Paul Gauguin, L'Esprit veille, c. 1899–1900, Monotypie (Druckzeichnung) in Schwarz und Braun, geringfügig braun aquarelliert, auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/99081

Edvard Munch, Jealousy I, 1896, printed after 1906, Lithograph in black on ivory Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/160076

Edvard Munch, Boys Bathing, 1896, Color burnished aquatint, inked à la poupée, on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59772

Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723

Auguste Rodin, Tanzende mit nach hinten geworfenem Kopf, Rückansicht, c. 1890–1917, Bleistift und Aquarell auf rosa getöntem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11474

Auguste Rodin, The Walking Man, Modeled 1877–1900, cast before 1917, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69852

Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), 1898–1899, woodcut on very thin Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7343

Auguste Rodin, Standing Nude with Draperies, n.d., Watercolor and graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66956

Henri Fantin-Latour, Debut from "Paradise and the Peri" (2nd plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6846

Paul Gauguin, L'Esprit veille, c. 1899–1900, Blaue Kreide und Aquarell über Bleistift auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102558

Henri Fantin-Latour, Pastoral, 1896, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6848

Eugène Carrière, Der Schlaf, 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/109085

Auguste Rodin, Head of Balzac, 1895–1896, cast c. 1902–1910, Bronze with black-brown patina, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5494

Paul Gauguin, Maruru (Thank You), 1894, printed 1941, woodcut on coated wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7352

František Kupka, Admiration, c. 1899, Gouache, charcoal, watercolor, crayon, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33684

Paul Gauguin, Te Atua (The Gods) Small Plate [verso], in or after 1895, woodcut in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7347

Edvard Munch, Boys Bathing, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17267

Eugène Carrière, Portrait of Paul Verlaine, 1896, Lithograph in black from two stones on China paper, laid down on cream wove paper (chine collé), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27729

James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448

Henri Fantin-Latour, Stillleben mit Stiefmütterchen, 1892, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1886

Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7351

Auguste Rodin, Nude Study, (c. 1890–92), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35263

Gustav Klimt, Profile of a Girl (Study for 'Thalia and Melpomene') (Brustbild eines Mädchens mit langem Haar im Profil nach links), 1898–99, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38245

Pierre Puvis de Chavannes, Summer, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95287

Auguste Rodin, Pivoting Nude, Seen from Above, 1896/1900, Watercolor and graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4841

Henri Fantin-Latour, Weeper: Study of a Nude Woman, Seated with Profile to Right, 1899, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6844

Paul Gauguin, I Raro Te Oviri (Under the Pandanus), 1891, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.4

Edvard Munch, Man Bathing, 1899, Color woodcut from two blocks on grayish ivory card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17265

Henri Fantin-Latour, Duet from "The Trojans" (6th plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6845

Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823

Giovanni Segantini, Alpenlandschaft bei Sonnenuntergang, 1895–1898, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1545

Paul Gauguin, Mahana Atua (Day of the Gods), 1894, printed 1921, woodcut on China paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7344

Paul Gauguin, Human Misery (Misères humaines), 1898–1899, woodcut on Japan paper, perimeter mounted, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7349

Edvard Munch, In der Schenke, 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3215

Auguste Rodin, Sunset, n.d., Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66958

Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7345

Paul Gauguin, Te Atua (The Gods) Small Plate [recto], in or after 1895, woodcut in black on very thin Japan paper, mounted face down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7346

Hans Thoma, Selbstbildnis vor Birkenwald, 1899, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1360

Eugène Carrière, Sleep, 1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5908

Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7350

Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164

Paul Gauguin, The Large Tree, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148297

Auguste Rodin, Nude Woman Standing, Seen from the Back with Her Hands on Her Hips, 1898/1900, Graphite with stumping, watercolor and pen and black ink on cream wove paper prepared with a light blue wash, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241755

Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127115

Paul Gauguin, Te Atua (The Gods) Small Plate, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7348