Jean-Louis Forain, Le repos du modèle (2e planche) (The Model's Rest) (second plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6885

Jean-Louis Forain, Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes), 1909, drypoint in brown on wove Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6906

Pierre-Auguste Renoir, Ambroise Vollard from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30165

W. G. MacFarlane, Patent Office, c. 1901–1907, Color lithograph; Image: 9 × 11.8 cm (3 9/16 × 4 5/8"); Sheet: 9 × 13.9 cm (3 9/16 × 5 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399811092-0

Jean-Louis Forain, Portrait de Renoir (1ère planche) (Portrait of Renoir) (first plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6983

Jean-Louis Forain, Fille-mère (1ère planche) (Unwed Mother) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6870

Jean-Louis Forain, Portrait de Renoir (3e planche) (Portrait of Renoir) (third plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6985

Joseph Pennell, London Night, Whiskey and Tea, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9571

Käthe Kollwitz, Losbruch, 1902–1903, Strichätzung, Kaltnadel, Aquatinta, Reservage sowie Vernis Mou mit Durchdruck von zwei Stoffen und Zieglerschem Umdruckpapier in Braun, mit dem Pinsel in brauner und weißer Deckfarbe sowie Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28121

Jean-Louis Forain, Le repos en Egypte (The Rest in Egypt), 1909, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6941

Jean-Louis Forain, La madone et les enfants (The Madonna and the Children), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6900

Albert Besnard, The Feathered Turban (Le turban à aigrette), 1901, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4626

Paul Klee, Perseus (Der Witz hat über das Leid gesiegt) [Perseus-The Triumph of Brain over Body], 1904, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8109

Mary Cassatt, Kneeling in an Armchair, c. 1903, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1065

Pierre-Auguste Renoir, Woman by the Grapevine, Fourth Variant (Femme au cep de vigne, 4e variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30169

George Bellows, Election Night Times Square, 1906, Charcoal, lithographic crayon, conte crayon, and ink on paper; 18 3/16 x 26 in. (46.1 x 66 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858502-0

Jean-Louis Forain, La route d'Emmaüs (1ère planche) (The Road to Emmaus) (first plate), 1902/1907, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6890

Albert Besnard, Confidences, 1900, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4623

Max Beckmann, The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9085

Jean-Louis Forain, Danseuse et Maître d'hôtel (Dancer and Headwaiter), 1908, soft-ground etching, drypoint, and aquatint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6867

Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6879

Jean-Louis Forain, Le prévenu et l'enfant (The Prisoner and the Child), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6881

Jean-Louis Forain, Le Christ dépouillé de se vêtements (Christ Stripped of His Clothes), 1909, transfer lithograph on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7010

Jean-Louis Forain, Après la saisie (After the Seizure), 1908, etching (zinc) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6868

Auguste Lepère, Clisson (Lower Loire), 1909, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8495

Jean-Louis Forain, Dans le parc de Versailles (1ère planche) (In the Park at Versailles) (first plate), 1909, drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6912

Max Zachmann, Two Nude Dancers in a Landscape, c. 1913, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7740

Pierre-Auguste Renoir, Woman by the Grapevine, Third Variant (Femme au cep de vigne, 3e variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30168

Jean-Louis Forain, Femme nue, assise sur son lit, de face (Nude Woman, Seated on Her Bed, Front View), 1909, etching and drypoint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6873

Jean-Louis Forain, Portrait de Renoir (4e planche) (Portrait of Renoir) (fourth plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6986

Pierre-Auguste Renoir, Stone with Three Sketches (La Pierre au trois croquis) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30173

Pierre-Auguste Renoir, Woman by the Grapevine, Second Variant (Femme au cep de vigne, 2e variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30167

Joseph Pennell, La Place, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9576

Auguste Lepère, Rue de la Montagne-Sainte-Genevieve, Paris, 1906, etching, aquatint, and (drypoint?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/8470

Jean-Louis Forain, En cabinet particulier (1ère planche) (In a Private Room) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6893

Mary Cassatt, The Crocheting Lesson, c. 1902, drypoint on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5942

Auguste Lepère, Amsterdam Seen from Victoria Hotel (Amsterdamvue de Victoria Hotel), 1901, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8502

Pierre-Auguste Renoir, Study of a Nude Woman, Seated (Étude de femme nue, assise) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30174

Jean-Louis Forain, L'avocat parlant au prévenu (2e planche) (The Lawyer Talking to the Prisoner) (second plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6883

Joseph Pennell, West Door, St. Paul's, 1903, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9578

Jean-Louis Forain, Le calvaire (2e planche) (Calvary) (second plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6889

Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433

Pierre-Auguste Renoir, Claude Renoir, Facing Left (Claude Renoir, Tourné à gauche) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30172

Jean-Louis Forain, En cabinet particulier (1ère planche) (In a Private Room) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6892

Alphonse Legros, Dr. Louis Vintras, 1904, lithograph in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8340

Jean-Louis Forain, Sur le lit (On the Bed), c. 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6894

Jean-Louis Forain, Le bon samaritain (The Good Samaritan), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6875

Jean-Louis Forain, Avocat compulsant un dossier (Lawyer Going through a Brief), 1909, etching in blue on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6903

Jean-Louis Forain, Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate), 1908, etching and soft-ground etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6865

Jean-Louis Forain, Le repos du modèle (4e planche) (The Model's Rest) (fourth plate), 1909, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6911

Jean-Louis Forain, Scène de cabinet particulier (planche en hauteur) (Scene in a Private Room) (vertical plate), c. 1905, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7002

Abraham Walkowitz, Figure Sketch, 1900–1908, Monotype on paper; sheet: 10 5/16 × 13 5/8 in. (26.2 × 34 cm) image: 8 7/8 × 11 7/8 in. (22.6 × 30.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863569-1

Jean-Louis Forain, Le repos du modèle (1ère planche) (The Model's Rest) (first plate), 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6884

Suzanne Valadon, Woman at Her Bath, 1908, Drypoint and etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3433

Jean-Louis Forain, Les couloirs du Palais (The Corridors of the Palace of Justice), 1908, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6863

Pierre-Auguste Renoir, Claude Renoir, Looking Down (La Tête baissée) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30171

Jean-Louis Forain, Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes), 1909, drypoint and etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6907

Auguste Lepère, Summer in Saint-Martin, the Past Nuptials (Ete de la Saint-Martin, la noce qui passe), 1908, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8475

Abraham Walkowitz, Untitled (One Of Six Prints), 1903–1925, Etching on paper; sheet: 9 × 11 1/2 in. (22.9 × 29.2 cm) image: 4 × 6 in. (10.2 × 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863584-0

Jean-Louis Forain, Témoins à l'audience (1ère planche) (Evidence at the Hearing) (first plate), 1908, soft-ground etching (zinc) in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6864

Pierre-Auguste Renoir, Woman by the Grapevine, First Variant (Femme au cep de vigne, 1re variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30177

Jean-Louis Forain, Baignoire au théatre (Lower Box at the Theater), 1909, etching and aquatint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6872

Jean-Louis Forain, Avocat compulsant un dossier (Lawyer Going through a Brief), 1909, etching and drypoint in brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6904

Jean-Louis Forain, J.L. Forain, c. 1912, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6945

Jean-Louis Forain, Croquis de femme nue, la tête contre l'oreiller (1ère plance) (Sketch of a Nude Woman, Her Head Against a Pillow) (1st plate), c. 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6896

Jean-Louis Forain, Scène de cabinet particulier (planche en largeur) (Scene in a Private Room) (horizontal plate), c. 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7009

W. B. Garrison, U. S. Patent Office, Washington, D. C., c. 1907–15, Color lithograph; Image/Sheet: 8.9 × 14.1 cm (3 1/2 × 5 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399807730-1

Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312

Auguste Lepère, Amiens Cathedral (Cathedrale d'Amiens - Jour d'inventaire), 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8492

Jean-Louis Forain, Un caboulet à montmartre (A Dive at Montmartre), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6905

Jean-Louis Forain, Sur le lit (On the Bed), c. 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6895

Auguste Lepère, Corpus Christi Procession at Nantes (Procession de la Fete Dieu a Nantes), 1901, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8524

Auguste Lepère, Spring Tide, Rocks of Zion (Grande maree, rochers de Sion, Vendee), 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8480

Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6878

Auguste Lepère, Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen), 1901, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8528

Pierre-Auguste Renoir, Louis Valtat from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30170

Auguste Lepère, Shelter for the Poor, Vendee (Le nid de pauvres, Vendee), 1909, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8482

Abraham Walkowitz, Self-Portrait, 1900, Etching on paper; sheet: 8 3/4 × 6 1/2 in. (22.2 × 16.5 cm) image: 5 7/8 × 4 7/16 in. (15 × 11.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863580-0

Auguste Lepère, Old Houses at Amiens (Vieilles maisons a Amiens), 1907, etching on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8485

Joseph Pennell, The Transept, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9577

Pierre-Auguste Renoir, Woman by the Grapevine (Femme au cep de vigne) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30176

Jean-Louis Forain, Portrait de Renoir (2e planche) (Portrait of Renoir) (second plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6984

Ernst Ludwig Kirchner, Port Scene (Hafenbild), 1908, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8103

Eugène Carrière, Rodin Sculpting, 1900, Lithograph from two stones, with scraping on stone, on tan wove paper, lined with linen, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105773

Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6876

Auguste Lepère, Pont Neuf, 1901, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8500

Jean-Louis Forain, A la table de jeu (1ère planche) (At the Gambling Table) (first plate), 1909, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6898

Jean-Louis Forain, Le calvaire (1ère planche) (Calvary) (first plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6887

Jean-Louis Forain, L'avocat parlant au prévenu (1ère planche) (The Lawyer Talking to the Prisoner) (first plate), 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6882

Pierre-Auguste Renoir, Study of a Nude Woman, Seated, Variant (Étude de femme nue, assise, variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30175

Jean-Louis Forain, Après l'apparition (2e planche) (After the Vision) (second plate), 1902/1907, drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6910

Jean-Louis Forain, Le calvaire (1ère planche) (Calvary) (first plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6886

Max Beckmann, Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9075

Jean-Louis Forain, Eventail (pour le bal Gavarni) (Fan (for the Gavarni Ball)), 1903, color transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6988

Joseph Pennell, Westminster, Evening, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9569

Auguste Lepère, Banks of the Somme at Amiens (Bords de la Somme a Amiens), 1907, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8496

Jean-Louis Forain, La fraction du pain (The Breaking of the Bread), 1902/1907, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6914

Joseph Pennell, Four-Story House, 1904, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1088

Max Beckmann, Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9107

Jean-Louis Forain, Le gros cigare (The Big Cigar), 1909, soft-ground etching and drypoint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6871

Mary Cassatt, Margot in a Floppy Bonnet Leaning against a Chair, c. 1902, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5944

John Sloan, Turning out the Light, 1905, Etching in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23599

Jean-Louis Forain, Après la saisie (After the Seizure), 1908, etching (zinc) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6869

Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000

David W. Humphrey, The Rivals, c. 1900, monotype on paper; plate: 10 3/8 x 12 1/8 in. (26.3 x 30.9 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047153-0

Jean-Louis Forain, Le calvaire (2e planche) (Calvary) (second plate), 1902, etching with graphite and lithographic crayon additions on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6888

Jean-Louis Forain, Le retour de l'enfant prodigue (3e planche) (The Return of the Prodigal Son) (third plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6874

Jean-Louis Forain, A la table de jeu (1ère planche) (At the Gambling Table) (first plate), 1909, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6897

Jean-Louis Forain, A la table de jeu (At the Gambling Table), c. 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6994

Käthe Kollwitz, Die Carmagnole, 1901, Strichätzung, Kaltnadel, Aquatinta bzw. Pinselätzung und Schmirgel in Braun auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27987

Auguste Lepère, The Poulterer, Vendee (Le Poulailler, Vendee), 1908, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8481

Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6877

Albert Besnard, La Biarrote, 1901, etching, drypoint, and printed tone on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4625

Auguste Lepère, Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen), 1901, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8527

Alphonse Legros, Phrenology Course, 2nd plate (Le cours de phrenologie), 1906, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8295

Jean-Louis Forain, Femme assise de profil (Woman Seated in Profile), 1909, etching (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6913

Jean-Louis Forain, La route d'Emmaüs (2e planche) (The Road to Emmaus) (second plate), 1902/1907, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6939

Jean-Louis Forain, Femme mettant son bas (Woman Putting On Her Stockings), c. 1909, etching and aquatint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6891

F. L. Griggs, St. Ippolyts, No. 2, 1903, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7422

Jean-Louis Forain, Le prévenu et l'enfant (The Prisoner and the Child), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6880

Jean-Louis Forain, A la table de jeu (2e planche) (At the Gambling Table) (second plate), 1909, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6899

Jean-Louis Forain, Paysage des environs de Versailles (Landscape in the Neighborhood of Versailles), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6901

Jean-Louis Forain, Le Christ aux outrages (The Mocking of Christ), 1909, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6908

Auguste Lepère, Return of the Procession to Nante Cathedral (Rentree de la Procession a la Cathedral de Nantes), 1901, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8501

Jean-Louis Forain, Après l'apparition (2e planche) (After the Vision) (second plate), 1902/1907, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6909

Jean-Louis Forain, La route de Rocquencourt (The Road to Rocquencourt), 1909, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6902

Mary Cassatt, Reine and Margot Seated on a Sofa (No. 2), c. 1902, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5941

Paul Klee, The Friends (Die Freundinnen), 1909, Ink on monotype on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36676

Ernst Ludwig Kirchner, Cover of the Fourth Yearbook of the Artist Group the Brucke, 1909, woodcut in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8104

F. L. Griggs, Stevenage, 1902, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7423

Jean-Louis Forain, Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate), 1908, etching and soft-ground etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6866