Fernand Léger, Verdun, The Trench Diggers ( Verdun, les foreurs ), 1916, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34690 Will Dyson, German prisoners, Wytschaete Road (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5428 UNKNOWN, (Peace), c.1919, Cotton filet crochet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19886 Norman Lindsay, The curtain, 1919, Etching on brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4522 Theo van Doesburg, Study for Composition VIII (The Cow) (recto); Untitled (verso), c. 1917, Gouache, oil, and charcoal on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35396 Lyonel Feininger, The Village of Legefeld I (Dorf Legefeld I), 1916, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33715 Eric Kennington, Ready for service (from the set 'Making soldiers', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12713 Muirhead Bone, A ship-yard (from the set 'Building ships', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5463 Daphne - Sculptor, P.J. LOWTHER & SONS Mayo, Memorial to Hon. David Bowman, M.L.A., 1918–19, Ulam marble relief portrait set in marble plaque, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3730 Laura Knight, Pavlova, c.1919, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3415 Kirill Zdanevich, [Untitled], 1919, Pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9070 Max Weber, Interior with Figures, 1918, Gouache and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34116 Will Dyson, Summer day near Ville-sur-Ancre (from 'Australia at war' series), 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7109 Joseph Pennell, Making Propeller Blades, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9595 George Clausen, The furnace (from the set 'Making guns', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12726 Robert Delaunay, Football. L'Equipe de Cardiff, (1916), Oil on paper on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38194 Janet Agnes Cumbrae Stewart, (Girl in kimono), 1919, Pastel on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7143 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/936 Lloyd Rees, "Farleigh", Melbourne, Auntie's balcony, c.1916–17, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1980 Helene Schjerfbeck, Mädchen mit blondem Haar, 1916, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114101 Joseph Pennell, Building the Camp, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9677 Eric Kennington, Into the trenches (from the set 'Making soldiers', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1346 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Christopher Nevinson, Swooping down on a Taube (from the set 'Building aircraft', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12732 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Sydney Long, York, 1916, Watercolour on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/457 UNKNOWN, Dunk Island Queensland Aus (Group of sailors), 1918, Postcard: Black and white photographic print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34879 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 George Grosz, The Christmas Brothers, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36787 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Georgia O'Keeffe, Evening Star No. III, 1917, Watercolor on paper mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33828 Josef Eberz, THEATER (Bühne), 1916, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37891 Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1917, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8493 Arthur Streeton, Boulogne, 1918, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487830 Ludwig Heinrich Jungnickel, Stall (no. 6 from 'Wassermann Mappe') (Stall (no. 6 from 'Water-carrier portfolio')), 1919, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12828 Russian Book Collection, Truba marsiian (The Martians' Trumpet), 1916, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32050 Hilda Rix Nicholas, Two soldiers, 1918, Charcoal and crayon on cream canvas board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6556 Elioth Gruner, Clearing fog, Prospect, 1917, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6862 Lloyd Rees, Bunya at the entrance to College, 1917, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16980 Lily Forrest, Supper cloth, 1918, White linen elaborately pierced and embossed with scrolls and flowers in button stitch, padded satin stitch, french knots and overcast bars, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15403 Lloyd Rees, Studies of St Brigid's, Red Hill, 1916, Pencil on sketch paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17035 Lloyd Rees, Cowlishaw's driveway, 1916, Pencil on sketch paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17063 Lloyd Rees, Garden studies for the L'Estrange house, 1916, Pencil on sketch paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20989 Fritz Stuckenberg, Opium, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38357 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Max Beerbohm, Ford Madox Brown being Patronized by Holman Hunt, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01043 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Joseph Pennell, Shaping a Gun from an Ingot, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9692 Joseph Pennell, Finishing Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9593 Max Klinger, Ex Libris Hildegard Heyne, 1918, Etching and aquatint printed in black ink on off-white paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4901 Eugène Atget, Saint-Cloud, hêtre (Beech), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40324 W. Lister Lister, The windswept marshes, 1917, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7546 George Grosz, Fit for Active Service (Kriegsverwendungsfähig), 1918, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35441 Martin Lewis, Brooklyn warehouses under the Bridge, c.1918, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14213 Augustus John, A girl's head (H. the flowered toque), c.1919, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3724 Joseph Pennell, In the Land of Iron and Steel, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9643 Lloyd Rees, Studies of interior of St Brigid's, Red Hill, 1916, Pencil on sketch paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17038 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Florence Rodway, The tea party, 1919, Pastel on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7781 Joseph Pennell, Shell Factory, No.II, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9699 Lloyd Rees, Porch entrance, St Brigid's; Red Hill houses, St Brigid's in background, 1916, Pencil on sketch paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17034 John Singer Sargent, A Street in Arras, 1918, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106356959 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8935 Joseph Pennell, Fitting Guns in Turrets, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9615 Marie Laurencin, Girl's Head, 1916–18, Watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33695 Max Beerbohm, The Man from Hymettus. Mr Frederick Leighton, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01057 Anne Brigman, Heart of the Storm, 1918, gelatin silver print; sheet and image: 7 3/4 x 9 3/4 in. (19.7 x 24.7 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061130-0 F. Derwent Wood, Billy Hughes, 1919, cast 1959, Bronze on wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6892 Josephine Müntz-Adams, (Portrait of Ilma Felstead), 1916, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7896 Jean-Louis Forain, The End - Verdun, c. 1916, drypoint and etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7136 Lyonel Feininger, Euphoric Victory (Siegesrausch), (1918), Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34505 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5023 Henri Laurens, Man with a Pipe, 1919, Ink, metallic and oil paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34597 Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077 Jean-Louis Forain, Au fil de la marne, 1918, red chalk, black crayon, and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7192 Jean-Louis Forain, Reims 9bre 1918, probably 1918, brush and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7166 George Clausen, Turning a big gun (from the set 'Making guns', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18 Childe Hassam, Portsmouth Doorway, 1916, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1082 Frank Brangwyn, The look-out (from the set 'Making sailors', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6733 László Moholy-Nagy, Jolan Simon, (1919–20), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33277 Jean-Louis Forain, a) At the Conference (recto); b) Reclining Figure (verso), c. 1919, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7202 Jean-Louis Forain, The Empire Destroys, The Republic Pays, probably 1918, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7236 Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145 Hans Heysen, Changing pastures, c.1919, Charcoal on cream laid paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2741 Dagobert Peche, Krone (Crown) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11992 Jean-Louis Forain, a) After Douai (recto); b) Untitled (verso), probably 1918, a) brush with brown and black ink and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7228 George Clausen, Lifting an inner tube (from the set 'Making guns', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4532 Max Beckmann, Die Hölle, 1919, Folge von elf Kreidelithografien (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102209 Max Beckmann, The Mocking of the Prodigal Son ( Der Verlorene Sohn wird verspottet ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35742 Claude Shepperson, Advanced dressing station, France (from the set 'Tending the wounded', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12731 Charles Demuth, Dancing Sailors, 1918, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34760 Sydney Long, Spirit of the Plains, c.1918, Aquatint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5247 Will Dyson, The Old Flers Road (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2185 George Grosz, Bürgerliche welt (World of the bourgeoisie) (from the illustrated book ‘Ecce Homo’), 1918, Photo-lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65713 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5022 Christopher Nevinson, Making the engine (from the set 'Building aircraft', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12735 Alexander Rodchenko, Composition, 1919, Linocut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65764 Joseph Stella, Song of the Nightingale, 1918, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34189 Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 Jean-Louis Forain, a) Fetters (recto); b) Several Figures (verso), probably 1919, a) brush and black ink and black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7209 Charles Demuth, Acrobats, 1919, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33527 Will Dyson, Tommies staging in the tunnels (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3079 Will Dyson, Ordnance workshops, Cambrai Road (from 'Australia at war' series), 1917, printed 1918, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4205 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Max Ernst, Helio Alcohodada, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38131 Kurt Schwitters, One One (Eins Eins), 1919–20, Cut-and-pasted printed and painted papers on paper on colored cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36296 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 L.J. Harvey, Ashtray, 1918, Earthenware, modelled as a hippopotamus head with mouth agape, glazed maroon, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15592 Will Dyson, Preparing the brazier (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2473 Max Beckmann, Die Synagoge in Frankfurt am Main, 1919, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4099 Ilia Zdanevich, Untitled drawing and manuscript of poem Love on the Decline, 1917, Pen and ink with pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14219 Will Dyson, Watching the barrage from Mont Kemmel (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2431 Lyonel Feininger, People on the Jetty (Leute auf See-Steg), 1918, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34461 Muirhead Bone, A ship-yard seen from a big crane (from the set 'Building ships', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5949 Eric Kennington, Over the top (from the set 'Making soldiers', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3287 Max Beckmann, The Feast of the Prodigal Son ( Die Heimkehr des Verlorenen Sohnes wird gefeiert ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35731 Max Beerbohm, Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01050 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2883 Eugène Atget, Entrée du Parc de Sceaux. Bourg-la-Reine, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40968 Lyonel Feininger, Schiffe und sterne (Ships and stars), 1919, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65710 Horace Brodzky, Untitled (standing woman in a robe), 1917, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2532 Vasily Kandinsky, Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment), 1919 (published 1920), Complete set of eight issues of periodical, with line block reproductions in most, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16449 Felix Klee, Fritzi, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36795 Jean (Hans) Arp, Untitled (Automatic Drawing), 1917–18, dated 1916, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34023 Frank Brangwyn, Going aboard (from the set 'Making sailors', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1000 Joseph Pennell, Ready for Service Again, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9678 Eugène Atget, Cyprès (Fontenay), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41345 Max Beerbohm, British Stock and Alien Inspiration, 1849, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01039 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Pavel Tchelitchew, The Artist's Mother, c. 1918–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34227 Archibald Standish Hartrick, On munitions: dangerous work (packing T.N.T.) (from the set 'Women's work', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12715 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Will Dyson, The cookers near Villers-Bretonneux (from 'Australia at war' series), 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6727 Alexander Bogomazov, Landscape, c. 1917–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36542 Joseph Stella, Joe Gould, 1919, Crayon, colored pencil, and pencil over white wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34981 Ian Fairweather, Barges near The Hague, 1918, Watercolour and opaque white over crayon on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5834 Jean-Louis Forain, Two Soldiers Looking at a Placard, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7174 Lionel - Etcher, LONG, Sydney Lindsay, Pastoral, 1918, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2405 John Singer Sargent, Wrecked Sugar Refinery, 1918, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106356952 Lionel Lindsay, Ferry Lane, The Rocks, Sydney, demolished, 1918, Etching and drypoint on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13256 Mario Sironi, Mannequin, (c. 1918), Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34812 Archibald Standish Hartrick, On the land: ploughing (from the set 'Women's work', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6478 Eric Kennington, Bringing in prisoners (from the set 'Making soldiers', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12712 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Pavel Tchelitchew, Landscape Outside Kiev, c. 1919, Gouache and pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34144 Le Corbusier (Charles-Édouard Jeanneret), Bol, Pipes, et Papiers Enroulés (Cup, Pipes, and Paper Rolls), 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38254 John Salvana, (Brisbane scene), 1918, Oil on wood panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5570 Claude Shepperson, In hospital in England (from the set 'Tending the wounded', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12729 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Ian Fairweather, (Dutch canal scene), 1918, Oil on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3711 Eugène Atget, Marronnier, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40335 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40973 Charles Demuth, Vaudeville, 1917, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33773 Joseph Pennell, The Ants, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9662 Kurt Schwitters, Drawing A2: Hansi, 1918, Cut-and-pasted colored paper and printed paper on printed paper with cardstock border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33874 Eugène Atget, Église de Bagneux, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39208 Emil Nolde, Der Tod als Tänzerin (Death as a Dancer), 1918, Etching and aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65750 Charles Burchfield, The Night Wind, 1918, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36500 Eugène Atget, Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40346 Dagobert Peche, Regenbogen (Rainbow) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86386 Paul Klee, With the Flag (Mit der Fahne), 1918, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35629 HARVEY SCHOOL, Pair of vases, 1919, Hand-built swelling cylindrical form inlaid with heart and diamond motifs in brown with pink glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8623 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 William Rothenstein, The triumph of democracy (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2765 Jean-Louis Forain, a) Along the Marne (recto); b) Study for Along the Marne (verso), probably 1918, a) black crayon with graphite and red and yellow crayon additions on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7234 Eugène Atget, Parc de Rambouillet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41633 Augustus John, The dawn (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/788 St. Louis Argus, Press Release from the Lincoln Motion Picture Company, January 5, 1917, ink on paper; H x W: 8 × 5 3/4 in. (20.3 × 14.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748684-1 Joseph Pennell, The Keel, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9613 Ludwig Meidner, Portrait of a Soldier, 1918, Black ink and graphite on tan wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4630 Norman Lindsay, Light lyrics, 1919, Watercolour and gouache over pencil on paperboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4164 Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561 Charles Shannon, The re-birth of the arts (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10522 Joseph Pennell, The Biggest Lathe in the World, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9703 Jean-Louis Forain, The Departure for Versailles, c. 1919, brush and brown ink and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7231 Eugène Atget, Fontenay les Louvres, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39209 UNKNOWN, Dunk Island Queensland, 1918, Postcard: Black and white photographic print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34880 William Rothenstein, Drilling, 1917, Lithograph on cream discoloured handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12720 George Grosz, Der besessene Forstadjunkt (The obsessed forester), 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4794 Max Beckmann, Adam und Eva (Adam and Eve), 1917, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65705 Christopher Nevinson, In the air (from the set 'Building aircraft', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8978 Jean-Louis Forain, Le depart pour Versailles, c. 1919, brush and brown ink over graphite on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7213 Max Beckmann, Landschaft mit ballon (plate 14 from 'Gesichter-Mappe' portfolio) (Landscape with balloon (plate 14 from 'Faces' portfolio)), 1918, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6622 William Rothenstein, Timber hauling, 1917, Lithograph on off-white handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12724 Joseph Pennell, Making a Turbine Engine, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9704 Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531 Kirill Zdanevich, [Untitled], c. 1917, Pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14391 William Rothenstein, Burning couch grass, 1917, Lithograph on handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12723 Christopher Nevinson, Assembling parts (from the set 'Building aircraft', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12734 Joseph Pennell, Shell Factory, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9691 Arthur Dove, Abstraction Untitled, c. 1917–20, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33430 Muirhead Bone, A fitting out basin (from the set 'Building ships', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4079 Joseph Pennell, Battleship Coming Home, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9664 Thea Proctor, The balcony, c.1919, Colour lithograph on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11557 Joseph Pennell, The Transports, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9598 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40686 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3411 Eugène Atget, Poirier, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41344 Jean-Louis Forain, Debout, les Morts!, 1917, watercolor on paper (tracing paper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7139 Lyonel Feininger, Euphoric Victory (Siegesrausch), 1918, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34519 Eric Kennington, The gas mask (from the set 'Making soldiers', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3292 Will Dyson, Searching for German booby traps near Ligny-Thilloy (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2358 Will Dyson, With the guns at Lavieville (from 'Australia at war' series), 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7436 Pablo Picasso, Sleeping Peasants, 1919, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34774 Marcel Duchamp, Handmade Stereopticon Slide, c. 1918–19, Pencil on gelatin silver prints mounted on black-paper-surfaced board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34823 Christian Schad, Tabarin, 1917, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65766 Auguste Lepère, Saint Servan, 1917, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8401 L.J. Harvey, Covered pot, 1919, Earthenware, modelled with two winged dragons encircling the rim with blue and bronze glazes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15645 Kurt Schwitters, Picture with Light Center (Bild mit heller Mitte), 1919, Cut-and-pasted colored paper and printed paper, oil, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33235 Charles Demuth, Amaryllis, c. 1923, watercolor over graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/172894 L.J. Harvey, Rose bowl, 1919, Earthenware, hand built with three apertures and modelled with four roses and leaves. Green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15714 Eugène Atget, Château. La Malmaison, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39570 Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 Norman Lindsay, The song, 1918, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7565 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Will Dyson, Company awaiting relief near Ville-sur-Ancre (from 'Australia at war' series), 1918, Lithograph on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8975 Ludwig Meidner, Soldier Karl Stein, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36934 Joseph Pennell, The White and Black Hammers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9660 Timothy Cole, Abraham Lincoln, 1919, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5968 Louis Marcoussis, Zither, Bottle, Pipe and Sheet Music, 1919, Watercolor, oil, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35042 Lovis Corinth, Wolfgang Gurlitt, (1917), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37434 Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350 W.B. Mcinnes, Landscape, 1919, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4580 Constantin Brancusi, View of the Artist's Studio, 1918, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33263 Lionel Lindsay, Henry Lawson, 1919, Drypoint on smooth cream wove Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8454 Eugène Atget, Le Parc de Rambouillet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41632 Frank Brangwyn, Youthful ambition (from the set 'Making sailors', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1560 Henri Matisse, White Plumes, 1919, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.41 Max Beckmann, Die Ideologen, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5793 Jean-Louis Forain, Sur le Rhin. -maintenant c'est l'arriere., probably 1918, black crayon and graphite with black and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7177 Will Dyson, Battery Commander's dug-out, Hill 60 (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8977 Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340 Charles Burchfield, Garden of Memories, 1917, Watercolor, crayon, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32974 Henri Matisse, The Plumed Hat, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36826 Russian Book Collection, Loose pages of documentation on 41 Degrees from magazine of the period, c. 1918, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14248 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2006 Sigizmund Valishevskii, Untitled (Gurdjeieff in Tiflis), 1919, Pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14342 John Singer Sargent, A Crashed Aeroplane, 1918, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106356957 Kseniia Boguslavskaia, Geroi i zhertvy revoliutsii. Oktiabr' 1917–1918 (Heroes and Victims of the Revolution: October 1917–1918), 1918, Portfolio of eighteen lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13295 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 William Nicholson, The end of war (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9567 Max Beckmann, Der Hunger, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26923 Will Dyson, One of the old platoon (from 'Australia at war' series), 1917, printed 1918, Colour lithograph on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12389 Max Beckmann, Das patriotische Lied, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26921 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40682 Auguste Lepère, Le Christ au matin de rameaux, 1918, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8472 Hans Heysen, Ploughing, frosty morning, 1918, Charcoal, traces of white chalk on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14227 Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105 William Rothenstein, Threshing, 1917, Lithograph on cream discoloured handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12721 John Longstaff, Portrait of Australian Brigadier-General (later Major-General) Walter Adams Coxen, 1919, Australian War Memorial, Canberra. https://dartabase.art/cite/wikidata/Q139752598 Lionel Lindsay, The pawnbroker of Argyle Street (from 'Old Sydney' series), 1917, Etching on smooth wove Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12881 Francis Picabia, Réveil matin (Alarm clock), poster of cover illustration for 'Dada' 4-5, 1919, Letterpress print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65759 Walter Richard Sickert, The bridle path (Pulteney Bridge), c.1918, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11102 Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144 William Renison, Narrow street arched by clock tower, c.1917, Etching on thick yellowed wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12572 Horace Brodzky, Untitled (two women with shopping bags), c.1917, Pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9921 Joseph Pennell, The Collier, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9693 Jean-Louis Forain, a) La fête nationale (The National Holiday) (recto); b) Woman Holding Child (verso), 1918, a) brush and brown and black ink over black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7176 Francis Picabia, Dada Movement (Mouvement Dada), 1919, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35993 Frank Brangwyn, Boat-drill (from the set 'Making sailors', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12739 Charles Burchfield, The First Hepaticas, 1917–18, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33481 George Clausen, The reconstruction of Belgium (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6165 William Rothenstein, Potato planting, 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12725 Ernst Ludwig Kirchner, Längmatte bei Monduntergang, 1919, Farbholzschnitt von mehreren (nach Schiefler vier zerteilten) Stöcken in Hellblau, Rosa, Dunkelblau, Grün, Gelb, Orangerot, Dunkelrot und Weiß auf glattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/99384 Joseph Pennell, Building Destroyers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9679 Timothy Cole, Woodrow Wilson, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5971 Henri Hayden, Still Life, (1917), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36507 L.J. Harvey, Miniature bas relief, 1919, Earthenware, moulded with chess players and glazed green (with metal original), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15654 LÉGER, Fernand, Epoque Mécanique, 1919, Silkscreen, Museum of Contemporary Art Tokyo, Tokyo. https://dartabase.art/cite/tomuco/6382651 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Claude Shepperson, Convalescence in England (from the set 'Tending the wounded', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on off-white handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12728 Kirill Zdanevich, Visiting card of Kara-Darvish, with drawing by Kirill Zdanevich entitled The Furious Lady, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14412 Augustus John, A girl's head, c.1919, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7235 Albert Besnard, Self-Portrait, 1919, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4631 Joseph Pennell, Under the Shed, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9607 Jean-Louis Forain, Prussian Soldier and Civilians, c. 1919, black crayon and brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7227 Bart van der Leck, [Untitled], 1917, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34792 Hugo Erfurth, Porträt Lovis Corinth, c. 1918, Öldruck, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102500 Charles Burchfield, Church Bells Ringing, Rainy Winter Night, December 1917, watercolor and gouache over graphite on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127227 Max Beerbohm, Spring Cottage, Hampstead, 1860, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01045 Eugène Atget, Bords de Marne à la Varenne, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39335 L.J. Harvey, Small cream jug, 1919, Earthenware, modelled with a flying fox handle on four small feet with dark red and blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15660 Jean-Louis Forain, a) Après Douai (After Douai) (recto); b) Figure (verso), probably 1918, a) watercolor, brush and black ink, and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7133 Archibald Standish Hartrick, On the railways: engine and carriage cleaners (from the set 'Women's work', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12718 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39803 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Joseph Pennell, Casting Shells, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9654 Horace Brodzky, (Nude on a bed), 1917, Watercolour and pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/256 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Muirhead Bone, Ready for sea (from the set 'Building ships', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2419 Max Ernst, Fiat modes pereat ars (Let there be fashion, down with art), c.1919, Lithograph on tan wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65709 Francis Picabia, [Untitled], 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38301 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/698 Elie Nadelman, Reclining Nude, c. 1917, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35704 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7220 Georges Rouault, Man with Spectacles, 1917, Watercolor and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34664 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Will Dyson, The dynamo, Hill 60 (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6824 Laura Knight, Pavlova's practice dress, c.1919, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5415 Eugène Atget, Saint-Cloud (hêtre), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40313 Will Dyson, Bapaume church (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6726 George Grosz, Metropolis (Grossstadt), 1917, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34605 William Zorach, The Roof Playground, 1917, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.231 Charles Demuth, At a House in Harley Street, 1918, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33552 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 László Moholy-Nagy, [Untitled], c. 1923/25, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/132717 Will Dyson, The grooms, Happy Valley, Franvilliers (from 'Australia at war' series), 1918, Lithograph on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8790 F. Ernest Jackson, United defence against aggression (England and France 1914) (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2561 Archibald Standish Hartrick, In the towns: a bus conductress (from the set 'Women's work', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12716 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Max Beckmann, Die Nacht, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26920 Marc Chagall, Homage to Gogol. Design for curtain for Gogol festival, 1917, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33623 Max Beckmann, Der Nachhauseweg, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26919 Claude Shepperson, Detraining in England (from the set 'Tending the wounded', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3550 Ernst Ludwig Kirchner, Bildnis Erna mit Hut, c. 1917, Rohrfeder in blaugrauer Tinte, Blindlinien (trockene Rohrfeder?) und Bleistift auf weiß gestrichenem Velin-Karton (halbmatt), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11768 Gwendolyn Grant, Standing nude (Self-portrait), c.1919, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7395 Eugène Atget, Cèdre, La Malmaison, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39572 Timothy Cole, Lowlands, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5973 Lloyd Rees, The city from Waverton, c.1919, printed 1995, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/32278 Jean-Louis Forain, L'Allemand expulsé (The German Expelled), 1919, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6993 Penleigh Boyd, Towards evening, 1919, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14599 W.B. Mcinnes, Bacchus Marsh, 1917, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4579 Will Dyson, Reinforcements 1917 (from 'Australia at war' series), 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2051 Max Beckmann, Die Letzten, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26924 Preston Dickinson, Still Life, c. 1924, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/93239 Charles Burchfield, Insects at Twilight, 1917, Gouache, watercolor, crayon, charcoal, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32983 Claude Shepperson, On board a hospital transport (from the set 'Tending the wounded', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12727 Paul Klee, Das Haus zur Distelblüte, 1919, Öl auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4067 Joseph Pennell, Building Submarine Chasers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9605 Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236 Max Beckmann, Bildnis Ehepaar Carl, 1918, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102135 Eugène Atget, Saint-Cloud, hêtre, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40380 Max Beckmann, Das Martyrium, 1919, Kreidelithografie (Umdruck) auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5794 Edmund Dulac, Poland, a nation (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10523 Max Beerbohm, Mr Morley ... introduces Mr John Stuart Mill, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01053 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2174 Elie Nadelman, Reclining Nude, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35715 Charles Demuth, Study for Acrobats, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37273 Troy Kinney, Swallows, 1919, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8101 Joseph Pennell, The Little Men of the Big Hammer, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9597 Walter Richard Sickert, Mr Sheepshanks's house, c.1918, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8174 Frank Brangwyn, The gun (from the set 'Making sailors', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12737 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5742 L.J. Harvey, Miniature pot with two handles, 1919, Earthenware, hand built, mixed clay dipped cream slip and carved beneath handles. Clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15635 Jean-Louis Forain, a) Le baiser du drapeau (recto); b) Study of Le baiser du drapeau (verso), 1918, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7162 Niels Holsøe, Interior, 1917, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360719 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Joseph Pennell, Unloading Ore, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9606 Will Dyson, Wine of victory (German prisoners, the salient) (from 'Australia at war' series), 1918, Lithograph on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2778 Charles Demuth, Vaudeville Dancers, 1918, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34787 Joseph Pennell, The Forges, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9702 Eugène Atget, Parc de Saint-Cloud, 1919–21, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40402 Bessie Gibson, (Still life sketch), c.1918–40, Oil on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12112 Edmund Joseph Sullivan, The reign of justice (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/311 Will Dyson, Home comforts in the tunnels, Hill 60 (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7689 René Lalique, Perruches (Parakeet) vase, designed 1919, Mould blown blue opalescent and frosted glass with grey patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/31299 Jean-Louis Forain, Celui qui tira sur Clémenceau, in or after 1919, brush and black ink with black chalk on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7132 Lloyd Rees, The Quarry, 1918, Pen on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24367 Underwood & Underwood, 13962 A colored brigade building trenches at Camp Devens, Mass., 1917–1919, albumen, sodium chloride and silver nitrate on photographic paper and cardboard; H x W: 3 1/2 x 7 in. (8.9 x 17.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975006026-0 Sydney Long, Pan, c.1919, Etching and aquatint on yellowed wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12668 Ilia Zdanevich, Announcement for a series of lectures on Italian Futurism to be delivered by Il'ia Zdanevich at the Fantastic Tavern in Tiflis, 1918, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14372 Pavel Tchelitchew, Landscape, c. 1919, Gouache on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34159 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Jean-Louis Forain, a) Si ils avaient vaincu (recto); b) Sketch of Si ils avaient vaincu (verso), c. 1919, a) brush and black ink on laid Van Gelder paper; b) brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7233 Will Dyson, Compensation (Back at the waggon lines) (from 'Australia at war' series), 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8976 Kirill Zdanevich, [Untitled], c. 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14393 George Ault, Salem Bridge, 1917, Watercolor and charcoal on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/74.59 Max Beckmann, Die Familie, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26922 Charles Louis Hinton, Columbia's Call to Arms, 1917, plaster/bronzed; 32 7/8 x 9 7/8 x 20 5/8 in. (83.6 x 25.1 x 52.4 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381046912-0 William Zorach, Provincetown From the Boat, 1919, Linoleum cut, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/65.19 Frank Brangwyn, Duff (from the set 'Making sailors', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12738 George W. Lambert, Walk (An incident at Romani), 1919–22, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8025 Joseph Pennell, Making Rifles, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9701 Will Dyson, Australian tunnellers near Nieuport (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/310 Ludwig Meidner, Dr. Wilhelm Valentiner, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36927 Georgia O'Keeffe, Special No. 39, 1919, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35245 Eugène Atget, Parc de Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40357 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8936 Eugène Atget, Étang du Plessis-Piquet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39078 Archibald Standish Hartrick, On munitions: skilled work (from the set 'Women's work', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12719 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Christopher Nevinson, Banking at 4000 feet (from the set 'Building aircraft', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12733 Will Dyson, With the 2nd Tunnellers, Le Paune, 1917 (from 'Australia at war' series), 1918, Lithograph on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7108 Charles Demuth, Vaudeville Musicians, 1917, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34773 Will Dyson, With Manton's guns, Hill 60 (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8974 Will Dyson, Welcome back to the Somme (from 'Australia at war' series), 1918, Lithograph on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2052 Käthe Kollwitz, Heraus mit unsern Gefangenen, 1919, Kreide- und Pinsellithografie (Umdruck) in Schwarz mit gelbem Tonstein auf dünnem Papier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/133477 George Clausen, The great hammer (from the set 'Making guns', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11520 Hans Richter, Iwan Goll, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33307 Charles Sheeler, Barn, 1917, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35279 Lloyd Rees, North Quay with trees and seats; Sydney Heads, 1917, Pencil on sketch paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21040 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Claude Shepperson, Casualty clearing station in France (from the set 'Tending the wounded', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12730 Christian Rohlfs, The Entertainer, 1917, Gouache, watercolor and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37412 Will Dyson, Reinforcements, between Igaree Corner and Lagnicourt (from 'Australia at war' series), 1918, Lithograph on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1182 Muirhead Bone, A workshop (from the set 'Building ships', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1367 George Grosz, The End of the Day, c. 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33080 Joseph Pennell, The Ferry House, 1919, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1087 Max Beckmann, The Return of the Prodigal Son ( Die Heimkehr des Verlorenen Sohnes ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35752 Will Dyson, Back at Buire (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2585 Norman Lindsay, Cats, 1919, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3821 Will Dyson, Deserted horse lines, near Pommier Redoubt (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3418 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39805 Joseph Pennell, The Prow, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9661 Bessie Gibson, Market Place, Cherbourg, c.1918–40, Oil on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/991 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39806 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Frank Brangwyn, The freedom of the seas (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6472 Joseph Pennell, Building Destroyers, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9700 Charles Ricketts, Italia redempta (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2524 George Clausen, The radial crane (from the set 'Making guns', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2214 Jean-Louis Forain, Quand le boche se retire..., probably 1917, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7190 Archibald Standish Hartrick, On munitions: heavy work (drilling a casting) (from the set 'Women's work', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12717 Henri Matisse, The Plumed Hat, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34037 Gilbert P. Riswold, Bust, Captain Hugh Knyvett, c.1918, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5214 Muirhead Bone, On the stocks (from the set 'Building ships', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6176 Eugène Atget, Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40391 李瑞清, 五言對聯, 1917, Calligraphy, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/07900069 G. Malt, Plaque: Lilian Pedersen, c.1918, Cast bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3706 Jean-Louis Forain, -Am Rhien? -Ya., c. 1918, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7208 L.J. Harvey, Spirit of Night, 1918, Plaster cast, bronze finish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15704 Jean-Louis Forain, a) Fetters (recto); b) Sketch for Fetters (verso), 1919, a) crayon and bursh and black ink on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7204 Will Dyson, The waggon-loading post, Vaux (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10764 Gerald Moira, The restoration of Serbia (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6157 Vanessa Bell, Decanter with Fruit, 1918, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33107 Augustus John, John Hope Johnstone, 1919, published 1920, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12422 Lloyd Rees, A Gothic facade, 1919, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7346 Will Dyson, The misery of rest camps (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3348 ROYAL WORCESTER PORCELAIN WORKS, Coffee cup and saucer, 1919, Bone china painted with broad black stripes and stylised flowers in red and royal blue between green rim and handle. The black saucer with a floral centre in the art deco taste, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5651 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/564 Jean-Louis Forain, A Versailles juillet 1919, probably 1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7226 Elie Nadelman, Standing Man, profile, c. 1917–19, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35649 Diego Rivera, Angeline Beloff, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33433 Lionel Lindsay, Dora Creek - Memorial etching from the last watercolour painted by J.J. Hilder, 1918, Aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4474 Max Beckmann, Selbstbildnis, 1918–1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5792 Will Dyson, Messines, morning of the offensive (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1564 Lyonel Feininger, Marine, 1918, Woodcut on handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3761 Jean-Louis Forain, L'attaque d'une "place forte" anglaise, probably 1917, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7215 Max Beckmann, The Prodigal Son Among Swine ( Der Verlorene Sohn unter den Schweinen ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35765 William Rothenstein, Ploughing, 1917, Lithograph on cream discoloured handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12722 Christopher Nevinson, Acetylene welder (from the set 'Building aircraft', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12736 Sydney Long, Pan, c.1919, Etching and aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5248 Auguste Rodin, Hand of Rodin with a Female Figure, 1917, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1015 Max Beckmann, Auferstehung (Resurrection) (from 'Gesichter (Faces)' portfolio), 1918, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65707 Max Beerbohm, Woolner at Farringford, 1857, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01046 Max Beerbohm, Mr - and Miss - Nervously Perpetuating the Touch of a Vanished Hand, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01059 Frank Brangwyn, Nativity no. 2, 1919, Etching, sandpaper ground on yellowed, wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12874 Max Pechstein, Prinzessin (Princess), 1918, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65755 Lyonel Feininger, The Rainbow (Der Regenbogen), 1918, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34488 Eugène Atget, Saint-Cloud, Acacia, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40413 L.J. Harvey, Rose bowl, 1919, Earthenware, hand built on four feet and scalloped lip. Modelled with four formalised Tudor roses within a swag, deep cobalt blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15655 Georg Kolbe, Dancer (Tänzerin), (c. 1918), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35416 Max Beckmann, Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess), (1917, published 1918), Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13621 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7229 Lloyd Rees, St. Brigid's, Red Hill, 1917, Pen and ink on wove paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14214 Max Beckmann, Malepartus, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26917 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7161 Horace Brodzky, Bush building from Bryant Park, New York, 1919, Watercolour, pencil and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8012 Anthony Dattilo Rubbo, Pea gathering (Kurrajong Heights), 1918, Oil on canvas on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1810 Pablo Picasso, Guitar, Paris, early 1919, Oil, charcoal and pinned paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36613 Man Ray (Emmanuel Radnitzky), Admiration of the Orchestrelle for the Cinematograph, 1919, Airbrushed gouache, colored ink, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35423 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Joseph Pennell, Ready to Start, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9663 George W. Lambert, Camels' barracked, Maascar: No. 9, 1918, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12880 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Jean-Louis Forain, a) Versailles juillet. La Germania signe... (recto); b) Sketch for Figure of Germania (verso), probably 1919, a) black crayon and brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7224 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 UNKNOWN, First-aid box, c.1917, Assembled from chip carved cigar-box lids with design of Maltese Cross, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15667 Joseph Pennell, Building the Battleship, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9596 Max Beckmann, Die Straße, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26918 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7247 Will Dyson, A funk-hole near Bullecourt (from 'Australia at war' series), 1917, printed 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2795 Jean (Hans) Arp, Untitled (Squares Arranged According to the Laws of Chance), 1917, Cut-and-pasted colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37166 Eric Kennington, Bayonet practice (from the set 'Making soldiers', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream handmade wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12714 William Zorach, Sailboat, 1919, Linoleum cut, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/65.21 Eugène Atget, Jardin du Luxembourg, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39804 Charles Demuth, Female Acrobats, 1919, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36139 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Maurice Greiffenhagen, The restoration of Alsace-Lorraine to France (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/840 George Grosz, Nacht-café (für Dr Benn) (Night cafe (for Dr Benn)), 1918, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65715 Kurt Schwitters, N Watercolor 1. (The Heart Goes from Sugar to Coffee) (N Aquarell 1. (Das Herz geht vom Zucker zum Kaffee)), 1919, Pencil and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33542 Henri Laurens, The Sculptor's Stand, 1917, Collage of tempera (white lead), cut and pasted papers (water soluble coating on brown paper), pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35570 Janet Agnes Cumbrae Stewart, The idler, 1919, Pastel on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7142 Pavel Tchelitchew, Pierre Souvtchinsky, c. 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34212 L.J. Harvey, Carved head: Elsie, 1917, Beech, carved, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7480 Mrs. Howard C. Blake, Upholstery Fabric for the Fisher Theater, c. 1928, Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149696 George Clausen, Roof tops, munitions plant (from the set 'Making guns', in 'The efforts', the first part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8841 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Jean-Louis Forain, After Douai, probably 1918, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7230 Charles Demuth, Early Houses, Provincetown, 1918, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32987 L.J. Harvey, Bed of Peace, 1919, Carved silky oak with inset panels in Queensland beech, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15587 L.J. Harvey, Swelling vase, 1919, Earthenware, hand-built swelling cylindrical form with gold and brown clay inlay beneath green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15698