North American Iron Works, Armchair, 1877–97, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/232 Louis Michel Eilshemius, Boat At Anchor, 1878, Pencil on paper; 9 x 12 1/16 in. (22.8 x 30.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859788-0 Henry I. Seymour, Bentwood Side Chair, 1870–78, Hickory, ash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/504 Ott and Brewer, Cup and Saucer, 1876–92, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2860 James McNeill Whistler, The Riva, No.I, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3169 Glasgow Pottery Company, Cup and Saucer, 1876, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2858 Challinor, Taylor and Company, Boot with Spur, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/564 James McNeill Whistler, The Balcony, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3184 Henry Church, Self-Portrait with Five Muses, c. 1880, oil on paper mounted to board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170082 Thomas Eakins, Woman with Parasol (Walking Dress), (1875–1876), Ink, pencil, and watercolor on paper; 7 1/4 x 4 11/16 in. (18.3 x 11.8 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859665-0 Eastman Johnson, Winding Yarn (Interior of a Nantucket Kitchen), 1872, oil on board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173167 James McNeill Whistler, Upright Venice, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3182 James McNeill Whistler, St James's Street, 1878, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4882 Challinor, Taylor and Company, Bowl, 1870–85, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/790 Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2811 Thomas Eakins, The Biglin Brothers Turning the Stake, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151904 Union Porcelain Works, Cup and saucer, 1875–85, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2796 Marks Adjustable Folding Chair Company, Folding Armchair, c. 1877–97, Walnut, metal, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/229 James McNeill Whistler, Long Venice, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3189 Adams and Company, Bowl, 1870–80, Pressed yellow glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/779 Tiffany & Co., Tall Clock, c. 1880, mahogany, teak with dial faces of gilded and patinated metal, glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156855 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6109 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 James McNeill Whistler, Butterfly for a Valance at Dowdeswell's Gallery, c. 1884, Graphite and watercolor on beige laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4654 James McNeill Whistler, The Little Lagoon, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3164 James McNeill Whistler, Doorway and Vine, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3173 James McNeill Whistler, The Venetian Mast, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3172 James McNeill Whistler, Florence Leyland, c. 1873, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4880 James McNeill Whistler, San Biagio, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3174 Baumann Brothers, Bedstead, c. 1880, Maple, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/445 James McNeill Whistler, Lagoon: Noon, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3193 James McNeill Whistler, Wheelwright, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3194 James McNeill Whistler, The Beggars, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3171 Henry Hobson Richardson, Armchair, c. 1880, Oak, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/238 Chelsea Keramic Art Works, Cup and Saucer, 1879–83, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2857 John Singer Sargent, Luxembourg Gardens at Twilight, 1879, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.20 Frank Duveneck, Leslie Pease Barnum, 1876, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1097 Herter Brothers, Bedstead, c. 1880, Cherry, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/443 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6082 Peter Timmes, Bench, c. 1880–1900, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/463 Mississippi Legislature, Revised Code of Mississippi, 1871, ink on paper (fiber product); H x W x D (closed): 10 1/4 × 7 1/16 × 2 1/2 in. (26.1 × 18 × 6.4 cm); H x W x D (open): 10 1/4 × 16 1/8 × 2 1/2 in. (26.1 × 40.9 × 6.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746025-0 Thomas Eakins, Drawing Of Girard Avenue Bridge/Verso Sketch Of An Oar, (c. 1871), Pencil on paper; 4 1/8 x 6 7/8 in. (10.4 x 17.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859671-1 James McNeill Whistler, Salute Dawn, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3192 Challinor, Taylor and Company, Bowl, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/789 Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2810 Louis Michel Eilshemius, Shelter, 1878, Pencil on colored paper; 8 5/8 x 12 7/16 in. (21.9 x 31.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-0 Isaac Broome, Bust of Benjamin Franklin, 1876, Parian porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/476 Stanford White, Frame, 1870–1900, Wood, gilt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/130 George Jakob Hunzinger, Folding Armchair, after 1876, Maple, steel mesh, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/225 Thomas Nast, Tilden or Blood Compromise - Indeed!, 1877, Wood engraving on paper; Sheet: 29.7 × 42.1cm (11 11/16 × 16 9/16"); Image: 24.9 × 34.1cm (9 13/16 × 13 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803922-1 Frank Duveneck, William Gedney Bunce, c. 1877–1878, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1098 William Michael Harnett, Memento Mori, "To This Favour", 1879, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141641 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6181 George Augustus Baker, Portrait of the Artist, 1874, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.66 James McNeill Whistler, Nocturne: Palaces, 1879/1880, etching and drypoint in brownish-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3179 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6083 James McNeill Whistler, Nocturne, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3162 James McNeill Whistler, The Bridge, Santa Marta, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3181 Adams and Company, Bowl, 1870–90, Pressed yellow glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/780 Louis Michel Eilshemius, Windmill #2, 1878, Watercolor and pencil on paper; 8 x 11 3/4 in. (20 x 29.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859754-0 J. and J. G. Low Art Tile Works, Border Tile, c. 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/566 Elizabeth King Hawley, Hanging Sphere, c. 1875, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35637