Goodman Photographer, Cabinet card portait of Izetta Alexander, 1888–1889, albumen and silver on paper on card mount; H x W: 6 1/2 x 4 3/16 in. (16.5 x 10.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1696063492069-1696063494728-1

Paul Sérusier, Kleine Landschaft mit Tangfischern, c. 1889, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3249

Thomas Eakins, Study for "Pathetic Song", (1881), Oil on wood; 11 3/8 x 8 1/2 in. (28.8 x 21.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859646-0

Jean-François Rafaëlli, Portrait of the Sculptor Auguste Rodin in his Studio, c. 1889, Opaque watercolor over black crayon, with charcoal, brush and black ink, and touches of translucent watercolor on tan board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/80888

Arthur Streeton, Settler's Camp, 1888. https://dartabase.art/cite/wikidata/Q104157116

Thomas Eakins, Study for "Swimming", (1883), Albumen print on paper; 3 1/4 x 3 3/4 in. (8.1 x 9.5 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859689-0

Adolph von Menzel, Head of a Bearded Man, 1884, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334928

Gorham Manufacturing Company, Creamer from Wormley's Hotel, 1885, silver-plated metal; H x W x D (Overall): 3 1/8 × 3 1/2 × 2 5/8 in. (7.9 × 8.9 × 6.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1664883611343-1664883618696-0

Auguste Rodin, Right Hand, possibly 1880s, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1001

Auguste Rodin, Statuette of a Woman, early 1880s, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/998

Albert Besnard, The Sick Mother (La mère malade), 1889, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4609

Vincent van Gogh, Bauernhaus in Nuenen, 1885, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1423

Louis Michel Eilshemius, Keene Valley Brook, 1886, Pencil on paper mounted to paperboard; sheet: 8 1/8 × 6 3/8 in. (20.6 × 16.1 cm) mount: 10 × 7 15/16 in. (25.3 × 20.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859774-2

Auguste Rodin, Right Hand, possibly 1880, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1021

Frederick McCubbin, At the falling of the year, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794253

Edgar Degas, Dancers in the Rehearsal Room with a Double Bass, c. 1882–85, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436138

Max Liebermann, Der Weber, 1882, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1797

J. and J. G. Low Art Tile Works, Border Tile, 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/580

Max Klinger, Death as Savior, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4950

Alfred André, Pendant with a Mermaid, 1885/1890, baroque pearl; gold enameled in white, black, pale blue, translucent blue, red, and green; 14 diamonds, 10 rubies, 9 pearls, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1468

Will Dyson, "And grant, oh Lord, a little temptation be yet it is too late-", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6828

Auguste Lepère, Sur la Seine, la nuit, 1888, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8521

Dalzell, Gilmore and Leighton, Bowl, 1889–90, Blown-molded Onyx glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/793

Alfred André, Pendant with the Head of Medusa, 1885/1890, chalcedony; gold enameled in black, white, pale blue, translucent red, blue and green; 6 diamonds, 4 rubies, 1 pearl, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1466

James McNeill Whistler (1834-1903), Windsor Castle, 1887, Etching; ink on paper; H x W (overall): 13.2 x 9.5 cm (5 3/16 x 3 3/4 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182239-1

James McNeill Whistler, Long Lagoon, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3180

Francis Seymour Haden, Self-Portrait at the Easel, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7391

Jean-Louis Forain, Two Ladies in a Loge, 1886, pen and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7045

Frederick McCubbin, Lost, 1886, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443250

Frederick McCubbin, The North wind, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20482268

Max Klinger, Poor Family, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4951

Théo van Rysselberghe, Self-Portrait, (1888–89), Pastel and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35486

Louis Hayet, At the Theatre, (c. 1888), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38596

Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7652

Thomas Nast, The Herald of Relief from America, published February 28, 1880, Wood engraving on paper; Image: 27.7 × 23.5 cm (10 7/8 × 9 1/4"); Sheet: 39.8 × 28.6 cm (15 11/16 × 11 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803920-1

Arthur Streeton, Hoddle St., 10 p.m., 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797402

Paul Gauguin, Portrait of Meijer de Haan, 1889, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37805

James McNeill Whistler, Lobster-Pots, c. 1880/1881, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3196

James McNeill Whistler, Ponte del Piovan, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3186

John La Farge, Peacocks and Peonies II, 1882, stained glass window; frame: 112 x 51 1/4 x 6 1/2 in. (284.5 x 130.3 x 16.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381048970-0

Max Klinger, Road, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4954

Thomas Eakins, Woman Knitting, (c. 1882), Oil on paperboard; 8 x 5 5/8 in. (20.4 x 14.4 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859674-0

Odilon Redon, The Dream Finished by Death, c. 1886, Charcoal and chalk on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35710

Lord Frederic Leighton, Eliezer and Rebekah, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00735

J. and J. G. Low Art Tile Works, Border Tile, c. 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/568

Frederick McCubbin, Girl with bird at the King Street bakery, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794233

Georges Seurat, Embroidery; The Artist's Mother, 1882–83, Conté crayon, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334652

John Singer Sargent, Dorothy Barnard, 1885–6, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00850

Emile Josome Hodinos, [Untitled], c. 1880s, Ink on two sheets of colored paper (recto); Ink on two sheets of paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34052

Frederick G. Smith, Earth, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.2

Jean-Louis Forain, Le cabinet particulier (5e planche) (The Private Room) (fifth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6963

Susan B. Anthony, Letter from Susan B. Anthony, December 20, 1880, Ink on lined paper; Sheet (closed): 21.2 × 13.8 cm (8 3/8 × 5 7/16"); Sheet (open): 21.2 × 27.5 cm (8 3/8 × 10 13/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803837-1

Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274

Auguste Lepère, Rouen Cathedral (La Cathedral de Rouen), 1888, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8526

Arthur Streeton, Pastoral in yellow and grey: a colour impression of Templestowe, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736829

Thomas Eakins, Elizabeth Macdowell, (c. 1880–1882), Albumen print on paper; 3 5/8 x 4 7/16 in. (9.2 x 11.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859687-0

Max Klinger, Night, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4928

James McNeill Whistler, Quiet Canal, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3191

Auguste Rodin, Left Hand, possibly 1880, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1022

Georges Seurat, Woman with a Dog (Femme avec chien), c. 1882–83, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35537

Thomas Eakins, Portrait of Frank Mac Dowell, (c. 1886), Oil on canvas mounted on wood; 24 1/8 x 20 1/8 in. (61.1 x 51 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859649-1

Odilon Redon, Le désespoir d'Orphée, c. 1885–1890, Bleistift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11363

William Notman, Thomas Wentworth Higginson, c. 1880, Albumen silver print; Image/Sheet: 14 x 10.5 cm (5 1/2 x 4 1/8"); Mount: 16.4 x 10.7 cm (6 7/16 x 4 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814010-1

Auguste Rodin, Right Hand, possibly 1880, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1019

Edgar Degas, Woman Having Her Hair Combed, c. 1886–88, Pastel on light green wove paper, now discolored to warm gray, affixed to original pulpboard mount, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436173

Kitaôji Rosanjin, Water Jar (Mizusashi), About 1950, Bizen-type stoneware, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/39094

James McNeill Whistler, The Traghetto, No.II, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3168

Auguste Lepère, Images (Les images), 1889, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8520

Jean-Louis Forain, Le cabinet particulier (4e planche) (The Private Room) (fourth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6962

Auguste Rodin, Les Amours Conduisant le Monde (Love Turning the World), 1881, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1033

William Rudolf O'Donovan, Marie Heimlicher, (1884), Bronze; 10 3/8 x 8 x 1/4 in. (26 x 20.3 x 0.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861871-0

Auguste Lepère, Rue de Jouy le Comte, probably 1880, watercolor, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8530

Jean-Louis Forain, Les Folies-Bergère (planche refusée, 2e planche) (The Folies Bergère) (refused plate, second plate), 1880 and 1886, etching on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6860

Arthur Streeton, Golden Summer, Eaglemont, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q18165620

Frederick McCubbin, Down on His Luck, 1889, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q5302978

Félix-Hilaire Buhot, Westminster Bridge, 1884, etching, drypoint, roulette, aquatint, and spit-bite etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4464

James McNeill Whistler, Nocturne: Furnace, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3190

Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050

Pierre-Auguste Renoir, Splashing Figure (Study for "The Large Bathers"), 1884/85, Red, white, and black chalk, with stumping, and black Conté crayon on tan wove (tracing) paper, laid down on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65814

Louis Hayet, Banks of the Oise at Dawn, 1888, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/320778

Albert Besnard, La Muse Accoudée, 1884, etching on JCA France laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4629

Auguste Rodin, Right Hand, possibly 1880, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1020

James McNeill Whistler, The Riva, No.II, 1880, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3183

Arthur Streeton, Residence of J. Walker, Esq., Gembrook, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443020

Auguste Lepère, Images (Les images), 1889, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8519

Edgar Degas, Woman Drying Her Arm, late 1880s–early 1890s, Pastel and charcoal on light pink wove paper, discolored at the edges, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436171

Edizioni Brogi, Neapel: Makkaronihersteller, c. 1880–1890, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/107248

Fernand Khnopff, Der Jagdaufseher, 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1790

Albert Besnard, Intimacy (Intimité), 1889, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4614

House of Fabergé, Flower Study of a Wild Rose, c. 1885–1915, gold, silver, enamel, diamond, jade, rock crystal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142731

Thomas Anshutz, Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with Orange, (1880), Oil on paperboard; 8 1/2 x 12 7/8 in. (21.4 x 32.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858201-1

Georges Seurat, Carriage and Dog (La Carriole et le chien), c. 1882–84, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33895

Auguste Rodin, Buste de Bellone, 1883, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1034

Lord Frederic Leighton, The Spies Escape, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00730

Max Klinger, Sailors, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4956

Thomas Eakins, Portrait of Lillian Hammit (Girl in a Big Hat), (c. 1888), Oil on canvas; 24 1/8 x 20 1/8 in. (61 x 50.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859651-0

Louis Eysen, Toter Vogel und zwei Rosen auf einer Tischplatte, 1882, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3975

Florence Elizabeth Marvin, 'Crazy Quilt' with Animals, 1886, Pieced and embroidered “crazy” quilt; dyed and printed silk, cotton, wool and metallic plain, twill, satin, velvet and patterned weave fabrics and ribbons; silk, cotton and metallic embroidery threads, raised work embroidered appliques, glass beads, metal spangles, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/181720

Odilon Redon, The Heart Has Its Reasons, (c. 1887), Lithographic tusche and lithographic crayon on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35776

Arthur Streeton, Early summer, gorse in bloom, 1888, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794056

Odilon Redon, The Fairy (Profile of Light), 1882, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33885

Olivia C. Starring, The Avon Gorge and Clifton Suspension Bridge, Bristol, England, c. 1889, watercolor and pencil on paper; sheet: 11 3/4 x 17 5/8 in. (30.0 x 44.9 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381054797-0

Edgar Degas, At the Milliner's (Chez la modiste), c. 1882, Pastel on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34679

James McNeill Whistler, The Palaces, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3165

Edgar Degas, At the Milliner's, 1882, Pastel on pale gray wove paper (industrial wrapping paper), laid down on silk bolting, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436126

Louis Michel Eilshemius, In The Woods, 1889, Watercolor on paper; 19 7/8 x 13 15/16 in. (50.6 x 35.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859796-1

Vincent van Gogh, The Large Plane Trees (Road Menders at Saint-Rémy), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125249

James McNeill Whistler, Little Venice, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3161

Paul Cézanne, Bathers, c. 1885–1890, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32973

Auguste Lepère, Les toits de Saint-Severin, 1889, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8518

Georges Seurat, At the Concert Parisien, 1887–88, conté crayon heightened with white chalk on cream handmade modern laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135341

Francisco Domingo y Marqués, Portrait of an Old Man, 1882, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436206

Jean-Louis Forain, Le cabinet particulier (3e planche) (The Private Room) (third plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6961

J. and J. G. Low Art Tile Works, Border Tile, 1881–84, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/567

Auguste Rodin, Head of Saint John the Baptist, 1887, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1018

Gustave Caillebotte, Portrait of a Man, 1880, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/167142

Thomas Eakins, Study for Boy Reclining in "Arcadia", (c. 1883), Oil on wood mounted on wood; 10 3/8 x 14 5/8 in. (26.1 x 36.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859654-1

House of Fabergé, Flower Study of a Lily of the Valley, c. 1885–1915, pearls, diamonds, jade, rock crystal, silver, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142734

Albert Besnard, Madame Besnard, 1884, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4607

Félix-Hilaire Buhot, La Place des Martyrs et La Taverne du Bagne (The Place des Martyrs and the Jailhouse Tavern), 1885, etching, aquatint, lift-ground aquatint, and drypoint in blue-black on brown laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4442

Jean-Léon Gérôme, Lion on the Watch, c. 1885, oil on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124256

Alfred André, Pendant with a Triton, 1885/1890, baroque pearl; gold enameled in white, black, translucent red, green, blue, and yellow; 2 diamonds, 37 rubies, 4 pearls, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1469

John Longstaff, Breaking the News, 1887, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q4959610

Edgar Degas, Dancers, Pink and Green, c. 1890, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436140

Odilon Redon, The Convict, 1881, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35239

Frederick G. Smith, Air, from the series The Four Elements, c.1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.1

Albert Besnard, The Flirt (Le flirt), c. 1886, etching on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4617

Thomas Eakins, Marey Wheel Photographs of Jesse Godley, (1884), Cyanotype on paper; 2 1/4 x 3 3/8 in. (5.7 x 8.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859705-1

J. and J. G. Low Art Tile Works, Border Tile, c. 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/571

Félix-Hilaire Buhot, Convoi Funèbre au Boulevard de Clichy (Funeral Procession on the Boulevard de Clichy), 1887, heliogravure, etching, aquatint, and drypoint with burnishing in blue-green and brown-black on toned wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4439

Henri Fantin-Latour, Evocation of Kundry (2nd plate), 1883, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6850

Francis Seymour Haden, Encombe Woods (No.1), 1881, etching, retouched with pencil (crayon?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7657

Louis Michel Eilshemius, Blue Mountains, 1888, Watercolor on paper; 14 1/16 x 20 in. (36.7 x 50.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859755-2

Khamseh, Khamseh Carpet, c. 1890, Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Turkish (Ghiordes) knots", Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/226149

Albert Besnard, La Femme (frontispiece), c. 1886, etching and aquatint on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4608

Max Klinger, Child, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4953

Frederick McCubbin, Falls Bridge, Melbourne, 1882, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442491

James McNeill Whistler, Fishing-Boat, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3185

Thomas Eakins, Unidentified Student, (1883), Platinum print on paper; 7 7/8 x 3 15/16 in. (19.9 x 10 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859695-2

James McNeill Whistler, Turkeys, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3176

Max Klinger, Cassandra, (1886–1895/cast 1895–1904), Bronze; 23 1/2 x 13 1/2 X 13 1/2 in. (57 x 34.3 x 34.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860887-1

Vincent van Gogh, Planteuse de pommes de terre, 1885, Schwarze Kreide und Kohle, gewischt, radiert und fixiert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/34500

John La Farge, Peacocks and Peonies I, 1882, stained glass window; frame: 112 x 51 1/4 x 6 1/2 in. (284.5 x 130.3 x 16.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381048969-1

Hans von Marées, Zwei sitzende Kinder, 1885–1887, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1971

José María Mora, John Le Clair, c. 1880–85, Albumen silver print; Image/Sheet: 14.5 x 9.9 cm (5 11/16 x 3 7/8"); Mount: 16.5 x 10.8 cm (6 1/2 x 4 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814050-0

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/572

Auguste Rodin, Eve after the Fall, Modeled 1883, carved c. 1886, Marble, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16963

Frederick G. Smith, Water, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.4

Thomas Eakins, Mrs. William H. Macdowell, (c. 1880–1882), Platinum print on paper; 6 3/8 x 6 in. (16.2 x 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859688-1

J. and J. G. Low Art Tile Works, Border Tile, 1883, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/573

House of Fabergé, Flower Study of a Lowbush Cranberry or Lingonberry, c. 1885–1915, chalcedony, jade, rock crystal, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142737

J. P. Ball & Son, Cabinet card with a floral border of an unidentified man by J. P. Ball & Son, 1887–1900, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 7/16 × 3 7/8 in. (13.8 × 9.9 cm); H x W (Overall): 6 1/2 × 4 1/4 in. (16.5 × 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749411-0

Vincent van Gogh, Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887, Oil on canvas, mounted on pressboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27954

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/576

Thomas Eakins, Thorn Puller, (c. 1883), Albumen print on paper; 3 11/16 x 4 3/4 in. (9.4 x 11.9 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859692-0

Auguste Rodin, Victor Hugo, De Trois Quarts, 1884, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1035

Odilon Redon, Imaginary Figure, (c. 1881), Chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33872

Will Dyson, "Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances...", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6829

Max Klinger, Sea, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4955

Odilon Redon, Through the Crack a Death's-Head Was Projected, (c. 1886), Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35999

John Singer Sargent, Polly Barnard, 1885–6, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00851

Sir Edward Coley, Bt Burne-Jones, Two Studies for the Head of the King in ‘King Cophetua and the Beggar Maid’, c.1880, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00098

Albert Besnard, The Silk Gown (La robe de soie), 1887, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4619

Ida Josephine Burgess, Untitled (Portrait of a Young Woman), 1885, pen and ink on paper; 7 × 8 in. (17.8 × 20.3 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1651222359240-1651222385935-2

James McNeill Whistler, Fruit-Stall, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3177

Edgar Degas, Portrait of a Young Woman, c. 1885, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436153

Frank Myers Boggs, Harbor Scene, (c. 1889), Watercolor and pencil on paper; 11 1/16 x 17 3/4 in. (28 x 45 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858641-0

Henri Fantin-Latour, Blumenstillleben: Herbstchrysanthemen in einer weißen Vase, 1889, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2029

Pierre-Auguste Renoir, Lesendes Mädchen, 1880, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3019

Arthur Streeton, Orange, blue and white (portrait of Keith), 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28797572

Jean-Léon Gérôme, Dutch Cavalier, after 1882, graphite on smooth, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2763

William Merritt Chase, Portrait of Dora Wheeler, 1882–83, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/102578

Auguste Rodin, Eve Eating the Apple, c. 1885, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1000

Will Dyson, "Why Did I Do It?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6830

Auguste Rodin, The Lovers, model mid 1880s, cast after 1900, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1016

James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3166

Arthur Streeton, The national game, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487752

James McNeill Whistler, Temple, c. 1880/1881, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3195

Auguste Rodin, Sorrow, Modeled 1882, cast c. 1913–23, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13600

Worthington Whittredge, Seconnet Point, Rhode Island, c. 1880, oil on canvas; 13 5/8 x 20 7/8 in. (34.7 x 53.0 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381057565-0

Berthe Morisot, .a Standing Girl .b Harbor Scene, 1888–89, a) Crayon on paper b) Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37576

Odilon Redon, The Teeth (Les Dents), 1883, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35984

Paul Meyerheim, Die eifersüchtige Löwin, 1885–1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1365

James McNeill Whistler, Little Court, c. 1880/1881, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3197

Odilon Redon, Head of Orpheus, c. 1881, Charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35992

Albert Besnard, The End, 1883, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4650

Douglas Volk, After the Reception, 1887, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.42

James McNeill Whistler, San Giorgio, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3178

Walter Richard Sickert, Le Marché aux Bestiaux, Dieppe, c. 1886, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5211

Francis Seymour Haden, A Lancashire River, 1881, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7653

Jean-Louis Forain, Le Traite des blanches (The White Slave Trade), 1886 and 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6862

Max Klinger, On the Tracks, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4952

Carl Schuch, Äpfel auf Weiß, mit halbem Apfel, c. 1886–1894, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3817

James McNeill Whistler, Garden, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3187

Georges Seurat, At the Concert Européen (Au Concert Européen), c. 1886–88, Conté crayon and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34183

Lord Frederic Leighton, Moses Views the Promised Land, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00736

Pierre-Auguste Renoir, The Apple Seller, c. 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135480

Will Dyson, "Can you forgive me Father?" - "Can you forgive me daughter?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6827

Alfred Stieglitz, Sun Rays—Paula, Berlin, 1889, printed 1920/39, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66284

Pierre-Auguste Cot, The Storm, 1880, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435997

James McNeill Whistler, Drury Lane, c. 1880/1881, etching in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3198

J. and J. G. Low Art Tile Works, Border Tile, 1881–85, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/574

Edgar Degas, Before the Race, c. 1887–89, pastel with charcoal underdrawing on tracing paper mounted on cardboard, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135262

Arthur Streeton, Princess & 'Burke & Wills', 1889, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445775

Edgar Degas, The Tub, Modeled 1889, cast 1919–21, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68369

Thomas Eakins, Knitting, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 3 3/8 in. (47 x 37.9 x 8.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859679-1

Félix Bracquemond, The Old Cock, 1882, etching printed in brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5046

J. P. Ball & Son, Cabinet card of an unidentified infant in a Christening gown by J.P. Ball & Son, 1887–1900, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 1/2 × 3 13/16 in. (13.9 × 9.7 cm); H x W (Overall): 6 1/2 × 4 5/16 in. (16.5 × 10.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749402-1

Auguste Rodin, The Kiss (Le Baiser), model 1880–1887, cast c. 1898/1902, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1008

Félix Bracquemond, The Old Cock, 1882, etching on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5263

Louis Michel Eilshemius, Spanish Lady, 1889, Watercolor on paper; 11 5/8 x 8 7/16 in. (29.5 x 21.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-2

Félix-Hilaire Buhot, Ex-Libris pour "L'Ensorcelée" (Bookplate for "L'Ensorcelée"), c. 1883/1885, etching, drypoint, and aquatint in black-brown on cream laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4448

Henri Fantin-Latour, Manfred and Astarte (2nd plate), 1881, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6843

Thomas Eakins, Marey Wheel Photographs of Unidentified Model, (1884), Albumen print on paper; 2 1/8 x 3 3/4 in. (7.2 x 9.6 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859708-1

Thomas Eakins, Study for "Swimming", (1883), Albumen print on paper; 6 1/16 x 7 13/16 in. (15.4 x 19.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859690-0

Félix-Hilaire Buhot, La Chapelle Saint-Michel à l'Estre (The Chapel Saint-Michel at l'Estre), 1881, etching, drypoint and roulette on light blue-green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4461

J. and J. G. Low Art Tile Works, Border Tile, c. 1885, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/569

Auguste Rodin, Eva, 1881, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4585

James McNeill Whistler (1834-1903), The Barrow- Quartier des Marolles, Brussels, 1887, Etching; ink on paper; H x W (overall): 12.5 x 17.5 cm (4 15/16 x 6 7/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182234-0

Thomas Eakins, Marey Wheel Photographs of Jesse Godley, (1884), Cyanotype on paper; 2 1/4 x 3 3/8 in. (5.7 x 8.5 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859706-0

Thomas Eakins, Susan Hannah Macdowell, Unidentified Girl, Elizabeth Macdowell, and Possibly Mary Macdowell at the Macdowell House, (c. 1880–1882), Platinum print on paper; 5 5/8 x 7 in. (14.2 x 17.8 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859686-1

Félix-Hilaire Buhot, Le Port aux Mouettes (Port with Seagulls), 1886, etching, drypoint, aquatint, and sandpaper ground in black on beige laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4458

Frank Duveneck, Riva degli Schiavoni, No. 2, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6819

Arthur Streeton, Sandridge, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797403

Peter Carl Fabergé, Lapis Lazuli Easter Egg, c. 1885–90, gold, enamel, lapis lazuli, pearls, diamonds, rubies, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142723

Max Liebermann, Freistunde im Amsterdamer Waisenhaus, 1881–1882, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1341

Lord Frederic Leighton, Samson and the Lions, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00732

Arthur Streeton, A road to the ranges, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487880

Photographer: Peter Henry Emerson, Gathering Waterlilies, 1886, Platinum print, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.50

Albert Besnard, Woman in a Cape (La femme à la pèlerine), 1889, etching, drypoint, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4613

Eastman Johnson, The Nantucket School of Philosophy, 1887, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.311

John C. H. Grabill, Cabinet card of Buffalo soldier wearing buffalo coat, c. 1886, albumen and silver nitrocellulose on cardboard; H x W (image): 6 3/16 × 3 7/8 in. (15.7 × 9.8 cm); H x W (card): 6 7/16 × 4 3/16 in. (16.3 × 10.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752573-0

Odilon Redon, On the Backdrop of Our Nights, c. 1887, Lithographic crayon on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35801

Henri de Toulouse-Lautrec, The Laundress, 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129221

Richards Photography, Cabinet card of Minerva Singleton, c. 1880, albumen and silver on paper on card mount; H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1727866808604-1727866813604-0

Edgar Degas, Woman Bathing in a Shallow Tub, 1885, Charcoal and pastel on light green wove paper, now discolored to warm gray, laid down on silk bolting, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436127

William Curtis Taylor, John Wanamaker, c. 1889, Albumen silver print; Image/Sheet: 14.8 x 9.9 cm (5 13/16 x 3 7/8"); Mount: 16.4 x 10.7 cm (6 7/16 x 4 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399818770-0

Thomas Eakins, Spinning, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 2 1/2 in. OVAL (46.8 x 37.9 x 6.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859680-0

Jean-Louis Forain, a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso), c. 1893, a) lithograph on wove Arches vellum paper; b) graphite on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6964

Auguste Rodin, Faun; Der alte Baum; Die alte Eiche, c. 1885, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4423

Paul Cézanne, The Bridge at Gardanne (recto); View of Gardanne (verso), 1885–86, Watercolor and pencil on paper (recto); Pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33032

Albert Besnard, Morphine Addicts (Morphinomanes), 1887, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4624

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/570

Frederick G. Smith, Fire, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.3

Jean-Louis Forain, Sketch of a Woman, 1885/1890, pastel on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3238

Auguste Rodin, The Thinker (Le Penseur), model 1880, cast 1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1005

Hobbs, Brockunier and Company, Hobnail bowl, after 1886, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/798

Paul Gauguin, In the Waves (Dans les Vagues), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149410

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/578

Boston & Sandwich Glass Company, Bowl, 1880–88, Blown glass with applied threaded decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/784

Odilon Redon, The Well, c. 1880, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35885

James McNeill Whistler (1834-1903), Green and Silver: The Devonshire Cottages, 1883 or 1884, Oil on canvas; H x W: 32 x 62.8 cm (12 5/8 x 24 3/4 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390185369-0

James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5047

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/579

Jean-Louis Forain, Le cabinet particulier (1ère planche) (The Private Room) (first plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6960

Thomas Eakins, Standing Piper (Study for "Arcadia"), (c. 1883), Albumen print on paper; 3 7/16 x 3 3/8 in. (8.7 x 8.6 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859692-1

J. and J. G. Low Art Tile Works, Border Tile, 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/575

Alphonse Legros, Self-Portrait, 3rd plate, 1880, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8282

Félix-Hilaire Buhot, La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay), 1886/1890, heliogravure, etching, drypoint, roulette, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4460

Félix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead), 1885, etching, roulette, drypoint, lift ground, aquatint, scraping and burnishing on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4465

Henri Fantin-Latour, Tannhäuser, 1886, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95265

Hans Thoma, „Die Öd“ (Blick auf den Holzhausenpark), 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3109

Auguste Rodin, Heroic Head of Pierre de Wissant, One of the Burghers of Calais, 1886, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/100824

Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7658

Auguste Rodin, Head of a Woman, possibly 1880s, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1017

Lord Frederic Leighton, Samson Carrying the Gate, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00738

Albert Dubois-Pillet, The Towers of Saint-Sulpice, 1888, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36806

Auguste Rodin, A Burgher of Calais (Jean d'Aire), model 1884–1889, reduction cast probably 1895, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1006

Vincent van Gogh, Two Poplars in the Alpilles near Saint-Rémy, 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135310

Albert Besnard, In the Embers (Dans les cendres), 1887, etching, drypoint, and roulette on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4620

Auguste Rodin, Right Foot, possibly 1880, plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1023

Max Klinger, Blick auf Siena, 8. Februar 1889, Aquarell und Gouache über Bleistift auf mattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/9149

James McNeill Whistler, The Rialto, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3188

Edgar Degas, Woman Combing Her Hair, c. 1888–90, Pastel on light green wove paper, now discolored to warm gray, affixed to original pulpboard mount, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436170

China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308

Boston & Sandwich Glass Company, Basket, 1880–88, Blown amber and colorless glass with applied threaded decor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/363

James McNeill Whistler, The Little Mast, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3163

Thomas Nast, Great Britain and Russia in Confrontation over the City of Herat, Afghanistan ("The Fight's Off--(For the Present)"), 1885, Black ink on tan wove card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5520

Karl von Pidoll, Landschaft am Fluss, c. 1889, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2973

Albert Besnard, Bathing at Talloires (La baignade à Talloires), 1888, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4611

New England Glass Company, Vase, 1886–88, Blown glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/807

Frank Duveneck, Riva degli Schiavoni, No. 1, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6820

Auguste Rodin, Woman and Child (originally Première Impression d'Amour), model c. 1885, carved c. 1900–1901, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1012

Medardo Rosso, The Concierge, (1883/cast c. 1899–1910), Beeswax over plaster; 14 5/8 x 12 3/8 x 6 3/8 in. (37.0 x 31.5 x 16.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862445-0

Claude Monet, Rocks at Port-Goulphar, Belle-Île, 1886, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20545

Louis Michel Eilshemius, Fishermen in Rapids, 1884, Opaque paint on paper; 9 7/8 x 14 in. (25.1 x 35.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859845-2

George Louis du Maurier, "Nincompoopiana", 1880, Wood engraving, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4727

Lord Frederic Leighton, Cain and Abel, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00731

Undetermined artist, Jar, c. 1880, Ceramic; H x W x D: 18.7 x 23.1 x 23.1 cm (7 3/8 x 9 1/8 x 9 1/8 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621406025-1

Luba artist, Staff, c. 1880, Wood, copper, iron; H x W x D: 160.7 x 7 x 7.6 cm (63 1/4 x 2 3/4 x 3 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621406165-0

John Frederick Peto, Mug, Pipe and Match, (c. 1887), Oil on fiberboard; 6 1/8 x 9 1/4 in. (15.6 x 23.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862009-0

James McNeill Whistler, The Piazzetta, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3167

Claude Monet, Cliff Walk at Pourville, 1882, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/14620

Félix Bracquemond, Portrait of Edmond de Goncourt, 1882, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28675

Alphonse Legros, Self-Portrait, 3rd plate, 1880, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8281

Lord Frederic Leighton, Samson at the Mill, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00734

Max Klinger, Herod, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4930

George Gardner Rockwood, George Rockwood, c. 1880, Artotype; Image/Sheet: 15.6 x 9.9 cm (6 1/8 x 3 7/8"); Mount: 20.9 x 13.7 cm (8 1/4 x 5 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813242-0

Félix-Hilaire Buhot, La Maison Maudite (The House of the Damned), c. 1883/1885, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4440

Paul Cezanne, Chestnut Trees at Jas de Bouffan, c. 1885–86, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.9

Max Klinger, Farmer, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4929

Thomas Eakins, Marey Wheel Photographs of George Reynolds, (1884), Albumen photograph; 2 5/16 x 4 1/16 in. (5.9 x 10.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859703-0

Designer: E. W. (Edward William) Godwin, Greek-style side chair, c. 1885, Walnut and reproduction silk upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.43a%2C%20b

Arthur Streeton, At Templestowe, 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794054

Annie Ensminger Kready, "Garfield and Arthur" Quilt, c. 1880, Pieced quilt; printed, cotton plain and twill weave fabrics; printed, cotton plain weave handkerchief, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158431

Claude Monet, Gardener's House at Antibes, 1888, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95272

Louis Eysen, Blick in das Ultental, c. 1889, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3997

Levin Coburn Handy, Lucretia Garfield, c. 1881, Albumen silver print; Image: 13.8 × 9.2 cm (5 7/16 × 3 5/8"); Mount: 18.6 × 13.4 cm (7 5/16 × 5 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399827748-0

Thomas Nast, A Midsummer-Night's Dream Nomination, published July 3, 1880, Wood engraving on paper; Image: 34 × 23.8 cm (13 3/8 × 9 3/8"); Sheet: 39.9 × 26.4 cm (15 11/16 × 10 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803923-1

Albert Besnard, A Martyr (Un martyre), 1883, etching on Canson & Mongolfier laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4618

Will Dyson, Evil Tidings in B Flat, 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6826

Francis Seymour Haden, The Test at Longparish, 1882, etching with drypoint in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7656

Édouard Manet, Suzanne Manet at Bellevue, 1880, Brush and black wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334737

Arthur Streeton, Pastoral, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736744

New England Glass Company, Bowl, after 1883, Blown glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/808

Francis Seymour Haden, Self-Portrait at the Easel, 1880/1886, etching with drypoint on laid paper [cancellation proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7645

Lord Frederic Leighton, Abram and the Angel, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00733

Lord Frederic Leighton, Death of the First Born, published 1881, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00737

Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665

Léon Bonnat, Portrait of Barye with a Wax Model of ""Seated Lion"", 1885, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.757

James McNeill Whistler, Two Doorways, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3170

Claude Monet, Low Tide at Pourville, near Dieppe, 1882, 1882, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125234

Gustave Caillebotte, Villas at Trouville, 1884, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/91231

Edgar Degas, Bather Stepping into a Tub, c. 1890, Pastel and charcoal on blue laid paper, mounted at perimeter on backing board, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436131

Dalzell, Gilmore and Leighton, Bowl, 1885–93, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/794

Albert Besnard, Eve, 1886, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4615

Louis Michel Eilshemius, Autumn Landscape, 1889, Oil on paperboard mounted on fiberboard; 18 3/8 x 24 3/8 in. (46.4 61.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859762-1

Alfred André, Pendant with a Centaur, 1885/1890, baroque pearl; gold enameled in black, white, pale blue, translucent red, green, and blue; 2 emeralds, 2 rubies, 1 piece of rock crystal or glass, 4 hanging pearls, 10 small pearls in the chain, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1470

Albert Besnard, Woman Reading in the Studio (La Lecture dans l'atelier), 1887, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4610