Fernand Léger, Verdun, The Trench Diggers ( Verdun, les foreurs ), 1916, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34690 Jean-Louis Forain, Le decavé (Cleared Out), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6995 Eugène Atget, Saint Méry, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41434 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41129 Eugène Atget, Château d'Écouen, 1911, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41473 Robert Delaunay, Football. L'Equipe de Cardiff, (1916), Oil on paper on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38194 Eugène Atget, Tuileries - Jardin de l'impereur, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41133 Eugène Atget, Saint-Sulpice (Chaire), 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41460 Eugène Atget, Ecuries du château de Bercy. Charenton, 1911, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39039 Auguste Lepère, Old Foot-bridge, Banks of the Small Morin (Vieille passerelle, bords du petit morin), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8490 Eugène Atget, Tuileries - groupe, 1911–12, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40748 Jean-Louis Forain, Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed), 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6946 Eugène Atget, Tuileries - Coureuse / par Lepautre, 1911–12, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40751 Fernand Léger, Seated Nude, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34199 Eugène Atget, Porte de Montreuil, 1913, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38887 Eugène Atget, St Nicolas du Chardonnet, 1914–20, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40589 Eugène Atget, Tuileries, côté Concorde, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39371 Jean-Louis Forain, a) Two Soldiers in a Trench (recto); b) Interior with Figures Seated Behind Table (verso), c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7244 Eugène Atget, Bassin de la Villette, Probably 1914–25, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41709 Roger de La Fresnaye, Study for Conjugality, 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36317 Eugène Atget, Porte Dauphine, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41353 Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1917, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8493 Eugène Atget, 178 rue de Choisy, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40199 Jean-Louis Forain, The Economic Withdrawal, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7248 Eugène Atget, Hôtel de Cheverny, 11 rue Saint-Florentin, 1911, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40013 Jean-Louis Forain, a) Bolo pacha (recto); Study for Bolo pacha (verso), c. 1914/1919, a) brush and black ink and black crayon, with corrections by the artist in white opaque watercolor, on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7152 Jean-Louis Forain, Toward Peace, c. 1914/1919, brush with black and brown ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7250 Eugène Atget, Tuileries - statue, 1911–12, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40761 Jean-Louis Forain, Le miraculé devant l'ostensoir (4e planche) (The Miracle before the Blessed Sacrament) (fourth plate), 1912/1913, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6951 Eugène Atget, Un coin de la rue de Reynie, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40284 Jean-Louis Forain, A la Conference de la Paix, 1914/1919, collotype on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7263 Eugène Atget, Cour, 27 quai d'Anjou, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40267 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41322 Marc Chagall, Maternity, 1912, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35553 Eugène Atget, Boulevard Masséna, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41292 Jean-Louis Forain, Forain gravant (1ère planche) (Forain Etching) (first plate), 1912, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6944 Eugène Atget, Saint-Étienne-du-Mont (Chaire), 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41421 Jean-Louis Forain, a) Au front de Vincennes, Bolo pacha (recto); b) Sketch for Au front de Vincennes, Bolo pacha (verso), c. 1914/1919, a) brush and black ink and black chalk on wove paper; b) black chalk and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7168 Eugène Atget, Saint-Cloud, hêtre (Beech), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40324 Eugène Atget, Porte Dauphine, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41348 Jean-Louis Forain, Soldiers Preparing a Meal, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7169 Jean-Louis Forain, Rassurez vous; je suis gauché., c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7214 Henri Gaudier-Brzeska, Portrait of Wyndham Lewis, c. 1913–14, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33442 Jean-Louis Forain, Sur la ligne de feu, c. 1914/1919, black crayon with brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7159 Eugène Atget, Tuileries - Enlevement de / Deianire par / Marqueste, 1911, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39077 Eugène Atget, Port des Invalides, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40566 Eugène Atget, Rue Dussoubs, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40131 Eugène Atget, Tuileries (vase), 1911–12, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40758 Jean-Louis Forain, Sur le Front. -C'est sa theorie? -Non, c'est son breviaire., c. 1914/1919, black crayon and brush and black ink, with corrections by the artist in white opaque watercolor, on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7188 Marie Laurencin, Girl's Head, 1916–18, Watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33695 Eugène Atget, Ancien couvent des Carmes, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41121 Jean-Louis Forain, Salle de jeu (Gambling Room), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7003 Eugène Atget, Parc Delessert, 1914, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39562 Eugène Atget, Bassin de la Villette, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39897 Odilon Redon, Vase of Flowers, c. 1912–14, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37321 Eugène Atget, Cour de Rouen, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40187 Jean-Louis Forain, The End - Verdun, c. 1916, drypoint and etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7136 Eugène Atget, Panthéon, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41168 Henri Laurens, Man with a Pipe, 1919, Ink, metallic and oil paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34597 Jean-Louis Forain, Le retour au foyer (The Return Home), c. 1915, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6942 Jean-Louis Forain, Le demobilisé, c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7171 Jean-Louis Forain, Au fil de la marne, 1918, red chalk, black crayon, and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7192 Natalia Goncharova, Spanish Dancer, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38215 Jean-Louis Forain, Reims 9bre 1918, probably 1918, brush and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7166 Henri Gaudier-Brzeska, A Labourer (Man with Cap), 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37461 Eugène Atget, Port Solférino, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39901 Eugène Atget, Gentilly. Vieille ferme. 3 rue des Noyers, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38964 Jean-Louis Forain, L'avocat pourchassé (The Lawyer Pursued), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7013 Eugène Atget, Ancien Hôtel Gaillardon. 27 quai d'Anjou, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40192 Jean-Louis Forain, a) At the Conference (recto); b) Reclining Figure (verso), c. 1919, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7202 Eugène Atget, Fontaine, rue du Faubourg-Saint-Martin, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40170 Jean-Louis Forain, a) -Un farman? -non, c'est un boche. (recto); b) Sketch of Figure (verso), c. 1914/1919, a) black crayon and brush and black ink on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7245 Jean-Louis Forain, The Objective of War, c. 1914/1919, crayon and brush and gray ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7252 Eugène Atget, Bassin de la Villette, Probably 1914–21; not later than 1925, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41707 Jean-Louis Forain, The Empire Destroys, The Republic Pays, probably 1918, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7236 Jean-Louis Forain, Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6933 Jean-Louis Forain, a) After Douai (recto); b) Untitled (verso), probably 1918, a) brush with brown and black ink and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7228 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39725 Eugène Atget, Cour de Rouen,, 1915, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40254 Eugène Atget, Port de l'Hôtel de Ville, Pont Marie, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39896 Auguste Lepère, The House of the Woodcutter, Vendee (La maison du bucheron, Vendee), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8471 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41234 Eugène Atget, Port du Louvre, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39664 Eugène Atget, Cabaret de la Petite Biche. 60 rue Beaubourg, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40142 Jean-Louis Forain, a) Fetters (recto); b) Several Figures (verso), probably 1919, a) brush and black ink and black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7209 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41426 Eugène Atget, Parc Delessert, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39819 Eugène Atget, Porte Dauphine, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41350 Eugène Atget, Saint-Sulpice (Chaire), 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41462 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Max Ernst, Helio Alcohodada, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38131 Eugène Atget, Convention nationale de François-Léon Sicard, Panthéon, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41162 Jean-Louis Forain, Hiding the "louis", c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7158 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Jean-Louis Forain, Portrait de Forain (Portrait of Forain), 1912, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6943 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41118 Eugène Atget, St. Nicolas du Chardonnet, 1914–20, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41389 Eugène Atget, Entrée du Parc de Sceaux. Bourg-la-Reine, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40968 Eugène Atget, Boulevard Masséna, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41290 Vasily Kandinsky, Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment), 1919 (published 1920), Complete set of eight issues of periodical, with line block reproductions in most, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16449 Jean Pougny (Ivan Puni), Study for Relief Sculpture, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38314 Jean-Louis Forain, Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate), 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6990 Henri Matisse, Yvonne Landsberg, 1914, Pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36885 Maurice de Vlaminck, Still Life, (1913–1914), Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37799 Jean (Hans) Arp, Untitled (Automatic Drawing), 1917–18, dated 1916, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34023 Eugène Atget, Cyprès (Fontenay), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41345 Jean-Louis Forain, La Defaillance Russe, 1914/1919, collotype on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7262 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Jean-Louis Forain, En somme ca n'est que du "materiel humain.", c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7198 Eugène Atget, Brocanteur. 42 Rue du Cherche-Midi, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40287 Jean-Louis Forain, Mother and Child Visited by Soldier in Hospital, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7154 Eugène Atget, Parc Delessert, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39453 Eugène Atget, Saint-Sulpice (Chaire), 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41463 Eugène Atget, Boutique, 12 rue des Lyonnais, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40159 Jean (Hans) Arp, Untitled (Collage with Squares Arranged according to the Law of Chance), 1916–17, Torn-and-pasted paper and colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37013 Eugène Atget, Rue des Lombards 56. Un Coin de la rue des Lombards, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40286 Eugène Atget, Porte d'Asnières, Cité Trébert, 1913, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40572 Jean-Louis Forain, Two Soldiers Looking at a Placard, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7174 Jean-Louis Forain, The Hats of the Allies [recto], c. 1914/1919, black crayon and brush and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7183 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Eugène Atget, Gentilly. Maison Adèle Foucher, 1915, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41038 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41120 Eugène Atget, 21 Quai de l'horloge. Ancien Hôtel, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40344 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Eugène Atget, Saint Méry, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41437 Auguste Lepère, Wreckers, Saint-Jean-de-Monts (Pilleurs d'epaves, Saint-Jean-de-Monts), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8488 Eugène Atget, Château de Villiers. 67 rue de Villiers. Neuilly-sur-Seine, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39040 Jean-Louis Forain, a) Les Allemandes sont partis (recto); b) Sketch of a Man (verso), c. 1914/1919, a) black crayon and watercolor on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7157 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41422 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41412 Georges Braque, Still Life with Tenora, 1913, Cut-and-pasted printed and painted paper, charcoal, chalk, and pencil on gessoed canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38330 Le Corbusier (Charles-Édouard Jeanneret), Bol, Pipes, et Papiers Enroulés (Cup, Pipes, and Paper Rolls), 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38254 Jean-Louis Forain, Le départ de l'enfant prodigue (1ère planche, en hauteur) (The Departure of the Prodigal Son) (first plate, vertical), probably 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6934 Eugène Atget, Église Saint Méry, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41431 Eugène Atget, Marronnier, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40335 Jean-Louis Forain, German Advance, c. 1914/1919, brush with black and brown ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7175 Jean-Louis Forain, La retour (The Return), c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7210 Roger de La Fresnaye, Study for Conjugality, 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35289 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40973 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in blue and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7268 Léon Bakst, Costume design for the ballet The Firebird ( L'Oiseau de feu ), 1913, Gouache, watercolor, metallic paint, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33017 Eugène Atget, Tuileries - Topographie du / Jardin - Cote du Louvre, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41016 Eugène Atget, Sonnenfinsternis, April 1912, 1912, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102459 Natalia Goncharova, The Flight into Egypt, for Liturgy, 1915, Watercolor, gouache heightened with gelatin and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33931 Albert Besnard, Cardinal Mercier, 1916, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4630 Eugène Atget, Panthéon, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41166 Eugène Atget, Église de Bagneux, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39208 Eugène Atget, Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40346 Vasily Kandinsky, Watercolor No. 14 (Aquarell No. 14), 1913, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34914 Eugène Atget, Rue des Lavandières, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40404 Jean-Louis Forain, Au front de Champagne - Les dernieres prieres, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7211 Henri Gaudier-Brzeska, Standing Nude, 1913, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33744 Jean-Louis Forain, a) Along the Marne (recto); b) Study for Along the Marne (verso), probably 1918, a) black crayon with graphite and red and yellow crayon additions on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7234 Eugène Atget, Parc de Rambouillet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41633 Jean-Louis Forain, Benediction a Lourdes, c. 1912, pen and brown ink, brown wash, and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7019 Jean-Louis Forain, Le Bon Feu (The Good Fire), c. 1916, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7278 Jean-Louis Forain, Noyon, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7199 Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Jean-Louis Forain, The Departure for Versailles, c. 1919, brush and brown ink and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7231 Eugène Atget, Fontaine, rue du Faubourg-Saint-Martin, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40515 Jean-Louis Forain, L'union sous le drapeau, c. 1914/1919, brush and black ink, black crayon, and white opaque watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7137 Henri Gaudier-Brzeska, Alfred Wolmark, 1913, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37064 Eugène Atget, Fontenay les Louvres, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39209 Georges Rouault, The Three Judges, 1913, Gouache and oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33219 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41427 Eugène Atget, Coiffeur, boulevard de Strasbourg, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40336 Eugène Atget, Journaux. Coin rue Mouffetard, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40488 Jean-Louis Forain, Discharged from Military Service, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7165 Jean-Louis Forain, Servir (To Serve), 1913, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7277 Vasily Kandinsky, Untitled (Ohne Titel), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36657 Jean-Louis Forain, Two Soldiers, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7194 Jean-Louis Forain, Le depart pour Versailles, c. 1919, brush and brown ink over graphite on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7213 Eugène Atget, Bateau-Parisien. Port de Javel, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41665 Georges Braque, Guitar, 1913, Cut-and-pasted printed and painted paper, charcoal, pencil, and gouache on gessoed canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36110 Eugène Atget, Brocanteur. 53 rue Greneta, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40132 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Eugène Atget, Fête, Avenue de Breteuil, 1913, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41115 Aimé Félix Del Marle, Looping, 1914, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38278 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40686 Francis Picabia, New York, 1913, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34734 Georges Braque, Bal (recto); Guitar (verso), 1912, Collage composed of charcoal and cut-and-pasted commercially printed tan wove papers (recto) and charcoal (verso) on white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180666 Vasily Kandinsky, The Horseman (Reiter), 1916, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33992 Eugène Atget, Poirier, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41344 Jean-Louis Forain, Debout, les Morts!, 1917, watercolor on paper (tracing paper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7139 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39717 Albert Gleizes, Two Women Seated by a Window, 1914, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38283 Jean-Louis Forain, Nach Paris. -moi aussi, chai des enfants, c. 1914/1919, brush and black ink over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7197 Eugène Atget, Balcon. 15 rue du Petit Pont, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40332 Jean-Louis Forain, Ceux de la premiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"? ...", c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7225 Eugène Atget, Maison à Chatillon, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38959 Albert Besnard, The Dancer of Tanjore (La bayadère of Tanjore), 1914, etching, drypoint, and printed tone on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4627 Fernand Léger, The Game of Cards, 1916, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38600 Jean-Louis Forain, A Versailles. L'envoye des boches, c. 1914/1919, black crayon and brush and black ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7182 Jean-Louis Forain, C'est la, que j'ai fini le cure, c. 1914/1919, pen and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7238 Jean-Louis Forain, Pour l'homme de demain, 1914/1919, collotype on Arches laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7260 Eugène Atget, Rue de La Reynie, étameur, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39461 Auguste Lepère, Saint Servan, 1917, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8401 Jean-Louis Forain, News in the Trenches, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7223 Claude Monet, Water Lilies (Agapanthus), c. 1915–26, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136510 Eugène Atget, 22 rue Quincampoix, cour, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39474 Eugène Atget, Saint-Sulpice (Chaire), 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41461 Eugène Atget, Château. La Malmaison, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39570 Odilon Redon, Vase of Flowers, 1916, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135469 Eugène Atget, Port du Louvre, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39663 Odilon Redon, Woman with Flower Corsage, 1912, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36038 Jean-Louis Forain, a) Refugees (recto); b) No 2 (verso), c. 1914/1919, a) brush and black ink and blue crayon on wove paper; b) blue crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7163 Jean-Louis Forain, Ceux de la priemiere heure. "Sire! ou en somme-nous de la guerre fraiche et joyeuse!", c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7186 Eugène Atget, Port de l'Hôtel de Ville, Pont Marie, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39900 Eugène Atget, Porte, 6 rue Saint-Florentin, 1912, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39766 Constantin Brancusi, View of the Artist's Studio, 1918, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33263 Eugène Atget, Saint Méry, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41438 Eugène Atget, Le Parc de Rambouillet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41632 Eugène Atget, Balcon. 16 Rue Beaujolais, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41612 Marie Laurencin, The Blue Plume (Tête de femme avec une plume bleue), c. 1914, Pastel, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34617 Henri Matisse, White Plumes, 1919, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.41 Eugène Atget, Parc Montsouris, 1913–14, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41629 Jean-Louis Forain, a) Le Poilu et Prisonnier (Poilu and Prisoner) (recto); b) Study of Prisoner (verso), c. 1914/1919, a) watercolor and black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7255 Jean-Louis Forain, Sur le Rhin. -maintenant c'est l'arriere., probably 1918, black crayon and graphite with black and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7177 Jean-Louis Forain, Bredouilles, l'Equipage d'un Zeppelin, probably 1915, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7200 Raoul Dufy, Les Fruits D'Afrique (The Fruits of Africa), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13066 Eugène Atget, Ancien Chateau de Villiers, 65 bis rue de Villiers Neuilly-sur-Seine, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39736 Jean-Louis Forain, a) Kammerade. Porquoi cette froideur? (recto); b) Study for German Figure (verso), c. 1914/1919, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7179 Henri Matisse, The Plumed Hat, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36826 Alexei Jawlensky, Stillleben mit violetter Schale, 1912, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2110 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Eugène Atget, Hôtel Michel Simon. 70 rue des Archives, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40019 Aimé Félix Del Marle, Self Portrait (recto); Beggar (verso), 1913, Chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37486 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40682 Auguste Lepère, Le Christ au matin de rameaux, 1918, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8472 Aimé Félix Del Marle, The Endeavor, (March 1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37479 Vasily Kandinsky, Watercolor No. 13 (Aquarell No. 13), 1913, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34897 Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293 Jean-Louis Forain, a) German Soldiers and French Child (recto); b) Woman and Child (verso), c. 1914/1919, a) black crayon and watercolor on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7206 Eugène Atget, Port de l'Hôtel de Ville, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40961 Jean-Louis Forain, Poilu and Tommy Conversing, c. 1914/1919, brush and black ink with watercolor over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7240 Vasily Kandinsky, Study for Painting with White Form (Entwurf zu Bild mit weisser Form), 1913, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34885 Jean-Louis Forain, Poilu and German Prisoners, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7164 Jean-Louis Forain, Hiding the "louis" [verso], c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7184 Auguste Lepère, Angers - Panoramic View (Angers - Vue panoramique), 1912, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8494 Jean-Louis Forain, a) La fête nationale (The National Holiday) (recto); b) Woman Holding Child (verso), 1918, a) brush and brown and black ink over black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7176 Jean-Louis Forain, a) La Guerre sous-Marine. L'ecole des Neutres (recto); b) Study of La Guerre sous-Marine. L'ecole des Neutres (verso), c. 1914/1919, a) brush and black ink, black crayon, and watercolor on wove paper; b) black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7146 Eugène Atget, Maison à Fontenay, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38956 Eugène Atget, Courtyard, 41 Rue Broca, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40207 Jean-Louis Forain, Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed), 1912/1913, etching and drypoint on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6936 Francis Picabia, Dada Movement (Mouvement Dada), 1919, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35993 Eugène Atget, 3 Rue des Prouvaires, 1913, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40223 House of Fabergé, Kremlin Tower Clock, c. 1913, rhodonite, silver, enamel, emeralds, sapphires, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142773 Henri Matisse, Blumen und Keramik, 1913, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4073 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39393 Eugène Atget, Brocanteur. 32 Rue Broca, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40285 Henri Matisse, Yvonne Landsberg, 1914, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38689 Eugène Atget, Entrepôt de Bercy, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41824 Auguste Lepère, Route from La Houssoye, Crevecoeur-le-Grand (Route de La Houssoye, Crevecoeur), 1913, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8487 Jean-Louis Forain, a) Two French Soldiers near a Notice Board (recto); b) Nursemaid and Children with Horse or Donkey (verso), c. 1914/1919, a) brush and black ink with brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7196 Henri Hayden, Still Life, (1917), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36507 Eugène Atget, Rue de Bagneux. Maison à Châtillon, 1915–19, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39113 Jean-Louis Forain, a) Looking for the Enemy (recto); b) Sketch for Looking for the Enemy (verso), c. 1914/1919, a) brush and black ink on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7203 Jean-Louis Forain, Le Front de Vincennes, 1914/1919, collotype on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7258 Albert Besnard, Self-Portrait, 1919, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4631 Jean-Louis Forain, Les notables (grande planche) (The Notables) (large plate), c. 1915, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6938 Jean-Louis Forain, Versailles, 28 Juin, 1914/1919, collotype on wove Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7259 Jean-Louis Forain, 7me 1914, c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7242 Eugène Atget, Parc Delessert, 1914, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39722 Eugène Atget, Parc Delessert, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39442 Jean-Louis Forain, Prussian Soldier and Civilians, c. 1919, black crayon and brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7227 Odilon Redon, Yellow Flowers, c. 1912, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33254 Eugène Atget, Bassin de la Villette, 1914–25, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41710 Eugène Atget, Gentilly. Ferme Adèle Foucher, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41039 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39367 Eugène Atget, Châtillon, puits á carrier, Mai 1916, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39462 Eugène Atget, Porte Dauphine. Fortifications, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41354 Eugène Atget, Bords de Marne à la Varenne, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39335 Eugène Atget, Port Solférino, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41664 Jean-Louis Forain, a) Après Douai (After Douai) (recto); b) Figure (verso), probably 1918, a) watercolor, brush and black ink, and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7133 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39803 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41428 Eugène Atget, Palais de Justice, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40176 Jean-Louis Forain, L'heure des gothas, c. 1914/1919, black crayon and brush and black ink, with corrections by the artist in white opaque watercolor, on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7221 Francis Picabia, [Untitled], 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38301 Eugène Atget, Port de l'Hôtel de Ville, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39899 Eugène Atget, Port Solférino, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39903 Eugène Atget, Cour de Rouen, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40256 Eugène Atget, Rue Perrotin, 1915–19, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39338 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7220 Jean-Louis Forain, Hiding the "louis", c. 1914/1919, brush and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7251 Georges Rouault, Man with Spectacles, 1917, Watercolor and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34664 Natalia Goncharova, The Nativity, for Liturgy, 1915, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33922 Jean-Louis Forain, Choisissez vos chambres, c. 1914/1919, black crayon and brush with black and gray ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7212 Jean-Louis Forain, a) Le replis boche (recto); b) Sketch for the Figure of the German (verso), c. 1914/1919, a) brush with black ink, watercolor, and black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7141 Eugène Atget, Saint-Cloud (hêtre), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40313 Jean-Louis Forain, En esclavage dans le Nord, c. 1914/1919, black crayon and watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7144 Eugène Atget, Panthéon, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41165 Jean-Louis Forain, Lourdes, la miraculée (2e planche) (Lourdes, the Miracle) (second plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6932 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Eugène Atget, Cour de Rouen, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40188 Albert Gleizes, Landscape with Chimneys, (1913), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37572 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Jean-Louis Forain, Au Pireê. -Le depart des boches., c. 1914/1919, black crayon and brush and black ink, with corrections by the artist in white opaque watercolor, on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7189 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40259 Odilon Redon, The Eye, (c. 1912), Watercolor, gouache, and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35977 Eugène Atget, Balcon. 67 rue Saint-Jacques, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41608 Jean-Louis Forain, Le retour du permissionnaire. -Tu Tombes a pie!, c. 1914/1919, black and orange crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7232 Eugène Atget, Canal de la Bastille, Probably 1914–21; not later than 1925, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41667 Eugène Atget, Jardin des Tuileries / Jardin de l'impereur, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41327 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39245 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Eugène Atget, Marchand de vin. Boulevard Masséna, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41293 Eugène Atget, Gentilly (Seine). Cour, vieille ferme. 3 rue des Noyers, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38963 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41420 Marc Chagall, Homage to Gogol. Design for curtain for Gogol festival, 1917, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33623 Eugène Atget, Cèdre, La Malmaison, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39572 Eugène Atget, Untitled (intérieure d'artiste), 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41294 Jean-Louis Forain, L'Allemand expulsé (The German Expelled), 1919, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6993 Eugène Atget, Panthéon. La Convention Nationale par Sicard, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41164 Eugène Atget, Pont Marie, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39655 Eugène Atget, Boutique, 93 rue Broca, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40133 Eugène Atget, Port de l'Hôtel de Ville, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39898 Eugène Atget, Parc Delessert, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39723 Georges Rouault, Circus Trainer, 1915, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37601 Marc Chagall, Golgotha, 1912, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33331 Georges Braque, Still Life with Glass and Letters, 1914, Cut-and-pasted printed paper, charcoal, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33278 Vasily Kandinsky, Improvisation, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33718 Jean-Louis Forain, The Hat of Marshall Foch, c. 1914/1919, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7195 Eugène Atget, Saint-Cloud, hêtre, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40380 Jean-Louis Forain, During the Armistice, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7218 Jean-Louis Forain, Pèlerins d'Emmaüs (Pilgrims at Emmaus), 1912/1913, etching, drypoint, and white and brown wash with graphite additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6952 Eugène Atget, Balcon. 173 Boulevard Saint-Germain, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41610 Eugène Atget, Bassin de la Villette. Quai de la Loire, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41708 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39721 Eugène Atget, Bassin de la Villette, Probably 1914–21; not later than 1925, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41706 Eugène Atget, Hôtel de Cardinal Dubois, rue de Valois, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39456 Jean-Louis Forain, Les notables (petite planche) (The Notables) (small plate), 1915, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6937 Eugène Atget, 8 rue Saint-Augustin, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40042 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914–20, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41127 Jean-Louis Forain, Woman and Two Children with German Soldiers, c. 1914/1919, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7207 Jean-Louis Forain, -Qu'est-ce vous voulez? -Les "louis" de 1871, c. 1914/1919, brush and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7219 Eugène Atget, 34 Rue Saint Séverin, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40217 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39720 Eugène Atget, Arcueil-Cachan, May-July 1915, Gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39501 Jean-Louis Forain, a) Le baiser du drapeau (recto); b) Study of Le baiser du drapeau (verso), 1918, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7162 Eugène Atget, Vielle boutique, rue des Lyonnais 10, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40122 Eugène Atget, Parc de Saint-Cloud, 1919–21, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40402 Jean-Louis Forain, Le pas de l'oie - dans le sang, c. 1914/1919, black crayon and brush and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7180 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39715 Jean-Louis Forain, Celui qui tira sur Clémenceau, in or after 1919, brush and black ink with black chalk on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7132 Jean-Louis Forain, a) C'etait notre maison (recto); b) Refugees in a Landscape (verso), c. 1914/1919, a) black crayon, watercolor, and white opaque watercolor on wove paper; b) brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7138 Auguste Lepère, Angers - The House of the King of Poland (Angers - La maison du roi de Pologne), 1912, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8476 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41415 Jean-Louis Forain, Avant la fête persanne, 1912, brush and black ink, wash, and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7040 Eugène Atget, Bateau-Parisien. Port de Javel, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41666 Vaslav Nijinsky, [Untitled], c. 1916, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36007 Eugène Atget, Panthéon. Statue par Rodin, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41160 Eugène Atget, Ancien Hôtel du Fermier. Général Daugny. 6 rue Drouot, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41848 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41323 Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86365 Jean-Louis Forain, German Raid on a Village, c. 1914/1919, brush and black ink, black crayon, and watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7145 Jean-Louis Forain, a) Si ils avaient vaincu (recto); b) Sketch of Si ils avaient vaincu (verso), c. 1919, a) brush and black ink on laid Van Gelder paper; b) brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7233 Eugène Atget, Port Solférino, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38996 Jean-Louis Forain, Lourdes, la miraculée (1ère planche) (Lourdes, the Miracle) (first plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6950 Eugène Atget, Ancien Chateau de Villiers, 65 rue de Villiers. Neuilly-sur-Seine, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39751 Alexandra Exter, Composition, c. 1916, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38209 Eugène Atget, Église Saint Méry, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41430 Eugène Atget, Ancien hôtel, 57 rue de Seine, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41606 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7271 Eugène Atget, 28 rue Broca, 1912, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40365 Jean-Louis Forain, Elles étaient à lacets, c. 1914/1919, watercolor and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7130 Jean-Louis Forain, En 1871, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7191 Eugène Atget, Ancien Couvent de Panthémont. 104 rue de Grenelle, 1912–13, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39790 Jean-Louis Forain, Grace!, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7222 Jean-Louis Forain, a) In the Trenches (recto); b) Study for In the Trenches (verso), c. 1914/1919, a) black crayon with black and grey wash on wove paper; b) black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7239 Jean-Louis Forain, Voilà le Moment de le chantes tun "Wacht am Rhein", 1914/1919, collotype on wove Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7257 Eugène Atget, Parc de Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40357 Jean-Louis Forain, Lourdes, l'imploration devant la Grotte (4e planche) (Lourdes, Imploring before the Grotto) (fourth plate), 1912/1913, etching on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6989 Eugène Atget, Étang du Plessis-Piquet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39078 Fernand Léger, Contrast of Forms, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34165 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41520 Eugène Atget, Ancien Chateau de Villiers, 61 bis rue de Villiers Neuilly-sur-Seine, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41312 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Jean-Louis Forain, French Soldier Addressing Germania, c. 1914/1919, brush and brown ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7216 Roger de La Fresnaye, Study for Couple with Greyhound, (c. 1913), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37609 Eugène Atget, Port des Invalides, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39905 Jean-Louis Forain, Les notables, c. 1914/1919, black crayon corrected and white gouache on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7187 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Eugène Atget, Charenton, vieux moulin, May-July 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38960 Jean-Louis Forain, a) La Borne, Verdun (recto); b) Wounded Soldier and First-Aid Man (verso), c. 1916, a) brush with black and gray ink and black crayon over graphite on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7160 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39719 Jean-Louis Forain, Servir (To Serve), 1913, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7276 Eugène Atget, Port des Invalides, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39907 Jean-Louis Forain, Marshal Petain, c. 1914/1919, watercolor and pen and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7029 Jean-Louis Forain, German Advance, c. 1914/1919, brush and brown ink and blue and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7217 Eugène Atget, Parc de Sceaux, 1915–19, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40683 Jean-Louis Forain, Toward Peace, c. 1914/1919, brush and black ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7134 Jean-Louis Forain, Les chefs (The Chefs), c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7153 Mikhail Larionov, Rayonist Composition: Number 9, 1913, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33463 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Jean-Louis Forain, Le train de Berne (The Train for Berne), c. 1914/1919, brush with brown and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7140 Eugène Atget, Pont Marie, 1912, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39952 Jean-Louis Forain, Le démobilisé, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7205 Jean-Louis Forain, Hospital Scene, c. 1914/1919, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7241 Eugène Atget, Port des Invalides, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39906 Eugène Atget, 12 rue Quincampoix, 1912, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40208 Eugène Atget, Boulevard de Strasbourg, 1912, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40496 Jean-Louis Forain, Ceux de la priemiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"?...", c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7201 Eugène Atget, Parc de Saint-Cloud, 1915–19, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41130 Robert Delaunay, The Tower and the Wheel, c. 1912–13, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35439 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39805 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41414 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39806 Eugène Atget, Église Saint Méry, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41429 Eugène Atget, Vieux moulin, Charenton, Mai-Juillet 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41229 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Jean-Louis Forain, a) L'Englise de leurs peres (recto); b) Man with Cigarette (verso), c. 1914/1919, a) brush and black ink and black crayon on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7142 Jean-Louis Forain, Quand le boche se retire..., probably 1917, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7190 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41321 Henri Matisse, The Plumed Hat, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34037 Eugène Atget, Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40391 Liubov Popova, Ohne Titel, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102027 Eugène Atget, 36 Passage Thierée (Ironworks), 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40155 Natalia Goncharova, The Forest, 1913, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38285 Jean-Louis Forain, -Am Rhien? -Ya., c. 1918, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7208 Jean-Louis Forain, a) Fetters (recto); b) Sketch for Fetters (verso), 1919, a) crayon and bursh and black ink on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7204 Jean-Louis Forain, The Miracle before the Blessed Sacrament (fourth plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6940 Constantin Brancusi, Study related to The First Step, 1913, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32964 Jean-Louis Forain, a) C'est trop dangereux pres de votre ambulance (recto); b) Study of Mother and Children (verso), c. 1914/1919, a) brush and black ink and black crayon with watercolor on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7135 Jean-Louis Forain, Toward Peace, c. 1914/1919, black crayon and brush with black and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7237 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39716 Jean-Louis Forain, Au Front de Vincennes, Bolo pacha, c. 1914/1919, crayon in black and blue and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7193 Jean-Louis Forain, Avocat parlant à sa cliente (Lawyer Talking to His Client), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7012 Jean-Louis Forain, Toward Justice, c. 1914/1919, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7246 Eugène Atget, [Untitled], 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40403 Eugène Atget, Porte, 19 rue Notre-Dame-des-Victoires, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39927 Jean-Louis Forain, The Supper at Emmaus, possibly c. 1912/1913, watercolor and colored chalks on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7128 Jean-Louis Forain, a) Dead German Soldier (recto); b) Head of a Soldier (verso), c. 1914/1919, brush and black ink, black crayon, and watercolor on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7147 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39712 Jean-Louis Forain, A Versailles juillet 1919, probably 1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7226 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41119 Jean-Louis Forain, En esclavage, c. 1914/1919, pen and brown ink with brown wash over red chalk on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7149 Jean-Louis Forain, L'attaque d'une "place forte" anglaise, probably 1917, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7215 Jean-Louis Forain, La Borne - Verdun (The End - Verdun), c. 1916, drypoint and etching on on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7155 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Auguste Rodin, Hand of Rodin with a Female Figure, 1917, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1015 Eugène Atget, 8 rue Saint-Augustin, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40035 Eugène Atget, Saint-Étienne-du-Mont (Chaire), 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41425 Eugène Atget, Saint-Cloud, Acacia, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40413 Jean-Louis Forain, Suspension d'audience (Recess of the Hearing), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7014 Jean-Louis Forain, Refugees, c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7170 Jean-Louis Forain, L'avocat invectivé (The Lawyer Abused), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7008 Eugène Atget, Plessis Piquet. Cabaret du Coup du Milieu, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38957 Jean-Louis Forain, Avocat parlant à sa cliente (Lawyer Talking to His Client), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7006 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7229 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Eugène Atget, Balcon, 17 rue du Petit-Pont, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39932 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in blue and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7269 Eugène Atget, Convention nationale de François-Léon Sicard, Panthéon, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41163 Eugène Atget, Panthéon. Statue par Dubois, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41161 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7161 Eugène Atget, Châtillon, porte ancien château, rue des Pierrettes, Mai 1916, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41094 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Henri Matisse, Study for The Back (II), c. 1913, Ink on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33965 Jean-Louis Forain, The Taking of Fort Douaumont, probably 1916, brush and black ink with crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7173 Jean-Louis Forain, a) Poilu and Nurse (recto); b) Sketch for the Poilu (verso), c. 1914/1919, a) brush and brown and black ink on wove paper; b) brush and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7172 Mikhail Larionov, Rayonist Composition: Number 8, c. 1913, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33457 Jean-Louis Forain, a) Versailles juillet. La Germania signe... (recto); b) Sketch for Figure of Germania (verso), probably 1919, a) black crayon and brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7224 Jean-Louis Forain, Suspension d'audience (Recess of the Hearing), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7007 Eugène Atget, Vieille Cour, 22 rue Saint-Sauveur, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40262 Jean-Louis Forain, Sur le Rhin, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7167 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 Jean-Louis Forain, Les Nuits de Paris, 1914/1919, collotype on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7261 Eugène Atget, Les Maisons de la rue Boutebrie (nos pairs) vue de la rue des Pretres-Saint-Séverin, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39387 Eugène Atget, Port de l'Hôtel de Ville, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39661 Eugène Atget, Porte Dauphine, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41352 Eugène Atget, Pont Marie, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39659 Eugène Atget, Escalier, 8 rue Saint-Augustin, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40037 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7247 Jean (Hans) Arp, Untitled (Squares Arranged According to the Laws of Chance), 1917, Cut-and-pasted colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37166 Eugène Atget, Port des Invalides, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39904 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in green and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7270 Jean-Louis Forain, Le demobilise, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7143 Eugène Atget, Parc Delessert, 1914, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39711 Eugène Atget, Porte Dauphine, 1913, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41351 Eugène Atget, Jardin du Luxembourg, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39804 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914–20, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41126 Henri Laurens, The Sculptor's Stand, 1917, Collage of tempera (white lead), cut and pasted papers (water soluble coating on brown paper), pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35570 Jean-Louis Forain, Salle de jeu (Gambling Room), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7004 Eugène Atget, Balcon. 20 rue de Saintonge, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41620 Eugène Atget, Saint-Étienne-du-Mont, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41423 Eugène Atget, Panthéon, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41167 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Marc Chagall, Study for Birthday, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36449 Jean-Louis Forain, After Douai, probably 1918, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7230 Jean-Louis Forain, Germania before the Judges, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7235 Eugène Atget, Église Saint-Roch, chaire, 1912, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40936 Eugène Atget, Charenton, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38961