Edgar Degas, The Bath, 1892/95, Pastel and charcoal on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/185911

Paul Gauguin, L'Esprit veille, c. 1899–1900, Monotypie (Druckzeichnung) in Schwarz und Braun, geringfügig braun aquarelliert, auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/99081

Mary Cassatt, The Bath, 1890–1891, Drypoint, softground etching and aquatint on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6108

Edgar Degas, Dancer in Ukrainian Dress, 1899, Pastel over charcoal on tracing paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436157

Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723

Edgar Degas, Woman with a Towel, 1894 or 1898, Pastel on cream-colored wove paper with red and blue fibers throughout, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436128

Max Slevogt, Frau Aventiure, 1894, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2910

Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6121

Edgar Degas, Dancer with a Fan, c. 1890–95, Pastel and charcoal on buff-colored wove tracing paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436136

Edgar Degas, Dancers, c. 1896, pastel with charcoal on tracing paper mounted on paper and backed with gray board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95271

Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), 1898–1899, woodcut on very thin Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7343

Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6106

Henri Fantin-Latour, Debut from "Paradise and the Peri" (2nd plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6846

Paul Gauguin, L'Esprit veille, c. 1899–1900, Blaue Kreide und Aquarell über Bleistift auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102558

Henri Fantin-Latour, Pastoral, 1896, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6848

Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6120

Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6614

Edgar Degas, Frieze of Dancers, c. 1895, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125104

Mary Cassatt, The Bath, 1890–1891, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6107

Paul Gauguin, Maruru (Thank You), 1894, printed 1941, woodcut on coated wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7352

Paul Gauguin, Te Atua (The Gods) Small Plate [verso], in or after 1895, woodcut in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7347

Edgar Degas, Nude Woman Standing, Drying Herself, 1891–92, Transfer lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96775

Edgar Degas, Before the Ballet, 1890/1892, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1158

Fritz von Uhde, Damenbildnis (Porträt Therese Karl), 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/132938

Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506

Henri Fantin-Latour, Stillleben mit Stiefmütterchen, 1892, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1886

Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7351

Henri Fantin-Latour, Weeper: Study of a Nude Woman, Seated with Profile to Right, 1899, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6844

Paul Gauguin, I Raro Te Oviri (Under the Pandanus), 1891, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.4

Edgar Degas, Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6485

Henri Fantin-Latour, Duet from "The Trojans" (6th plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6845

Paul Gauguin, Mahana Atua (Day of the Gods), 1894, printed 1921, woodcut on China paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7344

Paul Gauguin, Human Misery (Misères humaines), 1898–1899, woodcut on Japan paper, perimeter mounted, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7349

Edgar Degas, Three Jockeys, c. 1900, Pastel on tracing paper, laid down on board, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436164

Edgar Degas, After the Bath (large version), 1891–92, Transfer lithograph in black on ivory wove plate paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88384

Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7345

Fritz von Uhde, Am Fenster, 1890–1891, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3489

Paul Gauguin, Te Atua (The Gods) Small Plate [recto], in or after 1895, woodcut in black on very thin Japan paper, mounted face down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7346

Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7350

Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164

Paul Gauguin, The Large Tree, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148297

Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127115

Paul Gauguin, Te Atua (The Gods) Small Plate, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7348