–28, Watercolor and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36471

Helen Torr, Buildings, c. 1925–29, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38064

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40710

Eugène Atget, Parc de Sceaux, Mars, 8 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40966

Eugène Atget, Quai d'Anjou, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39494

Eugène Atget, Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40704

John Longstaff, Dr Alexander Leeper, 1928, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442918

Eugène Atget, Entrée du parc de Sceaux, Mai, 8 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40717

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213

Eugène Atget, Fête de Vaugirard, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41031

Jan Matulka, Figure Composition - Working Men, (c. 1927), Ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36969

Jean Lurçat, Harlequin and the Gardener , plate from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16698

Jean Lurçat, Harlequin Hamlet , plate from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16688

Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908

Eugène Atget, Vitry, vielle rue, June-July 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39210

Wyndham Lewis, Cover design for The Enemy No. 1, (1926), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38828

Eugène Atget, La Marne à la Varenne, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39093

Eugène Atget, Stains. Chemin de l'Eglise, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38933

Eugène Atget, Boulevard Saint-Martin, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39665

Eugène Atget, Arcueil (Vieille rue), 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39195

Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612

Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057

Eugène Atget, Coin, rue des Saules et Saint-Vincent, cabaret du Lapin Agile, 18e, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40984

Ernst Barlach, The Hornblower (Der Hornbläser), 1927, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32975

Édouard Vuillard, Siesta, 1928, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36851

Eugène Atget, Ville d'avray. Étang de Corot, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38907

George Kars, Woman with a Jug, c. 1930, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21711

Eugène Atget, Arcueil-Cachan, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39196

Eugène Atget, Avenue des Gobelins, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40472

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221145

Paul Klee, View of Ancient City (Antikes Stadtbild), 1927, Ink and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37343

Anna Boberg, Study from the South of France, 1927, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106361264

Karafyllakis Antonios, Head of an old woman, 1929, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00734_ZOG709

László Moholy-Nagy, View from Pont Transbordeur, Marseille, 1929, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55478

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40700

Eugène Atget, Avenue des Gobelins. Bijouterie, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40479

Lovis Corinth, Self-Portrait with Reflections, 1925, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33361

László Moholy-Nagy, Negative Portrait, 1925/29, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54428

George Grosz, Max Herrmann-Neisse, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35233

László Moholy-Nagy, [Untitled], 1927, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55473

Adolf Dehn, Sunday Stroll, Vienna, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34851

Yves Tanguy, [Untitled], 1926, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35802

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40978

Eugène Atget, Magasin, avenue des Gobelins, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39301

Timothy Cole, Thomas Jefferson, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5972

Charles Demuth, Corn and Peaches, 1929, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33537

Walter Dexel, Street Beside the Old Pagoda of the Yellow Monks. Set design for the play Mann ist Mann (A Man's a Man), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37500

Eugène Atget, Fête de Vaugirard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41028

Arthur Streeton, Land of the Golden Fleece, 1926, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736803

Marguerite Zorach, Portrait of Yasuo Kuniyoshi, c. 1927–28, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35011

Lyonel Feininger, Ruin by the Sea II (Ruine am Meere II), 1929, Brown and black charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33898

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490

Timothy Cole, Rodin, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5974

Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297

Eugène Atget, Saint-Sulpice, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40574

Frank Lloyd Wright, September Abstractions, The Desert, design for Liberty Magazine cover, 1926–27, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37772

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33776

Eugène Atget, Bois de Boulogne, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39238

Yasuo Kuniyoshi, Two Figures, 1925, Watercolor, dry brush and ink, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33137

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40695

Eugène Atget, Cour, Ruelle des Reculettes, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41701

Exarch Eugenia, Άτιτλο, 1928, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00917_ZOG893

Eugène Atget, Fête de la Villette, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41025

Eugène Atget, Luxembourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39551

Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39926

Eugène Atget, Parc de Sceaux, Avril, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40775

George Grosz, Seated Girl (Sitzendes Mädchen), 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37552

Eugène Atget, Marché Edgar Quinet, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40120

Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366

Juan Gris, Drawing for Mouchoir de Nuages, 1925, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14346

Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345

Kurt Schwitters, Untitled (V 2), 1928, Cut-and-pasted colored and printed papers and ink on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37713

Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384

Belle Wright, Quilt, c. 1930, Pieced and embroidered quilt; dyed and undyed cotton satin and plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153634

Lyonel Feininger, Ruin on the Cliff, 1929, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33889

Eugène Atget, Fontainebleau, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41483

Eugène Atget, rue de l'Abreuvoir, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40981

Paul Klee, Scene of an African Village (Afrikanische Dorfscene), 1925, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38598

Eugène Atget, Entrée du Village de Cachan, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38988

Eugène Atget, Saint-Cloud, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39929

Karl Hofer, Zwei Freunde, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2089

Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014

Eugène Atget, Rue des Gobelins, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39592

Eugène Atget, Luxembourg, July 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39553

Eugène Atget, Coin, rue de L'abreuvoir et des Saules, Mars-Mai 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40905

William Zorach, Fisherman, 1927, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35020

Kawase Hasui, Shin Ohashi Bridge (Shin Ohashi), from the series "Twenty View of Tokyo (Tokyu nijukkei)", 1926, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87298

Auguste Herbin, Composition, c. 1925, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38224

Jean Lurçat, Homosexual Harlequin , plate from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16691

Eugène Atget, Rue du Jour, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38940

Eugène Atget, Marché de La Madeleine, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40119

Georg Kolbe, Rückenakt in starker Beugung, 1928, Aquarell und Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10388

Kurt Schwitters, Merz 1926 17. Lissitzky, 1926, Cut-and-pasted colored paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35525

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40699

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40691

Eugène Atget, Place de la Concorde, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39240

Timothy Cole, Abraham Lincoln, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5969

Arthur Streeton, Valley, Wandiligong (1928), 1928, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111034159

Eugène Atget, Parc de Sceaux [avril, 7 heures du matin], 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40705

Sonia Delaunay, Étude de Robe No. 1284, 1926, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36102

Eugène Atget, Fête du Trône, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39593

Eugène Atget, Fête de la Villette, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41113

Eugène Atget, Port des Tuileries, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39694

Ernst Ludwig Kirchner, Das Leben, 1928–1932, Gewebte Wolle, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2095

Horace Brodzky, Study for the painting The Family, July 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35762

George Grosz, Café, c. 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33203

Eugène Atget, Magasin, Avenue des Gobelins, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40499

Eugène Atget, Fontainebleau, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41484

Eugène Atget, Coiffeur, avenue de l'Observatoire, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39487

Kirill Zdanevich, Study for Tribun Poetov (Tribune of Poets), 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14373

László Moholy-Nagy, Berlin Radio Tower, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55476

Otto Freundlich, Ascension, 1929, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4385

Eugène Atget, Pont Marie, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39789

Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925

Julio Montenegro, Solidarity!! (Solidaridad!!), 1928, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37954

Eugène Atget, Bassin de la Villette, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39344

Eugène Atget, Parc de Sceaux, Mai, 8 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40773

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221146

Willi Baumeister, Figures, (1926), Charcoal, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38174

Max Beckmann, Mainufer und Kirche, 1925, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102022

Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521

Wobbe Alkema, [Untitled], 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38167

Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529

John Storrs, Head of Marie Honneger, April 3, 1929, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35296

Eugène Atget, Rue Lepic, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40989

Karl Hofer, Two Women by the Shore, (c. 1928–29), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33956

Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215

Diego Rivera, Woman with Two Children, (c. 1925), Red and black chalk on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35252

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221151

Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366

Eugène Atget, Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40709

Diego Rivera, Nude with Braided Hair (Luz Jiménez), 1925, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35532

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40713

Eugène Atget, Sceaux, June 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40706

Max Jacob, Three Figures, 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33781

Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted newspaper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38165

Gaston Lachaise, Seated Woman, c. 1929–31, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33131

Eugène Atget, Parc de Sceaux, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40702

Hannah Höch, Watched, 1925, Cut-and-pasted printed paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38825

Paul Klee, Fire in the Evening, 1929, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34854

Kurt Schwitters, Mz 26, 48. Berlin, 1926, Cut-and-pasted colored and printed papers and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37709

Griffith Baily Coale, Shipping (mural study), 1929, oil on canvas; 16 3/8 x 88 1/8 in. (41.6 x 223.8 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381043674-0

Jean Lurçat, Jesuit Harlequin , plate (folio 9) from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16696

Eugène Atget, Rue Descartes, Juin 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39634

Arthur Streeton, Land of the golden fleece, 1926, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443273

Jean Lurçat, Harlequin's Lust , plate (folio 10) from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16697

Gaston Lachaise, Man Standing, c. 1928–29, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33076

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221148

Lyonel Feininger, Ruin on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33785

Arthur Streeton, The creek, 1925, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487878

Jean Lurçat, Harlequin Diplomat , plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16689

Helen Torr, Basket of Vegetables, 1928–29, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36187

Paul Klee, Portrait of an Equilibrist, 1927, Oil and collage on cardboard over wood with painted plaster border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35209

Eugène Atget, Pont Neuf, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39688

Eugène Atget, Vanves -- Coin de ferme, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38965

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40698

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221144

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40975

Eugène Atget, Passage Moret, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40273

Eugène Atget, Parc de Sceaux, juin, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40976

Maks Al'pert, Dneprostroi Dam, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237986

Eugène Atget, Rue des Saules, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40906

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199176

Walter Dexel, [Untitled], 1926, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38200

Preston Dickinson, Still Life, 1926, Pastel, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33582

John Longstaff, The Hon W A Holman, KC, 1929. https://dartabase.art/cite/wikidata/Q99851972

Eugène Atget, Palaiseau, Juin 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41550

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40687

Arthur Streeton, Afternoon light, Goulburn Valley, Victoria, 1927, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736409

Ivo Pannaggi, Collage, 1926, Parcel post wrapping, stamps, ink, and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33036

Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843

Eugène Atget, La Varenne, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39099

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176

Eugène Atget, Petit bar, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41287

Kurt Schwitters, Untitled (With Black Rectangle), 1925, Cut-and-pasted colored and printed papers on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35518

Gustav G. Klutsis, Lenin's Language: Eleven Devices of Lenin's Speech (Iazyk Lenina. Odinadtsat' priemov Leninskoi rechi), 1925, Letterpress book in black on ivory wove paper, with four letterpress illustrations in black, and cover in letterpress in black with stencil in red, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199208

Eugène Atget, Parc de Sceaux, June 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39451

Eugène Atget, Avenue des Gobelins, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40482

Eugène Atget, Avenue de Ségur, Juillet 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39373

Eugène Atget, Luxembourg, 1925–26, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39550

Walt Kuhn, Girl from "Show Boat", 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33935

Eugène Atget, Boulevard de Bonne-Nouvelle, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39667

Eugène Atget, Arcueil-Cachan, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39199

Eugène Atget, Vanves, vieille rue, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38968

Arthur Dove, Grandmother, 1925, Shingles, needlepoint, page from John Downame’s A Brief Concordance or Table to the Bible of the Last Translation, pressed flowers and ferns mounted on cloth-covered wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37674

Jan Matulka, Cityscape, (c. 1925), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36951

Eugène Atget, Marché de La Madeleine, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40329

Eugène Atget, Cour, 3 ruelle des Reculettes, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40274

Eugène Atget, Arcueil, rue, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41235

Countee Cullen, <I>The Ballad of a Brown Girl: An Old Ballad Retold</I>, 1927, ink on paper; H x W: 10 × 6 1/2 × 1/4 in. (25.4 × 16.5 × 0.6 cm); H x W x D (closed): 9 7/8 × 6 9/16 × 7/16 in. (25.1 × 16.7 × 1.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744963-0

Eugène Atget, Rue de la Montagne-Sainte-Geneviève, Mai 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39440

Ivan Kliun, Still Life, 1925, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34060

A. H. Andrews & Co., Desk from the Hope School, 1925–1954, iron and hardwood; H x W x D: 23 3/8 × 22 1/8 × 44 in. (59.4 × 56.2 × 111.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743064-0

Pierre Theunis, Duc et Duchess de Brabant, 1926, bronze; 2 3/4 in. (6.9 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-0

Paul Klee, Early Morning in Ro... (Früher Morgen in Ro...), 1925, Watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38549

Eugène Atget, Coin, rue des Saules, March-May 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40985

Walker Evans, Girl in Fulton Street, New York, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13724

Henri Matisse, Odalisque with a Moorish Chair, 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33393

Eugène Atget, Coin du quai Voltaire et rue de Nevers, Mars 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40543

Robert Michel, Another Study of Alexander (Noch eine Alexander Studie), 1926, Pencil, ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36513

Eugène Atget, Notre-Dame, Mars 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39706

André Masson, Birth of Birds, (c. 1925), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35616

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228

Eugène Atget, Vanves, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38974

Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728

Arthur Gerlach, Design-Five Bars, c. 1925-c. 1935, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5200

Eugène Atget, Luxembourg, fontaine, Juillet 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39800

Eugène Atget, Rue Descartes, April 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39671

Eugène Atget, Arcueil (église), 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39194

Eugène Atget, Bon Marché, rue de Sèvres, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40123

Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757

Edward Hopper, Box Factory, Gloucester, 1928, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33748

Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839

Lyonel Feininger, Ruins on the Cliff, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33763

Eugène Atget, Magasins du Bon Marché, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40125

Lyonel Feininger, Ruin by the Sea I (Ruine am Meere I), 1928, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33856

Eugène Atget, Fête des Invalides, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39431

Diego Rivera, Two Figures, (c. 1925), Chalk, wash, and pencil on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35246

Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927

Eugène Atget, Châtenay, vielle maison, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39201

Walter Dexel, Two White Verticals, 27 XX, 1927, Gouache, ink, pencil, and watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38202

Eugène Atget, Parc de Sceaux, mai, 8 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40693

Pavel Tchelitchew, Edith Sitwell, c. 1928, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35038

Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445

Childe Hassam, The Chase House, 1929, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7738

Eugène Atget, Parc de Sceaux, Avril, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40776

Paul Klee, Sacred Islands (Heilige Inseln), 1926, Ink and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37016

Eugène Atget, Quai Voltaire (Institut), Juin [matin 7h] 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41065

Timothy Cole, Theodore Roosevelt, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5976

Eugène Atget, Parc de Sceaux, June 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39450

Eugène Atget, Wissous (Église), 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39425

Cadavre Exquis, Nude, 1926–27, Composite drawing of ink, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35701

Raphael Soyer, Pascin's Model, 1925–27, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37279

Eugène Atget, Parc de Sceaux, Mars, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40971

Eugène Atget, Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40977

Norman Studios, Press kit for the film Black Gold, 1928, ink on paper; H x W: 21 15/16 × 28 1/16 in. (55.8 × 71.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752363-0

Paul Klee, Magicians in Dispute (Magier im Disput), 1928, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35216

Oscar Bluemner, The Eye of Fate, 1927, Watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33681

Ludwig Mies van der Rohe, MR 20 Armchair, Designed and manufactured 1926/27, Bent tubular chromium-plated steel, with banded and sewn dark green leather spanning seat and back, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34111

Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40312

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40967

Eugène Atget, Arcueil-Cachan, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39200

William Zorach, Maine Landscape, 1927, Watercolor over touches of charcoal on ivory watercolor paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/10946

Lyonel Feininger, Ruin with Tree in Foreground, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33743

Eugène Atget, Vitry, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39184

Diego Rivera, Study for the mural Day of the Dead: The Offering at the Secretariat of Public Education, Mexico City (Estudio para el mural Día de Muertos: La Ofrenda en la Secretaría de Educación Pública, Ciudad de México), 1925, Colored chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35547

Eugène Atget, Hôtel Lambert, Quai d'Anjou, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39695

Peter Blume, Study for Parade (Waterfront, Manhattan), 1929, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33384

Eugène Atget, Boulevard de Strasbourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40495

Eugène Atget, Rue des Gobelins, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39590

Eugène Atget, Parc de Sceaux, Juin, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40969

Hugo Erfurth, Porträt Käthe Kollwitz, 1925–1929, Bromöldruck, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102501

Fernand Léger, Compass and Paint Tubes, 1926, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36765

Georges Vantongerloo, XY = K Green and Red, 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35841

Eugène Atget, Marly-la-Machine, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39116

Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40090

Lyonel Feininger, Cliffs and Sea with Ruins, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33752

Eugène Atget, Parc de Sceaux, Mars, 8 h. matin,1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39452

Diego Rivera, Mother and Child, 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35231

Eugène Atget, Porte, 8 Rue Philippe de Beaumanoir, 1925, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39059

Emile Branchard, Trees and Shack, (1925), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33437

Eugène Atget, Ville d'avray. Étang, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38908

Eugène Atget, Pont Marie, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39878

Kurt Schwitters, Untitled (Mz ELIKAN ELIKAN ELIKAN), c. 1925, Cut-and-pasted colored and printed papers on paper with cardstock border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35548

Eugène Atget, Parc de Sceaux, Mai, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40681

Jean Cocteau, Glenway Wescott, 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38634

Kurt Schwitters, Karlsruhe, 1929, Cut-and-pasted printed paper and crayon on printed board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38342

Eugène Atget, Sceaux, Mars, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40690

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40680

Eugène Atget, Boutique Légumes, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40475

Jean Cocteau, Monroe Wheeler, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38118

Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427

Eugène Atget, Avenue des Gobelins, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39486

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221147

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160

Eugène Atget, Vanves, vieille rue, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39192

Eugène Atget, Boulevard de Bonne-Nouvelle, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39666

Eugène Atget, Rue de la Montagne-Sainte-Geneviève, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39499

Eugène Atget, Pantin (Usines-canal), 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41652

Robert Delaunay, Costume designs for the unrealized ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36067

Eugène Atget, Rues Clovis et Descartes, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39668

László Moholy-Nagy, [Untitled], 1927, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50173

Paul Kelpe, Composition, Number 160, 1928, Watercolor, pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36501

Forman Hanna, Young Woman in Pueblo Window, c. 1925, gelatin silver print; sheet: 11 x 14 in. (28.0 x 35.5 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061149-1

Walker Evans, 42nd Street, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13730

Lyonel Feininger, Ruin by the Sea II (Ruine am Meere II), 1928, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33866

Eugène Atget, Passage Moret, ruelle des Gobelins, Mars 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39423

Eugène Atget, Parc de Sceaux, vase., Avril, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39457

Childe Hassam, Washington's Headquarters near Valley Forge, 1926, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1084

Jules Pascin, George Biddle and Jane Belo, (1927–28), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35206

Timothy Cole, Dr. Pasteur, 1925, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5977

Eugène Atget, Étang de Corot, Juin 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39206

Eugène Atget, Parc de Sceaux, Mars, 7 1/2 h. matin, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41334

Eugène Atget, Boulevard de Strasbourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40489

Eugène Atget, Parc de Sceaux, Mars, 7 h. matin, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40692

Eugène Atget, Port des Tuileries, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40582

László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Cut out pieces for photomontage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223680

Eugène Atget, Nymphéa (Bagatelle), 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41328

Eugène Atget, Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40694

Alfred Stieglitz, Equivalent, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66625

Eugène Atget, Saint-Denis, canal. Matinée d'août par temps de pluie, Matinée d'août par temps de pluie 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41649

Georgia O'Keeffe, Morning Glory with Black, 1926, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135420

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40684

Aleksandr Rodchenko, The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237970

Eugène Atget, Pont Neuf, 1925, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39687

Yves Tanguy, [Untitled], 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35945

Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted colored paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38169

Balthus (Baltusz Klossowski de Rola), Study for The Street, (1929), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37490

Jean Lurçat, Title page from Toupies, 1925, Pochoir and lithograph from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16686

André Dunoyer de Segonzac, Landscape, c. 1928, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34151

Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507

František Kupka, [Untitled], c. 1925–30, Colored pencil, pencil, ink, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38250

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507

André Masson, Battle of the Fishes, (1927), Chalk, charcoal, conté crayon, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38251

Jean Lurçat, Harlequin General , plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16699

Eugène Atget, Avenue des Gobelins, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40500

Eugène Atget, Terre-plein du Pont Neuf, Matinée d'hiver, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39438

George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643

Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364

Georges Rouault, Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16924

Childe Hassam, Independence Hall, 1926, drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1081

Eugène Atget, La Varenne, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39096

Eugène Atget, Vanves, vieille rue, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39188

Julio Montenegro, Field, c. 1928, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37947

Kurt Schwitters, 29/8, 1929, Cut-and-pasted colored paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35248

Eugène Atget, Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40688

Yasuo Kuniyoshi, Plant, 1925, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33971

Eugène Atget, Saint-Cucufa, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41044

Eugène Atget, Coin, rue Valette et des Carmes, Juillet 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39638

Hannah Höch, Collage II (On Filet Ground) (Collage II [Auf Filetgrund]), c. 1925, Cut-and-pasted printed and painted paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32990

Eugène Atget, Bords de Marne. La Varenne, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39439

Eugène Atget, Avenue des Gobelins, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40492

The Prudential Insurance Company of America, <I>Plan of Group Insurance for Employes of The Pullman Company</I>, 1929, ink on paper; 6 7/8 × 5 1/16 × 1/8 in. (17.5 × 12.9 × 0.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1659169808116-1659169819583-0

Lajos Kassák, Architectural Structures, 1925, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38238

Jean Lurçat, Harlequin Knight of Malta , plate from the illustrated book Toupies, 1925, Etching with roulette and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16690

Paul Klee, The Crooked Mouth and the Light Green Eyes of Mrs. B. (Der schiefe Mund und die hellgrünen Augen der Frau B.), 1925, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33854

John Longstaff, Mr Maurice Moscovitch, 1925, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443571

Eugène Atget, Parc de Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40689

Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278

Max Beckmann, Stillleben mit Saxofonen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4019

Arthur Gerlach, Design in Movement, c. 1925-c. 1935, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5320

Pavel Tchelitchew, James Joyce, 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35063

Georges Rouault, Trial proof for "With Tooth and Nail," plate L from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16884

Eugène Atget, Vanves, rue du Chariot, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38967

Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164

Eugène Atget, La Marne à la Varenne, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39352

Georg Kolbe, Nude (Akt), (c. 1927), Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35427

Eugène Atget, Rue Mouffetard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40494

Eugène Atget, Place Pigalle, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40555

Ernst Ludwig Kirchner, Brandenburger Tor, 1929, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2813

Eugène Atget, Sceaux, 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40714

Eugène Atget, Grand Trianon, 1926, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40224

André Masson, Furious Suns, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35670

Alexander Bogomazov, .a) Man and Woman Carrying Large Baskets  .b) Untitled, c. 1927–28, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36466

Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560

Eugène Atget, Parc de Sceaux, March 1925, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40970

Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39991

Eugène Atget, Canal Saint-Denis, 1925–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41653

Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201

Webster Publishing Company, <I>Sharp's Language Drills and Test: Fifth Grade</I>, 1929, ink and graphite on paper; H x W x D: 9 5/16 × 6 × 1/4 in. (23.7 × 15.2 × 0.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748734-0

Lyonel Feininger, Cliffs and Sea, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33720

Eugène Atget, Boulevard de Bonne-Nouvelle, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40544

James Castle, Untitled (Coat Construction), c. 1925, Paper, soot, spit, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33093