Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5920 Henri de Toulouse-Lautrec, VIII. Saluant le Public, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334741 Edvard Munch, Jealousy I, 1896, printed after 1906, Lithograph in black on ivory Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/160076 Edvard Munch, Boys Bathing, 1896, Color burnished aquatint, inked à la poupée, on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59772 Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6975 Henri-Gabriel Ibels, Anna Thibaud, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125986 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5935 Mary Cassatt, Quietude, c. 1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5940 Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893, etching with aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8505 Albert Besnard, Small Donkey at Berck (Un petit ane à Berck), 1897, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4621 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7659 Maurice Denis, Le chevalier n'est pas mort à la croisade, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6538 Jean-Louis Forain, Danseuse accotée contre un portant (avec des figurants) (Dancer Leaning against an Upright (with extras)), c. 1897, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6982 Mary Cassatt, The Bath, 1890–1891, Drypoint, softground etching and aquatint on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6108 Jean-Louis Forain, Etude de femme nue, les bras abaissés (Study of a Nude Woman, with Lowered Arms), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6996 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Timothy Cole, The Haywain, 1899, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5978 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5923 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5921 Auguste Lepère, View of St.-Jean-de-Mont, Vendee (Vue de St.-Jean-de-Mont, Vendee), 1892, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8510 Henri de Toulouse-Lautrec, III. Pessima, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334734 Maurice Denis, Les attitudes sont faciles et chastes, 1892/1899, published 1911, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6531 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7672 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5649 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7662 Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1891, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8522 Mary Cassatt, Repose, c. 1890, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5943 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5916 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5915 Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5936 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7644 Jean-Louis Forain, "J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much."), c. 1892, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6957 Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893, etching with aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8506 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7666 Auguste Lepère, Parliament at 9 o'Clock in the Evening - London (Le parlement a 9 heures du soir - Londres), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8525 Auguste Lepère, Dockman, Pier at La Gare (Le debardeur, quai de La Gare), 1894, etching with aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8507 Henri de Toulouse-Lautrec, Sybil Sanderson, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334743 Albert Besnard, La Flore de le Gros, 1899, etching, drypoint, and printed tone on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4622 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8514 Henri de Toulouse-Lautrec, Paula Brébion, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20321 Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), 1898–1899, woodcut on very thin Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7343 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7650 Henri Fantin-Latour, Debut from "Paradise and the Peri" (2nd plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6846 Henri-Gabriel Ibels, Emilienne d'Alençon Rehearsing at the Folies-Bergère, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125985 Jean-Louis Forain, Croquis de femme en buste (Sketch of a Woman in Half-Length), c. 1900, lithograph on Arches wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5296 Henri Fantin-Latour, Pastoral, 1896, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6848 Henri de Toulouse-Lautrec, Cover for Babylone d'Allemagne, 1894, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11784 Auguste Lepère, Under the Bridge of Bercy (Sous le pont de Bercy), 1894, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8508 Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7000 Jean-François Rafaëlli, Place de la Trinité, Paris, small plate, c. 1898, Etching with drypoint and roulette from two plates, one black and one blue, with additional colors inked à la poupée, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48299 Odilon Redon, Closed Eyes, 1890, lithograph on China paper laid on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109147 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5914 Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9579 Auguste Lepère, Reclined Woman Sleeping (Femme couchee sommeillant), 1892, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8509 Henri de Toulouse-Lautrec, Lucien Guitry, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334746 Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9580 Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5929 Henri de Toulouse-Lautrec, At the Ambassadeurs—Singer at the Café-concert, from the sixth album of L'Estampe originale, 1894, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74662 Mary Cassatt, The Mirror, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1067 Henri de Toulouse-Lautrec, Coquelin Aîné, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334745 Henri de Toulouse-Lautrec, Yvette Guilbert, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21092 Maurice Denis, Le bouquet matinal, les larmes, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6536 Jean-Louis Forain, a) Au théâtre (At the Theatre) (recto); (b) Untitled (verso), c. 1892, a) lithograph on wove Arches vellum paper; b) crayon in purple on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6958 Käthe Kollwitz, Self-Portrait at the Table (Selbstbildnis am Tisch), probably 1893, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8182 Auguste Lepère, Paris under Snow, View from St.-Gervais (Paris sous la neige, vu du haut de St.-Gervaais), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8523 Auguste Lepère, The Wash-house (Le lavoir), 1891, etching [touched proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8517 Henri-Gabriel Ibels, Kam-Hill, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125982 Jean-Louis Forain, Chez l'huissier (At the Bailiff's), c. 1891, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6959 Paul Gauguin, Maruru (Thank You), 1894, printed 1941, woodcut on coated wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7352 Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5917 Paul Cezanne, The Bathers (Small Plate), 1897, colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5947 Henri de Toulouse-Lautrec, VII. Linger Longer, Loo, 1898, Lithograph printed with beige tint stone on vellum, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334740 Henri de Toulouse-Lautrec, Cover - Yvette Guilbert, 1898, Lithograph on blue wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334688 Jean-Louis Forain, Femme nue, s'essuyant les pieds (planche en hauteur) (Nude Woman Drying Her Feet) (vertical plate), c. 1895, lithograph with crayon additions in yellow and green on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6969 Henri de Toulouse-Lautrec, VI. Soularde, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334739 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5925 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7653 Joseph Pennell, Le Puy, 1894, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9570 Jean-Louis Forain, En soirée (At an Evening Party), c. 1896, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6972 Henri de Toulouse-Lautrec, Mary Hamilton, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8803 Paul Gauguin, Te Atua (The Gods) Small Plate [verso], in or after 1895, woodcut in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7347 Edgar Degas, Nude Woman Standing, Drying Herself, 1891–92, Transfer lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96775 Jean-Louis Forain, Une saisie (A Seizure), c. 1891, lithograph printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6955 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7657 Edvard Munch, Boys Bathing, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17267 Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6981 Eugène Carrière, Portrait of Paul Verlaine, 1896, Lithograph in black from two stones on China paper, laid down on cream wove paper (chine collé), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27729 Mary Cassatt, Mother's Kiss, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5934 Albert Besnard, Pony (Le poney), 1892, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4616 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5922 Francis Seymour Haden, An Early Riser, 1897, mezzotint (with etching?) in green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7669 Jean-Louis Forain, Femme à sa toilette avec sa femme de chambre (2e planche en largeur) (Woman at Her Toilette with Her Maid) (second horizontal plate), c. 1895, lithograph in red on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6970 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7675 Henri de Toulouse-Lautrec, Woman Washing—The Toilet, plate five from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36003 Auguste Lepère, Pier of Bercy (Embarcadere, quai de Bercy), 1891, etching and drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8515 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7640 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8511 Henri de Toulouse-Lautrec, Sarah Bernhardt, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334742 Henri de Toulouse-Lautrec, I. Sur la Scene, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334732 Paul Cezanne, Small Bathers, 1896–97, Color lithograph on ivory China paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82071 Henri de Toulouse-Lautrec, Jane Avril (from Le Café Concert), 1893, Brush and spatter lithograph printed in black on wove paper; only state, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334730 Mary Cassatt, The Caress, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1066 Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1068 Henri de Toulouse-Lautrec, Edmée Lescot, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4596 Jean-Louis Forain, L'audience (3e planche) (The Hearing) (third plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6974 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7685 Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5933 James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448 Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506 Odilon Redon, The Closed Eyes, (c. 1890), Conté crayon and lithographic tusche on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35690 Auguste Lepère, American Quarries, near Paris (Carrieres d'Amerique, pres Paris), 1898, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8503 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching retouched with graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8512 Henri de Toulouse-Lautrec, IV. A Menilmontant de Bruant, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334735 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7351 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5911 Mary Cassatt, Mother's Kiss, 1890–1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5926 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7679 Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6980 Mary Cassatt, The Letter, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5938 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5924 Henri-Gabriel Ibels, Jeanne Bloch, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125987 Henri de Toulouse-Lautrec, Woman Fastening a Corset, Passing Conquest, plate nine from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36010 Jean-Louis Forain, La loge de la danseuse (2e planche) (The Dancer's Dressing Room) (second plate), 1894, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6965 Henri Fantin-Latour, Weeper: Study of a Nude Woman, Seated with Profile to Right, 1899, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6844 Auguste Lepère, The Wash-house (Le lavoir), 1891, etching in brown on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8516 Henri de Toulouse-Lautrec, American Singer, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7615 Edgar Degas, Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6485 Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5932 Edvard Munch, Man Bathing, 1899, Color woodcut from two blocks on grayish ivory card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17265 Henri Fantin-Latour, Duet from "The Trojans" (6th plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6845 Paul Cezanne, The Bathers (Large Plate), 1896–1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5946 Jean-Louis Forain, Au restaurant (At the Restaurant), 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6953 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8513 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5910 Henri-Gabriel Ibels, Polin, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125981 Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate with wash), c. 1896, lithograph in brown and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6973 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7683 Paul Gauguin, Mahana Atua (Day of the Gods), 1894, printed 1921, woodcut on China paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7344 Paul Gauguin, Human Misery (Misères humaines), 1898–1899, woodcut on Japan paper, perimeter mounted, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7349 Auguste Lepère, Unloading, Canal St. Martin (Les dechargeurs de platre, Canal Saint-Martin), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8498 Jean-Louis Forain, Femme assise, la tête dans la main droite (Seated Woman with Her Head Resting on Her Right Hand), 1897, lithograph in red and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6979 Auguste Lepère, Poultry Market at St.-Jean-de-Mont (Marche a la volaille, a St.-Jean-de-Mont), 1892, etching, with aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8529 Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5931 Charles Maurin, Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale, 1893, Aquatint and etching in brown on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111929 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7638 Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5939 Henri de Toulouse-Lautrec, Ducarre at the Ambassadeurs, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7611 Jean-Louis Forain, a) Scène de grève (3e planche) (Scene of a Strike) (third plate) (recto); b) Untitled (verso), c. 1897, a) lithograph on laid paper; b) black lithographic crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6978 Edgar Degas, After the Bath (large version), 1891–92, Transfer lithograph in black on ivory wove plate paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88384 James McNeill Whistler, The Manager's Window, Gaiety Theatre, 1896, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6304 Jean-Louis Forain, Le bain (planche en hauteur) (The Bath) (vertical plate), c. 1896, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6976 Francis Seymour Haden, An Early Riser, 1897, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1071 Jean-Louis Forain, Trois dessins sur une feuille (Three Drawings on a Sheet), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6968 Joseph Pennell, Brasserie, Au Lion Rouge, 1893, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9573 Henri de Toulouse-Lautrec, A Spectator, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36036 Jean-Louis Forain, Le petit déjeuner (planche en largeur) (Breakfast) (horizontal plate), 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6967 Jean-Louis Forain, Danseuse rattachant son chausson (Dancer Tying Her Slipper), c. 1891, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6954 James McNeill Whistler, The Long Gallery, Louvre, 1894, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/890 Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint with touches of gold metallic paint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5918 William H. Jackson, Colorado, Gray's and Torrey's Peaks, 1898, chromolithograph; 8 x 20 in. (20.3 x 50.8 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381066111-0 Jean-Louis Forain, Un tableau de papa! (1ère planche) (A Painting of Daddy's!) (first plate), c. 1897, transfer lithograph printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6991 Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7345 Albert Besnard, A Family (Une famille), 1890, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4632 Henri de Toulouse-Lautrec, Cléo de Mérode, 1898, Crayon lithograph with scraper on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334744 Jean-Louis Forain, Rue Laffitte (Laffitte Street), c. 1892, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6956 Mary Cassatt, In the Omnibus, 1890–1891, drypoint and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5927 Henri de Toulouse-Lautrec, Portrait of Aristide Bruant, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54723 Maurice Denis, Les crépuscules ont une douceur d'ancienne peinture, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6537 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7669 Käthe Kollwitz, The End (Ende), 1897, aquatint, etching, and emery stone pencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8229 Benjamin Harrison, c. 1890, Chromolithograph on paper; Image: 42.6 x 35.6 cm. (16 3/4 x 14"); Image/inscription: 46.7 x 35.6 cm. (18 3/8 x 14"); Sheet: 53.7 x 38.4 cm. (21 1/8 x 15 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399804437-0 Jean-Louis Forain, En Grèce (In Greece), 1897, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6977 Paul Gauguin, Te Atua (The Gods) Small Plate [recto], in or after 1895, woodcut in black on very thin Japan paper, mounted face down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7346 Henri de Toulouse-Lautrec, II. Dans la Glu, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334733 Henri-Gabriel Ibels, Paulus, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125990 Jean-Louis Forain, Le colporteur juif (The Jewish Peddler), c. 1900, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6987 Auguste Lepère, Bridge of Arts (Le pont des Arts), 1890, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8504 Jean-Louis Forain, Etude de femme assise, en buste de profil (Study of a Seated Woman, Half-Length in Profile), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6998 Eugène Carrière, Sleep, 1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5908 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7350 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 William Harry Warren Bicknell, Portrait of Edward Bellamy, 1890, etching on paper; 6 1/4 × 4 3/4 in. (15.9 × 12.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1651222359240-1651222385928-1 Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph in black and red on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7001 Jean-Louis Forain, Etude de femme nue, les mains croisées au-dessous de la tête (Study of a Nude Woman, Her Hands Crossed behind Her Head), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6997 Auguste Lepère, Watering-place behind Notre-Dame (L'abreuvoirderriere Notre-Dame), 1897, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8497 Mary Cassatt, The Bath, 1890–1891, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5912 Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5928 Henri de Toulouse-Lautrec, V. Chanson Ancienne, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334738 Jean-Louis Forain, Etude de femme, en buste de face (Study of a Woman, Half-Length Facing Front), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6999 Henri de Toulouse-Lautrec, Mademoiselle Lender and Baron, 1893, Crayon, brush, and spatter lithograph printed in sanguine on wove paper; only state, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334731 Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5919 Paul Cezanne, Large Bathers, 1896–c. 1898, Color lithograph with hand-coloring on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/39508 Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5930 Paul Gauguin, Te Atua (The Gods) Small Plate, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7348 Mary Cassatt, The Lamp, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5937 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5913 Jean-Louis Forain, Dans la salle de bains (In the Bathroom), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6971