William Callow, Prague, 1874, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00134 Louis Michel Eilshemius, Boat At Anchor, 1878, Pencil on paper; 9 x 12 1/16 in. (22.8 x 30.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859788-0 Odilon Redon, a) Mephistopheles, also known as Harlequin (recto) b) Winged Figure with Serpent (verso), a) (c. 1877) b) (c. 1876), Pencil and colored conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35950 Sir Edward Coley, Bt Burne-Jones, Roundel with the Head of a Warrior, c.1870–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00080 Edgar Degas, Two Dancers, c. 1879, Charcoal and white chalk on green commercially coated wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436166 Edgar Degas, The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878), 1873, Pastel on green wove paper, now darkened to brown, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436124 Sir Edward Coley, Bt Burne-Jones, Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series, c.1873, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00064 Odilon Redon, Centaur Aiming at the Clouds, c. 1875, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35939 Sir Edward Coley, Bt Burne-Jones, Ruth and Boaz, 1879, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00072 Edgar Degas, Dancer with a Fan, c. 1880, Pastel on gray-green laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436135 Sir Edward Coley, Bt Burne-Jones, Three Studies for ‘The Beguiling of Merlin’, c.1872–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00066 Félix Bracquemond, Geese and the Approaching Storm, 1879, Graphite, charcoal, ink, and wash touched with red chalk and lead white (oxidized in places), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.36 Edgar Degas, The Singer in Green, c. 1884, Pastel on light blue laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436159 Sir Edward Coley, Bt Burne-Jones, St Alban, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00074 Sir Edward Coley, Bt Burne-Jones, St Oswald, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00076 Odilon Redon, The Celt, c. 1878, Charcoal, chalk, and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35751 Odilon Redon, Windmill, c. 1875, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35962 Sir Edward Coley, Bt Burne-Jones, Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series, c.1873, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00063 Arthur Hughes, The Wicked Fairy for ‘At the Back of the North Wind’, c.1870, Ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00213 William Callow, Frauenkirche, Prague, 1874, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00135 Sir Edward Coley, Bt Burne-Jones, Study of a Female Head for ‘The Hours’, c.1872, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00070 Sir Edward Coley, Bt Burne-Jones, Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’, c.1875, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00108 Félix Bracquemond, The Old Cock, c. 1882, conté crayon with brush and brown-black wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5264 Edgar Degas, The Milliner, c. 1882, Pastel and charcoal on warm gray wove paper, now discolored to buff (watermark MICHALLET), laid down on dark brown wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436151 Odilon Redon, Winged Horseman, c. 1875, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35876 William Callow, Giessen, 1871, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00133 Sir Edward Coley, Bt Burne-Jones, Study of a Woman’s Head, 1870, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00057 Odilon Redon, Eye-Balloon (Œil-ballon), 1878, Charcoal and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33013 Claude Monet, Winterliche Landschaft mit Abendhimmel, c. 1870–1880, Pastellkreide auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/23845 Edgar Degas, Diego Martelli, 1879, charcoal and white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130528 Sir Edward Coley, Bt Burne-Jones, Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series, c.1871–3, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00058 Edgar Degas, The Dance Lesson, c. 1879, Pastel and black chalk on three pieces of wove paper, joined together, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436132 Sir Edward Coley, Bt Burne-Jones, The Finding of Moses, 1879, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00073 Sir Edward Coley, Bt Burne-Jones, St Boniface, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00077 Mississippi Legislature, Revised Code of Mississippi, 1871, ink on paper (fiber product); H x W x D (closed): 10 1/4 × 7 1/16 × 2 1/2 in. (26.1 × 18 × 6.4 cm); H x W x D (open): 10 1/4 × 16 1/8 × 2 1/2 in. (26.1 × 40.9 × 6.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746025-0 Thomas Eakins, Drawing Of Girard Avenue Bridge/Verso Sketch Of An Oar, (c. 1871), Pencil on paper; 4 1/8 x 6 7/8 in. (10.4 x 17.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859671-1 Sir Edward Coley, Bt Burne-Jones, Roundel with the Head of a Woman, c.1870–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00081 Berthe Morisot, Mademoiselle Louise Riesener in a Hat, c. 1877–80, pastel on pale blue laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135405 Louis Michel Eilshemius, Shelter, 1878, Pencil on colored paper; 8 5/8 x 12 7/16 in. (21.9 x 31.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-0 Arthur Hughes, The Drunken Cabman for ‘At the Back of the North Wind’, c.1870, Ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00212 Eugène Cicéri, Half-Timbered Houses along a Waterway, 1877, Photomechanical reproduction of a drawing in charcoal (stumped), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334672 Edgar Degas, Portraits at the Stock Exchange, c. 1878–79, Pastel on paper, pieced, and laid down on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436154 Alphonse Legros, Head, 1879, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8451 Aubrey Beardsley, Withered Spring, 1872, pen and black ink heightened with white over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4599 Edgar Degas, The Rehearsal Onstage, c. 1874, Pastel over brush-and-ink drawing on thin cream-colored wove paper, laid down on bristol board and mounted on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436156 Carl Müller, Holy Family, 1872, Black and white chalk on gray paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334933 Georges Seurat, Stone Breaker, Le Raincy (Casseur de pierres, Le Raincy), c. 1879–81, Conté crayon and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34479 Sir Edward Coley, Bt Burne-Jones, Roundel with the Head of a Woman, c.1870–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00082 Elizabeth King Hawley, Hanging Sphere, c. 1875, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35637 Sir Edward Coley, Bt Burne-Jones, Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’, c.1872–7, Charcoal and graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00065