Fernand Léger, Verdun, The Trench Diggers ( Verdun, les foreurs ), 1916, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34690 Jean-Louis Forain, Le decavé (Cleared Out), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6995 Theo van Doesburg, Study for Composition VIII (The Cow) (recto); Untitled (verso), c. 1917, Gouache, oil, and charcoal on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35396 Lyonel Feininger, The Village of Legefeld I (Dorf Legefeld I), 1916, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33715 Eugène Atget, Ancien couvent des Carmes. Rue de Vaugirard 70, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41129 Kirill Zdanevich, [Untitled], 1919, Pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9070 A. Phimister Proctor, Pursued, modeled 1914, remodeled 1928, bronze; 17 x 24 1/8 x 5 5/8 in. (43.3 x 61.3 x 14.3 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381060218-1 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Max Weber, Interior with Figures, 1918, Gouache and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34116 Joseph Pennell, Making Propeller Blades, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9595 Robert Delaunay, Football. L'Equipe de Cardiff, (1916), Oil on paper on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38194 Christian Rohlfs, The Soldier (Der Soldat), (c. 1914), Watercolor and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35384 Auguste Lepère, Old Foot-bridge, Banks of the Small Morin (Vieille passerelle, bords du petit morin), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8490 Helene Schjerfbeck, Mädchen mit blondem Haar, 1916, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114101 Joseph Pennell, Building the Camp, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9677 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Eugène Atget, St Nicolas du Chardonnet, 1914–20, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40589 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 George Grosz, The Christmas Brothers, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36787 Jean-Louis Forain, a) Two Soldiers in a Trench (recto); b) Interior with Figures Seated Behind Table (verso), c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7244 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Eugène Atget, Bassin de la Villette, Probably 1914–25, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41709 Georgia O'Keeffe, Evening Star No. III, 1917, Watercolor on paper mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33828 Josef Eberz, THEATER (Bühne), 1916, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37891 Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1917, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8493 Arthur Streeton, Boulogne, 1918, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487830 Russian Book Collection, Truba marsiian (The Martians' Trumpet), 1916, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32050 Jean-Louis Forain, The Economic Withdrawal, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7248 Jean-Louis Forain, a) Bolo pacha (recto); Study for Bolo pacha (verso), c. 1914/1919, a) brush and black ink and black crayon, with corrections by the artist in white opaque watercolor, on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7152 Jean-Louis Forain, Toward Peace, c. 1914/1919, brush with black and brown ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7250 Jean-Louis Forain, A la Conference de la Paix, 1914/1919, collotype on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7263 Eugène Atget, Cour, 27 quai d'Anjou, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40267 Fritz Stuckenberg, Opium, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38357 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Max Beerbohm, Ford Madox Brown being Patronized by Holman Hunt, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01043 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Eugène Atget, Parc Delessert, 32 Quai de Passy, 1914, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41322 Joseph Pennell, Shaping a Gun from an Ingot, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9692 Joseph Pennell, Finishing Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9593 Max Klinger, Ex Libris Hildegard Heyne, 1918, Etching and aquatint printed in black ink on off-white paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4901 Jean-Louis Forain, a) Au front de Vincennes, Bolo pacha (recto); b) Sketch for Au front de Vincennes, Bolo pacha (verso), c. 1914/1919, a) brush and black ink and black chalk on wove paper; b) black chalk and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7168 Eugène Atget, Saint-Cloud, hêtre (Beech), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40324 Jean-Louis Forain, Soldiers Preparing a Meal, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7169 George Grosz, Fit for Active Service (Kriegsverwendungsfähig), 1918, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35441 Joseph Pennell, In the Land of Iron and Steel, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9643 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Joseph Pennell, Shell Factory, No.II, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9699 John Singer Sargent, A Street in Arras, 1918, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106356959 Joseph Pennell, Fitting Guns in Turrets, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9615 Marie Laurencin, Girl's Head, 1916–18, Watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33695 Max Beerbohm, The Man from Hymettus. Mr Frederick Leighton, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01057 Anne Brigman, Heart of the Storm, 1918, gelatin silver print; sheet and image: 7 3/4 x 9 3/4 in. (19.7 x 24.7 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061130-0 Eugène Atget, Cour de Rouen, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40187 Jean-Louis Forain, The End - Verdun, c. 1916, drypoint and etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7136 Lyonel Feininger, Euphoric Victory (Siegesrausch), (1918), Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34505 Henri Laurens, Man with a Pipe, 1919, Ink, metallic and oil paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34597 Jean-Louis Forain, Le retour au foyer (The Return Home), c. 1915, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6942 Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077 Jean-Louis Forain, Au fil de la marne, 1918, red chalk, black crayon, and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7192 Jean-Louis Forain, Reims 9bre 1918, probably 1918, brush and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7166 Eugène Atget, Gentilly. Vieille ferme. 3 rue des Noyers, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38964 Childe Hassam, Portsmouth Doorway, 1916, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1082 Jean-Louis Forain, L'avocat pourchassé (The Lawyer Pursued), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7013 László Moholy-Nagy, Jolan Simon, (1919–20), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33277 Jean-Louis Forain, a) At the Conference (recto); b) Reclining Figure (verso), c. 1919, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7202 Jean-Louis Forain, The Empire Destroys, The Republic Pays, probably 1918, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7236 Joseph Pennell, The Iron Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9683 Eugenie Bandell, Japanische Puppen mit Äpfeln, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3227 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145 Dagobert Peche, Krone (Crown) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11992 Jean-Louis Forain, a) After Douai (recto); b) Untitled (verso), probably 1918, a) brush with brown and black ink and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7228 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Max Beckmann, Die Hölle, 1919, Folge von elf Kreidelithografien (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102209 Max Beckmann, The Mocking of the Prodigal Son ( Der Verlorene Sohn wird verspottet ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35742 Charles Demuth, Dancing Sailors, 1918, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34760 Eugène Atget, Cour de Rouen,, 1915, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40254 Joseph Pennell, Five O'Clock, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9688 Max Beerbohm, The Small Hours in the ‘Sixties at 16 Cheyne Walk, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01048 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Auguste Lepère, The House of the Woodcutter, Vendee (La maison du bucheron, Vendee), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8471 Joseph Stella, Song of the Nightingale, 1918, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34189 Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394 Edward Steichen, LE COQ GAULOIS, 1915, Ink and tempera on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37355 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41234 Chris Hendrik Beekman, Composition, 1916, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38177 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 Jean-Louis Forain, a) Fetters (recto); b) Several Figures (verso), probably 1919, a) brush and black ink and black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7209 Charles Demuth, Acrobats, 1919, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33527 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Max Ernst, Helio Alcohodada, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38131 Kurt Schwitters, One One (Eins Eins), 1919–20, Cut-and-pasted printed and painted papers on paper on colored cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36296 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Stuart Davis, Forty Inns on the Lincoln Highway, 1916, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37442 Max Beckmann, Die Synagoge in Frankfurt am Main, 1919, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4099 Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991 Lyonel Feininger, People on the Jetty (Leute auf See-Steg), 1918, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34461 Max Beckmann, The Feast of the Prodigal Son ( Die Heimkehr des Verlorenen Sohnes wird gefeiert ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35731 Max Beerbohm, Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01050 Georgia O'Keeffe, Train at Night in the Desert, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34086 Eugène Atget, Entrée du Parc de Sceaux. Bourg-la-Reine, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40968 Max Beerbohm, Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01056 Vasily Kandinsky, Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment), 1919 (published 1920), Complete set of eight issues of periodical, with line block reproductions in most, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16449 Jean Pougny (Ivan Puni), Study for Relief Sculpture, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38314 Felix Klee, Fritzi, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36795 Jean (Hans) Arp, Untitled (Automatic Drawing), 1917–18, dated 1916, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34023 Joseph Pennell, Ready for Service Again, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9678 Eugène Atget, Cyprès (Fontenay), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41345 Max Beerbohm, British Stock and Alien Inspiration, 1849, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01039 Man Ray (Emmanuel Radnitzky), Promenade, 1915/1945, Gouache over gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34877 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Pavel Tchelitchew, The Artist's Mother, c. 1918–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34227 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Lyonel Feininger, Two Anglers (recto); The Stern Bridge (verso), 1916, Watercolor and ink on paper (recto); ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35682 Alexander Bogomazov, Landscape, c. 1917–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36542 Jean (Hans) Arp, Untitled (Collage with Squares Arranged according to the Law of Chance), 1916–17, Torn-and-pasted paper and colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37013 Joseph Stella, Joe Gould, 1919, Crayon, colored pencil, and pencil over white wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34981 Joseph Pennell, Munitions City, No.I, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9631 Jean-Louis Forain, Two Soldiers Looking at a Placard, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7174 John Singer Sargent, Wrecked Sugar Refinery, 1918, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106356952 Mario Sironi, Mannequin, (c. 1918), Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34812 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Eugène Atget, Gentilly. Maison Adèle Foucher, 1915, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41038 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Otto Dix, A Riddled Wall (Zerschossene Mauern), (1916), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35838 Auguste Lepère, Wreckers, Saint-Jean-de-Monts (Pilleurs d'epaves, Saint-Jean-de-Monts), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8488 Pavel Tchelitchew, Landscape Outside Kiev, c. 1919, Gouache and pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34144 Joseph Pennell, Munition Town, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9650 Max Beerbohm, Blue China, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01047 Le Corbusier (Charles-Édouard Jeanneret), Bol, Pipes, et Papiers Enroulés (Cup, Pipes, and Paper Rolls), 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38254 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Eugène Atget, Marronnier, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40335 Joseph Pennell, The Old Shipyard, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9680 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40973 Charles Burchfield, The City, 1916, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33469 Charles Demuth, Vaudeville, 1917, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33773 Natalia Goncharova, The Flight into Egypt, for Liturgy, 1915, Watercolor, gouache heightened with gelatin and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33931 Albert Besnard, Cardinal Mercier, 1916, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4630 Joseph Pennell, The Ants, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9662 Kurt Schwitters, Drawing A2: Hansi, 1918, Cut-and-pasted colored paper and printed paper on printed paper with cardstock border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33874 Laura Lange, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35342 Eugène Atget, Église de Bagneux, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39208 Charles Burchfield, The Night Wind, 1918, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36500 Eugène Atget, Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40346 Joseph Pennell, The Gun Forge, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9633 Dagobert Peche, Regenbogen (Rainbow) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86386 Paul Klee, With the Flag (Mit der Fahne), 1918, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35629 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 Charles Demuth, Nana (Seated Left) and Satin at Laure's Restaurant (Illustration for Emile Zola's Nana),, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33533 Jacques Lipchitz, Seated Nude, (1915), Crayon, charcoal, pencil, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34448 Piet Mondrian, Church Facade 6, 1915, dated 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34630 Anna Boberg, Lofoten in the Evening Light. Study, 1915, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106361204 Jean-Louis Forain, a) Along the Marne (recto); b) Study for Along the Marne (verso), probably 1918, a) black crayon with graphite and red and yellow crayon additions on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7234 Eugène Atget, Parc de Rambouillet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41633 Jean-Louis Forain, Le Bon Feu (The Good Fire), c. 1916, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7278 St. Louis Argus, Press Release from the Lincoln Motion Picture Company, January 5, 1917, ink on paper; H x W: 8 × 5 3/4 in. (20.3 × 14.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748684-1 Joseph Pennell, The Keel, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9613 Ludwig Meidner, Portrait of a Soldier, 1918, Black ink and graphite on tan wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4630 Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Joseph Pennell, The Biggest Lathe in the World, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9703 Jean-Louis Forain, The Departure for Versailles, c. 1919, brush and brown ink and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7231 Eugène Atget, Fontenay les Louvres, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39209 Margaret Jordan Patterson, Water Lily, 1916, color woodcut on paper; image: 10 1/2 x 7 3/8 in. (26.8 x 18.6 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381052631-1 Vasily Kandinsky, Untitled (Ohne Titel), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36657 Jean-Louis Forain, Le depart pour Versailles, c. 1919, brush and brown ink over graphite on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7213 Joseph Pennell, Making a Turbine Engine, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9704 Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531 Kirill Zdanevich, [Untitled], c. 1917, Pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14391 Joseph Pennell, Shell Factory, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9691 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Arthur Dove, Abstraction Untitled, c. 1917–20, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33430 Bart van der Leck, Study, (1916–17), Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38256 Joseph Pennell, Battleship Coming Home, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9664 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Joseph Pennell, The Transports, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9598 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40686 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Max Beerbohm, A Momentary Vision that Once Befell Young Millais, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01044 Vasily Kandinsky, The Horseman (Reiter), 1916, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33992 Eugène Atget, Poirier, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41344 Jean-Louis Forain, Debout, les Morts!, 1917, watercolor on paper (tracing paper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7139 Joseph Pennell, The Acolytes Preparing the Altar of the War God, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9645 Lyonel Feininger, Euphoric Victory (Siegesrausch), 1918, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34519 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870 Joseph Pennell, Within the Furnaces, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9629 Joseph Pennell, The Coal Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9627 Eugène Atget, Maison à Chatillon, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38959 Fernand Léger, The Game of Cards, 1916, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38600 Pablo Picasso, Sleeping Peasants, 1919, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34774 Marcel Duchamp, Handmade Stereopticon Slide, c. 1918–19, Pencil on gelatin silver prints mounted on black-paper-surfaced board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34823 Joseph Pennell, The Big Gate of the Big Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9649 Auguste Lepère, Saint Servan, 1917, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8401 Claude Monet, Water Lilies (Agapanthus), c. 1915–26, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136510 Kurt Schwitters, Picture with Light Center (Bild mit heller Mitte), 1919, Cut-and-pasted colored paper and printed paper, oil, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33235 Charles Demuth, Amaryllis, c. 1923, watercolor over graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/172894 Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35438 Joseph Pennell, Bottling the Big Shell, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9669 Franz Wiedl, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35383 Eugène Atget, Château. La Malmaison, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39570 Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 Joseph Pennell, The Gantry, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9634 Odilon Redon, Vase of Flowers, 1916, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135469 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Ludwig Meidner, Soldier Karl Stein, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36934 Joseph Pennell, The White and Black Hammers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9660 Timothy Cole, Abraham Lincoln, 1919, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5968 Louis Marcoussis, Zither, Bottle, Pipe and Sheet Music, 1919, Watercolor, oil, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35042 Joseph Pennell, Gun-Testing, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9632 Lovis Corinth, Wolfgang Gurlitt, (1917), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37434 Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350 Constantin Brancusi, View of the Artist's Studio, 1918, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33263 Eugène Atget, Le Parc de Rambouillet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41632 Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86368 Henri Matisse, White Plumes, 1919, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.41 Max Beckmann, Die Ideologen, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5793 Jean-Louis Forain, Sur le Rhin. -maintenant c'est l'arriere., probably 1918, black crayon and graphite with black and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7177 Wilhelm Lehmbruck, Standing Girl (Stehendes Mädchen), (c. 1915), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35154 Joseph Pennell, Steel Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9681 Jean-Louis Forain, Bredouilles, l'Equipage d'un Zeppelin, probably 1915, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7200 Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340 Raoul Dufy, Les Fruits D'Afrique (The Fruits of Africa), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13066 Josef Hillerbrand, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35394 Charles Burchfield, Garden of Memories, 1917, Watercolor, crayon, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32974 Henri Matisse, The Plumed Hat, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36826 Russian Book Collection, Loose pages of documentation on 41 Degrees from magazine of the period, c. 1918, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14248 John Singer Sargent, A Crashed Aeroplane, 1918, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106356957 Joseph Pennell, Evening in the Munitions Country, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9594 Kseniia Boguslavskaia, Geroi i zhertvy revoliutsii. Oktiabr' 1917–1918 (Heroes and Victims of the Revolution: October 1917–1918), 1918, Portfolio of eighteen lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13295 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35432 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 Max Beckmann, Der Hunger, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26923 Max Beckmann, Das patriotische Lied, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26921 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Eugène Atget, Parc de Sceaux, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40682 Lyonel Feininger, Street in Arcueil (Strasse in Arcueil), 1915, Watercolor, opaque watercolor, ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33703 Auguste Lepère, Le Christ au matin de rameaux, 1918, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8472 Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105 Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293 Max Beerbohm, Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01054 John Longstaff, Portrait of Australian Brigadier-General (later Major-General) Walter Adams Coxen, 1919, Australian War Memorial, Canberra. https://dartabase.art/cite/wikidata/Q139752598 Joseph Pennell, The Shops at Night, Changing Shifts, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9616 Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144 Poro College, Typewritten formula for Poro hair rinse, 1915–1953, ink on paper; H x W: 4 5/8 x 8 3/8 in. (11.7 x 21.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744450-0 Joseph Pennell, The Collier, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9693 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 Jean-Louis Forain, a) La fête nationale (The National Holiday) (recto); b) Woman Holding Child (verso), 1918, a) brush and brown and black ink over black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7176 Eugène Atget, Maison à Fontenay, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38956 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Francis Picabia, Dada Movement (Mouvement Dada), 1919, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35993 Charles Burchfield, The First Hepaticas, 1917–18, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33481 Joseph Pennell, The New Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9635 Ernst Ludwig Kirchner, Längmatte bei Monduntergang, 1919, Farbholzschnitt von mehreren (nach Schiefler vier zerteilten) Stöcken in Hellblau, Rosa, Dunkelblau, Grün, Gelb, Orangerot, Dunkelrot und Weiß auf glattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/99384 Joseph Pennell, Munitions River, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9648 Joseph Pennell, Building Destroyers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9679 Timothy Cole, Woodrow Wilson, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5971 Henri Hayden, Still Life, (1917), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36507 Eugène Atget, Rue de Bagneux. Maison à Châtillon, 1915–19, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39113 John Singer Sargent, Tents at Lake O'Hara, 1916, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106357255 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Joseph Pennell, The Gun Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9659 Joseph Pennell, The Basilica of War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9657 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Arthur A. Marschner, Evening, 1915, etching; 5 1/8 x 6 3/4 in. (13.0 x 17.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381050523-0 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Kirill Zdanevich, Visiting card of Kara-Darvish, with drawing by Kirill Zdanevich entitled The Furious Lady, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14412 Albert Besnard, Self-Portrait, 1919, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4631 Max Beerbohm, Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01052 Jean-Louis Forain, Les notables (grande planche) (The Notables) (large plate), c. 1915, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6938 Joseph Pennell, Under the Shed, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9607 Jean-Louis Forain, Prussian Soldier and Civilians, c. 1919, black crayon and brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7227 Bart van der Leck, [Untitled], 1917, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34792 Deutsche Werkstätten GmbH., Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35347 Hugo Erfurth, Porträt Lovis Corinth, c. 1918, Öldruck, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102500 Louis Michel Eilshemius, Mosque near Biskra, (c. 1915), Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36009 Eugène Atget, Gentilly. Ferme Adèle Foucher, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41039 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39367 Eugène Atget, Châtillon, puits á carrier, Mai 1916, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39462 Charles Burchfield, Church Bells Ringing, Rainy Winter Night, December 1917, watercolor and gouache over graphite on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127227 Max Beerbohm, Spring Cottage, Hampstead, 1860, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01045 Eugène Atget, Bords de Marne à la Varenne, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39335 Joseph Pennell, The Woolworth Building, 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1089 Jean-Louis Forain, a) Après Douai (After Douai) (recto); b) Figure (verso), probably 1918, a) watercolor, brush and black ink, and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7133 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39803 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Joseph Pennell, Casting Shells, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9654 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Max Beerbohm, Rossetti’s Courtship, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01040 Francis Picabia, [Untitled], 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38301 Piet Mondrian, Pier and Ocean 5 (Sea and Starry Sky), 1915, dated 1914, Charcoal and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33419 Eugène Atget, Cour de Rouen, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40256 Elie Nadelman, Reclining Nude, c. 1917, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35704 Eugène Atget, Rue Perrotin, 1915–19, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39338 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7220 Georges Rouault, Man with Spectacles, 1917, Watercolor and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34664 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Natalia Goncharova, The Nativity, for Liturgy, 1915, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33922 Max Beerbohm, The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01060 Max Beckmann, Porträt Fridel Battenberg, den Kopf in beide Hände gestützt, 1916, Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8715 Eugène Atget, Saint-Cloud (hêtre), 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40313 George Grosz, Metropolis (Grossstadt), 1917, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34605 Louis Michel Eilshemius, Study for Mosque near Biskra, (c. 1915), Pencil on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33087 Joseph Pennell, The Presses, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9636 Charles Demuth, At a House in Harley Street, 1918, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33552 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Eugène Atget, Cour de Rouen, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40188 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 László Moholy-Nagy, [Untitled], c. 1923/25, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/132717 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Charles Demuth, The Shine, c. 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34965 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Wilhelm Lehmbruck, Sitzender Jüngling, 1916–1917, Steinguss, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4390 Max Beckmann, Die Nacht, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26920 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39245 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Eugène Atget, Gentilly (Seine). Cour, vieille ferme. 3 rue des Noyers, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38963 Marc Chagall, Homage to Gogol. Design for curtain for Gogol festival, 1917, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33623 Max Beckmann, Der Nachhauseweg, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26919 Max Beerbohm, Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01051 Ernst Ludwig Kirchner, Bildnis Erna mit Hut, c. 1917, Rohrfeder in blaugrauer Tinte, Blindlinien (trockene Rohrfeder?) und Bleistift auf weiß gestrichenem Velin-Karton (halbmatt), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11768 Charles Louis Hinton, Vanity, 1915, bronze; 26 1/2 x 23 1/2 x 8 1/2 in. (67.2 x 59.7 x 21.7 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381046913-0 Eugène Atget, Cèdre, La Malmaison, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39572 Timothy Cole, Lowlands, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5973 Jean-Louis Forain, L'Allemand expulsé (The German Expelled), 1919, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6993 Joseph Pennell, Peace and War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9630 Max Beckmann, Die Letzten, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26924 Preston Dickinson, Still Life, c. 1924, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/93239 Charles Burchfield, Insects at Twilight, 1917, Gouache, watercolor, crayon, charcoal, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32983 Georges Rouault, Circus Trainer, 1915, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37601 Paul Klee, Das Haus zur Distelblüte, 1919, Öl auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4067 Joseph Pennell, Building Submarine Chasers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9605 Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236 Max Beckmann, Bildnis Ehepaar Carl, 1918, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102135 Eugène Atget, Saint-Cloud, hêtre, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40380 Max Beckmann, Das Martyrium, 1919, Kreidelithografie (Umdruck) auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5794 Jean-Louis Forain, Les notables (petite planche) (The Notables) (small plate), 1915, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6937 Max Beerbohm, Mr Morley ... introduces Mr John Stuart Mill, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01053 Elie Nadelman, Reclining Nude, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35715 Charles Demuth, Study for Acrobats, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37273 Arthur A. Marschner, The Old Orchard, 1915, etching; 4 1/2 x 7 in. (11.4 x 17.8 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381050525-0 Troy Kinney, Swallows, 1919, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8101 Joseph Pennell, The Little Men of the Big Hammer, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9597 Otto Dix, A Soldier Writing (Schreibender Soldat), 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35853 Eugène Atget, Arcueil-Cachan, May-July 1915, Gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39501 Paul Klee, Hope and Destruction (Zerstörung und Hoffnung), 1916, lithograph with watercolor, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8113 Jean-Louis Forain, a) Le baiser du drapeau (recto); b) Study of Le baiser du drapeau (verso), 1918, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7162 Niels Holsøe, Interior, 1917, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360719 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Joseph Pennell, Unloading Ore, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9606 Charles Demuth, Vaudeville Dancers, 1918, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34787 Joseph Pennell, The Forges, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9702 Eugène Atget, Parc de Saint-Cloud, 1919–21, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40402 Paul Klee, Houses Drawn by Oxen, Ox Speared by a Lantern, Overpass (Häuser von Ochsen gezogen, Ochse laternengespiesst, Strassenüberführung), 1916, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33836 Jean-Louis Forain, Celui qui tira sur Clémenceau, in or after 1919, brush and black ink with black chalk on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7132 Joseph Pennell, Cutting and Turning a Big Gun, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9658 Underwood & Underwood, 13962 A colored brigade building trenches at Camp Devens, Mass., 1917–1919, albumen, sodium chloride and silver nitrate on photographic paper and cardboard; H x W: 3 1/2 x 7 in. (8.9 x 17.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975006026-0 Lyonel Feininger, Arcueil II, 1915, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33691 Vaslav Nijinsky, [Untitled], c. 1916, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36007 Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86365 Georg Kolbe, Frauenraub, 1916–1919, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4395 Ilia Zdanevich, Announcement for a series of lectures on Italian Futurism to be delivered by Il'ia Zdanevich at the Fantastic Tavern in Tiflis, 1918, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14372 Pavel Tchelitchew, Landscape, c. 1919, Gouache on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34159 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Jean-Louis Forain, a) Si ils avaient vaincu (recto); b) Sketch of Si ils avaient vaincu (verso), c. 1919, a) brush and black ink on laid Van Gelder paper; b) brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7233 Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86378 Kirill Zdanevich, [Untitled], c. 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14393 Alexandra Exter, Composition, c. 1916, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38209 Christian Rohlfs, Blue Fan Dancer, 1916, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37417 Max Beckmann, Die Familie, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26922 Charles Louis Hinton, Columbia's Call to Arms, 1917, plaster/bronzed; 32 7/8 x 9 7/8 x 20 5/8 in. (83.6 x 25.1 x 52.4 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381046912-0 George Grosz, Air Attack (Fliegerbombe), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33173 Joseph Pennell, Made in Germany, the Great Crane, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9638 Joseph Pennell, Making Rifles, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9701 Ludwig Meidner, Dr. Wilhelm Valentiner, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36927 Georgia O'Keeffe, Special No. 39, 1919, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35245 Eugène Atget, Parc de Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40357 Eugène Atget, Étang du Plessis-Piquet, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39078 Max Beerbohm, D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., 1916–7, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01038 Eugène Atget, Arcueil-Cachan, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41520 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 Charles Demuth, Vaudeville Musicians, 1917, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34773 Eugène Atget, Charenton, vieux moulin, May-July 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38960 Jean-Louis Forain, a) La Borne, Verdun (recto); b) Wounded Soldier and First-Aid Man (verso), c. 1916, a) brush with black and gray ink and black crayon over graphite on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7160 Mark Tobey, Winthrop Parkhurst, 1916, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35072 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Charles Burchfield, Rogues' Gallery, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33489 Käthe Kollwitz, Heraus mit unsern Gefangenen, 1919, Kreide- und Pinsellithografie (Umdruck) in Schwarz mit gelbem Tonstein auf dünnem Papier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/133477 Eugène Atget, Parc de Sceaux, 1915–19, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40683 Hans Richter, Iwan Goll, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33307 Max Beerbohm, Quis Custodiet Ipsum Custodem, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01058 Charles Sheeler, Barn, 1917, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35279 Yoldasis Dimitris, Landscape, 1916, Athens School of Fine Arts. https://dartabase.art/cite/europeana//1360/https___www_searchculture_gr_aggregator_edm_DigASFA_000187_00704_ZOG680 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Francis Jourdain, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86401 Max Beerbohm, Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01042 Christian Rohlfs, The Entertainer, 1917, Gouache, watercolor and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37412 George Grosz, The End of the Day, c. 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33080 Joseph Pennell, The Ferry House, 1919, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1087 Max Beckmann, The Return of the Prodigal Son ( Die Heimkehr des Verlorenen Sohnes ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35752 Gunnar Hallström, Horse-Sale, 1916, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106364032 Joseph Pennell, The Shell Factory, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9655 Eugène Atget, Parc de Saint-Cloud, 1915–19, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41130 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39805 Joseph Pennell, The Bay of the Thousand Girls, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9667 Joseph Pennell, The Prow, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9661 Eugène Atget, Luxembourg, 1919–21, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39806 Eugène Atget, Vieux moulin, Charenton, Mai-Juillet 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41229 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Joseph Pennell, Building Destroyers, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9700 Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Silk, satin weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86376 Jean-Louis Forain, Quand le boche se retire..., probably 1917, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7190 Henri Matisse, The Plumed Hat, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34037 Eugène Atget, Saint-Cloud, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40391 Liubov Popova, Ohne Titel, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102027 Max Beerbohm, Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01055 Jean-Louis Forain, -Am Rhien? -Ya., c. 1918, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7208 Jean-Louis Forain, a) Fetters (recto); b) Sketch for Fetters (verso), 1919, a) crayon and bursh and black ink on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7204 Mother Bethel AME Church, Poster for the Mother Bethel A.M.E. Church in Philadelphia, 1916, ink on paper; H x W: 16 x 19 7/8 in. (40.6 x 50.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746490-0 Vanessa Bell, Decanter with Fruit, 1918, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33107 Joseph Pennell, Planing Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9668 Jean-Louis Forain, Avocat parlant à sa cliente (Lawyer Talking to His Client), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7012 Jean-Louis Forain, A Versailles juillet 1919, probably 1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7226 Elie Nadelman, Standing Man, profile, c. 1917–19, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35649 Lyonel Feininger, Gelmeroda V, 1916, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33891 Diego Rivera, Angeline Beloff, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33433 Man Ray (Emmanuel Radnitzky), [Untitled], 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36015 Paul Klee, Demon above the Ships (Dämon über den Schiffen), 1916, Watercolor and ink on paper with ink border on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34207 Joseph Pennell, The Cauldrons, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9625 Max Beckmann, Selbstbildnis, 1918–1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5792 Jean-Louis Forain, L'attaque d'une "place forte" anglaise, probably 1917, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7215 Jean-Louis Forain, La Borne - Verdun (The End - Verdun), c. 1916, drypoint and etching on on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7155 Max Beckmann, The Prodigal Son Among Swine ( Der Verlorene Sohn unter den Schweinen ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35765 Joseph Pennell, Making Armour-Plate, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9646 Auguste Rodin, Hand of Rodin with a Female Figure, 1917, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1015 Max Beerbohm, Woolner at Farringford, 1857, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01046 Lyonel Feininger, The Rainbow (Der Regenbogen), 1918, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34488 Eugène Atget, Saint-Cloud, Acacia, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40413 Georg Kolbe, Dancer (Tänzerin), (c. 1918), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35416 Paul Klee, Portrait Scizze ‚Tante u. Neffe‘, 1915, Pinsel in Grau auf Vergépapier, auf Velinkarton kaschiert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/125947 Eugène Atget, Plessis Piquet. Cabaret du Coup du Milieu, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38957 Max Beckmann, Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess), (1917, published 1918), Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13621 Maurice Prendergast, On the Beach, No. 3, c. 1915–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/93234 Paul Klee, Laughing Gothic (Lachende Gotik), 1915, Watercolor and pastel on paper with metallic paper border on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33827 Hans Richter, Raoul Hausmann, 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35596 Jean-Louis Forain, Avocat parlant à sa cliente (Lawyer Talking to His Client), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7006 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7229 Max Beckmann, Malepartus, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26917 Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7161 Georgia O'Keeffe, No. 12 Special, 1916, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35251 Pablo Picasso, Guitar, Paris, early 1919, Oil, charcoal and pinned paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36613 Eugène Atget, Châtillon, porte ancien château, rue des Pierrettes, Mai 1916, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41094 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 Man Ray (Emmanuel Radnitzky), Admiration of the Orchestrelle for the Cinematograph, 1919, Airbrushed gouache, colored ink, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35423 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Elie Nadelman, Seated Nude, c. 1916, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35672 Joseph Pennell, Ready to Start, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9663 Jean-Louis Forain, The Taking of Fort Douaumont, probably 1916, brush and black ink with crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7173 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Jean-Louis Forain, a) Versailles juillet. La Germania signe... (recto); b) Sketch for Figure of Germania (verso), probably 1919, a) black crayon and brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7224 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 Joseph Pennell, The Urns, Casting Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9637 Joseph Pennell, Building the Battleship, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9596 Max Beckmann, Die Straße, 1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/26918 Jean-Louis Forain, Lost Illusions, probably 1918, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7247 Jean (Hans) Arp, Untitled (Squares Arranged According to the Laws of Chance), 1917, Cut-and-pasted colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37166 Joseph Pennell, Oil Refining, Whiting, Indiana, 1915, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9623 Eugène Atget, Jardin du Luxembourg, 1919–21, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39804 Charles Demuth, Female Acrobats, 1919, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36139 Ernst Ludwig Kirchner, Frankfurter Westhafen, 1916, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3981 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Maurice Sterne, Rocks, Maine Coast, 1916, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35306 Kurt Schwitters, N Watercolor 1. (The Heart Goes from Sugar to Coffee) (N Aquarell 1. (Das Herz geht vom Zucker zum Kaffee)), 1919, Pencil and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33542 Lewis Wickes Hine, Picking Tobacco, Oklahoma, 1916, printed later?, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5199 Henri Laurens, The Sculptor's Stand, 1917, Collage of tempera (white lead), cut and pasted papers (water soluble coating on brown paper), pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35570 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Pavel Tchelitchew, Pierre Souvtchinsky, c. 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34212 Mrs. Howard C. Blake, Upholstery Fabric for the Fisher Theater, c. 1928, Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149696 Max Beerbohm, Topsy and Ned Jones Settled on the Settle in Red Lion Square, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01049 Joseph Pennell, The Great Tower: Pig-Iron, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9626 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Joseph Pennell, In the Jaws of Death, Rolling Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9628 Marc Chagall, Study for Birthday, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36449 Jean-Louis Forain, After Douai, probably 1918, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7230 Joseph Pennell, Munition Works, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9621 Eugène Atget, Charenton, 1915, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38961 Joseph Pennell, The Old Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9656 Charles Demuth, Early Houses, Provincetown, 1918, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32987 Max Beerbohm, The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01041