John Russell Pope, Palazzo Communale, Bologna, 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/552
Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5920
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.68
Samuel Murray, Eakins Hand, (c. 1894), Shellacked and painted plaster; 2 5/8 x 7 3/4 x 9 1/4 in. (6.4 x 19.7 x 23.3 cm) wire armature: 2 3/8 in. (6 cm) long, Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861691-0
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.79
Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5935
Mary Cassatt, Quietude, c. 1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5940
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.73
Mary Cassatt, The Bath, 1890–1891, Drypoint, softground etching and aquatint on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6108
William Merritt Chase, In the Studio, (c. 1892–1893), Pastel on paperboard; 22 x 28 in. (55.9 x 71.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858945-0
Timothy Cole, The Haywain, 1899, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5978
Freedmen's Aid and Southern Education Society, Sheet music for the Freedmen's Aid and Southern Education Society's Jubilee, 1891, ink on paper; H x W: 9 1/8 x 6 9/16 in. (23.2 x 16.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743207-0
Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5923
Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5921
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.69
John Russell Pope, The Duomo, Florence, 1897, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/548
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro: Development of Social Standards Among the Negroes. Hampton Normal and Agricultural Institute, Hampton, Va., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5563
Mary Cassatt, Repose, c. 1890, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5943
Thomas Eakins, Untitled (Street Scene), (c. 1890), Oil on canvas mounted on paperboard; 5 7/8 x 7 7/8 in. (14.9 x 20 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859674-1
Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5916
Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5915
Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5936
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: Bertillon measurements., c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6182
Thomas Eakins, Study for "Portrait of Mrs. Elizabeth Duane Gillespie", (c. 1895), Oil on canvas; 20 1/8 x 16 in. (51 x 40.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859645-0
Benjamin West Kilburn, 6946. Morning start in Cotton Field., 1892, silver and photographic gelatin on photographic paper on card mount; H x W (image): 2 15/16 × 6 1/8 in. (7.5 × 15.5 cm); H x W (sheet): 3 1/2 × 7 in. (8.9 × 17.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1693557773730-1693557782627-0
Louis Michel Eilshemius, Indian Adobe House, Yuma, Arizona, 1894, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35791
Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6121
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.78
J. P. Ball & Son, Cabinet card of an unidentified girl with a jump rope by the Globe Studio, 1892–1902, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 9/16 × 4 in. (14.2 × 10.1 cm); H x W (Overall): 6 9/16 × 4 1/4 in. (16.6 × 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749389-0
Gari Melchers, Marriage, 1893, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.120
John Russell Pope, Brickwork in Rimini, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/556
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.63
Samuel Murray, Walt Whitman in Camden, N.J., (c. 1891), Silver print on paper; 4 7/8 x 7 1/16 in. (12.4 x 17.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859730-0
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.74
Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6106
House of Fabergé, Miniature Chair, 1896–1906, gold, silver gilt, enamel, rubies, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142748
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6085
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.66
Louis Michel Eilshemius, Self-Portrait, 1896, Pencil on paper; 13 11/16 × 9 11/16 in. (34.7 × 24.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859780-0
John Russell Pope, Study of an Altarpiece and Ceiling Panels, 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/541
Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6120
Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5914
Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9579
Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9580
Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5929
Thomas Eakins, Samuel Murray, (c. 1890), Platinum print on paper; 3 15/16 x 3 in. (10 x 7.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859715-0
Mary Cassatt, The Mirror, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1067
John Russell Pope, Library, San Lorenzo, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/547
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro: Hampton Normal and Agricultural Institute, Hampton, Va.: Class in Drawing., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5564
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Development of Social Standards Among the Negroes. Hampton Normal and Agricultural Institute, Hampton, Va., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5470
J. Eberly and Company, Basin, 1892–1903, Earthenware with slip decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/332
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6183
Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6614
John Henry Twachtman, The White Bridge, c. 1895, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.114
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Hampton Normal and Agricultural Institute, Hampton, Va., 1899–1900, Platinum prints mounted to board, black ink, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5184
Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6107
Joseph Pennell, Study for "Le Stryge", probably 1893, pen and black ink over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9568
Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5917
John Russell Pope, An Interesting Romanesque Treatment, San Giovanni, Pistoia, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/545
William Merritt Chase, Portrait of Artist's Daughter, (c. 1895), Oil on canvas; 32 3/8 × 25 5/8 in. (82.2 × 65.1 cm) framed: 41 3/4 × 34 3/4 × 2 1/4 in. (106 × 88.3 × 5.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858945-1
George Luks, Self-Portrait, (c. 1893), Graphite and watercolor on paper; 10 1/16 × 7 11/16 in. (25.5 × 19.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861270-1
Mikhail Evlampievich Perkhin, Parrot from the Parrot on a Perch, 1896–1903, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142739
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.71
Copelin, Religious Agencies, Salvation Army: United States. Illinois. Chicago. Workingmen's Hotels: The Salvation Army: Workingmens' Hotel and Provincial Headquarters, Chicago, Illinois., c. 1903, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6627
Thomas Eakins, Walt Whitman in Camden, N.J., (c. 1891), Photographic negative on glass plate; 4 x 5 in. (10.2 x 12.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859732-2
Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5925
Enrico Glicenstein, Hermes, (1898), Bronze; 13 3/8 x 9 3/4 x 10 3/8 in. (33.8 x 24.6 x 26.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860208-0
Robert Henri, Coxey's Army, (c. 1894), Ink on paper; sheet: 4 × 6 1/4 in. (10 × 15.8 cm) image: 3 5/16 × 5 11/16 in. (8.2 × 14.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860540-0
Joseph Pennell, Le Puy, 1894, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9570
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.72
John Russell Pope, Byzantine Doorway with Duomo, Rimini, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/557
John Russell Pope, Study of Moldings, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/551
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.65
Walter Shirlaw, Study of Indian Riding, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.83
John Russell Pope, St. Andrea, Pistoia, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/546
Quezal Art Glass and Decorating Company, Jack-in-the-Pulpit Vase, c. 1900–1920, blown glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/370537
Samuel Murray, Portrait Bust of Benjamin Eakins, 1894, Shellacked and painted plaster; 23 7/8 x 12 7/8 x 10 5/8 in. (60.5 x 32.6 x 26.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861688-1
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Training for Commercial and Industrial Employment. Hampton Normal and Agricultural Institute, Hampton, Va.: Mattress Making., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5471
Walter Shirlaw, Study of Indian Riding, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.85
Mary Cassatt, Mother's Kiss, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5934
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: Detained at the "Moral Gate-Way," Pending Further Investigation., c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6123
Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5922
Alfred Henry Maurer, At the Window, (1899–1900), Oil on canvas; 24 1/8 × 19 3/4 in. (61.1 × 50.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861526-0
Louis Michel Eilshemius, Woodland Brook, 1890, Oil on canvas; 24 1/8 x 20 1/8 in. (64.1 x 50.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859763-1
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Training for Commercial and Industrial Employment. Hampton Normal and Agricultural Institute, Hampton, Va., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5183
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: Barge Office. (Now used for offices.), c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6086
John Singer Sargent, Portrait of Lisa Colt Curtis, 1898, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/160289
J. Eberly and Company, Wash basin, 1892–1903, Earthenware with slip decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/338
Walter Shirlaw, Study of Indian Riding, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.84
Mary Cassatt, The Caress, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1066
Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1068
Thomas Eakins, Frank Hamilton Cushing, (1895), Photographic negative on glass plate; 4 x 5 in. (10.2 x 12.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859733-1
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.77
Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5933
John Russell Pope, Siena Cathedral, Entrance to Library, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/544
Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6112
Ideal Portrait Co., Cabinet card of an unidentified man, 1894–1895, silver and photographic gelatin or collodion on printing-out paper on card mount; H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1719917010200-1719917012932-0
Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5911
Mary Cassatt, Mother's Kiss, 1890–1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5926
Mary Cassatt, The Letter, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5938
Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5924
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro: Hampton Normal and Agricultural Institute, Hampton, Va., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5182
Thomas Eakins, Wrestlers in Eakins's Studio, (c. 1899), Platinum print on paper; 3 5/8 × 6 in. (9 × 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859724-2
Louis Michel Eilshemius, Delaware Water Gap, (c. 1890), Watercolor and pencil on paper; 13 15/16 x 20 in. (35.3 x 50.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859756-0
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4592
Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5932
Charles Webster Hawthorne, The Story (The Diners; Pleasures of the Table), (1898), Oil on canvas; 48 1/4 x 30 1/8 in. (122.2 x 76.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860511-0
John Russell Pope, Bologna Brick Wall, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/550
George Inness, Sunny Autumn Day, 1892, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134072
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.64
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigration Station, New York City: Excluded men., c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5468
Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5910
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Training for Commercial and Industrial Employment. Hampton Normal and Agricultural Institute, Hampton, Va., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5565
House of Fabergé, Sleeping Puppies on a Mat, c. 1895–1915, agate, chalcedony, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142745
Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5931
Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5939
Joseph Stella, Old Man, 1898, a. Pen and brown ink on brown paper. b. Crayon and watercolor on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37192
John Russell Pope, Loggia del Consiglio, Padua, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/559
James McNeill Whistler, The Manager's Window, Gaiety Theatre, 1896, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6304
Joseph Pennell, Brasserie, Au Lion Rouge, 1893, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9573
Abbott Thayer, Study for Seated Angel, 1899–1900 (possibly reworked 1921), Oil on canvas; 37 3/4 x 29 5/8 in. (95.8 x 75.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863249-1
John Russell Pope, Perugino's Udienza del Cambio in the Collegio del Cambio, Perugia, 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/540
James McNeill Whistler, The Long Gallery, Louvre, 1894, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/890
Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint with touches of gold metallic paint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5918
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6184
Albert Pinkham Ryder, The Race Track (Death on a Pale Horse), c. 1896–1908, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110180
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro: Development of Social Standards Among the Negroes. Hampton Normal and Agricultural Institute, Hampton, Va.: Geography - Local Industry., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5562
Walter Shirlaw, Study of Indian Riding, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.82
Ceramic Art Company, Trenton, New Jersey, Bowl, c. 1897, Porcelain, overglaze enamel decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/788
Thomas H. Lindsey, No. 1036, Cabin in the Corn, 1895–1910, albumen and silver on paper on card mount; H x W (Image): 4 3/8 × 7 1/4 in. (11.1 × 18.4 cm); H x W (Sheet): 5 × 8 in. (12.7 × 20.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750911-0
William Merritt Chase, A Friendly Call, 1895, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3205
John Singer Sargent, Catherine Vlasto, 1897, Oil on canvas; 58 1/2 x 33 5/8 in. (148.6 x 85.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862516-0
James McNeill Whistler, Girl in Black (Pouting Tom), (1896–1901), Oil on canvas; 20 1/4 x 12 3/8 in. (51.4 x 31.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863630-0
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigration Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5117
House of Fabergé, Parrot on a Perch, 1896–1903, silver, enamel, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142738
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro: Training for Commercial and Industrial Employment. Hampton Normal and Agricultural Institute, Hampton, Va.: Cow Barn at Shellbanks Farm., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5472
Mary Cassatt, In the Omnibus, 1890–1891, drypoint and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5927
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.76
Thomas Eakins, Portrait of Mrs. Thomas Eakins, (c. 1899), Oil on canvas; 20 1/8 x 16 1/8 in. (51 x 40.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859655-1
John Russell Pope, Tomb of Dante, Ravenna, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/555
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Development of Social Standards Among the Negroes. Hampton Normal and Agricultural Institute, Hampton, Va.: Arithmetic Class measuring brick., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5469
Tiffany & Co., Cup, c. 1893, Amboyna wood, silver, mother-of-pearl, and turquoise, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2791
Paulding Farnham, The Adams Vase, 1893–95, Gold, amethysts, spessartites, tourmalines, fresh water pearls, quartzes, rock crystal, and enamel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/35
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.56
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: To Be Deported., c. 1900, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6185
John Russell Pope, Siena Brickwork, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/542
John Russell Pope, Il Marzocco, Donatello, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/549
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.75
Walter Shirlaw, Study of Indian Riding, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.86
Walter Shirlaw, Sketch made on Indian Reservation, Montana, c. 1890, Graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/13.67
Mikhail Evlampievich Perkhin, Perch for the Parrot on a Perch, 1896–1903, Silver, enamel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142740
Frances Benjamin Johnston, Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Hampton Normal and Agricultural Institute, Hampton, Va.: A Meal in an Old Cabin., 1899–1900, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5473
John Russell Pope, Palazzo Pollini, Siena, Attributed to Peruzzi, 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/543
J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5770
Mary Cassatt, The Bath, 1890–1891, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5912
Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5928
Thomas Eakins, Standing Nude (Samuel Murray), (c. 1890–1892), Platinum print on paper; 3 7/16 x 2 1/16 in. (10 x 5.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859729-0
John Russell Pope, Sta. Maria della Salute, Venice, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/558
Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5919
Louis Michel Eilshemius, Bedouin Children, 1892, Watercolor and pencil on paper; left panel: 5 1/8 x 2 7/8 in. (12.9 x 7.3 cm) right panel: 5 1/8 x 2 7/8 in. (13 x 7.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-1
Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5930
Mary Cassatt, The Lamp, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5937
Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5913