North American Iron Works, Armchair, 1877–97, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/232

William Callow, Prague, 1874, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00134

Jean Baptiste Camille Corot, A Woman Gathering Faggots at Ville-d'Avray, c. 1871–74, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435990

Louis Michel Eilshemius, Boat At Anchor, 1878, Pencil on paper; 9 x 12 1/16 in. (22.8 x 30.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859788-0

Odilon Redon, a) Mephistopheles, also known as Harlequin (recto)  b) Winged Figure with Serpent (verso), a) (c. 1877) b) (c. 1876), Pencil and colored conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35950

Félix-Hilaire Buhot, La Petite Marine - Souvenir de Medway, 1879, etching, drypoint, aquatint, and roulette in black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4446

Henry I. Seymour, Bentwood Side Chair, 1870–78, Hickory, ash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/504

Edgar Degas, Dancers Practicing at the Barre, 1877, Mixed media on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436139

Berthe Morisot, Reading, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128072

Félix-Hilaire Buhot, La Ronde de Nuit (Night Patrol), 1878, etching, aquatint, and drypoint in black on moderately thick beige laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4453

Ott and Brewer, Cup and Saucer, 1876–92, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2860

Geskel Saloman, Den politiske skomakaren, 1870, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368033

Jean-Louis Forain, Danseuses dans leur loge (Dancers in Their Dressing Room), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6855

Sir Edward Coley, Bt Burne-Jones, Roundel with the Head of a Warrior, c.1870–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00080

Honoré Daumier, Histoire d'un règne, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6383

Napoleon Sarony, Henry Ward Beecher, c. 1875, Albumen silver print; Image/Sheet: 13.9 x 10 cm (5 1/2 x 3 15/16"); Mount: 16.5 x 10.8 cm (6 1/2 x 4 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814011-0

Patent Office Vestibule, c. 1870, Stereoscopic albumen silver print; Image/Sheet (each): 7.7 × 7.4 cm (3 1/16 × 2 15/16"); Mount: 8.7 × 17.6 cm (3 7/16 × 6 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805773-1

Edgar Degas, Two Dancers, c. 1879, Charcoal and white chalk on green commercially coated wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436166

Edgar Degas, The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878), 1873, Pastel on green wove paper, now darkened to brown, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436124

Patent Office, Washington, D.C., c. 1870, Albumen silver print; Image: 9.6 × 14.4 cm (3 3/4 × 5 11/16"); Sheet: 10 × 14.8 cm (3 15/16 × 5 13/16"); Mat: 10.7 × 16.4 cm (4 3/16 × 6 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805852-0

James McNeill Whistler, The Riva, No.I, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3169

Jean Baptiste Camille Corot, Springtime of Life, 1871, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.2

William Morris, Utrecht Velvet, Design c. 1871, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121947

Joseph-Théodore Deck, Vase in the form of a mosque lamp, c. 1870, Tin-glazed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.9

Narcisse-Virgile Diaz de la Peña, The Edge of the Woods, 1872, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436193

Félix-Hilaire Buhot, Les Noctambules (The Night Prowlers), 1876/1877, etching and aquatint with scraping and burnishing in black on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4450

Edgar Degas, Fan Mount: The Ballet, 1879, Watercolor and metallic paint on silk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436143

Edgar Degas, The Rehearsal of the Ballet Onstage, c. 1874, Oil colors freely mixed with turpentine, with traces of watercolor and pastel over pen-and-ink drawing on cream-colored wove paper, laid down on bristol board and mounted on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436155

Giorgio Sommer, Neapel: Im Atelier nachgestellte Entlausungszene, c. 1870, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/106939

Sir Edward Coley, Bt Burne-Jones, Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series, c.1873, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00064

James McNeill Whistler (1834-1903), Cancelled Printing Plate for <em>The Traghetto, No. 2</em>, 1879–1880, Copper; H x W: 24.1 x 30.5 cm (9 1/2 x 12 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184093-1

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7651

Jean Baptiste Camille Corot, Family at Terracina (Une famille a terracine), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6012

Édouard Manet, Claire Campbell, 1876, Pastel with oil on fine-weave canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134236

Charles-François Daubigny, Landscape with a Sunlit Stream, c. 1877, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436090

Honoré Daumier, Trop étroit pour deux, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6398

Glasgow Pottery Company, Cup and Saucer, 1876, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2858

Edgar Degas, Mlle Bécat, c. 1877/1878, monotype on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6948

Jean Baptiste Camille Corot, The Gust of Wind (Le Coup de vent), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6006

Odilon Redon, Centaur Aiming at the Clouds, c. 1875, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35939

Alfred André, Pendant with Europa and the Bull, 1870/1890, baroque pearl; gold enameled in white, black, dark green, pale blue, translucent red, green, yellow, and blue; 22 colorless stones (sapphires, diamonds), 1 blue sapphire, 19 red stones (rubies, glass), 6 pearls, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1464

Gustave Courbet, The Hidden Brook, c. 1873–77, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436013

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7648

Edouard Detaille, The Defense of Champigny, 1879, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436188

Sir Edward Coley, Bt Burne-Jones, Ruth and Boaz, 1879, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00072

Camille Pissarro, The Lock at Pontoise, 1872, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155626

Challinor, Taylor and Company, Boot with Spur, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/564

Félix-Hilaire Buhot, L'Hiver à Paris (Winter in Paris), 1879, etching, aqautint, spit-bite etching, soft-ground etching, drypoint, and scraping on light green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4463

Félix-Hilaire Buhot, Liseuse à la Lampe (Woman Reading by Lamplight), 1879, etching with scraping and burnishing in black on thin tissue paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4454

Etienne Carjat, Alphonse Daudet (French novelist, 1849-1897), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 1, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86946

Félix-Hilaire Buhot, Un Grain à Trouville (Squall at Trouville), 1874/1875, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4455

Edgar Degas, Dancer with a Fan, c. 1880, Pastel on gray-green laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436135

Karl Nordström, Gripsholms slott, konseljsalen, 1878, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106377518

James McNeill Whistler, The Balcony, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3184

Carleton E. Watkins, Half Dome, Yosemite, California, c. 1870, printed c. 1875, albumen silver print; sheet and image: 8 x 12 in. (20.3 x 30.5 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061312-1

Henry Church, Self-Portrait with Five Muses, c. 1880, oil on paper mounted to board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170082

Sir Edward Coley, Bt Burne-Jones, Three Studies for ‘The Beguiling of Merlin’, c.1872–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00066

Thomas Eakins, Woman with Parasol (Walking Dress), (1875–1876), Ink, pencil, and watercolor on paper; 7 1/4 x 4 11/16 in. (18.3 x 11.8 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859665-0

Honoré Daumier, Square Napoléon, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6392

Félix-Hilaire Buhot, Une Matinée d'Hiver au Quai de l'Hôtel-Dieu (Winter Morning on the Quai de l'Hôtel-Dieu), 1876, etching, aquatint, drypoint, stop-out and roulette on japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4444

Vilhelm Kyhn, View from Bornholm, 1878, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368337

Edgar Degas, The Races, 1871–1872, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1157

Hans von Marées, Jünglinge in einer Landschaft ("Zwei Jünglinge"), c. 1875, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3138

Albert Besnard, Madeleine Lerolle and Her Daughter Yvonne, c. 1879–80, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148963

Edgar Degas, Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80, oil on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135238

Eastman Johnson, Winding Yarn (Interior of a Nantucket Kitchen), 1872, oil on board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173167

John Singer Sargent, Neapolitan Children Bathing, 1879, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q104774396

Auguste Rodin, Adam, Modeled 1881, cast c. 1924, Bronze with dark brown patina, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11320

Félix-Hilaire Buhot, Les Petites Chaumières (Thatched Cottages--Small Plate), 1878, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4449

Edgar Degas, On Stage I, 1876, soft-ground etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6482

Gustave Courbet, Panoramic View of the Alps, Les Dents du Midi, 1877, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141168

Sir Edward Coley, Bt Burne-Jones, Study of a Standing Woman for ‘The Passing of Venus’, 1877, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00061

Edgar Degas, Portrait of Mlle. Hortense Valpinçon, c. 1871, Oil on mattress ticking, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.1

Aubrey Beardsley, Caricature of J.M. Whistler, 1872, pen and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4598

James McNeill Whistler, Upright Venice, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3182

James McNeill Whistler, St James's Street, 1878, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4882

Pierre-Auguste Renoir, The Dancer, 1874, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1211

Edgar Degas, Singer at a Café-Concert, 1876–77, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/43554

Félix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), 1878, etching, aquatint, drypoint, and roulette in black on toned paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4441

Challinor, Taylor and Company, Bowl, 1870–85, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/790

Félix Bracquemond, Geese and the Approaching Storm, 1879, Graphite, charcoal, ink, and wash touched with red chalk and lead white (oxidized in places), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.36

Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2811

Pottier and Stymus Manufacturing Company, Side chair, c. 1875, Black walnut, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/235

Félix-Hilaire Buhot, Un Débarquement en Angleterre (Landing in England), 1879, etching, drypoint, aquatint (dust ground and spirit ground), roulette, and burnishing in black on oatmeal paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4451

Jean-Louis Forain, Dancers in their Dressing Room, c. 1876, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/133143

Thomas Eakins, The Biglin Brothers Turning the Stake, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151904

J. F. Coonley, Coonley family, c. 1870, Albumen silver print; Image: 8.5 x 5.1 cm (3 3/8 x 2"); Sheet: 9.6 x 6 cm (3 3/4 x 2 3/8"); Mount: 10.5 x 6.3 cm (4 1/8 x 2 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813211-0

Union Porcelain Works, Cup and saucer, 1875–85, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2796

Edgar Degas, The Singer in Green, c. 1884, Pastel on light blue laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436159

Jean-Baptiste Carpeaux, Charles Gounod, 1872, Terra-cotta; 25 1/4 x 17 x 16 in. (64.1 x 43.2 x 40.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858879-0

Jean-Charles Cazin, The Boatyard, c. 1875, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148966

Marks Adjustable Folding Chair Company, Folding Armchair, c. 1877–97, Walnut, metal, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/229

John Singer Sargent, Two Boys on a Beach with Boats, 1878, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106356926

Anna Nordgren, Lady in a Train Window, 1877, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367215

Jean Baptiste Camille Corot, The Mill of Cuincy, near Douai (Le Moulin de Cuincy, pres Douai), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6011

Sir Edward Coley, Bt Burne-Jones, St Alban, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00074

Richard Bergh, Self-Portrait, 1874, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368108

Sir Edward Coley, Bt Burne-Jones, St Oswald, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00076

Félix-Hilaire Buhot, Les Petites Chaumières (Thatched Cottages--Small Plate), 1878, etching, aquatint and drypoint on parchment, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1060

Charles-François Daubigny, Französischer Obstgarten zur Erntezeit (Le verger), 1876, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1431

William Adolphe Bouguereau, Rest, 1879, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173641

Félix-Hilaire Buhot, Une Matinée d'Hiver au Quai de l'Hôtel-Dieu (Winter Morning on the Quai de l'Hôtel-Dieu), 1876, etching, aquatint, drypoint, stop-out, and roulette on heavy wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4445

Eugene von Guerard, Waterfall on the Clyde River, Tasmania, 1877, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q67204173

Odilon Redon, The Celt, c. 1878, Charcoal, chalk, and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35751

Odilon Redon, Windmill, c. 1875, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35962

Jean-Louis Forain, Le bar des Folies-Bergère (The Bar at the Folies-Bergère), c. 1876, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6857

Pottier and Stymus Manufacturing Company, Armchair, c. 1875–76, Black walnut, original and reproduction upholstery, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/236

Adolphe Monticelli, Ein Anstreicher an einer Hauswand, 1875, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1644

James McNeill Whistler, Long Venice, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3189

Wilhelm Leibl, Älterer Bauer und junges Mädchen; Das ungleiche Paar, 1876–1877, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1330

Adams and Company, Bowl, 1870–80, Pressed yellow glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/779

Jean Baptiste Camille Corot, The Philosophers' Retreat (Le Repos des Philosophes), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6007

Sir Lawrence Alma-Tadema, R.A., O.M., A Roman Emperor: 41 AD, 1871, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.165

Tiffany & Co., Tall Clock, c. 1880, mahogany, teak with dial faces of gilded and patinated metal, glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156855

Jules Dalou, The Ornamenter Edouard Lindenhener, 1878, Bronze; sculpture: 7 1/2 x 4 x 5 7/8 in. (19 x 11.5 x 15 cm) base: 2 x 4 1/4 x 5 1/4 in. (5.1 x 10.8 x 13.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859280-0

Olof Hermelin, A Street in Montmartre, Paris, 1875, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368358

Sir Edward Coley, Bt Burne-Jones, Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series, c.1873, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00063

Alfred Sisley, Seine-Ufer im Herbst, 1876, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1340

Jean Baptiste Camille Corot, The Isolated Fort (Le Fort detache), 1874, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5998

Anna Nordlander, Sami Woman and her Child, 1874, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106361515

Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6010

Arthur Hughes, The Wicked Fairy for ‘At the Back of the North Wind’, c.1870, Ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00213

Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545

Edgar Degas, Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880, soft-ground etching, drypoint, aquatint, and etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6484

Charles-François Daubigny, Apple Blossoms, 1873, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436085

Rodolphe Bresdin, The Haunted House, 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5265

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6109

Leblanc (Firm), Point Paper (mise-en-carte), c. 1880, Opaque watercolor (gouache) over graphite with black ink on mold paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217073

Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250

J. Randall, Musicians, 1876, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499795

Édouard Manet, Die Krocketpartie, 1873, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1463

James McNeill Whistler, Butterfly for a Valance at Dowdeswell's Gallery, c. 1884, Graphite and watercolor on beige laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4654

Gustave Doré, Alpine Landschaft mit Wildbach, nach 1870, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1539

Jean Baptiste Camille Corot, The Lonely Tower (La Tour isolee), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6003

Théodule Ribot, Die leere Flasche, c. 1876–1881, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114027

Pierre-Auguste Renoir, Nach dem Mittagessen (La fin du déjeuner), 1879, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3018

Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6483

Honoré Daumier, A qui le tour?, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6394

James McNeill Whistler, The Little Lagoon, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3164

James McNeill Whistler, Doorway and Vine, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3173

China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7

Henri Fantin-Latour, Manfred and Astarte (1st plate), 1879, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6842

William Callow, Frauenkirche, Prague, 1874, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00135

Auguste Lepère, Les Fauteuils d'orchestre, 1878, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8499

J. Miller M'Kim, 1872, Engraving on paper; Book closed: 24.4 × 17.5 × 5.8 cm (9 5/8 × 6 7/8 × 2 5/16"); Book open: 24.4 × 31.6 × 5.8 cm (9 5/8 × 12 7/16 × 2 5/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399828337-0

Henri de Toulouse-Lautrec, Album de Marine: Sketchbook of 48 folios containing 17 watercolors and 27 black chalk and graphite sketches, 1879–80, Graphite, watercolor and black chalk on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334729

Jean Baptiste Camille Corot, Ville-d'Avray, 1870, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435988

Sir Edward Coley, Bt Burne-Jones, Study of a Female Head for ‘The Hours’, c.1872, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00070

Jean-Louis Forain, Le café de la Nouvelle Athènes (The Cafe of the New Athens), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6856

Jean Baptiste Camille Corot, Bildnis eines italienischen Mädchens, 1870, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1487

Edgar Degas, Mlle Bécat at the Café des Ambassadeurs, 1877–78, Lithograph in black on grayish white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13560

Honoré Daumier, C'est dangereux, la pêche à l'épervier, 1872, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6389

Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on chine-like laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6481

Honoré Daumier, Nous ne nous serions jamais douté tout de même..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6390

Jean Baptiste Camille Corot, The Rider in the Reeds (Le Cavalier dans les roseaux), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6005

Jean-François Millet, Pasture near Cherbourg (Normandy), 1871–72, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.5

Sir Edward Coley, Bt Burne-Jones, Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’, c.1875, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00108

Auguste Rodin, Bust of a Woman, 1875, terracotta with plaster and paint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/996

Félix Bracquemond, The Old Cock, c. 1882, conté crayon with brush and brown-black wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5264

James McNeill Whistler, The Venetian Mast, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3172

Edgar Degas, The Milliner, c. 1882, Pastel and charcoal on warm gray wove paper, now discolored to buff (watermark MICHALLET), laid down on dark brown wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436151

Etienne Carjat, Alexandre Dumas (French novelist and playwright, 1802-1870), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144656

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7649

Paul Cezanne, Le bassin et l'allée des marronniers au Jas de Bouffan, c. 1878–1890, Aquarell über Bleistift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/15228

Edgar Degas, Dancer Onstage, c. 1877, Gouache over graphite underdrawing on thin wove commercially coated yellow paper, laid down on board, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436134

Jean Baptiste Camille Corot, The Meeting in the Woods (La Rencontre du bosquet), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6004

James McNeill Whistler, Florence Leyland, c. 1873, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4880

Odilon Redon, Winged Horseman, c. 1875, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35876

James McNeill Whistler, San Biagio, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3174

Eugene von Guerard, Dandenong Ranges from ?Beleura?, 1870, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794170

Edgar Degas, The Ballet from "Robert le Diable", 1871, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436123

Jean-Baptiste Carpeaux, Jean-Léon Gerôme, (1871/cast 1871–1888), Bronze; 23 15/16 x 9 7/8 x 9 15/16 in. (60.8 x 24.8 x 25 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858882-0

Alphonse Legros, Head of a Man (Tete d'homme), 1877, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8288

Honoré Daumier, Le couronnement de son édifice, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6396

Narcisse-Virgile Diaz de la Peña, A Vista through Trees: Fontainebleau, 1873, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436195

Hilda Lindgren, Peter Wieselgren (1800-1877), associate professor, dean, literature historian, temperance advocate, married to Mathilda Rosenqvist, 1874, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378462

Honoré Daumier, Ce que certains journaux appeleraient..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6384

William Callow, Giessen, 1871, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00133

Baumann Brothers, Bedstead, c. 1880, Maple, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/445

Henri-Joseph Harpignies, View near Hérisson, 1875, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.181

James McNeill Whistler, Lagoon: Noon, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3193

Félix-Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879/1880, etching, aquatint, and drypoint in black on cream laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4447

Hans Thoma, In der Hängematte, 1876, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2864

Sir Edward Coley, Bt Burne-Jones, Study of a Woman’s Head, 1870, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00057

Ferdinand Gaillard, Pius IX, 1873, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7326

Félix-Hilaire Buhot, L'Orage (The Storm), 1879, drypoint and roulette with isolated areas of etching and possibly salt lift in black on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4459

Hans Thoma, Unter dem Flieder, 1871, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3760

Odilon Redon, Eye-Balloon (Œil-ballon), 1878, Charcoal and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33013

Gustaf Cederström, Gotthard Werner (1837-1903), artist, 1870, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106374563

Claude Monet, Winterliche Landschaft mit Abendhimmel, c. 1870–1880, Pastellkreide auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/23845

Persia (Iran), Shawl, c. 1870, Tapestry weave, wool, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.36

Edgar Degas, Diego Martelli, 1879, charcoal and white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130528

James McNeill Whistler, Wheelwright, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3194

Edgar Degas, Die Orchestermusiker, 1872, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3079

James McNeill Whistler, The Beggars, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3171

Jean Baptiste Camille Corot, Drowsing Cattle (Le Dormoir des vaches), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6009

Henry Hobson Richardson, Armchair, c. 1880, Oak, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/238

Chelsea Keramic Art Works, Cup and Saucer, 1879–83, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2857

Jean-Louis Forain, Déclaration d'amour (Declaration of Love), c. 1880, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6947

Sir Edward Coley, Bt Burne-Jones, Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series, c.1871–3, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00058

John Singer Sargent, Luxembourg Gardens at Twilight, 1879, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.20

Edgar Degas, The Dance Lesson, c. 1879, Pastel and black chalk on three pieces of wove paper, joined together, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436132

Carl Frederik Sørensen, A View from a Swedish Coast, 1873, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368466

Auguste Rodin, The Age of Bronze, 1875–76, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/98627

Edgar Degas, The Dancing Class, c. 1870, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436141

Frank Duveneck, Leslie Pease Barnum, 1876, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1097

Sir Edward Coley, Bt Burne-Jones, The Finding of Moses, 1879, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00073

Herter Brothers, Bedstead, c. 1880, Cherry, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/443

Sir Edward Coley, Bt Burne-Jones, St Boniface, 1875, Charcoal and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00077

Mathew B. Brady, Jacob D. Cox, c. 1870, Albumen silver print; Image: 20.8 x 15.7cm (8 3/16 x 6 3/16"); Sheet: 20.8 x 15.7cm (8 3/16 x 6 3/16"); Mount: 30.4 x 25.3cm (11 15/16 x 9 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399809659-0

Edgar Degas, Woman on a Sofa, 1875, Oil colors freely mixed with turpentine, with touches of pastel, over graphite underdrawing, on pink paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436125

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6082

Luigi Bevilacqua, Panel (Furnishing Fabric), 1875/1925, Silk, cotton and gilt strip, plain weave with supplementary patterning wefts and pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58027

W. T. Copeland and Sons, Bowl, 1870–1900, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/791

Peter Timmes, Bench, c. 1880–1900, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/463

Mississippi Legislature, <I>Revised Code of Mississippi</I>, 1871, ink on paper (fiber product); H x W x D (closed): 10 1/4 × 7 1/16 × 2 1/2 in. (26.1 × 18 × 6.4 cm); H x W x D (open): 10 1/4 × 16 1/8 × 2 1/2 in. (26.1 × 40.9 × 6.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398746025-0

Thomas Eakins, Drawing Of Girard Avenue Bridge/Verso Sketch Of An Oar, (c. 1871), Pencil on paper; 4 1/8 x 6 7/8 in. (10.4 x 17.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859671-1

James McNeill Whistler (1834-1903), Old Putney Bridge, 1879, Etching; ink on paper; H x W: 20.1 x 29.5 cm (7 15/16 x 11 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183380-0

Edgar Degas, Sulking, c. 1870, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436162

Auguste Rodin, The Age of Bronze (L'Age d'Airain), model 1875–1876, cast 1903–1904, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1003

Aubrey Beardsley, Tannhäuser, 1872, pen and black ink with gray wash heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4600

Jean-Léon Gérôme, Der heilige Hieronymus, 1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102185

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7650

Jean Baptiste Camille Corot, Sappho (Sapho), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6008

James McNeill Whistler, Salute Dawn, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3192

Sir Edward Coley, Bt Burne-Jones, Roundel with the Head of a Woman, c.1870–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00081

Félix-Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879/1880, etching, aquatint, and drypoint in black on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1061

Camille Pissarro, Edge of the Woods Near L'Hermitage, Pontoise, 1879, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128392

Challinor, Taylor and Company, Bowl, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/789

Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2810

Edouard Detaille, A Dragoon on Horseback, 1876, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436187

Berthe Morisot, Mademoiselle Louise Riesener in a Hat, c. 1877–80, pastel on pale blue laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135405

Olof Hermelin, A Street in Montmartre, 1875, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368201

Édouard Manet, Civil War (Guerre civile), 1871, lithograph on chine collé, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8683

Louis Michel Eilshemius, Shelter, 1878, Pencil on colored paper; 8 5/8 x 12 7/16 in. (21.9 x 31.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-0

Édouard Manet, At the Races, c. 1875, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1180

Gustave Courbet, River and Rocks, 1873–77, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436020

Edvard Perséus, Maria Agnes Claesson (1843- efter 1903), gift med konstnären Edvard Perséus, 1878, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106377351

Louis Eysen, Die Erdpyramiden am Schalderer Bach bei Vahrn, 1878, Aquarell über Bleistift auf elfenbeinweißem mattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18821

T. W. Smillie, Washington City and Vicinity, after 1870, Stereoscopic albumen silver print; Image/Sheet (each): 7.9 × 7.7 cm (3 1/8 × 3 1/16"); Mount: 8.8 × 17.7 cm (3 7/16 × 6 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805794-1

Edgar Degas, Leaving the Bath, 1879–80, Drypoint and aquatint in black on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64982

Isaac Broome, Bust of Benjamin Franklin, 1876, Parian porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/476

Édouard Manet, Berthe Morisot with a Muff, c. 1871–72, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135336

Bangladesh, Jamdani Sari, 1870, Cotton, metallic thread, supplementary weft patterning, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.191

Josef Wilhelm Wallander, Masugnen, 1873, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367870

Jeanna Bauck, The Danish portrait painter Bertha Wegmann at work, 1870, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q10468590

Nadar (Gaspard Félix Tournachon), François Coppée (French poet and novelist, 1842-1908), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 2, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144580

Félix-Hilaire Buhot, La Traversée (The Passage), 1879–1885, etching, drypoint, roulette, aquatint and stop-out in black on brown laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4443

Stanford White, Frame, 1870–1900, Wood, gilt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/130

Anonymous Artist, Louis II de Bourbon, Prince de Condé, 1877/1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1249

Arthur Hughes, The Drunken Cabman for ‘At the Back of the North Wind’, c.1870, Ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00212

Charles-François Daubigny, Boats on the Seacoast at Etaples, 1871, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436084

Edgar Degas, A Woman Ironing, 1873, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436174

Eugène Cicéri, Half-Timbered Houses along a Waterway, 1877, Photomechanical reproduction of a drawing in charcoal (stumped), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334672

Pierre Petit, Émile Erckmann (French writer, 1822-1899) and Alexandre Chatrian (French writer, 1826-1890), c. 1876, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 1, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/143428

Jean Baptiste Camille Corot, Landscape with Figures (Les Bohémiens), 1872, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435964

Jean Baptiste Camille Corot, The Forest of Coubron, 1872, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1149

Hans Thoma, Bildnis Ida Müller, geb. Scholderer, 1877, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3501

George Jakob Hunzinger, Folding Armchair, after 1876, Maple, steel mesh, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/225

Jean Baptiste Camille Corot, Willows and White Poplars (Saules et peupliers blancs), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6013

Edgar Degas, Portraits at the Stock Exchange, c. 1878–79, Pastel on paper, pieced, and laid down on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436154

Honoré Daumier, Monsieur sera très bien ici..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6397

Alphonse Legros, Head, 1879, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8451

Auguste Rodin, The Walking Man (L'Homme qui marche), model 1878–1900, cast probably 1903, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1004

James McNeill Whistler (1834-1903), Staircase panel, 1876, Oil paint and metal leaf on wood; H x W: 51.1 x 36.8 cm (20 1/8 x 14 1/2 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184936-0

James McNeill Whistler (1834-1903), From Billingsgate, 1878, Drypoint; ink on paper; H x W: 14.7 x 22.4 cm (5 13/16 x 8 13/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184790-1

Timothy H. O'Sullivan, Cañon de Chelle. Walls of the Grand Cañon about 1200 Feet in Height., 1873, albumen silver print; 8 x 10 7/8 in. (20.3 x 27.6 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061227-0

Eugene von Guerard, Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand, 1877, Auckland Art Gallery Toi o Tāmaki, Auckland. https://dartabase.art/cite/wikidata/Q27884947

Otto Bache, Cows, 1878, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360910

Thomas Nast, Tilden or Blood Compromise - Indeed!, 1877, Wood engraving on paper; Sheet: 29.7 × 42.1cm (11 11/16 × 16 9/16"); Image: 24.9 × 34.1cm (9 13/16 × 13 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803922-1

Per Daniel Holm, Laponian Landscape with Reindeer and Sami, 1871, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106365848

Frank Duveneck, William Gedney Bunce, c. 1877–1878, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1098

William Michael Harnett, Memento Mori, "To This Favour", 1879, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141641

Jean-Louis Forain, L'ambulante au parapluie (Walker with an Umbrella), c. 1880, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6861

Aubrey Beardsley, Withered Spring, 1872, pen and black ink heightened with white over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4599

Paul Cezanne, Standing Bather, Seen from the Back, 1879–82, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191564

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6181

Edgar Degas, The Rehearsal Onstage, c. 1874, Pastel over brush-and-ink drawing on thin cream-colored wove paper, laid down on bristol board and mounted on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436156

George Augustus Baker, Portrait of the Artist, 1874, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.66

Julius Kronberg, King Gustav Vasa of Sweden Receiving the Swedish Translation of the Bible, 1870, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106364363

James McNeill Whistler, Nocturne: Palaces, 1879/1880, etching and drypoint in brownish-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3179

Charles Frederick Worth, Panel (from a Dress), 1875/1925, Silk, satin weave with supplementary pile warps forming cut, voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/107742

Pierre-Auguste Renoir, Seascape, 1879, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/81557

Thomas Matthews Rooke, Ruth and Naomi, 1876–7, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00839

Percy Thomas (1846-1922), After Whistler's Arrangement in Grey: Portrait of the Painter, 1874, Etching; ink on paper; H x W: 13.1 x 9.8 cm (5 3/16 x 3 7/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184512-0

James McNeill Whistler (1834-1903), Whistler with the White Lock, 1879, Drypoint; ink on paper; H x W: 11.7 x 8 cm (4 5/8 x 3 1/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184272-0

Rodolphe Bresdin, The Haunted House, 1871, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5266

Carl Müller, Holy Family, 1872, Black and white chalk on gray paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334933

Claude Monet, Häuser am Ufer der Zaan, 1871–1872, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1375

Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6859

Paul Cezanne, Landschaft. Straße mit Bäumen im Felsgebirge, 1870–1871, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3314

Edgar Degas, Fan Mount: Dancers, 1879, Watercolor and metallic paint on silk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436142

Sir Edward Coley, Bt Burne-Jones, Study of a Seated Woman for ‘The Passing of Venus’, c.1877, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00062

Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6083

Carleton E. Watkins, Witches Rock, near Echo City, Utah, 1873, albumen silver print; sheet and image: 21 3/8 x 16 3/8 in. (54.3 x 41.6 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061047-1

William Bell, Perched Rock, Rocker Creek, Arizona, 1872, albumen silver print; sheet and image: 10 3/4 x 8 in. (27.3 x 20.3 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061081-0

Georges Seurat, Stone Breaker, Le Raincy (Casseur de pierres, Le Raincy), c. 1879–81, Conté crayon and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34479

Honoré Daumier, Décidément on ne peut pas..., 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6391

Jean-Louis Forain, Le bouquet (The Bouquet), c. 1876, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6854

Thomas Matthews Rooke, Ruth and Boaz, 1876–7, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00840

Lewis Carroll, Alexandra „Xie“ Kitchin als chinesischer „Tea-Merchant“ (on Duty), 1873, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102494

Honoré Daumier, La paix a tout prix, 1870, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6393

Ernst Josephson, Staalmeesters. After Rembrandt, 1876, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106363886

Alfred Stevens, Curious, 1870, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360585

Charles-François Daubigny, The Seine: Morning, 1874, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436086

Francis Seymour Haden, Challow Farm, in or after 1877, drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1070

James McNeill Whistler, Nocturne, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3162

James Tissot, Seaside (July: Specimen of a Portrait), 1878, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150083

Thomas Matthews Rooke, Naomi, Ruth and Obed, 1876–7, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00841

Narcisse-Virgile Diaz de la Peña, The Forest of Fontainebleau, 1874, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436196

James McNeill Whistler, The Bridge, Santa Marta, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3181

Jean Lecomte du Nouÿ, A Eunuch's Dream, 1874, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155871

Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, color etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6858

Adams and Company, Bowl, 1870–90, Pressed yellow glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/780

Edgar Degas, The Actress Ellen Andrée, 1879, drypoint (electric crayon), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6480

Sir Edward Coley, Bt Burne-Jones, Roundel with the Head of a Woman, c.1870–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00082

Félix-Hilaire Buhot, Le Petit Enterrement (The Burial - Small Plate), 1878, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4452

Louis Michel Eilshemius, Windmill #2, 1878, Watercolor and pencil on paper; 8 x 11 3/4 in. (20 x 29.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859754-0

Edgar Degas, Actresses in Their Dressing Rooms, 1879–80, Etching and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21522

Alphonse Legros, English Beggars (Les mendiants anglais), 1875, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8301

J. and J. G. Low Art Tile Works, Border Tile, c. 1881, Earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/566

The Byerly Picture Gallery, 1871, Engraving on paper; Image/Sheet: 25 × 18.9 cm (9 13/16 × 7 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824616-1

Antoine Samuel Adam-Salomon, Charles Garnier (French architect, 1825-1898), 1876/84, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 4, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/143448

Elizabeth King Hawley, Hanging Sphere, c. 1875, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35637

Sir Edward Coley, Bt Burne-Jones, Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’, c.1872–7, Charcoal and graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00065

Jean Baptiste Camille Corot, The Bell Tower of St. Nicolas-Lez-Arras (Le Clocher de St. Nicolas-Lez-Arras), 1871, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6002

Edgar Degas, Two Dancers, 1873, Dark brown wash and white gouache on bright pink commercially coated wove paper, now faded to pale pink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436165

Jean Baptiste Camille Corot, A Lane through the Trees, c. 1870–73, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435975

Léon Vidal, Italienischer Dolch, 16. Jahrhundert, c. 1876, Vidal-Fotochromie, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102617

James McNeill Whistler (1834-1903), Free Trade Wharf, 1877, Etching; ink on paper; H x W: 9.9 x 18.7 cm (3 7/8 x 7 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183372-0