Pablo Picasso, Head of a Man, Céret spring 1913, Cut-and-pasted newspaper, colored paper, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37687 Lyonel Feininger, The Village of Legefeld I (Dorf Legefeld I), 1916, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33715 Charles Camoin, Seated Woman, (c. 1910), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33035 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Jean-Louis Forain, Before the Repast at Emmaus, c. 1910, brush and gray ink with brown and gray wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7095 Arthur Dove, Nature Symbolized, c. 1911–12, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36115 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Fernand Léger, Seated Nude, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34199 Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745 George Grosz, The Christmas Brothers, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36787 Jean-Louis Forain, a) Two Soldiers in a Trench (recto); b) Interior with Figures Seated Behind Table (verso), c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7244 Roger de La Fresnaye, Study for Conjugality, 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36317 Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286 Jean-Louis Forain, The Economic Withdrawal, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7248 Jean-Louis Forain, Toward Peace, c. 1914/1919, brush with black and brown ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7250 Max Weber, Crystal Figure, (1911), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35064 Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194 Fritz Stuckenberg, Opium, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38357 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Elie Nadelman, Bust of a Woman, c. 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34658 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Alexander Archipenko, Figure in Movement, 1913, Cut-and-pasted painted paper, conté crayon, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38099 Jean-Louis Forain, a) Au front de Vincennes, Bolo pacha (recto); b) Sketch for Au front de Vincennes, Bolo pacha (verso), c. 1914/1919, a) brush and black ink and black chalk on wove paper; b) black chalk and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7168 Jean-Louis Forain, Soldiers Preparing a Meal, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7169 Jean-Louis Forain, Rassurez vous; je suis gauché., c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7214 Henri Gaudier-Brzeska, Portrait of Wyndham Lewis, c. 1913–14, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33442 Jean-Louis Forain, Sur la ligne de feu, c. 1914/1919, black crayon with brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7159 Jacques Lipchitz, Girl with Braided Hair, (1914), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36065 George Grosz, Fit for Active Service (Kriegsverwendungsfähig), 1918, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35441 Suzanne Valadon, Study for Children's Bath in the Garden (Toilette des enfants dans le jardin), 1910, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35045 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Odilon Redon, Vase of Flowers, c. 1912–14, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37321 Morgan Russell, Synchromy, c. 1913–14, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36081 Ernst Ludwig Kirchner, Sailor Saying Goodbye (Matrose sich verabschiedend), (1914), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33951 Jean-Louis Forain, Le demobilisé, c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7171 Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077 Jean-Louis Forain, Au fil de la marne, 1918, red chalk, black crayon, and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7192 Jean-Louis Forain, Reims 9bre 1918, probably 1918, brush and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7166 Henri Gaudier-Brzeska, A Labourer (Man with Cap), 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37461 Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547 Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344 Jean-Louis Forain, a) At the Conference (recto); b) Reclining Figure (verso), c. 1919, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7202 Jean-Louis Forain, a) -Un farman? -non, c'est un boche. (recto); b) Sketch of Figure (verso), c. 1914/1919, a) black crayon and brush and black ink on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7245 Jean-Louis Forain, The Objective of War, c. 1914/1919, crayon and brush and gray ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7252 Jean-Louis Forain, The Empire Destroys, The Republic Pays, probably 1918, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7236 Jean-Louis Forain, a) After Douai (recto); b) Untitled (verso), probably 1918, a) brush with brown and black ink and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7228 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Joseph Stella, Song of the Nightingale, 1918, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34189 Chris Hendrik Beekman, Composition, 1916, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38177 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 Jean-Louis Forain, a) Fetters (recto); b) Several Figures (verso), probably 1919, a) brush and black ink and black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7209 Max Ernst, Helio Alcohodada, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38131 Alexander Bogomazov, Woman, 1914, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33196 Maurice Sterne, Balinese Woman, 1913, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34998 Jean-Louis Forain, Hiding the "louis", c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7158 Abraham Walkowitz, Untitled Abstraction, (c. 1913), Pencil, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35346 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Stuart Davis, Forty Inns on the Lincoln Highway, 1916, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37442 Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991 Felix Klee, Fritzi, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36795 Henri Matisse, Yvonne Landsberg, 1914, Pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36885 Jean (Hans) Arp, Untitled (Automatic Drawing), 1917–18, dated 1916, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34023 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Jean-Louis Forain, En somme ca n'est que du "materiel humain.", c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7198 Jean-Louis Forain, Mother and Child Visited by Soldier in Hospital, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7154 Pavel Tchelitchew, The Artist's Mother, c. 1918–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34227 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Alexander Bogomazov, Landscape, c. 1917–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36542 Roger de La Fresnaye, Seated Nude, (1910), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33176 Joseph Stella, Joe Gould, 1919, Crayon, colored pencil, and pencil over white wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34981 Jean-Louis Forain, Two Soldiers Looking at a Placard, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7174 Jean-Louis Forain, The Hats of the Allies [recto], c. 1914/1919, black crayon and brush and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7183 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Paul Klee, Hannah, 1910, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34019 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Otto Dix, A Riddled Wall (Zerschossene Mauern), (1916), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35838 Georges Braque, Still Life with Tenora, 1913, Cut-and-pasted printed and painted paper, charcoal, chalk, and pencil on gessoed canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38330 Le Corbusier (Charles-Édouard Jeanneret), Bol, Pipes, et Papiers Enroulés (Cup, Pipes, and Paper Rolls), 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38254 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Odilon Redon, Roger and Angelica, c. 1910, Pastel on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34050 Jean-Louis Forain, German Advance, c. 1914/1919, brush with black and brown ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7175 Jean-Louis Forain, La retour (The Return), c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7210 Roger de La Fresnaye, Study for Conjugality, 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35289 Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817 Paul Klee, With the Flag (Mit der Fahne), 1918, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35629 Jean-Louis Forain, Au front de Champagne - Les dernieres prieres, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7211 Piet Mondrian, Church Facade 6, 1915, dated 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34630 Henri Gaudier-Brzeska, Standing Nude, 1913, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33744 Jean-Louis Forain, a) Along the Marne (recto); b) Study for Along the Marne (verso), probably 1918, a) black crayon with graphite and red and yellow crayon additions on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7234 Jean-Louis Forain, Benediction a Lourdes, c. 1912, pen and brown ink, brown wash, and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7019 St. Louis Argus, Press Release from the Lincoln Motion Picture Company, January 5, 1917, ink on paper; H x W: 8 × 5 3/4 in. (20.3 × 14.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748684-1 Jean-Louis Forain, Noyon, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7199 Ludwig Meidner, Portrait of a Soldier, 1918, Black ink and graphite on tan wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4630 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Jean-Louis Forain, The Departure for Versailles, c. 1919, brush and brown ink and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7231 Henri Gaudier-Brzeska, Alfred Wolmark, 1913, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37064 Jean-Louis Forain, Discharged from Military Service, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7165 Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544 Vasily Kandinsky, Untitled (Ohne Titel), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36657 Jean-Louis Forain, Two Soldiers, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7194 Jean-Louis Forain, Le depart pour Versailles, c. 1919, brush and brown ink over graphite on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7213 Pablo Picasso, Nude Woman, Standing, (1912), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33833 Pablo Picasso, Head, (1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36990 Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Arthur Dove, Abstraction Untitled, c. 1917–20, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33430 Aimé Félix Del Marle, Looping, 1914, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38278 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Georges Braque, Bal (recto); Guitar (verso), 1912, Collage composed of charcoal and cut-and-pasted commercially printed tan wove papers (recto) and charcoal (verso) on white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180666 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870 Jean-Louis Forain, Nach Paris. -moi aussi, chai des enfants, c. 1914/1919, brush and black ink over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7197 Jean-Louis Forain, Ceux de la premiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"? ...", c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7225 Fernand Léger, The Game of Cards, 1916, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38600 Jean-Louis Forain, A Versailles. L'envoye des boches, c. 1914/1919, black crayon and brush and black ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7182 Jean-Louis Forain, C'est la, que j'ai fini le cure, c. 1914/1919, pen and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7238 Marcel Duchamp, Handmade Stereopticon Slide, c. 1918–19, Pencil on gelatin silver prints mounted on black-paper-surfaced board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34823 Auguste Lepère, Saint Servan, 1917, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8401 Jean-Louis Forain, News in the Trenches, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7223 Pablo Picasso, Man in a Bowler Hat, 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36618 Spencer Frederick Gore, Study for the painting Inez and Taki, (1910), Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33830 Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 F. L. Griggs, Topiary Archway, 1910, charcoal and graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7432 Odilon Redon, Vase of Flowers, 1916, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135469 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Odilon Redon, Woman with Flower Corsage, 1912, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36038 Ludwig Meidner, Soldier Karl Stein, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36934 Jean-Louis Forain, a) Refugees (recto); b) No 2 (verso), c. 1914/1919, a) brush and black ink and blue crayon on wove paper; b) blue crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7163 Jean-Louis Forain, Ceux de la priemiere heure. "Sire! ou en somme-nous de la guerre fraiche et joyeuse!", c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7186 Lovis Corinth, Wolfgang Gurlitt, (1917), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37434 Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350 Jean-Louis Forain, Sur le Rhin. -maintenant c'est l'arriere., probably 1918, black crayon and graphite with black and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7177 Albert Gleizes, Landscape with Bridge and Viaduct, 1910, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33777 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744 Wilhelm Lehmbruck, Standing Girl (Stehendes Mädchen), (c. 1915), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35154 Jean-Louis Forain, Bredouilles, l'Equipage d'un Zeppelin, probably 1915, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7200 Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340 Jean-Louis Forain, a) Kammerade. Porquoi cette froideur? (recto); b) Study for German Figure (verso), c. 1914/1919, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7179 Henri Matisse, The Plumed Hat, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36826 Max Weber, Maine, 1914, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37661 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 Christopher Richard Wynne Nevinson, Study for The Departure of the Train de Luxe, (c. 1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36986 Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550 George S. Graves Co., Picture postcard to Dr. Arthur Melvin Townsend, 1914; sent September 1917, ink on paper; H x W: 3 1/2 x 5 1/2 in. (8.9 x 14 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1727784523374-1727784527915-0 Aimé Félix Del Marle, Self Portrait (recto); Beggar (verso), 1913, Chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37486 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Aimé Félix Del Marle, The Endeavor, (March 1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37479 Jean-Louis Forain, Poilu and German Prisoners, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7164 Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144 Jean-Louis Forain, Hiding the "louis" [verso], c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7184 Poro College, Typewritten formula for Poro hair rinse, 1915–1953, ink on paper; H x W: 4 5/8 x 8 3/8 in. (11.7 x 21.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744450-0 Jean-Louis Forain, a) La fête nationale (The National Holiday) (recto); b) Woman Holding Child (verso), 1918, a) brush and brown and black ink over black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7176 Paul Klee, The Hanged Ones (Die Gehängten), 1913, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38148 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Francis Picabia, Dada Movement (Mouvement Dada), 1919, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35993 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33705 Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916 Pablo Picasso, Guitar, Paris, December 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33508 Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470 Henri Matisse, Yvonne Landsberg, 1914, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38689 Lovis Corinth, Woman Carrying a Basket (recto); Untitled (Study for Portrait of Frau Luther) (verso), c. 1910, Pencil on paper (recto); Pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37438 Jean-Louis Forain, a) Two French Soldiers near a Notice Board (recto); b) Nursemaid and Children with Horse or Donkey (verso), c. 1914/1919, a) brush and black ink with brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7196 Maurice Sterne, Praying Hands, Bali, (1913), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35019 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Walter Richard Sickert, Jack Ashore, (c. 1910), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34963 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37977 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Kirill Zdanevich, Visiting card of Kara-Darvish, with drawing by Kirill Zdanevich entitled The Furious Lady, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14412 Jean-Louis Forain, a) Looking for the Enemy (recto); b) Sketch for Looking for the Enemy (verso), c. 1914/1919, a) brush and black ink on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7203 Jean-Louis Forain, 7me 1914, c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7242 Juan Gris, Still Life with Bottle and Funnel, 1911, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36672 Jean-Louis Forain, Prussian Soldier and Civilians, c. 1919, black crayon and brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7227 Odilon Redon, Yellow Flowers, c. 1912, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33254 Pablo Picasso, Head of a Man with a Hat, 1912, Cut-and-pasted newspaper and colored paper, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35867 Rev. Nelson Jordan Jr., Letter written by Nelson Jordan Jr. and Nelson Jordan to Julia Womack, February 4, 1910, ink on paper; H x W (.1): 7 15/16 × 9 7/8 in. (20.2 × 25.1 cm); H x W (.2): 3 1/2 × 5 3/8 in. (8.9 × 13.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749570-0 August Macke, Street Scene with Cathedral (Straßenbild mit Kathedrale), 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33999 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Francis Picabia, [Untitled], 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38301 Elie Nadelman, Reclining Nude, c. 1917, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35704 Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7220 Jean-Louis Forain, Hiding the "louis", c. 1914/1919, brush and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7251 Jean-Louis Forain, Choisissez vos chambres, c. 1914/1919, black crayon and brush with black and gray ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7212 Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344 Louis Michel Eilshemius, Study for Mosque near Biskra, (c. 1915), Pencil on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33087 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Albert Gleizes, Landscape with Chimneys, (1913), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37572 Pablo Picasso, Cubist Study, (1912), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37973 Franz Marc, Elephant (Elefant), 1913, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37666 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Jean-Louis Forain, Le retour du permissionnaire. -Tu Tombes a pie!, c. 1914/1919, black and orange crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7232 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Roger Fry, Vanessa Bell Painting, c. 1914, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33734 Lyonel Feininger, The City at the Edge of the World (In der Stadt am Ende der Welt), 1912, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34425 Pablo Picasso, Guitar, Céret, spring 1913, Cut-and-pasted newspaper, wallpaper, paper, ink, chalk, charcoal, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38359 Georges Braque, Still Life with Glass and Letters, 1914, Cut-and-pasted printed paper, charcoal, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33278 Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236 Jean-Louis Forain, The Hat of Marshall Foch, c. 1914/1919, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7195 Jean-Louis Forain, During the Armistice, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7218 Elie Nadelman, Reclining Nude, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35715 Charles Demuth, Study for Acrobats, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37273 Jean-Louis Forain, Woman and Two Children with German Soldiers, c. 1914/1919, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7207 Jean-Louis Forain, -Qu'est-ce vous voulez? -Les "louis" de 1871, c. 1914/1919, brush and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7219 August Macke, Promenade on the Bridge (Spaziergang auf der Brücke), 1913, Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35274 Odilon Redon, Violette Heymann, 1910, pastel on gray wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148753 Otto Dix, A Soldier Writing (Schreibender Soldat), 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35853 Jean-Louis Forain, a) Le baiser du drapeau (recto); b) Study of Le baiser du drapeau (verso), 1918, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7162 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Jean-Louis Forain, Le pas de l'oie - dans le sang, c. 1914/1919, black crayon and brush and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7180 David Bomberg, Study for In the Hold, (1913), Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36905 Paul Klee, Houses Drawn by Oxen, Ox Speared by a Lantern, Overpass (Häuser von Ochsen gezogen, Ochse laternengespiesst, Strassenüberführung), 1916, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33836 Jean-Louis Forain, Celui qui tira sur Clémenceau, in or after 1919, brush and black ink with black chalk on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7132 František Kupka, Study in Verticals (The Cathedral), (1912), Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34122 Jean-Louis Forain, Avant la fête persanne, 1912, brush and black ink, wash, and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7040 Lyonel Feininger, Arcueil II, 1915, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33691 Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901 Jacob Epstein, Study for The Rock Drill, (c. 1913), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37133 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Jean-Louis Forain, a) Si ils avaient vaincu (recto); b) Sketch of Si ils avaient vaincu (verso), c. 1919, a) brush and black ink on laid Van Gelder paper; b) brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7233 Kirill Zdanevich, [Untitled], c. 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14393 Jean-Louis Forain, En 1871, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7191 George Grosz, Air Attack (Fliegerbombe), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33173 Ludwig Meidner, Dr. Wilhelm Valentiner, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36927 Jean-Louis Forain, Grace!, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7222 Jean-Louis Forain, a) In the Trenches (recto); b) Study for In the Trenches (verso), c. 1914/1919, a) black crayon with black and grey wash on wove paper; b) black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7239 Georgia O'Keeffe, Special No. 39, 1919, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35245 Fernand Léger, Contrast of Forms, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34165 Ernst Ludwig Kirchner, Berliner Straßenszene, c. 1914, Pastellkreiden und Kohle auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11716 Jean-Louis Forain, French Soldier Addressing Germania, c. 1914/1919, brush and brown ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7216 Roger de La Fresnaye, Study for Couple with Greyhound, (c. 1913), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37609 Jean-Louis Forain, a) La Borne, Verdun (recto); b) Wounded Soldier and First-Aid Man (verso), c. 1916, a) brush with black and gray ink and black crayon over graphite on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7160 Mark Tobey, Winthrop Parkhurst, 1916, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35072 Jean-Louis Forain, German Advance, c. 1914/1919, brush and brown ink and blue and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7217 Hans Richter, Iwan Goll, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33307 Robert Delaunay, The Tower, 1911, dated 1910, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35446 Jean-Louis Forain, Toward Peace, c. 1914/1919, brush and black ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7134 Jean-Louis Forain, Les chefs (The Chefs), c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7153 Charles Sheeler, Barn, 1917, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35279 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149 Jean-Louis Forain, Le train de Berne (The Train for Berne), c. 1914/1919, brush with brown and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7140 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Jean-Louis Forain, Le démobilisé, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7205 Jean-Louis Forain, Hospital Scene, c. 1914/1919, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7241 George Grosz, The End of the Day, c. 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33080 Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171 Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904 Jean-Louis Forain, Ceux de la priemiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"?...", c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7201 Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582 Robert Delaunay, The Tower and the Wheel, c. 1912–13, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35439 Jean-Louis Forain, a) L'Englise de leurs peres (recto); b) Man with Cigarette (verso), c. 1914/1919, a) brush and black ink and black crayon on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7142 Jean-Louis Forain, Quand le boche se retire..., probably 1917, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7190 Henri Matisse, The Plumed Hat, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34037 August Macke, Tightrope Walker I (Seiltänzer I), (1913–14), Color crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34691 Jean-Louis Forain, -Am Rhien? -Ya., c. 1918, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7208 Jean-Louis Forain, a) Fetters (recto); b) Sketch for Fetters (verso), 1919, a) crayon and bursh and black ink on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7204 Constantin Brancusi, Study related to The First Step, 1913, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32964 Mother Bethel AME Church, Poster for the Mother Bethel A.M.E. Church in Philadelphia, 1916, ink on paper; H x W: 16 x 19 7/8 in. (40.6 x 50.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746490-0 Man Ray (Emmanuel Radnitzky), Ridgefield Landscape, 1914, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38274 Jean-Louis Forain, Toward Peace, c. 1914/1919, black crayon and brush with black and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7237 Jean-Louis Forain, Au Front de Vincennes, Bolo pacha, c. 1914/1919, crayon in black and blue and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7193 Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284 Jean-Louis Forain, Toward Justice, c. 1914/1919, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7246 Jean-Louis Forain, A Versailles juillet 1919, probably 1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7226 Elie Nadelman, Standing Man, profile, c. 1917–19, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35649 Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681 Lyonel Feininger, Gelmeroda V, 1916, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33891 Diego Rivera, Angeline Beloff, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33433 Man Ray (Emmanuel Radnitzky), [Untitled], 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36015 André Dunoyer de Segonzac, Souvenir of Isadora, (1910), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33335 Jean-Louis Forain, En esclavage, c. 1914/1919, pen and brown ink with brown wash over red chalk on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7149 Jean-Louis Forain, L'attaque d'une "place forte" anglaise, probably 1917, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7215 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Jean-Louis Forain, Refugees, c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7170 Georg Kolbe, Dancer (Tänzerin), (c. 1918), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35416 Henri Matisse, Girl with Tulips (Jeanne Vaderin), 1910, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34863 Hans Richter, Raoul Hausmann, 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35596 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7229 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7161 Georgia O'Keeffe, No. 12 Special, 1916, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35251 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Elie Nadelman, Seated Nude, c. 1916, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35672 Jean-Louis Forain, The Taking of Fort Douaumont, probably 1916, brush and black ink with crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7173 Jean-Louis Forain, a) Poilu and Nurse (recto); b) Sketch for the Poilu (verso), c. 1914/1919, a) brush and brown and black ink on wove paper; b) brush and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7172 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Wilhelm Lehmbruck, Head, Kneeling Woman (Kopf, Kniende Frau), 1911, Blue chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34600 Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825 Jean-Louis Forain, a) Versailles juillet. La Germania signe... (recto); b) Sketch for Figure of Germania (verso), probably 1919, a) black crayon and brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7224 Erich Heckel, Head of a Girl (Mädchenkopf), 1912, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33991 Morgan Russell, Study, 1914–15, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37759 Jean-Louis Forain, Sur le Rhin, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7167 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7247 Wilhelm Lehmbruck, Study for Bather, (1913), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36454 Jean-Louis Forain, Le demobilise, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7143 Lyonel Feininger, The Unemployed (Arbeitslose), 1910, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34240 Jacob Epstein, Study for The Rock Drill, (c. 1913), Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33682 Maurice Sterne, Rocks, Maine Coast, 1916, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35306 Pavel Tchelitchew, Pierre Souvtchinsky, c. 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34212 Pablo Picasso, Still Life with Fan, 1910, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35501 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Lawrence Atkinson, Abstract Composition, c. 1914, Pencil and pastel on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32994 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Marc Chagall, Study for Birthday, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36449 Jean-Louis Forain, After Douai, probably 1918, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7230 Paul Klee, Snail (Schnecke), 1914, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34935 Jacob Epstein, Birth, 1913, Red crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37200 Jean-Louis Forain, Germania before the Judges, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7235 Arthur B. Davies, Study for Flume of Destiny, (c. 1910), Crayon and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35827