Eugène Atget, Untitled (Les Halles), 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40401 Edgar Degas, The Bath, 1892/95, Pastel and charcoal on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/185911 Paul Gauguin, L'Esprit veille, c. 1899–1900, Monotypie (Druckzeichnung) in Schwarz und Braun, geringfügig braun aquarelliert, auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/99081 Henri de Toulouse-Lautrec, VIII. Saluant le Public, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334741 Eugène Atget, Luxembourg, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39912 Henri-Edmond Cross, Sketches of a Child and a Dog; verso: blank page, c. 1897, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6296 Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6975 Eugène Atget, [Untitled], 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39676 Henri-Gabriel Ibels, Anna Thibaud, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125986 Eugène Atget, Abbeville, Saint-Vulfran, Panneau, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39758 Georges Lacombe, Tree Trunk, Normandy, 1898, Crayon, charcoal, chalk, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36024 Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893, etching with aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8505 Albert Besnard, Small Donkey at Berck (Un petit ane à Berck), 1897, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4621 Daniel Marot, Bound Print, 1892, Bound Print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399979082-1 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7659 Maurice Denis, Le chevalier n'est pas mort à la croisade, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6538 Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892–95, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61128 Jean-Louis Forain, Danseuse accotée contre un portant (avec des figurants) (Dancer Leaning against an Upright (with extras)), c. 1897, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6982 Odilon Redon, Nude Woman Seen from Behind, (after 1895), Charcoal and chalk on paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35789 Edgar Degas, Dancer in Ukrainian Dress, 1899, Pastel over charcoal on tracing paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436157 Jean-Louis Forain, Etude de femme nue, les bras abaissés (Study of a Nude Woman, with Lowered Arms), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6996 Eugène Atget, Au Soleil d'Or. 84 Rue Saint-Sauveur (enseigne), 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41128 Eugène Atget, Ancien Amphitheatre Saint-Côme rue de l'Ecole de Médecine, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39603 Eugène Atget, [Untitled], 1898–99, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38895 Edgar Degas, Woman with a Towel, 1894 or 1898, Pastel on cream-colored wove paper with red and blue fibers throughout, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436128 Jean-Louis Forain, Le Peril Anarchiste, c. 1897, pen and black ink and watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7062 Eugène Atget, [Untitled], 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40171 Eugène Atget, Saint-Étienne-du-Mont, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40530 Auguste Rodin, Tanzende mit nach hinten geworfenem Kopf, Rückansicht, c. 1890–1917, Bleistift und Aquarell auf rosa getöntem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11474 Eugène Atget, Coin du Pont-Neuf, 1898–99, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41672 Eugène Atget, Amiens, Portail Central, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41270 Auguste Lepère, View of St.-Jean-de-Mont, Vendee (Vue de St.-Jean-de-Mont, Vendee), 1892, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8510 Eugène Atget, Untitled (man on horsedrawn carriage), 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40630 Henri-Edmond Cross, Sketches of Figures at the Beach; verso: blank page, c. 1897, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6322 Henri de Toulouse-Lautrec, III. Pessima, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334734 Maurice Denis, Les attitudes sont faciles et chastes, 1892/1899, published 1911, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6531 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7672 Eugène Atget, Abbeville, Saint-Vulfran, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39759 Eugène Atget, Rue de la Montagne-Sainte-Geneviève, 1898, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39490 Eugène Atget, La Rochelle -- Bateaux, 1896?, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39159 Eugène Atget, Amiens, portail, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41264 Camille Pissarro, Place du Théâtre Français, Paris: Rain, 1898, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/18.19 Eugène Atget, Musée Carnavalet, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39681 Eugène Atget, Jardin Luxembourg, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39811 Eugène Atget, Amiens, Clôture du Choeur, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41267 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7662 Odilon Redon, Germination, c. 1890–96, Pastel, chalk, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35730 Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1891, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8522 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7644 Odilon Redon, Christ, c. 1895, Charcoal, chalk, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35678 Jean-Louis Forain, "J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much."), c. 1892, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6957 Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893, etching with aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8506 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7666 Auguste Lepère, Parliament at 9 o'Clock in the Evening - London (Le parlement a 9 heures du soir - Londres), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8525 Auguste Lepère, Dockman, Pier at La Gare (Le debardeur, quai de La Gare), 1894, etching with aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8507 Eugène Atget, Porteuse de pain, 1899–1900, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39923 Henri-Edmond Cross, A Hilly Road; verso: blank page, c. 1897, Black ink and graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6416 Auguste Rodin, The Walking Man, Modeled 1877–1900, cast before 1917, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69852 Edgar Degas, Dancer with a Fan, c. 1890–95, Pastel and charcoal on buff-colored wove tracing paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436136 Eugène Atget, Facteur, 1899–1900, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38882 Eugène Atget, La Rochelle, Hôtel de Ville, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39362 Henri de Toulouse-Lautrec, Sybil Sanderson, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334743 Eugène Atget, Saint-Gervais-et-Protais, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40522 Odilon Redon, Dream Polyp, 1891, Charcoal and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35948 Albert Besnard, La Flore de le Gros, 1899, etching, drypoint, and printed tone on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4622 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8514 Edgar Degas, Dancers, c. 1896, pastel with charcoal on tracing paper mounted on paper and backed with gray board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95271 Henri de Toulouse-Lautrec, Paula Brébion, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20321 Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), 1898–1899, woodcut on very thin Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7343 Henri de Toulouse-Lautrec, Monsieur Boileau at the Café, 1893, oil and tempera with charcoal on millboard, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173263 Auguste Rodin, Standing Nude with Draperies, n.d., Watercolor and graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66956 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7650 Eugène Atget, Cour de Rouen,, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40252 Eugène Atget, La Rochelle, 1896?, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39212 Jean-Louis Forain, Elections Municipales, c. 1897, brush and black ink with brown and gray wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7046 Henri Fantin-Latour, Debut from "Paradise and the Peri" (2nd plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6846 Odilon Redon, Orpheus, c. 1903–10, pastel on brown paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108544 Henri-Gabriel Ibels, Emilienne d'Alençon Rehearsing at the Folies-Bergère, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125985 Jean-Louis Forain, Croquis de femme en buste (Sketch of a Woman in Half-Length), c. 1900, lithograph on Arches wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5296 Eugène Atget, 27 rue Saint-André-des-Arts, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41593 Paul Gauguin, L'Esprit veille, c. 1899–1900, Blaue Kreide und Aquarell über Bleistift auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102558 Henri Fantin-Latour, Pastoral, 1896, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6848 Henri de Toulouse-Lautrec, Cover for Babylone d'Allemagne, 1894, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11784 Eugène Atget, Saint-Riquier (fresques), 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39703 Eugène Atget, Luxembourg, 1899, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39810 Auguste Lepère, Under the Bridge of Bercy (Sous le pont de Bercy), 1894, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8508 Eugène Atget, Musée Carnavalet, Façade de la Maison des Drapiers, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39682 Paul Cezanne, The Brook, c. 1895–1900, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135173 Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7000 Félix Bracquemond, Hand Mirror, c. 1900, gold, enamel, and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149386 Odilon Redon, Closed Eyes, 1890, lithograph on China paper laid on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109147 Auguste Lepère, Reclined Woman Sleeping (Femme couchee sommeillant), 1892, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8509 Henri-Edmond Cross, Views of Le Trayas and Agay; verso: blank page, 1897, Graphite, black ink and colored pencil on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6593 Eugène Carrière, Der Schlaf, 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/109085 Henri de Toulouse-Lautrec, Lucien Guitry, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334746 Henri de Toulouse-Lautrec, At the Ambassadeurs—Singer at the Café-concert, from the sixth album of L'Estampe originale, 1894, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74662 Eugène Atget, Montmartre, rue du Mont-Cenis, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40995 Henri de Toulouse-Lautrec, Coquelin Aîné, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334745 Paul Cézanne, Foliage (recto); Study of Trees (verso), 1895, Watercolor and pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33075 Eugène Atget, Abbeville, Saint-Vulfran,, 1899 or before, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39626 Eugène Atget, Saint-Riquier (fresques), 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39704 Henri de Toulouse-Lautrec, Yvette Guilbert, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21092 Auguste Rodin, Head of Balzac, 1895–1896, cast c. 1902–1910, Bronze with black-brown patina, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5494 Henri de Toulouse-Lautrec, At Armenonville (The Follower), 1896, Chinese ink and blue crayon, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.38 Odilon Redon, Christus und die Samariterin (Der weiße Blumenstrauß), c. 1895, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4058 Henri-Edmond Cross, Mediterranean Landscape with Pine; verso: Inscription, 1897, Graphite on off-white wove paper; verso: graphite, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6594 Edgar Degas, Frieze of Dancers, c. 1895, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125104 Louis Valtat, Dogs on the Beach, c. 1898, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33367 Eugène Atget, Luxembourg, 1899, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39372 Georges-Edmond Dargouge, Portrait of Fleury, 1897, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334771 Maurice Denis, Le bouquet matinal, les larmes, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6536 Jean-Louis Forain, a) Au théâtre (At the Theatre) (recto); (b) Untitled (verso), c. 1892, a) lithograph on wove Arches vellum paper; b) crayon in purple on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6958 Daniel Marot, Bound Print, 1892, Bound Print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399979077-0 Eugène Atget, Jardin Luxembourg, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39812 Auguste Lepère, Paris under Snow, View from St.-Gervais (Paris sous la neige, vu du haut de St.-Gervaais), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8523 Auguste Lepère, The Wash-house (Le lavoir), 1891, etching [touched proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8517 Henri-Gabriel Ibels, Kam-Hill, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125982 Jean-Louis Forain, Chez l'huissier (At the Bailiff's), c. 1891, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6959 Eugène Atget, Luxembourg, 1898, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39809 Henri-Edmond Cross, Sketch of a Landscape; Inscription; verso: blank page, c. 1897, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6275 Paul Signac, Lighthouse, c. 1896, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33346 Paul Gauguin, Maruru (Thank You), 1894, printed 1941, woodcut on coated wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7352 Eugène Atget, Palais de la Reine Hortense. Rue Laffitte, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40766 Eugène Atget, Charenton. Les Bords de la Marne, 1898–99, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39160 Jean-Louis Forain, La friction au gant de crin (planche au lavis et au trait) (The Massage with Coarse Hair Glove) (Wash and Line plate), 1895, lithotint in brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6966 Paul Cezanne, The Bathers (Small Plate), 1897, colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5947 Henri de Toulouse-Lautrec, VII. Linger Longer, Loo, 1898, Lithograph printed with beige tint stone on vellum, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334740 Henri de Toulouse-Lautrec, Cover - Yvette Guilbert, 1898, Lithograph on blue wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334688 František Kupka, Admiration, c. 1899, Gouache, charcoal, watercolor, crayon, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33684 Eugène Atget, Pont-Neuf, terre-plein du Pont-Neuf, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39649 Odilon Redon, Portrait of a Youth from Left, (after 1890), Pastel with colored chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35815 Henri de Toulouse-Lautrec, Caricature of Félix Fénéon, c. 1895–96, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37301 René Lalique, Lily of the Valley Comb, c. 1900, horn, enamel and gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150488 Jean-Louis Forain, Femme nue, s'essuyant les pieds (planche en hauteur) (Nude Woman Drying Her Feet) (vertical plate), c. 1895, lithograph with crayon additions in yellow and green on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6969 Henri de Toulouse-Lautrec, VI. Soularde, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334739 Eugène Atget, Untitled (Pont du Carrousel), 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41674 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7653 Eugène Atget, Rue Oblin, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39383 Ker-Xavier Roussel, Reclining Woman, c. 1895, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37002 Eugène Atget, La Rochelle, beffroi, 1896?, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39044 Eugène Atget, Ancien Couvent des Carmélites. 284 rue Saint-Jacques, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40180 Jean-Louis Forain, En soirée (At an Evening Party), c. 1896, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6972 Henri de Toulouse-Lautrec, Mary Hamilton, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8803 Baron de Ravallet, [Untitled], c. 1897–1907, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35816 Jean-Louis Forain, Projet de Voyage, c. 1897, brush and black ink and colored washes on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7066 Paul Gauguin, Te Atua (The Gods) Small Plate [verso], in or after 1895, woodcut in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7347 Eugène Atget, Saint-Riquier (fresques), 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39705 Eugène Atget, Soleil, 1896?, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39930 Edgar Degas, Nude Woman Standing, Drying Herself, 1891–92, Transfer lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96775 Eugène Atget, Saint-Gervais-et-Protais, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40526 Daniel Marot, Bound Print, 1892, Bound Print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399979082-0 Eugène Atget, Marchand de paniers, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38885 Jean-Louis Forain, Une saisie (A Seizure), c. 1891, lithograph printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6955 Henri-Edmond Cross, Sketch of a Woman in a Park; verso: blank page, c. 1897, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6300 Eugène Atget, Bords de Seine, 1898, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39908 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7657 Eugène Atget, Luxembourg, 1898–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39556 Eugène Atget, Luxembourg, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39509 Paul Cézanne, Mercury after Pigalle, c. 1890, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37041 Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6981 Eugène Atget, Stonecutters, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39527 Eugène Carrière, Portrait of Paul Verlaine, 1896, Lithograph in black from two stones on China paper, laid down on cream wove paper (chine collé), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27729 Albert Besnard, Pony (Le poney), 1892, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4616 Alphonse Legros, Head of a Horse from the Parthenon, 1898, goldpoint with scraping on white commercially prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8409 Jean-Louis Forain, Femme à sa toilette avec sa femme de chambre (2e planche en largeur) (Woman at Her Toilette with Her Maid) (second horizontal plate), c. 1895, lithograph in red on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6970 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7675 Henri de Toulouse-Lautrec, Woman Washing—The Toilet, plate five from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36003 Paul Signac, Félix Fénéon, 1890, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37299 Auguste Lepère, Pier of Bercy (Embarcadere, quai de Bercy), 1891, etching and drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8515 Daniel Marot, Bound Print, 1892, Bound Print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399979060-1 Édouard Vuillard, Under the Trees (from "The Public Gardens"), 1894, distemper on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130457 Edgar Degas, Before the Ballet, 1890/1892, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1158 Auguste Rodin, The Evil Spirits, c. 1899, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1010 Henri-Edmond Cross, Studies of Clouds; verso: blank page, c. 1897, Colored pencil on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6276 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7640 Odilon Redon, The Giant, c. 1890, Oil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35741 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8511 Henri de Toulouse-Lautrec, Sarah Bernhardt, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334742 Eugène Atget, Amiens, Portail Central, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41271 Henri de Toulouse-Lautrec, I. Sur la Scene, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334732 Pierre Bonnard, Study for the lithograph Conversation, 1893, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38235 Henri-Edmond Cross, A Landscape with Cypresses; verso: blank page, c. 1897, Graphite (?) on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6298 Paul Cezanne, Small Bathers, 1896–97, Color lithograph on ivory China paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82071 Henri de Toulouse-Lautrec, Jane Avril (from Le Café Concert), 1893, Brush and spatter lithograph printed in black on wove paper; only state, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334730 Henri-Edmond Cross, A Mediterranean Bay; verso: blank page, c. 1897, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6277 Henri de Toulouse-Lautrec, Edmée Lescot, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4596 Jean-Louis Forain, L'audience (3e planche) (The Hearing) (third plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6974 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7685 Eugène Atget, Luxembourg, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39557 Eugène Atget, Untitled (Les Halles), 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40172 Edouard Detaille, Gendarmes d'Ordonnance, 1894, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436189 Paul Signac, Albenga, c. 1896, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33336 Odilon Redon, The Closed Eyes, (c. 1890), Conté crayon and lithographic tusche on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35690 Auguste Lepère, American Quarries, near Paris (Carrieres d'Amerique, pres Paris), 1898, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8503 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching retouched with graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8512 Henri de Toulouse-Lautrec, IV. A Menilmontant de Bruant, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334735 Henri Fantin-Latour, Stillleben mit Stiefmütterchen, 1892, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1886 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7351 Auguste Rodin, Nude Study, (c. 1890–92), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35263 Henri-Edmond Cross, Sketches of a Landscape and the Head of Synagogue, Reims Cathedral; verso: blank page, c. 1897, Graphite and colored pencil on off-white wove paper., Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6417 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7679 Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6980 Pierre Puvis de Chavannes, Summer, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95287 Henri-Edmond Cross, Sketch of a Woman Seated at a Window; Inscription; verso: blank page, c. 1897, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6278 Eugène Atget, Bouillon-Blanc, 1896?, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41100 Édouard Vuillard, Woman Ironing, 1892, oil on board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/83373 Eugène Atget, Bateau-Lavoir sur la Seine, 1898–99, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39673 Henri-Gabriel Ibels, Jeanne Bloch, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125987 Auguste Rodin, Pivoting Nude, Seen from Above, 1896/1900, Watercolor and graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4841 Henri de Toulouse-Lautrec, Woman Fastening a Corset, Passing Conquest, plate nine from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36010 Jean-Louis Forain, La loge de la danseuse (2e planche) (The Dancer's Dressing Room) (second plate), 1894, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6965 Henri Fantin-Latour, Weeper: Study of a Nude Woman, Seated with Profile to Right, 1899, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6844 Eugène Atget, Untitled (Les Halles), 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40245 Auguste Lepère, The Wash-house (Le lavoir), 1891, etching in brown on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8516 Paul Gauguin, I Raro Te Oviri (Under the Pandanus), 1891, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.4 Henri de Toulouse-Lautrec, American Singer, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7615 Edgar Degas, Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6485 Eugène Atget, Musée Carnavalet, 23 rue de Sévigné, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39678 Daniel Marot, Bound Print, 1892, Bound Print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399979061-0 Henri Fantin-Latour, Duet from "The Trojans" (6th plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6845 Maurice Denis, Blessing of a Yacht on the Belon River, 1899, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/92844 Paul Cezanne, The Bathers (Large Plate), 1896–1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5946 Jean-Louis Forain, Au restaurant (At the Restaurant), 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6953 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8513 Eugène Atget, Untitled (Notre Dame), 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39850 Eugène Atget, Saint Germain des Prés, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40548 Henri-Gabriel Ibels, Polin, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125981 Odilon Redon, Christ on the Cross, (c. 1892), Colored chalk, gouache, and chalk on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35669 Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate with wash), c. 1896, lithograph in brown and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6973 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7683 Eugène Atget, Ferme, Abbeville, Probably before 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39628 Paul Gauguin, Mahana Atua (Day of the Gods), 1894, printed 1921, woodcut on China paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7344 Eugène Atget, Environs Amiens, Probably before 1898, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41241 Odilon Redon, The Chimera, (c. 1891), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35645 Paul Gauguin, Human Misery (Misères humaines), 1898–1899, woodcut on Japan paper, perimeter mounted, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7349 Auguste Lepère, Unloading, Canal St. Martin (Les dechargeurs de platre, Canal Saint-Martin), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8498 Maurice Denis, Marthe, 1893, Charcoal and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36909 Eugène Atget, Amiens, Clôture du Choeur, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41266 Jean-Louis Forain, Femme assise, la tête dans la main droite (Seated Woman with Her Head Resting on Her Right Hand), 1897, lithograph in red and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6979 Eugène Atget, Ancienne école de Médecine. Rue de la Bûcherie, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41104 Auguste Lepère, Poultry Market at St.-Jean-de-Mont (Marche a la volaille, a St.-Jean-de-Mont), 1892, etching, with aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8529 Daniel Marot, Bound Print, 1892, Bound Print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399979069-0 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7638 Henri de Toulouse-Lautrec, Ducarre at the Ambassadeurs, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7611 Eugène Atget, Au Soleil d'Or. 84 Rue Saint-Sauveur, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40339 Edgar Degas, Three Jockeys, c. 1900, Pastel on tracing paper, laid down on board, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436164 Eugène Atget, Saint-Étienne-du-Mont, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40520 Jean-Louis Forain, a) Scène de grève (3e planche) (Scene of a Strike) (third plate) (recto); b) Untitled (verso), c. 1897, a) lithograph on laid paper; b) black lithographic crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6978 Eugène Atget, Ancienne école de Médecine. Rue de la Bûcherie, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39601 Edgar Degas, After the Bath (large version), 1891–92, Transfer lithograph in black on ivory wove plate paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88384 Odilon Redon, The Apparition, (c. 1895), Pastel and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36006 Eugène Atget, Amiens. Pourtour du Choeur, 1899 or before, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41268 Auguste Rodin, Sunset, n.d., Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66958 Jean-Louis Forain, Le bain (planche en hauteur) (The Bath) (vertical plate), c. 1896, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6976 Eugène Atget, À St. Etienne. Rue de la Montagne Ste. Geneviève 51, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40348 Eugène Atget, Fleurs, c. 1896, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40330 Eugène Atget, Abbeville, Saint-Vulfran, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39756 Jean-Louis Forain, Trois dessins sur une feuille (Three Drawings on a Sheet), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6968 Paul Cezanne, Mount Sainte-Victoire, c. 1904, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135185 Eugène Atget, Le Fiacre, avant les pneus, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39940 Henri-Edmond Cross, Sketch of a Bay with Trees; verso: blank page, c. 1897, Black crayon on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6297 Henri de Toulouse-Lautrec, A Spectator, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36036 Jean-Louis Forain, Le petit déjeuner (planche en largeur) (Breakfast) (horizontal plate), 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6967 Eugène Atget, Rue de Venise, 1898–99, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39385 Jean-Louis Forain, Danseuse rattachant son chausson (Dancer Tying Her Slipper), c. 1891, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6954 Eugène Atget, [Untitled], 1898–99, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41673 Eugène Atget, Dormeur, 1899–1900, Matte albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39234 Jean-Louis Forain, Un tableau de papa! (1ère planche) (A Painting of Daddy's!) (first plate), c. 1897, transfer lithograph printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6991 Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7345 Alfred André, Necklace and Pendant with a Sphinx, c. 1890, gold enameled in white, black, translucent red, blue, and green; 28 diamonds, 5 emeralds, 43 rubies, 37 pearls, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1467 Albert Besnard, A Family (Une famille), 1890, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4632 Eugène Atget, La Rochelle, Hôtel de Ville, 1899 or before, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39361 Auguste Rodin, Head of Balzac, model 1897, cast probably early 20th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1007 Henri de Toulouse-Lautrec, Cléo de Mérode, 1898, Crayon lithograph with scraper on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334744 Eugène Atget, Untitled [View of the Seine and the Ile de la Cité], 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39849 Jean-Louis Forain, Rue Laffitte (Laffitte Street), c. 1892, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6956 Eugène Atget, Musée Carnavalet, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39679 Henri de Toulouse-Lautrec, Portrait of Aristide Bruant, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54723 Maurice Denis, Les crépuscules ont une douceur d'ancienne peinture, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6537 Paul Cézanne, Rocks Near the Caves above Château Noir, 1895–1900, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33280 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7669 Eugène Atget, La Rochelle, 1896?, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40406 Henri-Edmond Cross, Study of Waves; Inscriptions; verso: blank page, c. 1897, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6299 Eugène Atget, Au Soleil d'Or. 84 Rue Saint-Sauveur, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40141 Paul Cezanne, The Pigeon Tower at Bellevue, 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/115405 Jean-Louis Forain, En Grèce (In Greece), 1897, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6977 Paul Gauguin, Te Atua (The Gods) Small Plate [recto], in or after 1895, woodcut in black on very thin Japan paper, mounted face down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7346 Henri de Toulouse-Lautrec, II. Dans la Glu, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334733 Henri-Gabriel Ibels, Paulus, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125990 Jean-Louis Forain, Le colporteur juif (The Jewish Peddler), c. 1900, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6987 Eugène Atget, Luxembourg, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39801 Eugène Atget, Chiffonnier, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38883 Eugène Atget, Montmartre, Moulin de la Galette, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41003 Auguste Lepère, Bridge of Arts (Le pont des Arts), 1890, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8504 Jean-Louis Forain, Etude de femme assise, en buste de profil (Study of a Seated Woman, Half-Length in Profile), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6998 Eugène Carrière, Sleep, 1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5908 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7350 Eugène Atget, Saint Germain des Prés, 1898–99, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40517 Odilon Redon, Apparition in the Window, (c. 1892), Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35615 Eugène Atget, Maison du Prince de Condé, rue Monsieur-Le-Prince, 4, 1899–1900, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39786 Eugène Atget, Untitled [Hut Among Willows], Probably before 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39075 Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph in black and red on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7001 Jean-Louis Forain, Etude de femme nue, les mains croisées au-dessous de la tête (Study of a Nude Woman, Her Hands Crossed behind Her Head), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6997 Auguste Lepère, Watering-place behind Notre-Dame (L'abreuvoirderriere Notre-Dame), 1897, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8497 Paul Gauguin, The Large Tree, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148297 Eugène Atget, [Untitled], 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40169 Henri de Toulouse-Lautrec, V. Chanson Ancienne, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334738 Jean-Louis Forain, Etude de femme, en buste de face (Study of a Woman, Half-Length Facing Front), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6999 Eugène Atget, La monnaie. Quai Conti, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41170 Eugène Atget, Auberge. Rue Mazet, 1899, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40234 Henri de Toulouse-Lautrec, Mademoiselle Lender and Baron, 1893, Crayon, brush, and spatter lithograph printed in sanguine on wove paper; only state, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334731 Auguste Rodin, Nude Woman Standing, Seen from the Back with Her Hands on Her Hips, 1898/1900, Graphite with stumping, watercolor and pen and black ink on cream wove paper prepared with a light blue wash, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241755 Henri de Toulouse-Lautrec, May Belfort, 1895, oil on millboard, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135515 Maurice Denis, On the Beach of Trestrignel, 1898, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32965 Daniel Marot, Bound Print, 1892, Bound Print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399979066-0 Paul Cezanne, Large Bathers, 1896–c. 1898, Color lithograph with hand-coloring on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/39508 Henri de Toulouse-Lautrec, La Goulue at the Moulin Rouge, 1891–92, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34936 Eugène Atget, Cour de Rouen,, 1898, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40253 Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127115 Eugène Atget, [Untitled], 1898–99, Albumen silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39414 Paul Gauguin, Te Atua (The Gods) Small Plate, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7348 Jean-Louis Forain, Dans la salle de bains (In the Bathroom), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6971