North American Iron Works, Armchair, 1877–97, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/232

William Callow, Prague, 1874, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00134

Eliza Cox, Epacris impressa (Common heath), 1872, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11783

Jean Baptiste Camille Corot, A Woman Gathering Faggots at Ville-d'Avray, c. 1871–74, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435990

Louis Michel Eilshemius, Boat At Anchor, 1878, Pencil on paper; 9 x 12 1/16 in. (22.8 x 30.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859788-0

Odilon Redon, a) Mephistopheles, also known as Harlequin (recto)  b) Winged Figure with Serpent (verso), a) (c. 1877) b) (c. 1876), Pencil and colored conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35950

Chester Earles, Interior with figures, 1872, Oil on canvas on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5036

UNKNOWN, (Portrait of an elderly gentleman), c.1870, Tintype on iron, in paper mount, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11126

Kuichi Uchida, Bridges leading up to Yokohama Station, c.1872–73, Vintage hand-coloured albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9178

Félix-Hilaire Buhot, La Petite Marine - Souvenir de Medway, 1879, etching, drypoint, aquatint, and roulette in black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4446

Henry I. Seymour, Bentwood Side Chair, 1870–78, Hickory, ash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/504

Edgar Degas, Dancers Practicing at the Barre, 1877, Mixed media on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436139

Berthe Morisot, Reading, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128072

John Deazeley, (Lady in silk dress), c.1874–86, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25773

after John Skinner - Painter, BRANDARD, Edward Paxman Prout, Perth, Tasmania (no. 96 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2116

Oswald Walters Brierly, Untitled (yachting in stormy weather), c.1874, Watercolour over pencil on thin wove watercolour paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14593

Alphonse Legros, Portrait of Edward Poynter, 1877, Etching and drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24796

after John Skinner - Painter, BIBBY, H. Prout, Willoughby Falls, near Sydney (no. 52 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2115

Menzies Dickson, Kanaka natives of the Sandwich Islands, c.1870–90, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34987

after John Skinner - Painter, WILLMORE, Arthur Prout, Cataract Glen, Mount Wellington, Tasmania (no. 109 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4004

Félix-Hilaire Buhot, La Ronde de Nuit (Night Patrol), 1878, etching, aquatint, and drypoint in black on moderately thick beige laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4453

YOSHITORA, Shin-Yoshiwara Edomachi nichome (True picture of five-story building of Gozeiro and Hotuchiro), 1871, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42708

Ott and Brewer, Cup and Saucer, 1876–92, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2860

Alphonse Legros, La charrette brisée (The broken cart), 1876, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24795

G.P. Wright, The General Post Office (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8076

G.P. Wright, Victoria Bridge, from William Street (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8077

Menzies Dickson, Kanaka native of the Sandwich Islands, c.1870–90, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34988

Allan (Ramsay Cunningham) Hughan, (Three New Caledonian men), c.1875, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34947

G.P. Wright, The Lands Office (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11215

UNKNOWN, Gizeh.  Palais du Prince Hussein Kamil Pacha (Giza.  The palace of Prince Hussein Kamil Pacha), c.1870–1900, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6243

Silvester Diggles, Spine-tailed swift (Acanthylis caudacuta) and Australian swift (Cypselus australis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5785

Jean-Louis Forain, Danseuses dans leur loge (Dancers in Their Dressing Room), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6855

Sir Edward Coley, Bt Burne-Jones, Roundel with the Head of a Warrior, c.1870–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00080

Honoré Daumier, Histoire d'un règne, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6383

Napoleon Sarony, Henry Ward Beecher, c. 1875, Albumen silver print; Image/Sheet: 13.9 x 10 cm (5 1/2 x 3 15/16"); Mount: 16.5 x 10.8 cm (6 1/2 x 4 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814011-0

Thomas Mathewson, Ruby E.T. Guertz, 1878, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11120

Patent Office Vestibule, c. 1870, Stereoscopic albumen silver print; Image/Sheet (each): 7.7 × 7.4 cm (3 1/16 × 2 15/16"); Mount: 8.7 × 17.6 cm (3 7/16 × 6 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805773-1

Edgar Degas, Two Dancers, c. 1879, Charcoal and white chalk on green commercially coated wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436166

Thomas Washbourne, (Wannon Falls), c.1870, Albumen photograph on paper laid down on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9431

J.H. Carse, Wallaga Lake near Bega, NSW, 1877, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5311

Edgar Degas, The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878), 1873, Pastel on green wove paper, now darkened to brown, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436124

Patent Office, Washington, D.C., c. 1870, Albumen silver print; Image: 9.6 × 14.4 cm (3 3/4 × 5 11/16"); Sheet: 10 × 14.8 cm (3 15/16 × 5 13/16"); Mat: 10.7 × 16.4 cm (4 3/16 × 6 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805852-0

after J.H. - Painter, BRADSHAW, Samuel Carse, Townsville, Queensland (no. 89 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2646

Richard Daintree, (Sugar cane, Mackay - Davidson's Alexandra plantation) (no. 8 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8048

James McNeill Whistler, The Riva, No.I, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3169

Jean Baptiste Camille Corot, Springtime of Life, 1871, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.2

Silvester Diggles, White ibis (Threskiornis strictipennis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1800

William Morris, Utrecht Velvet, Design c. 1871, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121947

Joseph-Théodore Deck, Vase in the form of a mosque lamp, c. 1870, Tin-glazed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.9

Narcisse-Virgile Diaz de la Peña, The Edge of the Woods, 1872, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436193

Félix-Hilaire Buhot, Les Noctambules (The Night Prowlers), 1876/1877, etching and aquatint with scraping and burnishing in black on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4450

UNKNOWN, Baby's christening bonnet, c.1870–1900, Embroidery linen fabric embroidered with gold metal threads, beads and sequins. Embroidery padded with cotton. Face of bonnet edged with two kinds of bobbin lace, one in metal thread (1cm wide), the other in linen (4cms), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6021

Edgar Degas, Fan Mount: The Ballet, 1879, Watercolor and metallic paint on silk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436143

John J. Crew, Burke & Wills Monument, Melbourne (no. 1 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9449

Edgar Degas, The Rehearsal of the Ballet Onstage, c. 1874, Oil colors freely mixed with turpentine, with traces of watercolor and pastel over pen-and-ink drawing on cream-colored wove paper, laid down on bristol board and mounted on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436155

after John Skinner - Painter, HEAWOOD, Thomas Prout, Barrossa Ranges (no. 3 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8794

UNKNOWN, Collar, c.1870–1900, Linen mixed Brussels duchess with needlepoint medallions, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/76

after J.H. - Painter, BRADSHAW, Samuel Carse, Townsville, Queensland (no. 89 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2629

Giorgio Sommer, Neapel: Im Atelier nachgestellte Entlausungszene, c. 1870, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/106939

Sir Edward Coley, Bt Burne-Jones, Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series, c.1873, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00064

James McNeill Whistler (1834-1903), Cancelled Printing Plate for <em>The Traghetto, No. 2</em>, 1879–1880, Copper; H x W: 24.1 x 30.5 cm (9 1/2 x 12 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184093-1

Ludwig Nieper, Selma Knauth Bowditch (1853-1918), 1871, Oil on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4655

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.17A

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7651

Joseph Warrin Wilder, (Indian gentleman, Rockhampton), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34826

Jean Baptiste Camille Corot, Family at Terracina (Une famille a terracine), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6012

Édouard Manet, Claire Campbell, 1876, Pastel with oil on fine-weave canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134236

Charles-François Daubigny, Landscape with a Sunlit Stream, c. 1877, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436090

Silvester Diggles, New Holland goshawk (Astur novae-hollandiae), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9553

UNKNOWN, Portrait of young boy in traditional dress, c.1875, Ambrotype, 1/6 plate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10307

Honoré Daumier, Trop étroit pour deux, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6398

after John Skinner - Painter, COUSEN, Charles Prout, Tasman's Island (no. 107 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1417

after J.H. - Painter, CREW, John J. Carse, Gladstone, Queensland (no. 84 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11269

G.P. Wright, The fountain and terra cottas, Acclimatization Society, Bowen Park (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4618

Glasgow Pottery Company, Cup and Saucer, 1876, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2858

Edgar Degas, Mlle Bécat, c. 1877/1878, monotype on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6948

John Watson, (Couple), c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71661

Jean Baptiste Camille Corot, The Gust of Wind (Le Coup de vent), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6006

Odilon Redon, Centaur Aiming at the Clouds, c. 1875, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35939

Alfred André, Pendant with Europa and the Bull, 1870/1890, baroque pearl; gold enameled in white, black, dark green, pale blue, translucent red, green, yellow, and blue; 22 colorless stones (sapphires, diamonds), 1 blue sapphire, 19 red stones (rubies, glass), 6 pearls, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1464

Richard Daintree, (Second class pastoral) (no. 13 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3814

Silvester - Artist, EATON, Henry Green Diggles, Blood-stained cockatoo (Cacatua sanguinea), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1799

Gustave Courbet, The Hidden Brook, c. 1873–77, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436013

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7648

Biggingee Sorabjee Pochee, Maud Hay, Gayndah, c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25785

BAILEY, Wilbur Fisk - Photographer, WINTER, Robert Bailey & Winter - Studio, Mary and James O'Coner, c.1875, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35563

Edouard Detaille, The Defense of Champigny, 1879, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436188

Sir Edward Coley, Bt Burne-Jones, Ruth and Boaz, 1879, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00072

Camille Pissarro, The Lock at Pontoise, 1872, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155626

Muirhead Bone, Near Siena, 1876, graphite with gray wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1048

Challinor, Taylor and Company, Boot with Spur, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/564

Eliza Cox, Nymphoides germinata, 1870, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11780

Félix-Hilaire Buhot, L'Hiver à Paris (Winter in Paris), 1879, etching, aqautint, spit-bite etching, soft-ground etching, drypoint, and scraping on light green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4463

Félix-Hilaire Buhot, Liseuse à la Lampe (Woman Reading by Lamplight), 1879, etching with scraping and burnishing in black on thin tissue paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4454

Etienne Carjat, Alphonse Daudet (French novelist, 1849-1897), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 1, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86946

Félix-Hilaire Buhot, Un Grain à Trouville (Squall at Trouville), 1874/1875, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4455

Edgar Degas, Dancer with a Fan, c. 1880, Pastel on gray-green laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436135

George Du Maurier, Social tomorrow at 9am, 1878, Pen and brown ink over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12558

G.P. Wright, Tropical foliage - the island, Botanic Gardens (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3502

James McNeill Whistler, The Balcony, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3184

Edward H Forster, (Young girl standing on chair), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25779

Carleton E. Watkins, Half Dome, Yosemite, California, c. 1870, printed c. 1875, albumen silver print; sheet and image: 8 x 12 in. (20.3 x 30.5 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061312-1

W.C. Piguenit, Valley of the Grose, 1876, Oil on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7270

Henry Church, Self-Portrait with Five Muses, c. 1880, oil on paper mounted to board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170082

Sir Edward Coley, Bt Burne-Jones, Three Studies for ‘The Beguiling of Merlin’, c.1872–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00066

M.E. Dockree, The mill stream, c.1872, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5310

Utagawa Yoshifuji, Tokyo Tsukiji Hoterukan no zu (View of the hotel at Tsukiji, Tokyo), 1870, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42706

Toyohara Kunichika, Courtesan with attendants by a river, c.1870, Coloured woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7040

Thomas Eakins, Woman with Parasol (Walking Dress), (1875–1876), Ink, pencil, and watercolor on paper; 7 1/4 x 4 11/16 in. (18.3 x 11.8 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859665-0

after John Skinner - Painter, HEAWOOD, Thomas Prout, Waterfall near Adelaide (no. 94 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8793

Honoré Daumier, Square Napoléon, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6392

Félix-Hilaire Buhot, Une Matinée d'Hiver au Quai de l'Hôtel-Dieu (Winter Morning on the Quai de l'Hôtel-Dieu), 1876, etching, aquatint, drypoint, stop-out and roulette on japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4444

Edgar Degas, The Races, 1871–1872, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1157

Carleton Watkins, Yowiye, The Nevada Fall, 700ft., Yosemite, 1879–81 (B.41 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35572

Hans von Marées, Jünglinge in einer Landschaft ("Zwei Jünglinge"), c. 1875, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3138

Albert Besnard, Madeleine Lerolle and Her Daughter Yvonne, c. 1879–80, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148963

after John Skinner - Painter, WILLMORE, Arthur Prout, The Burra Burra Copper Mines (no. 90 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4499

Robert Dowling, Portrait of Mary Drysdale, 1879, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7930

James William Laing, Marino Lodge, Oxley-Ipswich Road, Queensland, April 1873, 1873, Pencil on paper adhered to backing board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11500

Edgar Degas, Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80, oil on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135238

Ōtagaki Rengetsu, Sencha cups, 1873, Hand-built stoneware, glazed, incised calligraphy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17985

Eastman Johnson, Winding Yarn (Interior of a Nantucket Kitchen), 1872, oil on board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173167

after John Skinner - Painter, FORREST, William Prout, The Upper Goulburn, Victoria (no. 30 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2501

Auguste Rodin, Adam, Modeled 1881, cast c. 1924, Bronze with dark brown patina, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11320

UNKNOWN, Handkerchief, c.1875–1900, Embroidery on tulle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6944

Richard Daintree, (Miners' camp, New Zealand Gully - Rockhampton district) (no. 20 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11163

Taiso Yoshitoshi, Takanawa testudo no zu (View of the train at Takanawa), 1871, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42707

METCALFE & GLAISTER, Family group, c.1875–78, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17788

CUMMERSDALE PRINT WORKS, Printing blocks, c.1870–90, Wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5139

Félix-Hilaire Buhot, Les Petites Chaumières (Thatched Cottages--Small Plate), 1878, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4449

Edgar Degas, On Stage I, 1876, soft-ground etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6482

Silvester Diggles, Leadbeater's cockatoo (Cacatua leadbeateri), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4228

Thomas Mathewson, (Seated lady with open umbrella, Brisbane), c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34812

AESTHETIC STYLE, Decanter, c.1875–1900, Lead crystal wheel cut. The metal handle and spout engraved with birds in the aesthetic taste, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7623

Gustave Courbet, Panoramic View of the Alps, Les Dents du Midi, 1877, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141168

Silvester Diggles, Australian shoveller (Spatula rhynchotis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10089

UNKNOWN, 11 fragments Chinese embroidery, c.1875–1925, Silk embroidered with polychrome silks and metal threads, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4068

Thai, Vessantara Jataka, Chapter 7: Jujaka and the Hermit Accala, late 19th century (Rattanakosin), pigments on wood, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.236

Auschar Chauncy, Portrait of Richard Edwards, 1874, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11129

Sir Edward Coley, Bt Burne-Jones, Study of a Standing Woman for ‘The Passing of Venus’, 1877, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00061

Edgar Degas, Portrait of Mlle. Hortense Valpinçon, c. 1871, Oil on mattress ticking, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.1

Arthur Esam, (Barn in a paddock), 1877, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11618

Aubrey Beardsley, Caricature of J.M. Whistler, 1872, pen and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4598

James McNeill Whistler, Upright Venice, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3182

James McNeill Whistler, St James's Street, 1878, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4882

Pierre-Auguste Renoir, The Dancer, 1874, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1211

W.C. Piguenit, Ben Lomond and the valley of the South Esk from near Avoca, 1879, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3682

Edgar Degas, Singer at a Café-Concert, 1876–77, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/43554

Félix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), 1878, etching, aquatint, drypoint, and roulette in black on toned paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4441

G.P. Wright, Cocos plumosa palm, the Curator's cottage, &c., Botanic Gardens (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14311

REMILLARD, (Portrait of a young woman), c.1870–1900, Carte-de-visite on albumen paper laid down on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3840

UNKNOWN, Scarf, c.1875–1900, Linen Point de Gaz needlepoint lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7195

MOORE BROS., Lamp base, c.1872–1905, Porcelain (parian) the oil container supported by an openwork rustic base which is flanked by cupids and applied flowering cacti. Green and cream overglaze colours with gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6850

Challinor, Taylor and Company, Bowl, 1870–85, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/790

Félix Bracquemond, Geese and the Approaching Storm, 1879, Graphite, charcoal, ink, and wash touched with red chalk and lead white (oxidized in places), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.36

Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2811

Pottier and Stymus Manufacturing Company, Side chair, c. 1875, Black walnut, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/235

Sir Edward Coley, Bt Burne-Jones, St Aidan, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00075

Thomas Bevan, (Young couple), c.1870–94, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25786

CENTENNIAL PHOTOGRAPHIC CO. Unknown - Photographer, The Queensland Court at the Philadelphia International Exhibition, 1876, Stereoscopic albumen photographs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34950

UNKNOWN (initials VR), Bush life in Queensland:
A bush store; A card party; Inside a bush tavern - a general "shout"; and Outside a bush tavern - "penitential moments" (from 'The Graphic', London, 30 November 1878, pages 560 and 561), 1878, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17813

Félix-Hilaire Buhot, Un Débarquement en Angleterre (Landing in England), 1879, etching, drypoint, aquatint (dust ground and spirit ground), roulette, and burnishing in black on oatmeal paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4451

CHINESE STYLE, Hanging, c.1870–1930, Red silk ground embroidered with satin stitch in floss silk in polychrome colours and couched metal threads with figures in a procession. Faces painted on silk and applied, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3928

Jean-Louis Forain, Dancers in their Dressing Room, c. 1876, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/133143

UNKNOWN, Collar, c.1870–1900, Horniton linen lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7446

Thomas Eakins, The Biglin Brothers Turning the Stake, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151904

J. F. Coonley, Coonley family, c. 1870, Albumen silver print; Image: 8.5 x 5.1 cm (3 3/8 x 2"); Sheet: 9.6 x 6 cm (3 3/4 x 2 3/8"); Mount: 10.5 x 6.3 cm (4 1/8 x 2 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813211-0

CHINESE STYLE, Robe, c.1870–1900, Blue silk embroidered with satin stitch, stem stitch: Peking knot in polychrome threads and couched metal threads, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1342

G.P. Wright, The Registrar-General's Office (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11351

Union Porcelain Works, Cup and saucer, 1875–85, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2796

Edgar Degas, The Singer in Green, c. 1884, Pastel on light blue laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436159

Jean-Baptiste Carpeaux, Charles Gounod, 1872, Terra-cotta; 25 1/4 x 17 x 16 in. (64.1 x 43.2 x 40.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858879-0

Jean-Charles Cazin, The Boatyard, c. 1875, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148966

Menzies Dickson, Kanacha King of the Fijis, c.1870–90, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34943

Marks Adjustable Folding Chair Company, Folding Armchair, c. 1877–97, Walnut, metal, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/229

UNKNOWN, Baby's cap, c.1870–1930, Silk brocade embroidered, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10626

Jean Baptiste Camille Corot, The Mill of Cuincy, near Douai (Le Moulin de Cuincy, pres Douai), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6011

W.M. Shew, (Pouting young girl with hair bows), c.1870–80, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35576

Sir Edward Coley, Bt Burne-Jones, St Alban, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00074

John Skinner Prout, (Rustic scene with mill water-wheel), c.1870, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14270

John J. - Engraver, BAINES, after Thomas Crew, An explorer's camp (no. 61 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4498

Sir Edward Coley, Bt Burne-Jones, St Oswald, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00076

Félix-Hilaire Buhot, Les Petites Chaumières (Thatched Cottages--Small Plate), 1878, etching, aquatint and drypoint on parchment, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1060

HURTEN, Charles Ferdinand W.t. Copeland & Sons Ltd [spode] - Manufacturer, Covered vase, c.1875, Porcelain with polychrome overglaze colours and tooled gilding, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5472

Charles-François Daubigny, Französischer Obstgarten zur Erntezeit (Le verger), 1876, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1431

BROWN & OTTO, Sister and younger brother, 1871–72, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35565

George Du Maurier, Exclusiveness, 1873, Pen and ink on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12556

METCALFE & GLAISTER, Victor Albert Alexander, aged 10 months, c.1875–78, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25771

William Adolphe Bouguereau, Rest, 1879, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173641

Carleton Watkins, Agassiz Rock, Union Point, Yosemite, 1879–81 (B.33 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35571

Félix-Hilaire Buhot, Une Matinée d'Hiver au Quai de l'Hôtel-Dieu (Winter Morning on the Quai de l'Hôtel-Dieu), 1876, etching, aquatint, drypoint, stop-out, and roulette on heavy wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4445

Eugene von Guerard, Waterfall on the Clyde River, Tasmania, 1877, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q67204173

Richard Daintree, (Open volcanic plains) (no. 4 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10240

after J.H. - Painter, CREW, John J. Carse, Gladstone, Queensland (from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17820

Odilon Redon, The Celt, c. 1878, Charcoal, chalk, and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35751

Odilon Redon, Windmill, c. 1875, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35962

Jean-Louis Forain, Le bar des Folies-Bergère (The Bar at the Folies-Bergère), c. 1876, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6857

G.P. Wright, The river - Petrie's Bight and wharves (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11297

Pottier and Stymus Manufacturing Company, Armchair, c. 1875–76, Black walnut, original and reproduction upholstery, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/236

UNKNOWN, Mat, c.1875–1900, Linen machine made lace, imitation needlepoint lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9673

Adolphe Monticelli, Ein Anstreicher an einer Hauswand, 1875, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1644

Richard Daintree, (Squatter's homestead) (no. 16 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11443

James McNeill Whistler, Long Venice, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3189

W.H. Sandford, Mr F.W. Overbeck, c.1878–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1527

Thomas - Engraver, BAINES, after Thomas Heawood, The baobab tree (no. 83 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12930

Silvester - Artist, EATON, Henry Green Diggles, Musk duck (Biziura lobata), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10110

UNKNOWN, Necklace and earrings, c.1870–1920, Glass beads threaded on linen. Floral pattern between lines of turquoise beads, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/807

Wilhelm Leibl, Älterer Bauer und junges Mädchen; Das ungleiche Paar, 1876–1877, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1330

Adams and Company, Bowl, 1870–80, Pressed yellow glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/779

Silvester - Artist, EATON, Henry Green Diggles, Red-backed kingfisher (Halcyon pyrrhopygia) and Sordid kingfisher (Halcyon sordidus), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3673

UNKNOWN, Shawl, c.1875–1925, Cerise silk with polychrome silk satin stitch floral embroidery. Macrame fringe, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10882

UNKNOWN, Bedspread, c.1875–1900, Knitted white threefold cotton with fringed edge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4540

Jean Baptiste Camille Corot, The Philosophers' Retreat (Le Repos des Philosophes), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6007

Sir Lawrence Alma-Tadema, R.A., O.M., A Roman Emperor: 41 AD, 1871, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.165

Tiffany & Co., Tall Clock, c. 1880, mahogany, teak with dial faces of gilded and patinated metal, glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156855

Jules Dalou, The Ornamenter Edouard Lindenhener, 1878, Bronze; sculpture: 7 1/2 x 4 x 5 7/8 in. (19 x 11.5 x 15 cm) base: 2 x 4 1/4 x 5 1/4 in. (5.1 x 10.8 x 13.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859280-0

Sir Edward Coley, Bt Burne-Jones, Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series, c.1873, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00063

UNKNOWN, Lace edging, c.1875–1900, Linen Flemish lace with narrow boblin lace edge.  Machine made, imitation Point de Gaz, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/173

Alfred Sisley, Seine-Ufer im Herbst, 1876, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1340

Jean Baptiste Camille Corot, The Isolated Fort (Le Fort detache), 1874, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5998

Richard Daintree, (Volcanic downs) (no. 6 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10111

Thomas Bryson Robertson, The artist's mother, 1877, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4402

Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6010

Frederick Goodall, The Holy Mother, 1875, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14264

Arthur Hughes, The Wicked Fairy for ‘At the Back of the North Wind’, c.1870, Ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00213

UNKNOWN, Collar, c.1870–1930, Linen machine made lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10109

Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545

Edgar Degas, Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880, soft-ground etching, drypoint, aquatint, and etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6484

Charles-François Daubigny, Apple Blossoms, 1873, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436085

UNKNOWN, (Portrait of a young woman), c.1870, Tintype on iron, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3186

UNKNOWN, Pair of imperial dragon dishes, 1875–1908 (Guanqxu period), Porcelain, yellow and green glaze, scalloped rims, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16147

after John Skinner - Painter, HEAWOOD, Thomas Prout, Fall of the Weatherboard (no. 68 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12933

Rodolphe Bresdin, The Haunted House, 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5265

Kawanabe Gyosai, Zashiki juku doke Chushingura, 1878 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.653

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6109

attrib. to Henry Muller, Portrait of a young Queensland Aboriginal woman, c.1870, Albumen photograph mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8043

Leblanc (Firm), Point Paper (mise-en-carte), c. 1880, Opaque watercolor (gouache) over graphite with black ink on mold paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217073

Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250

Mariano Fortuny, The Rare Vase, 1870, watercolor and opaque watercolor with selectively applied glaze over traces of charcoal (?) on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.148

Édouard Manet, Die Krocketpartie, 1873, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1463

James McNeill Whistler, Butterfly for a Valance at Dowdeswell's Gallery, c. 1884, Graphite and watercolor on beige laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4654

Gustave Doré, Alpine Landschaft mit Wildbach, nach 1870, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1539

Biggingee Sorabjee Pochee, (Man and woman), c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71657

Eliza Cox, Prosanthera roundafolia, Stypandra caespitose, Burchardia unbelata and Drosera peltata, 1872, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11781

Louis Buvelot, Yarra flat, c.1872, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11199

Jean Baptiste Camille Corot, The Lonely Tower (La Tour isolee), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6003

Théodule Ribot, Die leere Flasche, c. 1876–1881, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114027

Pierre-Auguste Renoir, Nach dem Mittagessen (La fin du déjeuner), 1879, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3018

Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6483

Honoré Daumier, A qui le tour?, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6394

James McNeill Whistler, The Little Lagoon, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3164

UNKNOWN, Handkerchief, c.1875–1900, Linen Bedfordshire Maltese lace with a waterlily design embroidered in one corner, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5750

James McNeill Whistler, Doorway and Vine, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3173

after John Skinner - Painter, BIBBY, H. Prout, On the Goulburn, Victoria (no. 25 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8986

Joseph Warrin Wilder, Mother and two daughters, Rockhampton, c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17723

China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7

Henri Fantin-Latour, Manfred and Astarte (1st plate), 1879, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6842

William Callow, Frauenkirche, Prague, 1874, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00135

Alphonse Legros, Extase Poetique, 1876, Etching with drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24792

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.14B

UNKNOWN, Scenes of Australian life: 
A horse sale, Rockhampton, Queensland; Hobbling a horse: arrival in camp; In the bush: en route; Camping out alone: down on his luck; A shot at an alligator; "Droving": watching cattle at night; and "Give us a light, Jemmy" (f, 1876, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17807

UNKNOWN, Handkerchief, c.1875–1900, Embroidery on tulle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/359

Auguste Lepère, Les Fauteuils d'orchestre, 1878, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8499

Toyohara Kunichika, Courtesan Nakamonji Hamamura with attendant by a waterfall, c.1870, Coloured woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6560

Richard Daintree, (Alluvial gold mining) (no. 18 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8207

J. Miller M'Kim, 1872, Engraving on paper; Book closed: 24.4 × 17.5 × 5.8 cm (9 5/8 × 6 7/8 × 2 5/16"); Book open: 24.4 × 31.6 × 5.8 cm (9 5/8 × 12 7/16 × 2 5/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399828337-0

Henri de Toulouse-Lautrec, Album de Marine: Sketchbook of 48 folios containing 17 watercolors and 27 black chalk and graphite sketches, 1879–80, Graphite, watercolor and black chalk on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334729

Julia Margaret Cameron, Portrait of Frances St John, c.1870, Albumen photograph, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12466

Jean Baptiste Camille Corot, Ville-d'Avray, 1870, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435988

UNKNOWN, Ikat weave hanging, c.1875–1925, Cotton, two Ikat warp panels joined (blue), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2328

Sir Edward Coley, Bt Burne-Jones, Study of a Female Head for ‘The Hours’, c.1872, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00070

G.P. Wright, Government House and domain, from the top of the parliamentary buildings (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9039

Jean-Louis Forain, Le café de la Nouvelle Athènes (The Cafe of the New Athens), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6856

Jean Baptiste Camille Corot, Bildnis eines italienischen Mädchens, 1870, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1487

Utagawa Hiroshige Iii, View of trading companies at Yokohama, 1871, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42709

Edgar Degas, Mlle Bécat at the Café des Ambassadeurs, 1877–78, Lithograph in black on grayish white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13560

Honoré Daumier, C'est dangereux, la pêche à l'épervier, 1872, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6389

after John Skinner - Painter, SADDLER, John Prout, Government House, Sydney (no. 57 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8792

Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on chine-like laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6481

Benjamin Creswick, Portrait bust of John Ruskin, 1877, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1808

Honoré Daumier, Nous ne nous serions jamais douté tout de même..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6390

Jean Baptiste Camille Corot, The Rider in the Reeds (Le Cavalier dans les roseaux), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6005

Jean-François Millet, Pasture near Cherbourg (Normandy), 1871–72, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.5

UNKNOWN, Ikat weave hanging, c.1875–1925, Cotton, two Ikat warp panels joined (red), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7138

Sir Edward Coley, Bt Burne-Jones, Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’, c.1875, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00108

Frederick Goodall, Mother and Child, c.1872–74, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13595

Auguste Rodin, Bust of a Woman, 1875, terracotta with plaster and paint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/996

Félix Bracquemond, The Old Cock, c. 1882, conté crayon with brush and brown-black wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5264

Alphonse Legros, L'incendie (The fire), c.1875, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24799

James McNeill Whistler, The Venetian Mast, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3172

Edgar Degas, The Milliner, c. 1882, Pastel and charcoal on warm gray wove paper, now discolored to buff (watermark MICHALLET), laid down on dark brown wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436151

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.4B

METCALFE & GLAISTER, William Robert Alexander, aged 2 yrs 10 mths, c.1875–78, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25770

Etienne Carjat, Alexandre Dumas (French novelist and playwright, 1802-1870), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144656

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7649

Paul Cezanne, Le bassin et l'allée des marronniers au Jas de Bouffan, c. 1878–1890, Aquarell über Bleistift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/15228

Edgar Degas, Dancer Onstage, c. 1877, Gouache over graphite underdrawing on thin wove commercially coated yellow paper, laid down on board, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436134

Ogawa Teikan, Tsuba with Peony and Butterfly, 1871 (Meiji), silver, shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1227.2

UNKNOWN, Covered vase, c.1870, Hard-paste porcelain broad baluster shape with a polychrome rococo revival and a floral panel reserved from the cobalt ground.  Gilt details (worn), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5515

Jean Baptiste Camille Corot, The Meeting in the Woods (La Rencontre du bosquet), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6004

James McNeill Whistler, Florence Leyland, c. 1873, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4880

Odilon Redon, Winged Horseman, c. 1875, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35876

Carleton Watkins, Seal Farallon Islands, P.O., 1879–80 (B.128 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35574

James McNeill Whistler, San Biagio, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3174

Giacinto Melillo, Archaeological-Style Necklace with Intaglios, late 19th-early 20th century, gold, sardonyx, agate, rock crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1534

C.G.S. Hirst, Erin's home, Boggo Queensland, 1876, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9627

Carleton Watkins, D.H. Oneonta Gorge, Columbia River Scenery O., 1879–80 (D.11 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35573

Edgar Degas, The Ballet from "Robert le Diable", 1871, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436123

Jean-Baptiste Carpeaux, Jean-Léon Gerôme, (1871/cast 1871–1888), Bronze; 23 15/16 x 9 7/8 x 9 15/16 in. (60.8 x 24.8 x 25 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858882-0

George Du Maurier, "Like this, you know!", 1872, Pen and ink on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2573

Ochiai Yoshiiku, Illustrated broadsheet (The Tokyo Daily News) reporting on a policeman arresting a criminal at Asakusa, c.1875, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7582

after John Skinner - Painter, COUSEN, Charles Prout, Sydney Heads (no. 56 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3617

James Charles Armytage, Melbourne from the St. Kilda Road (no. 45 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1063

Silvester Diggles, Wood swallow (Artamus sordidus), White-eyebrowed wood swallow (Artamus superciliosus) and White-rumped wood swallow (Artamus leucopygialis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10081

Alphonse Legros, Head of a Man (Tete d'homme), 1877, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8288

Narcisse-Virgile Diaz de la Peña, A Vista through Trees: Fontainebleau, 1873, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436195

after John Skinner - Painter, ALLEN, James Baylis Prout, On the Plenty, near Melbourne (no. 41 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8985

Silvester Diggles, Black-breasted buzzard (Buteo melanosternon), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8074

George Lucas, Harvest, c.1873–90, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8360

William Callow, Giessen, 1871, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00133

Baumann Brothers, Bedstead, c. 1880, Maple, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/445

Henri-Joseph Harpignies, View near Hérisson, 1875, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.181

James McNeill Whistler, Lagoon: Noon, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3193

Félix-Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879/1880, etching, aquatint, and drypoint in black on cream laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4447

Albert - Photographer, ALBERT LOMER & CO Lomer, My little sister Isabel, c.1874–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25761

Hans Thoma, In der Hängematte, 1876, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2864

Ferdinand Gaillard, Pius IX, 1873, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7326

Félix-Hilaire Buhot, L'Orage (The Storm), 1879, drypoint and roulette with isolated areas of etching and possibly salt lift in black on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4459

Hans Thoma, Unter dem Flieder, 1871, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3760

James Charles Armytage, Concordia gold mines (no. 17 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/699

Odilon Redon, Eye-Balloon (Œil-ballon), 1878, Charcoal and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33013

Edgar Degas, Diego Martelli, 1879, charcoal and white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130528

James McNeill Whistler, Wheelwright, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3194

Edgar Degas, Die Orchestermusiker, 1872, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3079

George Du Maurier, Fashion procession, c.1877, Pen and brown ink over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12557

James McNeill Whistler, The Beggars, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3171

James Charles Armytage, The punt, Echuca (no. 31 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2114

Jean Baptiste Camille Corot, Drowsing Cattle (Le Dormoir des vaches), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6009

Edward H Forster, (Young girl in lace dress seated), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25780

Henry Hobson Richardson, Armchair, c. 1880, Oak, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/238

after James Charles Armytage, Brisbane (from South Brisbane) (no. 82 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8983

Auguste Rodin, L'Age d'airain (The Bronze age), 1876–77, cast 1955, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13484

Chelsea Keramic Art Works, Cup and Saucer, 1879–83, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2857

Edward H Forster, (Lady with hat and umbrella standing beside chair), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25778

Jean-Louis Forain, Déclaration d'amour (Declaration of Love), c. 1880, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6947

Sir Edward Coley, Bt Burne-Jones, Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series, c.1871–3, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00058

John Singer Sargent, Luxembourg Gardens at Twilight, 1879, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.20

Edgar Degas, The Dance Lesson, c. 1879, Pastel and black chalk on three pieces of wove paper, joined together, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436132

Auguste Rodin, The Age of Bronze, 1875–76, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/98627

Lewis Carroll, Xie Kitchin, Captive Princess, 26 June 1875, 1875, Hand-tinted albumen photograph from wet plate negative on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34979

Frank Duveneck, Leslie Pease Barnum, 1876, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1097

Sir Edward Coley, Bt Burne-Jones, The Finding of Moses, 1879, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00073

Louis Majorelle, Wall Cabinet, late 19th century, fruit wood with marquetry, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.87

Herter Brothers, Bedstead, c. 1880, Cherry, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/443

Sir Edward Coley, Bt Burne-Jones, St Boniface, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00077

Edgar Degas, Woman on a Sofa, 1875, Oil colors freely mixed with turpentine, with touches of pastel, over graphite underdrawing, on pink paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436125

Percy Hume Dodgson, (Castle Hill, Townsville), c.1877, Pencil and sepia wash on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6719

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6082

Luigi Bevilacqua, Panel (Furnishing Fabric), 1875/1925, Silk, cotton and gilt strip, plain weave with supplementary patterning wefts and pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58027

Peter Timmes, Bench, c. 1880–1900, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/463

Mississippi Legislature, <I>Revised Code of Mississippi</I>, 1871, ink on paper (fiber product); H x W x D (closed): 10 1/4 × 7 1/16 × 2 1/2 in. (26.1 × 18 × 6.4 cm); H x W x D (open): 10 1/4 × 16 1/8 × 2 1/2 in. (26.1 × 40.9 × 6.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746025-0

Albert Lomer, Elsie Medora Sara Guertz, 1874, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15276

Thomas Eakins, Drawing Of Girard Avenue Bridge/Verso Sketch Of An Oar, (c. 1871), Pencil on paper; 4 1/8 x 6 7/8 in. (10.4 x 17.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859671-1

James McNeill Whistler (1834-1903), Old Putney Bridge, 1879, Etching; ink on paper; H x W: 20.1 x 29.5 cm (7 15/16 x 11 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183380-0

Edward Paxman - Engraver, BRIERLY, after Oswald Walters Brandard, Glenelg and Adelaide Harbour (no. 93 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4081

Auguste Rodin, The Age of Bronze (L'Age d'Airain), model 1875–1876, cast 1903–1904, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1003

Silvester Diggles, Mound-raising megapode (Megapodius tumulus), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7945

Aubrey Beardsley, Tannhäuser, 1872, pen and black ink with gray wash heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4600

Jean-Léon Gérôme, Der heilige Hieronymus, 1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102185

KYOTO STYLE, Vase, c.1875–1900, Baluster shaped vase with modelled dragons on neck and crackled cream glaze with polychrome overglaze figures, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4050

Julia Margaret Cameron, Mary Hillier and Four Other Women ("Have we not heard the Bridegroom is so sweet!"), 1874, Albumen print on original mount, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36016

Jean Baptiste Camille Corot, Sappho (Sapho), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6008

James McNeill Whistler, Salute Dawn, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3192

Félix-Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879/1880, etching, aquatint, and drypoint in black on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1061

UNKNOWN, Suzuribako (writing box), c.1875–1925, Lacquer box, lacquer trays, grinding block and lid, ink stone, ink stone box and lid, and brushes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10484

MACLURE and MACDONALD, Brisbane in 1872, 1875, Chromolithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17642

A Courbould, Life in the backwoods of Queensland: 
A load of wool stuck in the mud; A native encampment - breakfast time; A native cutting out 'sugar bag' from a bee's nest; Running in wild horses; Coach travelling; stopped by a flood and A native postman (from 'The, 1878, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17812

Camille Pissarro, Edge of the Woods Near L'Hermitage, Pontoise, 1879, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128392

John J. - Engraver, ARMYTAGE, after James Charles Crew, Mount Laura, Camperdown (no. 33 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4007

Edouard Detaille, A Dragoon on Horseback, 1876, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436187

Berthe Morisot, Mademoiselle Louise Riesener in a Hat, c. 1877–80, pastel on pale blue laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135405

Édouard Manet, Civil War (Guerre civile), 1871, lithograph on chine collé, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8683

after John Skinner - Painter, BRADSHAW, Samuel Prout, On the Cow Pasture River (no. 65 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12932

Louis Michel Eilshemius, Shelter, 1878, Pencil on colored paper; 8 5/8 x 12 7/16 in. (21.9 x 31.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-0

John Deazeley, (Young lady), c.1874–86, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25772

Édouard Manet, At the Races, c. 1875, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1180

Biggingee Sorabjee Pochee, (Young boy and girl), c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71658

Eliza Cox, Solanum aviaclare (Kangaroo apple) and Diplarrhema latifolia, 1872, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11026

Gustave Courbet, River and Rocks, 1873–77, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436020

Louis Eysen, Die Erdpyramiden am Schalderer Bach bei Vahrn, 1878, Aquarell über Bleistift auf elfenbeinweißem mattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18821

UNKNOWN, Shawl, c.1875–1900, Linen (lace), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3628

James Holt, Pair of silver-mounted emu eggs, 1879, Emu eggs, supported on ears of wheat with lizards and frogs on domed base and kangaroo and emu finials in silver, each with a glass dome and ebonised circular stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17379

Edgar Degas, Leaving the Bath, 1879–80, Drypoint and aquatint in black on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64982

Isaac Broome, Bust of Benjamin Franklin, 1876, Parian porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/476

Édouard Manet, Berthe Morisot with a Muff, c. 1871–72, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135336

Eliza Cox, Austral olives, 1871, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9125

Nadar (Gaspard Félix Tournachon), François Coppée (French poet and novelist, 1842-1908), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 2, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144580

Alphonse Legros, Portrait of G.F. Watts, c.1877–90, Etching with drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24793

Félix-Hilaire Buhot, La Traversée (The Passage), 1879–1885, etching, drypoint, roulette, aquatint and stop-out in black on brown laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4443

UNKNOWN, Famille rose zhadou (leys jar), 1875–1908 (Guangxu period), Porcelain, glazed, gilt rim, floral roundel designs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16122

Anonymous Artist, Louis II de Bourbon, Prince de Condé, 1877/1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1249

Charles-François Daubigny, Boats on the Seacoast at Etaples, 1871, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436084

Edgar Degas, A Woman Ironing, 1873, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436174

UNKNOWN, Handbag, c.1875–1925, Silk beaded on hand made mesh with upper portion of navy silk. Clasp of silver (?), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/746

Samuel Palmer, The bellman, 1879, Etching on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6416

Silvester Diggles, Rose-breasted cockatoo (Cacatua eos), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5108

Eugène Cicéri, Half-Timbered Houses along a Waterway, 1877, Photomechanical reproduction of a drawing in charcoal (stumped), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334672

Pierre Petit, Émile Erckmann (French writer, 1822-1899) and Alexandre Chatrian (French writer, 1826-1890), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 1, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/143428

Jean Baptiste Camille Corot, Landscape with Figures (Les Bohémiens), 1872, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435964

Jean Baptiste Camille Corot, The Forest of Coubron, 1872, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1149

after John Skinner - Painter, ALLEN, James Baylis Prout, Lake St. Clair, Tasmania (no. 111 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3459

Hans Thoma, Bildnis Ida Müller, geb. Scholderer, 1877, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3501

George Jakob Hunzinger, Folding Armchair, after 1876, Maple, steel mesh, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/225

Albert - Photographer, ALBERT LOMER & CO Lomer, (Young lady standing beside wooden fence), c.1874–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25764

Jean Baptiste Camille Corot, Willows and White Poplars (Saules et peupliers blancs), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6013

Edgar Degas, Portraits at the Stock Exchange, c. 1878–79, Pastel on paper, pieced, and laid down on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436154

Alphonse Legros, Head, 1879, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8451

Auguste Rodin, The Walking Man (L'Homme qui marche), model 1878–1900, cast probably 1903, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1004

Taiso Yoshitoshi, Ippuku no mitai (The desire to smoke) (from 'Mitate tai zukushi' (A collection of desires) series), 1878, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2507

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.9A

James McNeill Whistler (1834-1903), Staircase panel, 1876, Oil paint and metal leaf on wood; H x W: 51.1 x 36.8 cm (20 1/8 x 14 1/2 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184936-0

James McNeill Whistler (1834-1903), From Billingsgate, 1878, Drypoint; ink on paper; H x W: 14.7 x 22.4 cm (5 13/16 x 8 13/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184790-1

UNKNOWN, Lace edging, c.1875–1900, Linen Flemish lace, machine made, imitation Point de Gaz, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2450

Timothy H. O'Sullivan, Cañon de Chelle. Walls of the Grand Cañon about 1200 Feet in Height., 1873, albumen silver print; 8 x 10 7/8 in. (20.3 x 27.6 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061227-0

James Charles - Engraver, PROUT, after John Skinner Armytage, Grass tree plains (no. 18 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/700

Eugene von Guerard, Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand, 1877, Auckland Art Gallery Toi o Tāmaki, Auckland. https://dartabase.art/cite/wikidata/Q27884947

Thomas Nast, Tilden or Blood Compromise - Indeed!, 1877, Wood engraving on paper; Sheet: 29.7 × 42.1cm (11 11/16 × 16 9/16"); Image: 24.9 × 34.1cm (9 13/16 × 13 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803922-1

Eugène Rousseau, Carp Vase, 1878–1884, layered and engraved glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.384

Frank Duveneck, William Gedney Bunce, c. 1877–1878, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1098

William Michael Harnett, Memento Mori, "To This Favour", 1879, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141641

Jean-Louis Forain, L'ambulante au parapluie (Walker with an Umbrella), c. 1880, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6861

Aubrey Beardsley, Withered Spring, 1872, pen and black ink heightened with white over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4599

Paul Cezanne, Standing Bather, Seen from the Back, 1879–82, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191564

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6181

Edgar Degas, The Rehearsal Onstage, c. 1874, Pastel over brush-and-ink drawing on thin cream-colored wove paper, laid down on bristol board and mounted on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436156

George Augustus Baker, Portrait of the Artist, 1874, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.66

James McNeill Whistler, Nocturne: Palaces, 1879/1880, etching and drypoint in brownish-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3179

Charles Frederick Worth, Panel (from a Dress), 1875/1925, Silk, satin weave with supplementary pile warps forming cut, voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/107742

Pierre-Auguste Renoir, Seascape, 1879, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/81557

Thomas Matthews Rooke, Ruth and Naomi, 1876–7, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00839

Percy Thomas (1846-1922), After Whistler's Arrangement in Grey: Portrait of the Painter, 1874, Etching; ink on paper; H x W: 13.1 x 9.8 cm (5 3/16 x 3 7/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184512-0

UNKNOWN, Massive cloisonné urn, c.1875–1900, Elaborately decorated with alternating panels of birds at the shoulder and floral motifs around the body in the cloisonné technique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2716

James McNeill Whistler (1834-1903), Whistler with the White Lock, 1879, Drypoint; ink on paper; H x W: 11.7 x 8 cm (4 5/8 x 3 1/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184272-0

Silvester Diggles, Jardine's harrier (Circus jardinii), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5431

Rodolphe Bresdin, The Haunted House, 1871, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5266

Carl Müller, Holy Family, 1872, Black and white chalk on gray paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334933

H.L. Van Den Houten, Sunset scene in the vicinity of Mt Cathedral with Mts Mundy, Riddle and Juliet in the distance, 1877, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1687

Claude Monet, Häuser am Ufer der Zaan, 1871–1872, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1375

Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6859

Julia Margaret Cameron, The Bride of Abydos [Annie Chinery, Mrs Ewen Hay Cameron], 1871, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34980

W.C. Piguenit, Mangroves, Lane Cove River, c.1876, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4568

Silvester Diggles, Blue-faced honeyeater (Entomyza cyanotis) and White-pinioned honeyeater (Entomyza albipennis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6240

John - Collaborating artist, HART, W. Gould, Manucodia comrii (Curl-crested Manucode) (from 'The birds of New Guinea and the adjacent Papuan Islands' series), 1875–88, published 1888, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8589

C.A. Brown, Inkwell, 1874, Silver, emu egg on turned wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15340

Edgar Degas, Fan Mount: Dancers, 1879, Watercolor and metallic paint on silk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436142

Sir Edward Coley, Bt Burne-Jones, Study of a Seated Woman for ‘The Passing of Venus’, c.1877, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00062

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6083

Carleton E. Watkins, Witches Rock, near Echo City, Utah, 1873, albumen silver print; sheet and image: 21 3/8 x 16 3/8 in. (54.3 x 41.6 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061047-1

William Bell, Perched Rock, Rocker Creek, Arizona, 1872, albumen silver print; sheet and image: 10 3/4 x 8 in. (27.3 x 20.3 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061081-0

UNKNOWN, Lace edging, c.1875–1900, Linen Bucks bobbin lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/957

Georges Seurat, Stone Breaker, Le Raincy (Casseur de pierres, Le Raincy), c. 1879–81, Conté crayon and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34479

Silvester Diggles, Black-eared cuckoo (Chrysococcyx osculans), Shiny cuckoo (Chrysococcyx lucidus), and Narrow-billed cuckoo (Chrysococcyx basalis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8075

Jean-Louis Forain, Le bouquet (The Bouquet), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6854

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.5A

Thomas Matthews Rooke, Ruth and Boaz, 1876–7, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00840

Lewis Carroll, Alexandra „Xie“ Kitchin als chinesischer „Tea-Merchant“ (on Duty), 1873, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102494

Nicholas Chevalier, Weary:  An episode at St Leonards, 1878, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4676

Biggingee Sorabjee Pochee, (Young man), c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71656

G.P. Wright, (Weeping willow and bamboo, Botanic Gardens) (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/626

Charles-François Daubigny, The Seine: Morning, 1874, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436086

Francis Seymour Haden, Challow Farm, in or after 1877, drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1070

after J.H. - Painter, CREW, John J. Carse, Gladstone, Queensland (no. 84 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2578

James McNeill Whistler, Nocturne, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3162

James Tissot, Seaside (July: Specimen of a Portrait), 1878, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150083

Thomas Matthews Rooke, Naomi, Ruth and Obed, 1876–7, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00841

Silvester Diggles, Australian roller (Eurystomus australis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8073

Narcisse-Virgile Diaz de la Peña, The Forest of Fontainebleau, 1874, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436196

James McNeill Whistler, The Bridge, Santa Marta, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3181

Jean Lecomte du Nouÿ, A Eunuch's Dream, 1874, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155871

Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, color etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6858

Edgar Degas, The Actress Ellen Andrée, 1879, drypoint (electric crayon), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6480

Félix-Hilaire Buhot, Le Petit Enterrement (The Burial - Small Plate), 1878, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4452

Silvester Diggles, Crested oreoica (Oreoica cristate) and Spangled drongo shrike (Dicrurus bracteatus), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9713

Louis Michel Eilshemius, Windmill #2, 1878, Watercolor and pencil on paper; 8 x 11 3/4 in. (20 x 29.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859754-0

Edgar Degas, Actresses in Their Dressing Rooms, 1879–80, Etching and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21522

Alphonse Legros, English Beggars (Les mendiants anglais), 1875, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8301

Nishio Keiji, Silk mill at Kanazawa, Kaga Province, c.1874, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42720

J. and J. G. Low Art Tile Works, Border Tile, c. 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/566

The Byerly Picture Gallery, 1871, Engraving on paper; Image/Sheet: 25 × 18.9 cm (9 13/16 × 7 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824616-1

Antoine Samuel Adam-Salomon, Charles Garnier (French architect, 1825-1898), 1876/84, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 4, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/143448

Elizabeth King Hawley, Hanging Sphere, c. 1875, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35637

Sir Edward Coley, Bt Burne-Jones, Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’, c.1872–7, Charcoal and graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00065

Thomas - Engraver, CARSE, after J.H. Heawood, New Zealand Gully near Rockhampton, Queensland (no. 85 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2577

Jean Baptiste Camille Corot, The Bell Tower of St. Nicolas-Lez-Arras (Le Clocher de St. Nicolas-Lez-Arras), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6002

Edgar Degas, Two Dancers, 1873, Dark brown wash and white gouache on bright pink commercially coated wove paper, now faded to pale pink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436165

Léon Vidal, Italienischer Dolch, 16. Jahrhundert, c. 1876, Vidal-Fotochromie, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102617

after James Charles Armytage, Brisbane (from South Brisbane) (no. 82 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12931

James McNeill Whistler (1834-1903), Free Trade Wharf, 1877, Etching; ink on paper; H x W: 9.9 x 18.7 cm (3 7/8 x 7 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183372-0

George Barker, recto: Rock of Ages, Niagara 
verso: General view of the Falls from Prospect Point, c.1875, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35562

Henry Jones, Pacific Islander, c.1877–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34941