Eliza Cox, Epacris impressa (Common heath), 1872, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11783 Chester Earles, Interior with figures, 1872, Oil on canvas on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5036 UNKNOWN, (Portrait of an elderly gentleman), c.1870, Tintype on iron, in paper mount, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11126 Kuichi Uchida, Bridges leading up to Yokohama Station, c.1872–73, Vintage hand-coloured albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9178 John Deazeley, (Lady in silk dress), c.1874–86, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25773 after John Skinner - Painter, BRANDARD, Edward Paxman Prout, Perth, Tasmania (no. 96 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2116 Oswald Walters Brierly, Untitled (yachting in stormy weather), c.1874, Watercolour over pencil on thin wove watercolour paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14593 Alphonse Legros, Portrait of Edward Poynter, 1877, Etching and drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24796 after John Skinner - Painter, BIBBY, H. Prout, Willoughby Falls, near Sydney (no. 52 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2115 Menzies Dickson, Kanaka natives of the Sandwich Islands, c.1870–90, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34987 after John Skinner - Painter, WILLMORE, Arthur Prout, Cataract Glen, Mount Wellington, Tasmania (no. 109 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4004 YOSHITORA, Shin-Yoshiwara Edomachi nichome (True picture of five-story building of Gozeiro and Hotuchiro), 1871, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42708 Alphonse Legros, La charrette brisée (The broken cart), 1876, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24795 G.P. Wright, The General Post Office (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8076 G.P. Wright, Victoria Bridge, from William Street (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8077 Menzies Dickson, Kanaka native of the Sandwich Islands, c.1870–90, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34988 Allan (Ramsay Cunningham) Hughan, (Three New Caledonian men), c.1875, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34947 G.P. Wright, The Lands Office (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11215 UNKNOWN, Gizeh. Palais du Prince Hussein Kamil Pacha (Giza. The palace of Prince Hussein Kamil Pacha), c.1870–1900, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6243 Silvester Diggles, Spine-tailed swift (Acanthylis caudacuta) and Australian swift (Cypselus australis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5785 Thomas Mathewson, Ruby E.T. Guertz, 1878, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11120 Thomas Washbourne, (Wannon Falls), c.1870, Albumen photograph on paper laid down on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9431 J.H. Carse, Wallaga Lake near Bega, NSW, 1877, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5311 after J.H. - Painter, BRADSHAW, Samuel Carse, Townsville, Queensland (no. 89 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2646 Richard Daintree, (Sugar cane, Mackay - Davidson's Alexandra plantation) (no. 8 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8048 Silvester Diggles, White ibis (Threskiornis strictipennis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1800 UNKNOWN, Baby's christening bonnet, c.1870–1900, Embroidery linen fabric embroidered with gold metal threads, beads and sequins. Embroidery padded with cotton. Face of bonnet edged with two kinds of bobbin lace, one in metal thread (1cm wide), the other in linen (4cms), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6021 John J. Crew, Burke & Wills Monument, Melbourne (no. 1 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9449 after John Skinner - Painter, HEAWOOD, Thomas Prout, Barrossa Ranges (no. 3 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8794 UNKNOWN, Collar, c.1870–1900, Linen mixed Brussels duchess with needlepoint medallions, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/76 after J.H. - Painter, BRADSHAW, Samuel Carse, Townsville, Queensland (no. 89 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2629 Ludwig Nieper, Selma Knauth Bowditch (1853-1918), 1871, Oil on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4655 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.17A Joseph Warrin Wilder, (Indian gentleman, Rockhampton), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34826 Silvester Diggles, New Holland goshawk (Astur novae-hollandiae), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9553 UNKNOWN, Portrait of young boy in traditional dress, c.1875, Ambrotype, 1/6 plate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10307 after John Skinner - Painter, COUSEN, Charles Prout, Tasman's Island (no. 107 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1417 after J.H. - Painter, CREW, John J. Carse, Gladstone, Queensland (no. 84 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11269 G.P. Wright, The fountain and terra cottas, Acclimatization Society, Bowen Park (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4618 John Watson, (Couple), c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71661 Richard Daintree, (Second class pastoral) (no. 13 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3814 Silvester - Artist, EATON, Henry Green Diggles, Blood-stained cockatoo (Cacatua sanguinea), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1799 Biggingee Sorabjee Pochee, Maud Hay, Gayndah, c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25785 BAILEY, Wilbur Fisk - Photographer, WINTER, Robert Bailey & Winter - Studio, Mary and James O'Coner, c.1875, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35563 Muirhead Bone, Near Siena, 1876, graphite with gray wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1048 Eliza Cox, Nymphoides germinata, 1870, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11780 George Du Maurier, Social tomorrow at 9am, 1878, Pen and brown ink over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12558 G.P. Wright, Tropical foliage - the island, Botanic Gardens (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3502 Edward H Forster, (Young girl standing on chair), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25779 W.C. Piguenit, Valley of the Grose, 1876, Oil on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7270 M.E. Dockree, The mill stream, c.1872, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5310 Utagawa Yoshifuji, Tokyo Tsukiji Hoterukan no zu (View of the hotel at Tsukiji, Tokyo), 1870, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42706 Toyohara Kunichika, Courtesan with attendants by a river, c.1870, Coloured woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7040 after John Skinner - Painter, HEAWOOD, Thomas Prout, Waterfall near Adelaide (no. 94 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8793 Carleton Watkins, Yowiye, The Nevada Fall, 700ft., Yosemite, 1879–81 (B.41 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35572 after John Skinner - Painter, WILLMORE, Arthur Prout, The Burra Burra Copper Mines (no. 90 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4499 Robert Dowling, Portrait of Mary Drysdale, 1879, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7930 James William Laing, Marino Lodge, Oxley-Ipswich Road, Queensland, April 1873, 1873, Pencil on paper adhered to backing board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11500 Ōtagaki Rengetsu, Sencha cups, 1873, Hand-built stoneware, glazed, incised calligraphy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17985 after John Skinner - Painter, FORREST, William Prout, The Upper Goulburn, Victoria (no. 30 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2501 UNKNOWN, Handkerchief, c.1875–1900, Embroidery on tulle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6944 Richard Daintree, (Miners' camp, New Zealand Gully - Rockhampton district) (no. 20 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11163 Taiso Yoshitoshi, Takanawa testudo no zu (View of the train at Takanawa), 1871, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42707 METCALFE & GLAISTER, Family group, c.1875–78, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17788 CUMMERSDALE PRINT WORKS, Printing blocks, c.1870–90, Wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5139 Silvester Diggles, Leadbeater's cockatoo (Cacatua leadbeateri), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4228 Thomas Mathewson, (Seated lady with open umbrella, Brisbane), c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34812 AESTHETIC STYLE, Decanter, c.1875–1900, Lead crystal wheel cut. The metal handle and spout engraved with birds in the aesthetic taste, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7623 Silvester Diggles, Australian shoveller (Spatula rhynchotis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10089 UNKNOWN, 11 fragments Chinese embroidery, c.1875–1925, Silk embroidered with polychrome silks and metal threads, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4068 Thai, Vessantara Jataka, Chapter 7: Jujaka and the Hermit Accala, late 19th century (Rattanakosin), pigments on wood, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.236 Auschar Chauncy, Portrait of Richard Edwards, 1874, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11129 Arthur Esam, (Barn in a paddock), 1877, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11618 W.C. Piguenit, Ben Lomond and the valley of the South Esk from near Avoca, 1879, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3682 G.P. Wright, Cocos plumosa palm, the Curator's cottage, &c., Botanic Gardens (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14311 REMILLARD, (Portrait of a young woman), c.1870–1900, Carte-de-visite on albumen paper laid down on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3840 UNKNOWN, Scarf, c.1875–1900, Linen Point de Gaz needlepoint lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7195 MOORE BROS., Lamp base, c.1872–1905, Porcelain (parian) the oil container supported by an openwork rustic base which is flanked by cupids and applied flowering cacti. Green and cream overglaze colours with gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6850 Sir Edward Coley, Bt Burne-Jones, St Aidan, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00075 Thomas Bevan, (Young couple), c.1870–94, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25786 CENTENNIAL PHOTOGRAPHIC CO. Unknown - Photographer, The Queensland Court at the Philadelphia International Exhibition, 1876, Stereoscopic albumen photographs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34950 UNKNOWN (initials VR), Bush life in Queensland: A bush store; A card party; Inside a bush tavern - a general "shout"; and Outside a bush tavern - "penitential moments" (from 'The Graphic', London, 30 November 1878, pages 560 and 561), 1878, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17813 CHINESE STYLE, Hanging, c.1870–1930, Red silk ground embroidered with satin stitch in floss silk in polychrome colours and couched metal threads with figures in a procession. Faces painted on silk and applied, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3928 UNKNOWN, Collar, c.1870–1900, Horniton linen lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7446 CHINESE STYLE, Robe, c.1870–1900, Blue silk embroidered with satin stitch, stem stitch: Peking knot in polychrome threads and couched metal threads, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1342 G.P. Wright, The Registrar-General's Office (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11351 Menzies Dickson, Kanacha King of the Fijis, c.1870–90, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34943 UNKNOWN, Baby's cap, c.1870–1930, Silk brocade embroidered, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10626 W.M. Shew, (Pouting young girl with hair bows), c.1870–80, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35576 John Skinner Prout, (Rustic scene with mill water-wheel), c.1870, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14270 John J. - Engraver, BAINES, after Thomas Crew, An explorer's camp (no. 61 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4498 HURTEN, Charles Ferdinand W.t. Copeland & Sons Ltd [spode] - Manufacturer, Covered vase, c.1875, Porcelain with polychrome overglaze colours and tooled gilding, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5472 BROWN & OTTO, Sister and younger brother, 1871–72, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35565 George Du Maurier, Exclusiveness, 1873, Pen and ink on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12556 METCALFE & GLAISTER, Victor Albert Alexander, aged 10 months, c.1875–78, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25771 Carleton Watkins, Agassiz Rock, Union Point, Yosemite, 1879–81 (B.33 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35571 Richard Daintree, (Open volcanic plains) (no. 4 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10240 after J.H. - Painter, CREW, John J. Carse, Gladstone, Queensland (from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17820 G.P. Wright, The river - Petrie's Bight and wharves (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11297 UNKNOWN, Mat, c.1875–1900, Linen machine made lace, imitation needlepoint lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9673 Richard Daintree, (Squatter's homestead) (no. 16 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11443 W.H. Sandford, Mr F.W. Overbeck, c.1878–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1527 Thomas - Engraver, BAINES, after Thomas Heawood, The baobab tree (no. 83 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12930 Silvester - Artist, EATON, Henry Green Diggles, Musk duck (Biziura lobata), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10110 UNKNOWN, Necklace and earrings, c.1870–1920, Glass beads threaded on linen. Floral pattern between lines of turquoise beads, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/807 Silvester - Artist, EATON, Henry Green Diggles, Red-backed kingfisher (Halcyon pyrrhopygia) and Sordid kingfisher (Halcyon sordidus), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3673 UNKNOWN, Shawl, c.1875–1925, Cerise silk with polychrome silk satin stitch floral embroidery. Macrame fringe, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10882 UNKNOWN, Bedspread, c.1875–1900, Knitted white threefold cotton with fringed edge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4540 UNKNOWN, Lace edging, c.1875–1900, Linen Flemish lace with narrow boblin lace edge. Machine made, imitation Point de Gaz, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/173 Richard Daintree, (Volcanic downs) (no. 6 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10111 Thomas Bryson Robertson, The artist's mother, 1877, Oil on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4402 Frederick Goodall, The Holy Mother, 1875, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14264 UNKNOWN, Collar, c.1870–1930, Linen machine made lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10109 UNKNOWN, (Portrait of a young woman), c.1870, Tintype on iron, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3186 UNKNOWN, Pair of imperial dragon dishes, 1875–1908 (Guanqxu period), Porcelain, yellow and green glaze, scalloped rims, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16147 after John Skinner - Painter, HEAWOOD, Thomas Prout, Fall of the Weatherboard (no. 68 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12933 Kawanabe Gyosai, Zashiki juku doke Chushingura, 1878 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.653 attrib. to Henry Muller, Portrait of a young Queensland Aboriginal woman, c.1870, Albumen photograph mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8043 Mariano Fortuny, The Rare Vase, 1870, watercolor and opaque watercolor with selectively applied glaze over traces of charcoal (?) on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.148 Biggingee Sorabjee Pochee, (Man and woman), c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71657 Eliza Cox, Prosanthera roundafolia, Stypandra caespitose, Burchardia unbelata and Drosera peltata, 1872, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11781 Louis Buvelot, Yarra flat, c.1872, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11199 UNKNOWN, Handkerchief, c.1875–1900, Linen Bedfordshire Maltese lace with a waterlily design embroidered in one corner, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5750 after John Skinner - Painter, BIBBY, H. Prout, On the Goulburn, Victoria (no. 25 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8986 Joseph Warrin Wilder, Mother and two daughters, Rockhampton, c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17723 Alphonse Legros, Extase Poetique, 1876, Etching with drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24792 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.14B UNKNOWN, Scenes of Australian life: A horse sale, Rockhampton, Queensland; Hobbling a horse: arrival in camp; In the bush: en route; Camping out alone: down on his luck; A shot at an alligator; "Droving": watching cattle at night; and "Give us a light, Jemmy" (f, 1876, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17807 UNKNOWN, Handkerchief, c.1875–1900, Embroidery on tulle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/359 Toyohara Kunichika, Courtesan Nakamonji Hamamura with attendant by a waterfall, c.1870, Coloured woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6560 Richard Daintree, (Alluvial gold mining) (no. 18 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8207 Julia Margaret Cameron, Portrait of Frances St John, c.1870, Albumen photograph, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12466 UNKNOWN, Ikat weave hanging, c.1875–1925, Cotton, two Ikat warp panels joined (blue), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2328 G.P. Wright, Government House and domain, from the top of the parliamentary buildings (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9039 Utagawa Hiroshige Iii, View of trading companies at Yokohama, 1871, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42709 after John Skinner - Painter, SADDLER, John Prout, Government House, Sydney (no. 57 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8792 Benjamin Creswick, Portrait bust of John Ruskin, 1877, Plaster, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1808 UNKNOWN, Ikat weave hanging, c.1875–1925, Cotton, two Ikat warp panels joined (red), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7138 Frederick Goodall, Mother and Child, c.1872–74, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13595 Alphonse Legros, L'incendie (The fire), c.1875, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24799 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.4B METCALFE & GLAISTER, William Robert Alexander, aged 2 yrs 10 mths, c.1875–78, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25770 Ogawa Teikan, Tsuba with Peony and Butterfly, 1871 (Meiji), silver, shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1227.2 UNKNOWN, Covered vase, c.1870, Hard-paste porcelain broad baluster shape with a polychrome rococo revival and a floral panel reserved from the cobalt ground. Gilt details (worn), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5515 Jahn Ekenaes, The burgomaster, c.1870, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7904 Carleton Watkins, Seal Farallon Islands, P.O., 1879–80 (B.128 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35574 UNKNOWN, (Stereoscopic view of an art exhibition), c.1870–1900, Gelatin silver photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2589 attrib. to John Ruskin, (Lake landscape, Crummock), c.1870, Watercolour over pencil on wove paper on card cut to expose verso, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7202 Giacinto Melillo, Archaeological-Style Necklace with Intaglios, late 19th-early 20th century, gold, sardonyx, agate, rock crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1534 C.G.S. Hirst, Erin's home, Boggo Queensland, 1876, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9627 Carleton Watkins, D.H. Oneonta Gorge, Columbia River Scenery O., 1879–80 (D.11 from 'New Series' 1875-mid-1890s), Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35573 George Du Maurier, "Like this, you know!", 1872, Pen and ink on thick rough wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2573 Ochiai Yoshiiku, Illustrated broadsheet (The Tokyo Daily News) reporting on a policeman arresting a criminal at Asakusa, c.1875, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7582 after John Skinner - Painter, COUSEN, Charles Prout, Sydney Heads (no. 56 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3617 James Charles Armytage, Melbourne from the St. Kilda Road (no. 45 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1063 Silvester Diggles, Wood swallow (Artamus sordidus), White-eyebrowed wood swallow (Artamus superciliosus) and White-rumped wood swallow (Artamus leucopygialis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10081 after John Skinner - Painter, ALLEN, James Baylis Prout, On the Plenty, near Melbourne (no. 41 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8985 UNKNOWN, Head scarf, c.1870–1900, Brugge duchess, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7214 Silvester Diggles, Black-breasted buzzard (Buteo melanosternon), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8074 George Lucas, Harvest, c.1873–90, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8360 Albert - Photographer, ALBERT LOMER & CO Lomer, My little sister Isabel, c.1874–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25761 SHIGEHIRO, (Courtesan with market scene behind), c.1870, Key-block print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12415 Richard Daintree, (Volcanic downs country) (no. 7 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8194 James Charles Armytage, Concordia gold mines (no. 17 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/699 George Du Maurier, Fashion procession, c.1877, Pen and brown ink over pencil on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12557 James Charles Armytage, The punt, Echuca (no. 31 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2114 Edward H Forster, (Young girl in lace dress seated), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25780 Silvester Diggles, Black falcon (Falco subniger), c.1870, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5107 UNKNOWN, Gourd-shaped purse, c.1870 (Qing dynasty), Silk, embroidery with bats and wave designs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16193 after James Charles Armytage, Brisbane (from South Brisbane) (no. 82 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8983 UNKNOWN, Towel, c.1870–1930, Linen (handwoven) embroidered with silk and metal thread, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10468 Auguste Rodin, L'Age d'airain (The Bronze age), 1876–77, cast 1955, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13484 Edward H Forster, (Lady with hat and umbrella standing beside chair), c.1872–82, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25778 UNKNOWN, Pair of figurines, c.1870–80, Porcelain (bisque) slip-cast with elaborately costumed figures of a male and female, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8038 CHINESE STYLE, Robe, c.1870–1930, Blue silk with polychrome embroidery in satin stitch and couched metal threads, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/325 Student of Jean Baptiste Camille Corot, Study after 'Un matin à Ville-d'Avray' (Morning at Ville-d'Avray), c.1870, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6929 Lewis Carroll, Xie Kitchin, Captive Princess, 26 June 1875, 1875, Hand-tinted albumen photograph from wet plate negative on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34979 Louis Majorelle, Wall Cabinet, late 19th century, fruit wood with marquetry, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.87 Richard Daintree, (Open forest country) (no. 1 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8311 Richard Daintree, (Scrub land - Banks of Mary River) (no. 3 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10239 Percy Hume Dodgson, (Castle Hill, Townsville), c.1877, Pencil and sepia wash on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6719 Albert Lomer, Elsie Medora Sara Guertz, 1874, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15276 Edward Paxman - Engraver, BRIERLY, after Oswald Walters Brandard, Glenelg and Adelaide Harbour (no. 93 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4081 Silvester Diggles, Mound-raising megapode (Megapodius tumulus), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7945 REMILLARD, (Portrait of a young man), c.1870–1900, Carte-de-visite on albumen paper laid down on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3439 KYOTO STYLE, Vase, c.1875–1900, Baluster shaped vase with modelled dragons on neck and crackled cream glaze with polychrome overglaze figures, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4050 Julia Margaret Cameron, Mary Hillier and Four Other Women ("Have we not heard the Bridegroom is so sweet!"), 1874, Albumen print on original mount, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36016 UNKNOWN, Fan, c.1870–1900, Ivory mount and lace bark (Largetta linteria) and the winged seeds of French cotton (Calotropis procea). The border is the spathe of the cabbage palm (Oreodoa oleracea). The tassel fibre is made from Bromelia pinguin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10742 UNKNOWN, Suzuribako (writing box), c.1875–1925, Lacquer box, lacquer trays, grinding block and lid, ink stone, ink stone box and lid, and brushes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10484 MACLURE and MACDONALD, Brisbane in 1872, 1875, Chromolithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17642 A Courbould, Life in the backwoods of Queensland: A load of wool stuck in the mud; A native encampment - breakfast time; A native cutting out 'sugar bag' from a bee's nest; Running in wild horses; Coach travelling; stopped by a flood and A native postman (from 'The, 1878, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17812 John J. - Engraver, ARMYTAGE, after James Charles Crew, Mount Laura, Camperdown (no. 33 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4007 after John Skinner - Painter, BRADSHAW, Samuel Prout, On the Cow Pasture River (no. 65 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12932 UNKNOWN, (Portrait of an elderly couple), c.1870–1900, Glass plate negative on glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9660 John Deazeley, (Young lady), c.1874–86, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25772 Biggingee Sorabjee Pochee, (Young boy and girl), c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71658 Eliza Cox, Solanum aviaclare (Kangaroo apple) and Diplarrhema latifolia, 1872, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11026 UNKNOWN, Shawl, c.1875–1900, Linen (lace), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3628 UNKNOWN, Collar, c.1870–1930, Linen machine made lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7447 Richard Daintree, (Scrubby forest land) (no. 2 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10238 James Holt, Pair of silver-mounted emu eggs, 1879, Emu eggs, supported on ears of wheat with lizards and frogs on domed base and kangaroo and emu finials in silver, each with a glass dome and ebonised circular stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17379 UNKNOWN, Fan, c.1870–1930, Ostrich feathers with tortiseshell blades, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3652 Menzies Dickson, Hula dancer and man with drum, c.1870–90, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34989 Eliza Cox, Austral olives, 1871, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9125 Richard Daintree, (Sugar crushing, Mackay) (no. 9 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8187 Alphonse Legros, Portrait of G.F. Watts, c.1877–90, Etching with drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24793 Adolphe Appian, La source de l'Albarine (The headwaters of the Albarine River), 1870, Etching, drypoint on warm white, laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5900 UNKNOWN, Famille rose zhadou (leys jar), 1875–1908 (Guangxu period), Porcelain, glazed, gilt rim, floral roundel designs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16122 UNKNOWN, Handbag, c.1875–1925, Silk beaded on hand made mesh with upper portion of navy silk. Clasp of silver (?), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/746 Richard Daintree, (Ravenswood, 1870) (no. 21 from 'Images of Queensland' series), 1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8208 Samuel Palmer, The bellman, 1879, Etching on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6416 Silvester Diggles, Rose-breasted cockatoo (Cacatua eos), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5108 UNKNOWN, Sunday bonnet, c.1870–1930, Embroidery made from earlier fragments which include a piece of white linen block (?) printed with small flowers in two colours. 2 pieces of metal thread embroidery (padded with cardboard) applied to the bonnet. Face of bonnet edged with polychrome bobbin lace- probably silk. Small sprays of hand embroidery worked when the bonnet was made. Probably synthetic dyes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6334 attrib. to William Edwards, Racing trophy: The Wythes and Hodgson Cup, c.1870–73, Narrow necked ovoid body arising from a tree fern stem with incurving handles and cast grapes, parrots and snake decoration. The lid surmounted by a kangaroo. The beaded heptafoil base with repousse rocks, ferns and figures of a male and female Aborigine in oxidised silver. Engraved on one face with an inscription between repousse fern trees and on the other with three horses in full gallop. Mounted on a black turned wooden base with metal plaque, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11662 UNKNOWN, Figurine: (gallant holding a bunch of grapes), c.1870–1900, Hard-paste porcelain finely modelled figure of a gallant holding a bunch of grapes over a basket, Rococo base and clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12248 JAMES POWELL & SONS, Wine glass, c.1870–90, Clear glass funnel form with four green glass trails, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7299 after John Skinner - Painter, ALLEN, James Baylis Prout, Lake St. Clair, Tasmania (no. 111 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3459 Albert - Photographer, ALBERT LOMER & CO Lomer, (Young lady standing beside wooden fence), c.1874–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25764 Allan (Ramsay Cunningham) Hughan, Jeune Canaque, c.1870–80s, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34991 Taiso Yoshitoshi, Ippuku no mitai (The desire to smoke) (from 'Mitate tai zukushi' (A collection of desires) series), 1878, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2507 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.9A Richard Daintree, (Western prairie country) (no. 5 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8047 UNKNOWN, Lace edging, c.1875–1900, Linen Flemish lace, machine made, imitation Point de Gaz, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2450 James Charles - Engraver, PROUT, after John Skinner Armytage, Grass tree plains (no. 18 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/700 Eugène Rousseau, Carp Vase, 1878–1884, layered and engraved glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.384 UNKNOWN, (Portrait of a young boy), c.1870–1900, Glass plate negative on glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3601 attrib. to Henry Muller, Portrait of a Queensland Aboriginal man, c.1870, Albumen photograph mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7641 John Watson, Robert Wallace (Brisbane), c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34834 Sam Bough, Carting timber, Cumberland, c.1870, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1053 UNKNOWN, Massive cloisonné urn, c.1875–1900, Elaborately decorated with alternating panels of birds at the shoulder and floral motifs around the body in the cloisonné technique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2716 Silvester Diggles, Jardine's harrier (Circus jardinii), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5431 John Watson, (Young woman in formal dress), c.1870, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14063 H.L. Van Den Houten, Sunset scene in the vicinity of Mt Cathedral with Mts Mundy, Riddle and Juliet in the distance, 1877, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1687 Julia Margaret Cameron, The Bride of Abydos [Annie Chinery, Mrs Ewen Hay Cameron], 1871, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34980 W.C. Piguenit, Mangroves, Lane Cove River, c.1876, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4568 Silvester Diggles, Blue-faced honeyeater (Entomyza cyanotis) and White-pinioned honeyeater (Entomyza albipennis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6240 John - Collaborating artist, HART, W. Gould, Manucodia comrii (Curl-crested Manucode) (from 'The birds of New Guinea and the adjacent Papuan Islands' series), 1875–88, published 1888, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8589 C.A. Brown, Inkwell, 1874, Silver, emu egg on turned wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15340 UNKNOWN, Lace edging, c.1875–1900, Linen Bucks bobbin lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/957 Richard Daintree, (Second class pastoral) (no. 15 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8111 UNKNOWN, Folder, c.1870, Lacquered wood with Mother of pearl inset depicting the British Houses of Parliament, and glass overlay, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15082 Silvester Diggles, Black-eared cuckoo (Chrysococcyx osculans), Shiny cuckoo (Chrysococcyx lucidus), and Narrow-billed cuckoo (Chrysococcyx basalis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8075 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.5A Nicholas Chevalier, Weary: An episode at St Leonards, 1878, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4676 Biggingee Sorabjee Pochee, (Young man), c.1879–80, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/71656 G.P. Wright, (Weeping willow and bamboo, Botanic Gardens) (from 'Brisbane illustrated' portfolio), c.1874–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/626 Richard Daintree, (Free selector's slab hut) (no. 12 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11298 after J.H. - Painter, CREW, John J. Carse, Gladstone, Queensland (no. 84 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2578 UNKNOWN, (Group portrait of seventeen young women), c.1870–1900, Cyanotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3976 Silvester Diggles, Australian roller (Eurystomus australis), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8073 Richard Daintree, (Second class pastoral) (no. 14 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11138 Richard Daintree, (Open forest country) (no. 11 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8312 Silvester Diggles, Crested oreoica (Oreoica cristate) and Spangled drongo shrike (Dicrurus bracteatus), c.1875, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9713 Richard Daintree, (Gold miners' bark hut) (no. 17 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8313 Nishio Keiji, Silk mill at Kanazawa, Kaga Province, c.1874, Woodblock print, ink and colour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42720 Richard Daintree, (Cleared scrub land - Banks Mary River) (no. 10 from 'Images of Queensland' series), c.1870, Autotype on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8049 Thomas - Engraver, CARSE, after J.H. Heawood, New Zealand Gully near Rockhampton, Queensland (no. 85 from 'Australia' series), c.1873, Etching and engraving on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2577 after James Charles Armytage, Brisbane (from South Brisbane) (no. 82 from 'Australia' series), c.1873, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12931 George Barker, recto: Rock of Ages, Niagara verso: General view of the Falls from Prospect Point, c.1875, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35562 Henry Jones, Pacific Islander, c.1877–79, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34941