Albert Besnard, The Sick Mother (La mère malade), 1889, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4609

Max Klinger, Death as Savior, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4950

Will Dyson, "And grant, oh Lord, a little temptation be yet it is too late-", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6828

Auguste Lepère, Sur la Seine, la nuit, 1888, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8521

James McNeill Whistler (1834-1903), Windsor Castle, 1887, Etching; ink on paper; H x W (overall): 13.2 x 9.5 cm (5 3/16 x 3 3/4 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182239-1

James McNeill Whistler, Long Lagoon, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3180

Francis Seymour Haden, Self-Portrait at the Easel, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7391

Max Klinger, Poor Family, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4951

Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7652

Thomas Nast, The Herald of Relief from America, published February 28, 1880, Wood engraving on paper; Image: 27.7 × 23.5 cm (10 7/8 × 9 1/4"); Sheet: 39.8 × 28.6 cm (15 11/16 × 11 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803920-1

James McNeill Whistler, Lobster-Pots, c. 1880/1881, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3196

James McNeill Whistler, Ponte del Piovan, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3186

Max Klinger, Road, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4954

Lord Frederic Leighton, Eliezer and Rebekah, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00735

Jean-Louis Forain, Le cabinet particulier (5e planche) (The Private Room) (fifth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6963

Auguste Lepère, Rouen Cathedral (La Cathedral de Rouen), 1888, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8526

Max Klinger, Night, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4928

James McNeill Whistler, Quiet Canal, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3191

James McNeill Whistler, The Traghetto, No.II, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3168

Auguste Lepère, Images (Les images), 1889, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8520

Jean-Louis Forain, Le cabinet particulier (4e planche) (The Private Room) (fourth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6962

Auguste Rodin, Les Amours Conduisant le Monde (Love Turning the World), 1881, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1033

Jean-Louis Forain, Les Folies-Bergère (planche refusée, 2e planche) (The Folies Bergère) (refused plate, second plate), 1880 and 1886, etching on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6860

Félix-Hilaire Buhot, Westminster Bridge, 1884, etching, drypoint, roulette, aquatint, and spit-bite etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4464

James McNeill Whistler, Nocturne: Furnace, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3190

Albert Besnard, La Muse Accoudée, 1884, etching on JCA France laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4629

James McNeill Whistler, The Riva, No.II, 1880, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3183

Auguste Lepère, Images (Les images), 1889, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8519

Albert Besnard, Intimacy (Intimité), 1889, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4614

Auguste Rodin, Buste de Bellone, 1883, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1034

Lord Frederic Leighton, The Spies Escape, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00730

Max Klinger, Sailors, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4956

Odilon Redon, The Heart Has Its Reasons, (c. 1887), Lithographic tusche and lithographic crayon on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35776

James McNeill Whistler, The Palaces, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3165

James McNeill Whistler, Little Venice, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3161

Auguste Lepère, Les toits de Saint-Severin, 1889, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8518

Jean-Louis Forain, Le cabinet particulier (3e planche) (The Private Room) (third plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6961

Albert Besnard, Madame Besnard, 1884, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4607

Félix-Hilaire Buhot, La Place des Martyrs et La Taverne du Bagne (The Place des Martyrs and the Jailhouse Tavern), 1885, etching, aquatint, lift-ground aquatint, and drypoint in blue-black on brown laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4442

Albert Besnard, The Flirt (Le flirt), c. 1886, etching on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4617

Félix-Hilaire Buhot, Convoi Funèbre au Boulevard de Clichy (Funeral Procession on the Boulevard de Clichy), 1887, heliogravure, etching, aquatint, and drypoint with burnishing in blue-green and brown-black on toned wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4439

Henri Fantin-Latour, Evocation of Kundry (2nd plate), 1883, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6850

Francis Seymour Haden, Encombe Woods (No.1), 1881, etching, retouched with pencil (crayon?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7657

Albert Besnard, La Femme (frontispiece), c. 1886, etching and aquatint on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4608

Max Klinger, Child, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4953

James McNeill Whistler, Fishing-Boat, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3185

James McNeill Whistler, Turkeys, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3176

Auguste Rodin, Victor Hugo, De Trois Quarts, 1884, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1035

Will Dyson, "Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances...", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6829

Max Klinger, Sea, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4955

Albert Besnard, The Silk Gown (La robe de soie), 1887, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4619

James McNeill Whistler, Fruit-Stall, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3177

Will Dyson, "Why Did I Do It?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6830

James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3166

James McNeill Whistler, Temple, c. 1880/1881, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3195

James McNeill Whistler, Little Court, c. 1880/1881, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3197

Albert Besnard, The End, 1883, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4650

James McNeill Whistler, San Giorgio, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3178

Francis Seymour Haden, A Lancashire River, 1881, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7653

Jean-Louis Forain, Le Traite des blanches (The White Slave Trade), 1886 and 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6862

Max Klinger, On the Tracks, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4952

James McNeill Whistler, Garden, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3187

Lord Frederic Leighton, Moses Views the Promised Land, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00736

Will Dyson, "Can you forgive me Father?" - "Can you forgive me daughter?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6827

James McNeill Whistler, Drury Lane, c. 1880/1881, etching in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3198

Félix Bracquemond, The Old Cock, 1882, etching printed in brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5046

Félix Bracquemond, The Old Cock, 1882, etching on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5263

Félix-Hilaire Buhot, Ex-Libris pour "L'Ensorcelée" (Bookplate for "L'Ensorcelée"), c. 1883/1885, etching, drypoint, and aquatint in black-brown on cream laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4448

Henri Fantin-Latour, Manfred and Astarte (2nd plate), 1881, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6843

Félix-Hilaire Buhot, La Chapelle Saint-Michel à l'Estre (The Chapel Saint-Michel at l'Estre), 1881, etching, drypoint and roulette on light blue-green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4461

James McNeill Whistler (1834-1903), The Barrow- Quartier des Marolles, Brussels, 1887, Etching; ink on paper; H x W (overall): 12.5 x 17.5 cm (4 15/16 x 6 7/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182234-0

Félix-Hilaire Buhot, Le Port aux Mouettes (Port with Seagulls), 1886, etching, drypoint, aquatint, and sandpaper ground in black on beige laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4458

Frank Duveneck, Riva degli Schiavoni, No. 2, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6819

Lord Frederic Leighton, Samson and the Lions, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00732

Albert Besnard, Woman in a Cape (La femme à la pèlerine), 1889, etching, drypoint, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4613

Odilon Redon, On the Backdrop of Our Nights, c. 1887, Lithographic crayon on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35801

Jean-Louis Forain, a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso), c. 1893, a) lithograph on wove Arches vellum paper; b) graphite on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6964

Albert Besnard, Morphine Addicts (Morphinomanes), 1887, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4624

James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5047

Jean-Louis Forain, Le cabinet particulier (1ère planche) (The Private Room) (first plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6960

Alphonse Legros, Self-Portrait, 3rd plate, 1880, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8282

Félix-Hilaire Buhot, La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay), 1886/1890, heliogravure, etching, drypoint, roulette, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4460

Félix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead), 1885, etching, roulette, drypoint, lift ground, aquatint, scraping and burnishing on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4465

Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7658

Lord Frederic Leighton, Samson Carrying the Gate, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00738

Albert Besnard, In the Embers (Dans les cendres), 1887, etching, drypoint, and roulette on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4620

James McNeill Whistler, The Rialto, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3188

James McNeill Whistler, The Little Mast, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3163

Albert Besnard, Bathing at Talloires (La baignade à Talloires), 1888, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4611

Frank Duveneck, Riva degli Schiavoni, No. 1, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6820

George Louis du Maurier, "Nincompoopiana", 1880, Wood engraving, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4727

Lord Frederic Leighton, Cain and Abel, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00731

James McNeill Whistler, The Piazzetta, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3167

Félix Bracquemond, Portrait of Edmond de Goncourt, 1882, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28675

Alphonse Legros, Self-Portrait, 3rd plate, 1880, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8281

Lord Frederic Leighton, Samson at the Mill, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00734

Max Klinger, Herod, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4930

Félix-Hilaire Buhot, La Maison Maudite (The House of the Damned), c. 1883/1885, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4440

Max Klinger, Farmer, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4929

Thomas Nast, A Midsummer-Night's Dream Nomination, published July 3, 1880, Wood engraving on paper; Image: 34 × 23.8 cm (13 3/8 × 9 3/8"); Sheet: 39.9 × 26.4 cm (15 11/16 × 10 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803923-1

Albert Besnard, A Martyr (Un martyre), 1883, etching on Canson & Mongolfier laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4618

Will Dyson, Evil Tidings in B Flat, 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6826

Francis Seymour Haden, The Test at Longparish, 1882, etching with drypoint in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7656

Francis Seymour Haden, Self-Portrait at the Easel, 1880/1886, etching with drypoint on laid paper [cancellation proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7645

Lord Frederic Leighton, Abram and the Angel, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00733

Lord Frederic Leighton, Death of the First Born, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00737

James McNeill Whistler, Two Doorways, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3170

Albert Besnard, Eve, 1886, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4615

Albert Besnard, Woman Reading in the Studio (La Lecture dans l'atelier), 1887, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4610