Goodman Photographer, Cabinet card portait of Izetta Alexander, 1888–1889, albumen and silver on paper on card mount; H x W: 6 1/2 x 4 3/16 in. (16.5 x 10.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1696063492069-1696063494728-1

Thomas Eakins, Study for "Pathetic Song", (1881), Oil on wood; 11 3/8 x 8 1/2 in. (28.8 x 21.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859646-0

Thomas Eakins, Study for "Swimming", (1883), Albumen print on paper; 3 1/4 x 3 3/4 in. (8.1 x 9.5 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859689-0

Gorham Manufacturing Company, Creamer from Wormley's Hotel, 1885, silver-plated metal; H x W x D (Overall): 3 1/8 × 3 1/2 × 2 5/8 in. (7.9 × 8.9 × 6.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1664883611343-1664883618696-0

Louis Michel Eilshemius, Keene Valley Brook, 1886, Pencil on paper mounted to paperboard; sheet: 8 1/8 × 6 3/8 in. (20.6 × 16.1 cm) mount: 10 × 7 15/16 in. (25.3 × 20.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859774-2

J. and J. G. Low Art Tile Works, Border Tile, 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/580

Dalzell, Gilmore and Leighton, Bowl, 1889–90, Blown-molded Onyx glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/793

James McNeill Whistler, Long Lagoon, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3180

Francis Seymour Haden, Self-Portrait at the Easel, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7391

Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7652

Thomas Nast, The Herald of Relief from America, published February 28, 1880, Wood engraving on paper; Image: 27.7 × 23.5 cm (10 7/8 × 9 1/4"); Sheet: 39.8 × 28.6 cm (15 11/16 × 11 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803920-1

James McNeill Whistler, Lobster-Pots, c. 1880/1881, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3196

James McNeill Whistler, Ponte del Piovan, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3186

Thomas Eakins, Woman Knitting, (c. 1882), Oil on paperboard; 8 x 5 5/8 in. (20.4 x 14.4 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859674-0

J. and J. G. Low Art Tile Works, Border Tile, c. 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/568

John Singer Sargent, Dorothy Barnard, 1885–6, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00850

Frederick G. Smith, Earth, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.2

Thomas Eakins, Elizabeth Macdowell, (c. 1880–1882), Albumen print on paper; 3 5/8 x 4 7/16 in. (9.2 x 11.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859687-0

James McNeill Whistler, Quiet Canal, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3191

Thomas Eakins, Portrait of Frank Mac Dowell, (c. 1886), Oil on canvas mounted on wood; 24 1/8 x 20 1/8 in. (61.1 x 51 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859649-1

James McNeill Whistler, The Traghetto, No.II, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3168

William Rudolf O'Donovan, Marie Heimlicher, (1884), Bronze; 10 3/8 x 8 x 1/4 in. (26 x 20.3 x 0.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861871-0

James McNeill Whistler, Nocturne: Furnace, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3190

James McNeill Whistler, The Riva, No.II, 1880, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3183

Thomas Anshutz, Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with Orange, (1880), Oil on paperboard; 8 1/2 x 12 7/8 in. (21.4 x 32.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858201-1

Thomas Eakins, Portrait of Lillian Hammit (Girl in a Big Hat), (c. 1888), Oil on canvas; 24 1/8 x 20 1/8 in. (61 x 50.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859651-0

James McNeill Whistler, The Palaces, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3165

Louis Michel Eilshemius, In The Woods, 1889, Watercolor on paper; 19 7/8 x 13 15/16 in. (50.6 x 35.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859796-1

James McNeill Whistler, Little Venice, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3161

J. and J. G. Low Art Tile Works, Border Tile, 1881–84, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/567

Thomas Eakins, Study for Boy Reclining in "Arcadia", (c. 1883), Oil on wood mounted on wood; 10 3/8 x 14 5/8 in. (26.1 x 36.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859654-1

Frederick G. Smith, Air, from the series The Four Elements, c.1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.1

Thomas Eakins, Marey Wheel Photographs of Jesse Godley, (1884), Cyanotype on paper; 2 1/4 x 3 3/8 in. (5.7 x 8.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859705-1

J. and J. G. Low Art Tile Works, Border Tile, c. 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/571

Francis Seymour Haden, Encombe Woods (No.1), 1881, etching, retouched with pencil (crayon?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7657

Louis Michel Eilshemius, Blue Mountains, 1888, Watercolor on paper; 14 1/16 x 20 in. (36.7 x 50.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859755-2

James McNeill Whistler, Fishing-Boat, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3185

Thomas Eakins, Unidentified Student, (1883), Platinum print on paper; 7 7/8 x 3 15/16 in. (19.9 x 10 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859695-2

James McNeill Whistler, Turkeys, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3176

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/572

Frederick G. Smith, Water, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.4

Thomas Eakins, Mrs. William H. Macdowell, (c. 1880–1882), Platinum print on paper; 6 3/8 x 6 in. (16.2 x 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859688-1

J. and J. G. Low Art Tile Works, Border Tile, 1883, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/573

J. P. Ball & Son, Cabinet card with a floral border of an unidentified man by J. P. Ball & Son, 1887–1900, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 7/16 × 3 7/8 in. (13.8 × 9.9 cm); H x W (Overall): 6 1/2 × 4 1/4 in. (16.5 × 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749411-0

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/576

Thomas Eakins, Thorn Puller, (c. 1883), Albumen print on paper; 3 11/16 x 4 3/4 in. (9.4 x 11.9 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859692-0

John Singer Sargent, Polly Barnard, 1885–6, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00851

James McNeill Whistler, Fruit-Stall, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3177

William Merritt Chase, Portrait of Dora Wheeler, 1882–83, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/102578

James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3166

James McNeill Whistler, Temple, c. 1880/1881, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3195

James McNeill Whistler, Little Court, c. 1880/1881, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3197

Douglas Volk, After the Reception, 1887, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.42

James McNeill Whistler, San Giorgio, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3178

Walter Richard Sickert, Le Marché aux Bestiaux, Dieppe, c. 1886, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5211

Francis Seymour Haden, A Lancashire River, 1881, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7653

James McNeill Whistler, Garden, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3187

Alfred Stieglitz, Sun Rays—Paula, Berlin, 1889, printed 1920/39, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66284

James McNeill Whistler, Drury Lane, c. 1880/1881, etching in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3198

J. and J. G. Low Art Tile Works, Border Tile, 1881–85, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/574

Thomas Eakins, Knitting, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 3 3/8 in. (47 x 37.9 x 8.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859679-1

J. P. Ball & Son, Cabinet card of an unidentified infant in a Christening gown by J.P. Ball & Son, 1887–1900, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 1/2 × 3 13/16 in. (13.9 × 9.7 cm); H x W (Overall): 6 1/2 × 4 5/16 in. (16.5 × 10.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749402-1

Louis Michel Eilshemius, Spanish Lady, 1889, Watercolor on paper; 11 5/8 x 8 7/16 in. (29.5 x 21.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-2

Thomas Eakins, Marey Wheel Photographs of Unidentified Model, (1884), Albumen print on paper; 2 1/8 x 3 3/4 in. (7.2 x 9.6 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859708-1

Thomas Eakins, Study for "Swimming", (1883), Albumen print on paper; 6 1/16 x 7 13/16 in. (15.4 x 19.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859690-0

J. and J. G. Low Art Tile Works, Border Tile, c. 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/569

Thomas Eakins, Marey Wheel Photographs of Jesse Godley, (1884), Cyanotype on paper; 2 1/4 x 3 3/8 in. (5.7 x 8.5 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859706-0

Thomas Eakins, Susan Hannah Macdowell, Unidentified Girl, Elizabeth Macdowell, and Possibly Mary Macdowell at the Macdowell House, (c. 1880–1882), Platinum print on paper; 5 5/8 x 7 in. (14.2 x 17.8 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859686-1

Frank Duveneck, Riva degli Schiavoni, No. 2, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6819

Eastman Johnson, The Nantucket School of Philosophy, 1887, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.311

John C. H. Grabill, Cabinet card of Buffalo soldier wearing buffalo coat, c. 1886, albumen and silver nitrocellulose on cardboard; H x W (image): 6 3/16 × 3 7/8 in. (15.7 × 9.8 cm); H x W (card): 6 7/16 × 4 3/16 in. (16.3 × 10.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752573-0

Richards Photography, Cabinet card of Minerva Singleton, c. 1880, albumen and silver on paper on card mount; H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1727866808604-1727866813604-0

Thomas Eakins, Spinning, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 2 1/2 in. OVAL (46.8 x 37.9 x 6.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859680-0

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/570

Frederick G. Smith, Fire, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.3

Hobbs, Brockunier and Company, Hobnail bowl, after 1886, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/798

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/578

Boston & Sandwich Glass Company, Bowl, 1880–88, Blown glass with applied threaded decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/784

James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5047

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/579

Thomas Eakins, Standing Piper (Study for "Arcadia"), (c. 1883), Albumen print on paper; 3 7/16 x 3 3/8 in. (8.7 x 8.6 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859692-1

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/575

Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7658

James McNeill Whistler, The Rialto, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3188

Boston & Sandwich Glass Company, Basket, 1880–88, Blown amber and colorless glass with applied threaded decor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/363

James McNeill Whistler, The Little Mast, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3163

Thomas Nast, Great Britain and Russia in Confrontation over the City of Herat, Afghanistan ("The Fight's Off--(For the Present)"), 1885, Black ink on tan wove card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5520

New England Glass Company, Vase, 1886–88, Blown glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/807

Frank Duveneck, Riva degli Schiavoni, No. 1, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6820

Louis Michel Eilshemius, Fishermen in Rapids, 1884, Opaque paint on paper; 9 7/8 x 14 in. (25.1 x 35.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859845-2

George Louis du Maurier, "Nincompoopiana", 1880, Wood engraving, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4727

John Frederick Peto, Mug, Pipe and Match, (c. 1887), Oil on fiberboard; 6 1/8 x 9 1/4 in. (15.6 x 23.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862009-0

James McNeill Whistler, The Piazzetta, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3167

Thomas Eakins, Marey Wheel Photographs of George Reynolds, (1884), Albumen photograph; 2 5/16 x 4 1/16 in. (5.9 x 10.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859703-0

Thomas Nast, A Midsummer-Night's Dream Nomination, published July 3, 1880, Wood engraving on paper; Image: 34 × 23.8 cm (13 3/8 × 9 3/8"); Sheet: 39.9 × 26.4 cm (15 11/16 × 10 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803923-1

Francis Seymour Haden, The Test at Longparish, 1882, etching with drypoint in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7656

New England Glass Company, Bowl, after 1883, Blown glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/808

Francis Seymour Haden, Self-Portrait at the Easel, 1880/1886, etching with drypoint on laid paper [cancellation proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7645

James McNeill Whistler, Two Doorways, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3170

Dalzell, Gilmore and Leighton, Bowl, 1885–93, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/794

Louis Michel Eilshemius, Autumn Landscape, 1889, Oil on paperboard mounted on fiberboard; 18 3/8 x 24 3/8 in. (46.4 61.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859762-1