Félix-Hilaire Buhot, La Petite Marine - Souvenir de Medway, 1879, etching, drypoint, aquatint, and roulette in black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4446

Félix-Hilaire Buhot, La Ronde de Nuit (Night Patrol), 1878, etching, aquatint, and drypoint in black on moderately thick beige laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4453

Jean-Louis Forain, Danseuses dans leur loge (Dancers in Their Dressing Room), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6855

Honoré Daumier, Histoire d'un règne, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6383

James McNeill Whistler, The Riva, No.I, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3169

Félix-Hilaire Buhot, Les Noctambules (The Night Prowlers), 1876/1877, etching and aquatint with scraping and burnishing in black on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4450

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7651

Jean Baptiste Camille Corot, Family at Terracina (Une famille a terracine), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6012

Honoré Daumier, Trop étroit pour deux, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6398

Edgar Degas, Mlle Bécat, c. 1877/1878, monotype on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6948

Jean Baptiste Camille Corot, The Gust of Wind (Le Coup de vent), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6006

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7648

Félix-Hilaire Buhot, L'Hiver à Paris (Winter in Paris), 1879, etching, aqautint, spit-bite etching, soft-ground etching, drypoint, and scraping on light green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4463

Félix-Hilaire Buhot, Liseuse à la Lampe (Woman Reading by Lamplight), 1879, etching with scraping and burnishing in black on thin tissue paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4454

Félix-Hilaire Buhot, Un Grain à Trouville (Squall at Trouville), 1874/1875, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4455

James McNeill Whistler, The Balcony, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3184

Honoré Daumier, Square Napoléon, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6392

Félix-Hilaire Buhot, Une Matinée d'Hiver au Quai de l'Hôtel-Dieu (Winter Morning on the Quai de l'Hôtel-Dieu), 1876, etching, aquatint, drypoint, stop-out and roulette on japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4444

Félix-Hilaire Buhot, Les Petites Chaumières (Thatched Cottages--Small Plate), 1878, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4449

Edgar Degas, On Stage I, 1876, soft-ground etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6482

James McNeill Whistler, Upright Venice, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3182

James McNeill Whistler, St James's Street, 1878, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4882

Edgar Degas, Singer at a Café-Concert, 1876–77, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/43554

Félix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), 1878, etching, aquatint, drypoint, and roulette in black on toned paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4441

Félix-Hilaire Buhot, Un Débarquement en Angleterre (Landing in England), 1879, etching, drypoint, aquatint (dust ground and spirit ground), roulette, and burnishing in black on oatmeal paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4451

Jean-Louis Forain, Dancers in their Dressing Room, c. 1876, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/133143

Jean Baptiste Camille Corot, The Mill of Cuincy, near Douai (Le Moulin de Cuincy, pres Douai), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6011

Félix-Hilaire Buhot, Les Petites Chaumières (Thatched Cottages--Small Plate), 1878, etching, aquatint and drypoint on parchment, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1060

Félix-Hilaire Buhot, Une Matinée d'Hiver au Quai de l'Hôtel-Dieu (Winter Morning on the Quai de l'Hôtel-Dieu), 1876, etching, aquatint, drypoint, stop-out, and roulette on heavy wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4445

Jean-Louis Forain, Le bar des Folies-Bergère (The Bar at the Folies-Bergère), c. 1876, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6857

James McNeill Whistler, Long Venice, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3189

Jean Baptiste Camille Corot, The Philosophers' Retreat (Le Repos des Philosophes), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6007

Jean Baptiste Camille Corot, The Isolated Fort (Le Fort detache), 1874, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5998

Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6010

Edgar Degas, Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880, soft-ground etching, drypoint, aquatint, and etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6484

Rodolphe Bresdin, The Haunted House, 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5265

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6109

Jean Baptiste Camille Corot, The Lonely Tower (La Tour isolee), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6003

Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6483

Honoré Daumier, A qui le tour?, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6394

James McNeill Whistler, The Little Lagoon, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3164

James McNeill Whistler, Doorway and Vine, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3173

Henri Fantin-Latour, Manfred and Astarte (1st plate), 1879, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6842

Auguste Lepère, Les Fauteuils d'orchestre, 1878, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8499

J. Miller M'Kim, 1872, Engraving on paper; Book closed: 24.4 × 17.5 × 5.8 cm (9 5/8 × 6 7/8 × 2 5/16"); Book open: 24.4 × 31.6 × 5.8 cm (9 5/8 × 12 7/16 × 2 5/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399828337-0

Jean-Louis Forain, Le café de la Nouvelle Athènes (The Cafe of the New Athens), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6856

Edgar Degas, Mlle Bécat at the Café des Ambassadeurs, 1877–78, Lithograph in black on grayish white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13560

Honoré Daumier, C'est dangereux, la pêche à l'épervier, 1872, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6389

Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on chine-like laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6481

Honoré Daumier, Nous ne nous serions jamais douté tout de même..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6390

Jean Baptiste Camille Corot, The Rider in the Reeds (Le Cavalier dans les roseaux), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6005

James McNeill Whistler, The Venetian Mast, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3172

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7649

Jean Baptiste Camille Corot, The Meeting in the Woods (La Rencontre du bosquet), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6004

James McNeill Whistler, Florence Leyland, c. 1873, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4880

James McNeill Whistler, San Biagio, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3174

Alphonse Legros, Head of a Man (Tete d'homme), 1877, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8288

Honoré Daumier, Le couronnement de son édifice, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6396

Honoré Daumier, Ce que certains journaux appeleraient..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6384

James McNeill Whistler, Lagoon: Noon, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3193

Félix-Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879/1880, etching, aquatint, and drypoint in black on cream laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4447

Ferdinand Gaillard, Pius IX, 1873, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7326

Félix-Hilaire Buhot, L'Orage (The Storm), 1879, drypoint and roulette with isolated areas of etching and possibly salt lift in black on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4459

James McNeill Whistler, Wheelwright, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3194

James McNeill Whistler, The Beggars, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3171

Jean Baptiste Camille Corot, Drowsing Cattle (Le Dormoir des vaches), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6009

Jean-Louis Forain, Déclaration d'amour (Declaration of Love), c. 1880, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6947

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6082

James McNeill Whistler (1834-1903), Old Putney Bridge, 1879, Etching; ink on paper; H x W: 20.1 x 29.5 cm (7 15/16 x 11 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183380-0

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7650

Jean Baptiste Camille Corot, Sappho (Sapho), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6008

James McNeill Whistler, Salute Dawn, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3192

Félix-Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879/1880, etching, aquatint, and drypoint in black on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1061

Édouard Manet, Civil War (Guerre civile), 1871, lithograph on chine collé, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8683

Edgar Degas, Leaving the Bath, 1879–80, Drypoint and aquatint in black on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64982

Félix-Hilaire Buhot, La Traversée (The Passage), 1879–1885, etching, drypoint, roulette, aquatint and stop-out in black on brown laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4443

Jean Baptiste Camille Corot, Willows and White Poplars (Saules et peupliers blancs), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6013

Honoré Daumier, Monsieur sera très bien ici..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6397

James McNeill Whistler (1834-1903), From Billingsgate, 1878, Drypoint; ink on paper; H x W: 14.7 x 22.4 cm (5 13/16 x 8 13/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184790-1

Thomas Nast, Tilden or Blood Compromise - Indeed!, 1877, Wood engraving on paper; Sheet: 29.7 × 42.1cm (11 11/16 × 16 9/16"); Image: 24.9 × 34.1cm (9 13/16 × 13 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803922-1

Jean-Louis Forain, L'ambulante au parapluie (Walker with an Umbrella), c. 1880, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6861

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6181

James McNeill Whistler, Nocturne: Palaces, 1879/1880, etching and drypoint in brownish-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3179

Percy Thomas (1846-1922), After Whistler's Arrangement in Grey: Portrait of the Painter, 1874, Etching; ink on paper; H x W: 13.1 x 9.8 cm (5 3/16 x 3 7/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184512-0

James McNeill Whistler (1834-1903), Whistler with the White Lock, 1879, Drypoint; ink on paper; H x W: 11.7 x 8 cm (4 5/8 x 3 1/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184272-0

Rodolphe Bresdin, The Haunted House, 1871, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5266

Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6859

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6083

Honoré Daumier, Décidément on ne peut pas..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6391

Jean-Louis Forain, Le bouquet (The Bouquet), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6854

Honoré Daumier, La paix a tout prix, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6393

Francis Seymour Haden, Challow Farm, in or after 1877, drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1070

James McNeill Whistler, Nocturne, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3162

James McNeill Whistler, The Bridge, Santa Marta, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3181

Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, color etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6858

Edgar Degas, The Actress Ellen Andrée, 1879, drypoint (electric crayon), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6480

Félix-Hilaire Buhot, Le Petit Enterrement (The Burial - Small Plate), 1878, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4452

Edgar Degas, Actresses in Their Dressing Rooms, 1879–80, Etching and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21522

Alphonse Legros, English Beggars (Les mendiants anglais), 1875, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8301

The Byerly Picture Gallery, 1871, Engraving on paper; Image/Sheet: 25 × 18.9 cm (9 13/16 × 7 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824616-1

Jean Baptiste Camille Corot, The Bell Tower of St. Nicolas-Lez-Arras (Le Clocher de St. Nicolas-Lez-Arras), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6002

James McNeill Whistler (1834-1903), Free Trade Wharf, 1877, Etching; ink on paper; H x W: 9.9 x 18.7 cm (3 7/8 x 7 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183372-0