Ehrgott & Forbriger Lithography Company, Andrew Hull Foote, c. 1862–64, Lithograph on paper; Image: 25.7 × 23.8 cm (10 1/8 × 9 3/8"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805365-0 Thomas S. Sinclair, Col. Ellsworth's Funeral March, 1861, Color lithograph on paper; Sheet: 35.8 x 27cm (14 1/8 x 10 5/8"); Mat: 55.9 x 40.6cm (22 x 16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816350-1 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Ferdinand Gaillard, Gattamelata, 1866, engraving on gray chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/863 Francis Seymour Haden, Isleworth, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7661 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9080 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9111 Édouard Manet, The Toilette, 1862, Etching in black on ivory laid Chinese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45808 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 James McNeill Whistler (1834-1903), The Punt, 1861, Etching; ink on paper; H x W: 11.8 x 16.2 cm (4 5/8 x 6 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183322-0 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Sir Edward Poynter, Miriam, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00831 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9108 Charles Meryon, L.J.-Marie Bizeul, a Breton Archaeologist, 1861, etching, engraving, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9113 Charles Meryon, Présentation du Valère Maxime au Rois Louis XI (The Printer Valerius Maximus Being Presented to King Louis XI), 1860, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9119 Francis Seymour Haden, Opposite the Inn, Purfleet, in or after 1869, etching with drypoint (zinc) in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7664 Sir John Everett, Bt Millais, The Importunate Friend, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00803 Sir John Everett, Bt Millais, The Labourers in the Vineyard, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00798 Maxime Lalanne, Rue des Marmousets (Quartier de la cite, vieux Paris), 1862, etching on laid tissue paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/864 Charles Meryon, Ancienne habitation à Bourges, dite "La Maison du Musicien" (An Old House at Bourges, Sometimes Called the "Musician's House"), 1860, etching with graphite additions on wove Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9144 Félix Bracquemond, Hiver (Le Loup dans la neige), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5261 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9466 Samuel Palmer, The Morning of Life, 1860/1861, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9506 Sir John Everett, Bt Millais, The Good Samaritan, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00808 Sir John Everett, Bt Millais, The Marriage Feast, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00799 Charles Meryon, Partie de la Cité vers la fin du XVIIe siècle (View of the City of Paris Towards the Close of the XVIIth Century), 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9468 Louis Prang Lithography Company, Irvin McDowell, c. 1862, Lithograph on paper; Sheet: 13.3 x 8 cm (5 1/4 x 3 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399810872-0 Francis Seymour Haden, Sunset on the Thames, in or after 1865, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7666 Sir Edward Poynter, Joseph before Pharoah, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00833 Honoré Daumier, Qu'on dise encore que la chasse..., 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6406 John Chester Buttre, David G. Farragut, 1865, Engraving on paper; Sheet: 60.4 x 47.9cm (23 3/4 x 18 7/8"); Mat: 71.1 x 55.9cm (28 x 22"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816050-0 New York Tribune, New York Tribune, September 7, 1864, September 7, 1864, Wood engraving on paper; Image/Sheet: 52.5 × 40.1 cm (20 11/16 × 15 13/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822938-0 Charles Meryon, Passerelle du Pont-au-Change, Paris, après l'Incendie de 1621 (Footbridge Temporarily Replacing the Pont-au-Change, Paris, after the Fire of 1621), 1860, etching printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9469 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/854 Sir John Everett, Bt Millais, The Unmerciful Servant, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00809 Ehrgott & Forbriger Lithography Company, William H. Lytle, c. 1862–64, Lithograph on paper; Image: 33 × 24.7 cm (13 × 9 3/4"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805392-0 Édouard Manet, Marine, 1865–66, Etching, aquatint and roulette in brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103101 Charles Meryon, Jean Besly, 1861, etching on D&C Blauw laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9114 Maxime Lalanne, Rade de Bordeaux, 1868, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8247 Ehrgott & Forbriger Lithography Company, David Hunter, c. 1862–64, Lithograph on paper; Image: 24.5 × 24 cm (9 5/8 × 9 7/16"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805370-0 Currier & Ives Lithography Company, The National Game, 1860, Lithograph on paper; Sheet: 30.7 × 41 cm (12 1/16 × 16 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824130-0 Alphonse Legros, Choir in a Spanish Church (La choeur d'une eglise espagnole), 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8307 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Édouard Manet, Edgar Poe, 1860, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8687 Sir Edward Poynter, Joseph Presents his Father to Pharoah, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00825 Charles Meryon, Chevet de St. Martin-sur-Renelle (The Apsis of the Church of St. Martin-sur-Renelle), 1860, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9141 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9463 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Honoré Daumier, Un Criminel!, 1864, lithograph (gillotype?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6380 Édouard Manet, The Reader (Le liseur), 1861, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8685 Harper's Weekly, September 5, 1863, September 5, 1863, Wood engraving on paper; Image/Sheet: 42 × 29.2 cm (16 9/16 × 11 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822969-0 Sir John Everett, Bt Millais, The Foolish Virgins, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00802 Sir John Everett, Bt Millais, The Prodigal Son, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00811 Elizabeth Keckley (frontispiece to "Behind the Scenes"), c. 1868, Etching and engraving on paper; Image: 9.3 × 7.1 cm (3 11/16 × 2 13/16"); Sheet: 18.5 × 11.4 cm (7 5/16 × 4 1/2"); Book: 19 × 12.9 × 3.8 cm (7 1/2 × 5 1/16 × 1 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824593-0 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9109 Francis Seymour Haden, A River in Ireland, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6065 Jean-François Millet, The Large Shepherdess (La grande bergere), 1862, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9191 Francis Seymour Haden, Mount's Bay, in or after 1868, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7659 Sir Edward Poynter, Daniel’s Prayer, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00832 Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1866, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5999 Édouard Manet, Lola de Valence, 1862, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8686 George Baxter, The Wesleyan Chapel, Popham's Broadway, Madras, 1846, Steel etching, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54123 Sir John Everett, Bt Millais, The Rich Man and Lazarus, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00797 Jean-François Millet, Departure for Work (Le depart pour le travail), 1863, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9194 Sir Edward Poynter, Moses Strikes the Rock, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00829 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Francis Seymour Haden, The Towing Path, 1864, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1078 Sir John Everett, Bt Millais, The Tares, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00805 Charles Meryon, Rébus: "Ci-gît la vendetta surannée" (Rebus: "Here Lies the Ancient Vendetta"), 1863, etching and engraving on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9120 Édouard Manet, Dead Christ with Angels (Christ aux anges), 1866/1867, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8680 Charles Meryon, Le malingre cryptogame (The Sickly Cryptogam), 1860, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9084 Charles Meryon, Couverture du "Voyage à la nouvelle Zélande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand"), 1866, etching on Hudelist laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9138 Francis Seymour Haden, Combe Bottom, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1069 William Edgar Marshall, George Washington, 1862, engraving on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1085 Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1075 Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6298 Charles Meryon, La Rue Pirouette aux halles, Paris (Pirouette Street, Near the Markets, Paris), 1860, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9470 Honoré Daumier, Allons bon!... il parait... chasse réservée, 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6381 Honoré Daumier, L'Ane et les deux voleurs, 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6385 Honoré Daumier, Équilibre Européen, 1867, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6395 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Sir John Everett, Bt Millais, The Wicked Husbandman, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00807 John Brown, c. 1861–62, Lithograph on paper; Sheet: 10.2 x 6.2 cm (4 x 2 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814586-0 Charles Meryon, Evariste Boulay-Paty; A Poet (From a Bronze by David d'Angers), 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9085 Sir John Everett, Bt Millais, The Good Shepherd, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00806 Charles Meryon, François Viète, 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9116 Honoré Daumier, Faut pas s'plaindre de c'temps-la..., 1864, lithograph (gillotype?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6379 Sir Edward Poynter, By the Waters of Babylon, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00830 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9078 Charles Meryon, La Rue des Chantres, Paris (Chantrey Street, Paris), 1862, etching on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9107 Honoré Daumier, Les Tritons de la Seine, 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6382 Sir John Everett, Bt Millais, The Wise Virgins, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00794 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Sir John Everett, Bt Millais, The Lost Piece of Silver, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00801 Francis Seymour Haden, Yacht Tavern, Erith, 1865, etching (zinc), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7663 Sir John Everett, Bt Millais, The Pearl of Great Price, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00804 Sir John Everett, Bt Millais, The Unjust Judge and the Importunate Widow, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00795 Charles Meryon, Couverture du "Voyage à la nouvelle Zélande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand"), 1866, etching on brown wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9137 Sir John Everett, Bt Millais, The Lost Sheep, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00792 Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7660 Édouard Manet, The Smoker (Le fumeur), 1866, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8682 Sir Edward Poynter, Joseph Distributes Corn, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00834 Francis Seymour Haden, A By-Road in Tipperary, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7668 George Baxter, First Impression, also called First Impressions (Large), c. 1864, Etching and aquatint on steel, printed in black, with block printing in color, on white wove paper, varnished, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59489 Sir Edward Poynter, Moses and Aaron before Pharoah, 1863, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00827 Charles Meryon, Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poepo, 1845 (New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845), 1863, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9118 Charles Meryon, Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields"), 1863, etching on D&C Blauw paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9121 Édouard Manet, The Absinthe Drinker (Le buveur d'absinthe), 1862, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8679 Sir John Everett, Bt Millais, The Sower, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00800 Francis Seymour Haden, Kensington Gardens (The Larger Plate), 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1072 Charles Meryon, Le Grand Chatelet, Paris, vers 1780 (The Grand Chatelet, Paris, about 1780), 1861, etching and drypoint on D&C Blauw laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9467 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9464 Alphonse Legros, Horse-driven Mill (Le manege), probably 1869, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8304 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching in black and gold on Hudelist laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9110 Sir Edward Poynter, Pharoah Honours Joseph, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00828 Charles Meryon, Tourelle, Rue de l'École de Médecine, 22, Paris (House with a Turret, No. 22, Street of the School of Medecine, Paris), 1861, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9106 Charles Meryon, René Laudonnière Sablais (De Burdigale), 1861, etching, drypoint, and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9115 Honoré Daumier, Galileo, astonished by changes in the face of the earth, from "News of the Day", February 21, 1867, Lithograph on newsprint; second state of two (Delteil), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334758 Édouard Manet, The Toilette (La toilette), 1862, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8681 Honoré Daumier, Le Dimanche au Jardin des Plantes, 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6403 Honoré Daumier, En Chemin de fer... un voisin agréable (On the Railroad... an agreeable neighbor), 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6401 Sir John Everett, Bt Millais, The Leaven, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00796 Sir John Everett, Bt Millais, The Hidden Treasure, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00810 Édouard Manet, At the Prado (Au Prado), 1865/1868, etching and aquatint on machine-made laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8684 Édouard Manet, Dead Toreador (Torero mort), 1868, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8688 Sir John Everett, Bt Millais, The Pharisee and the Publican, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00793 Charles Meryon, Océanie, ilots à Uvea (Wallis); Peche aux palmes, 1845 (Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group), 1863, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9117 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on wove paepr, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9465 Julien Antoine Peulot, Exposition universelle: L'Etranger trouve toutes les facilites desirables..., 1867, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6436 Sir Edward Poynter, Moses Keeping Jethro’s Sheep, 1863, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00826